Duets II

~ Release by Tony Bennett (see all versions of this release, 7 available)

Tracklist

1CD
#TitleArtistRatingLength
1The Lady Is a Tramp
recording engineer and mixer:
Dae Bennett
assistant engineer:
Alessandro Perrotta, Adam Bancroft and Brian Chirlo
producer:
Dae Bennett and Phil Ramone
alto saxophone:
Dave Mann (saxophonist) and Lawrence Feldman (flutist and saxophonist)
baritone saxophone:
Ron Janelli
bass:
Marshall Wood
bass trombone:
George Flynn (trombone)
drums (drum set):
Harold Jones (jazz drummer)
guitar:
Gray Sargent
piano:
Lee Musiker
tenor saxophone:
Mark Phaneuf (saxaphonist) and Andy Snitzer
tenor trombone:
Larry Farrell, Mike Davis (US jazz trombonist) and Keith O’Quinn (trombonist)
trumpet:
Bud Burridge (trunpet player), John Owens (US trumpeter), Tony Kadleck and Bob Millikan (trumpeter)
lead vocals:
Tony Bennett (US jazz/standards vocalist) and Lady Gaga
conductor:
Marion Evans
arranger:
Marion Evans
recorded at and mixed at:
Bennett Studios in Englewood, New Jersey, United States
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
Tony Bennett duet with Lady Gaga43:18
2One for My Baby (and One More for the Road)
recording engineer and mixer:
Dae Bennett
assistant engineer:
Alessandro Perrotta, Adam Bancroft and Brian Chirlo
producer:
Dae Bennett and Phil Ramone
alto saxophone:
Lawrence Feldman (flutist and saxophonist) and Lou Marini
baritone saxophone:
Roger Rosenberg
bass:
Marshall Wood
bass trombone:
George Flynn (trombone)
drums (drum set):
Harold Jones (jazz drummer)
guitar:
Gray Sargent
piano:
Lee Musiker
tenor saxophone:
Charlie Pillow and Dave Mann (saxophonist)
tenor trombone:
Larry Farrell, Mike Davis (US jazz trombonist) and Keith O’Quinn (trombonist)
trumpet:
Bud Burridge (trunpet player), John Owens (US trumpeter), Tony Kadleck and Bob Millikan (trumpeter)
lead vocals:
Tony Bennett (US jazz/standards vocalist) and John Mayer (US singer‐songwriter)
conductor:
Marion Evans
arranger:
Marion Evans
recorded at and mixed at:
Bennett Studios in Englewood, New Jersey, United States
cover recording of:
One for My Baby (and One More for the Road)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
Tony Bennett duet with John Mayer42:58
3Body and Soul
recording engineer and mixer:
Dae Bennett
assistant engineer:
Alessandro Perrotta, Adam Bancroft and Brian Chirlo
executive producer:
Danny Bennett
producer:
Dae Bennett and Phil Ramone
bass:
Marshall Wood
bass clarinet and clarinet:
Charles Pillow
bass trombone:
George Flynn (trombone)
bassoon:
Marc Goldberg (bassoonist)
cello:
Diane Barere, Stephanie Cummins (cello), Dave Eggar, Jeanne LeBlanc, Richard Locker (cellist) and Ellen Westermann
cor anglais [English horn] and oboe:
Diane Lesser
double bass:
Tim Cobb (double bassist) and David Finck
drums (drum set):
Harold Jones (jazz drummer)
flute and piccolo:
Katherin Fink and Pamela Sklar
French horn:
Bob Carlisle (french hornist), Barbara Jöstlein, Thomas Jöstlein, Philip Myers (hornist), Ann Scherer and Currie Scherer
guitar:
Gray Sargent
harp:
Grace Paradise
percussion:
Ben Herman (American percussionist), Erik Charlston and Gordon Gottlieb (American percussionist and conductor)
piano:
Lee Musiker
tenor trombone:
Mike Davis (US jazz trombonist)
trumpet:
Tony Kadleck
viola:
Adria Benjamin, Karen Dreyfus (violist), Desiree Elsevier, Monica Gerard, David Gold (viola player), Vincent Lionti, Todd Low, Craig Mumm, Alissa Smith and Judy Witmer
violin:
Elena Barere (violinist), Avril Brown (Violinist), Sean Carney (violinist), Jonathan Dinklage, Cornelius Dufallo, Liz Lim Dutton, Sanguen Eanet, Katherine Fong, Ming Feng Hsin, Karen Karlsrud, Yoon Kwon, Ann Leathers (US violinist), Matthew Lehmann, Katherine Livolsi, Laura McGinniss, Yurika Mok, Lorenza Ponce, Carol Pool (violin), Wen Qian, Shirien Taylor Donahue, Catherine Sim, Entcho Todorov, Una Tone, Yuri Vodovoz, Xiao‐Dong Wang (violinist) and Nancy Wu (violinist)
lead vocals:
Tony Bennett (US jazz/standards vocalist) and Amy Winehouse
conductor:
Jorge Calandrelli
arranger:
Jorge Calandrelli
concertmaster:
Elena Barere (violinist)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2011) and Island Records (Island, imprint of Island Records, a division of Universal Music Group) (in 2015)
recorded at and mixed at:
Bennett Studios in Englewood, New Jersey, United States
part of:
Grammy Award: Best Pop Duo/Group Performance nominees (number: 2012 winner)
cover recording of:
Body and Soul
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Tony Bennett duet with Amy Winehouse2.53:23
4Don’t Get Around Much Anymore
recording engineer and mixer:
Dae Bennett
assistant engineer:
Alessandro Perrotta, Adam Bancroft and Brian Chirlo
producer:
Dae Bennett and Phil Ramone
alto saxophone:
Lawrence Feldman (flutist and saxophonist) and Lou Marini
baritone saxophone:
Roger Rosenberg
bass:
Marshall Wood
bass trombone:
George Flynn (trombone)
drums (drum set):
Harold Jones (jazz drummer)
guitar:
Gray Sargent
piano:
Lee Musiker
tenor saxophone:
Charlie Pillow
tenor trombone:
Larry Farrell, Mike Davis (US jazz trombonist) and Keith O’Quinn (trombonist)
trumpet:
Bud Burridge (trunpet player), John Owens (US trumpeter), Tony Kadleck and Bob Millikan (trumpeter)
lead vocals:
Tony Bennett (US jazz/standards vocalist) and Michael Bublé
conductor:
Marion Evans
arranger:
Marion Evans
recorded at and mixed at:
Bennett Studios in Englewood, New Jersey, United States
cover recording of:
Don’t Get Around Much Anymore
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
version of:
Never No Lament
Tony Bennett duet with Michael Bublé42:42
5Blue Velvet
recording engineer and mixer:
Dae Bennett
assistant engineer:
Alessandro Perrotta, Adam Bancroft and Brian Chirlo
producer:
Dae Bennett and Phil Ramone
bass:
Marshall Wood
bass clarinet and clarinet:
Charles Pillow
bass trombone:
George Flynn (trombone)
bassoon:
Marc Goldberg (bassoonist)
cello:
Diane Barere, Stephanie Cummins (cello), David Eggar, Jeanne LeBlanc, Richard Locker (cellist) and Ellen Westermann
cor anglais [English horn] and oboe:
Diane Lesser
double bass:
Tim Cobb (double bassist) and David Finck
drums (drum set):
Harold Jones (jazz drummer)
flute and piccolo:
Katherine Fink and Pamela Sklar
French horn:
Barbara Jostlein Currie, Bob Carlisle (french hornist), Philip Myers (hornist), Ann Scherer and Thomas Jostlein
guitar:
Gray Sargent
harp:
Grace Paradise
percussion:
Ben Herman (American percussionist), Erik Charlston and Gordon Gottlieb (American percussionist and conductor)
piano:
Lee Musiker
tenor trombone:
Mike Davis (US jazz trombonist)
trumpet:
Tony Kadleck
viola:
Adria Benjamin, Karen Dreyfus (violist), Desiree Elsevier, Monica Gerard, David Gold (viola player), Vincent Lionti, Todd Low, Craig Mumm, Alissa Smith and Judy Witmer
violin:
Elena Barere (violinist), Avril Brown (Violinist), Sean Carney (violinist), Jonathan Dinklage, Cornelius Dufallo, Liz Lim Dutton, Sanguen Eanet, Katherine Fong, Ming Feng Hsin, Karen Karlsrud, Katherine Livolsi, Yoon Kwon, Laura McGinnis, Ann Leathers (US violinist), Matthew Lehmann, Yurika Mok, Lorenza Ponce, Carol Pool (violin), Wen Qian, Shirien Taylor Donahue, Catherine Sim, Entcho Todorov, Una Tone, Yuri Vodovoz, Xiao‐Dong Wang (violinist) and Nancy Wu (violinist)
lead vocals:
Tony Bennett (US jazz/standards vocalist) and k.d. lang
conductor:
Jorge Calandrelli
arranger:
Jorge Calandrelli
concertmaster:
Elena Barere (violinist)
recorded at and mixed at:
Bennett Studios in Englewood, New Jersey, United States
cover recording of:
Blue Velvet
writer:
Lee Morris (US songwriter) and Bernie Wayne
publisher:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Tony Bennett duet with k.d. lang4:35
6How Do You Keep the Music Playing
recording engineer and mixer:
Dae Bennett
assistant engineer:
Alessandro Perrotta, Adam Bancroft and Brian Chirlo
producer:
Dae Bennett and Phil Ramone
bass:
David Finck and Marshall Wood
bass clarinet and clarinet:
Charles Pillow
bass trombone:
George Flynn (trombone)
bassoon:
Marc Goldberg (bassoonist)
cello:
Diane Barere, Stephanie Cummins (cello), David Eggar, Ellen Westerman, Jeanne LeBlanc and Richard Locker (cellist)
cor anglais [English horn] and oboe:
Diane Lesser
double bass:
Tim Cobb (double bassist) and David Finck
drums (drum set):
Harold Jones (jazz drummer)
flute and piccolo:
Katherine Fink and Pamela Sklar
French horn:
Ann Scherer, Barbara Jostlein Currie, Bob Carlisle (french hornist), Philip Myers (hornist), Ann Scherer and Thomas Jostlein
guitar:
Gray Sargent
harp:
Grace Paradise
percussion:
Ben Herman (American percussionist), Erik Charlston and Gordon Gottlieb (American percussionist and conductor)
piano:
Lee Musiker
tenor trombone:
Mike Davis (US jazz trombonist)
trumpet:
Tony Kadleck
viola:
Adria Benjamin, Karen Dreyfus (violist), Desiree Elsevier, Monica Gerard, David Gold (viola player), Vincent Lionti, Todd Low, Craig Mumm, Alissa Smith and Judy Witmer
violin:
Elena Barere (violinist), Avril Brown (Violinist), Sean Carney (violinist), Cornelius Duffalo, Jonathan Dinklage, Liz Lim Dutton, Sanguen Eanet, Katherine Fong, Ming Feng Hsin, Karen Karlsrud, Yoon Kwon, Ann Leathers (US violinist), Matthew Lehmann, Katherine Livolsi, Laura McGinniss, Yurika Mok, Lorenza Ponce, Carol Pool (violin), Wen Qian, Shirien Taylor Donahue, Catherine Sim, Entcho Todorov, Una Tone, Yuri Vodovoz, Xiao‐Dong Wang (violinist) and Nancy Wu (violinist)
lead vocals:
Tony Bennett (US jazz/standards vocalist) and Aretha Franklin
conductor:
Jorge Calandrelli
arranger:
Jorge Calandrelli
concertmaster:
Elena Barere (violinist)
recorded at and mixed at:
Bennett Studios in Englewood, New Jersey, United States
cover recording of:
How Do You Keep the Music Playing?
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Michel Legrand
publisher:
Warner Olive Music LLC and WB Music Corp. (1929–2019) (in 1982)
part of:
The 55th Academy Award for Best Original Song (number: 2)
Tony Bennett duet with Aretha Franklin5:29
7The Girl I Love
recording engineer and mixer:
Dae Bennett
assistant engineer:
Alessandro Perrotta, Adam Bancroft and Brian Chirlo
producer:
Dae Bennett and Phil Ramone
bass:
Tim Cobb (double bassist) and Marshall Wood
bass clarinet and clarinet:
Charles Pillow
bass trombone:
George Flynn (trombone)
bassoon:
Marc Goldberg (bassoonist)
cello:
Diane Barere, Stephanie Cummins (cello), David Eggar, Jeanne LeBlanc, Richard Locker (cellist) and Ellen Westermann
cor anglais [English horn] and oboe:
Diane Lesser
double bass:
Tim Cobb (double bassist) and David Finck
drums (drum set):
Harold Jones (jazz drummer)
flute and piccolo:
Katherine Fink and Pamela Sklar
French horn:
Barbara Jostlein Currie, Bob Carlisle (french hornist), Philip Myers (hornist), Ann Scherer and Thomas Jostlein
guitar:
Gray Sargent
harp:
Grace Paradise
percussion:
Ben Herman (American percussionist), Erik Charlston and Gordon Gottlieb (American percussionist and conductor)
piano:
Lee Musiker
tenor trombone:
Mike Davis (US jazz trombonist)
trumpet:
Tony Kadleck
viola:
Adria Benjamin, Karen Dreyfus (violist), Desiree Elsevier, Monica Gerard, David Gold (viola player), Vincent Lionti, Todd Low, Craig Mumm, Alissa Smith and Judy Witmer
violin:
Elena Barere (violinist), Avril Brown (Violinist), Sean Carney (violinist), Jonathan Dinklage, Cornelius Dufallo, Liz Lim Dutton, Sanguen Eanet, Katherine Fong, Ming Feng Hsin, Karen Karlsrud, Katherine Livolsi, Yoon Kwon, Laura McGinnis, Ann Leathers (US violinist), Matthew Lehmann, Yurika Mok, Lorenza Ponce, Carol Pool (violin), Wen Qian, Shirien Taylor Donahue, Catherine Sim, Entcho Todorov, Una Tone, Yuri Vodovoz, Xiao‐Dong Wang (violinist) and Nancy Wu (violinist)
lead vocals:
Tony Bennett (US jazz/standards vocalist) and Sheryl Crow (American singer-songwriter and musician)
conductor:
Jorge Calandrelli
arranger:
Jorge Calandrelli
concertmaster:
Elena Barere (violinist)
recorded at and mixed at:
Bennett Studios in Englewood, New Jersey, United States
cover recording of:
The Man I Love
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
Tony Bennett duet with Sheryl Crow3:53
8On the Sunny Side of the Street
recording engineer and mixer:
Dae Bennett
assistant engineer:
Alessandro Perrotta, Adam Bancroft and Brian Chirlo
producer:
Dae Bennett and Phil Ramone
alto saxophone:
Lawrence Feldman (flutist and saxophonist) and Lou Marini
baritone saxophone:
Roger Rosenberg
bass:
Marshall Wood
bass trombone:
George Flynn (trombone)
drums (drum set):
Harold Jones (jazz drummer)
guitar:
Gray Sargent
piano:
Lee Musiker
solo guitar:
Willie Nelson
tenor saxophone:
Charlie Pillow and Dave Mann (saxophonist)
tenor trombone:
Larry Farrell, Mike Davis (US jazz trombonist) and Keith O’Quinn (trombonist)
trumpet:
Bud Burridge (trunpet player), John Owens (US trumpeter), Tony Kadleck and Bob Millikan (trumpeter)
lead vocals:
Tony Bennett (US jazz/standards vocalist) and Willie Nelson
recorded at and mixed at:
Bennett Studios in Englewood, New Jersey, United States
cover recording of:
On the Sunny Side of the Street
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
part of:
American Splendor
Tony Bennett duet with Willie Nelson2:57
9Who Can I Turn To (When Nobody Needs Me)
recording engineer and mixer:
Dae Bennett
assistant engineer:
Alessandro Perrotta, Adam Bancroft and Brian Chirlo
producer:
Dae Bennett and Phil Ramone
bass:
Tim Cobb (double bassist) and Marshall Wood
bass clarinet and clarinet:
Charles Pillow
bass trombone:
George Flynn (trombone)
bassoon:
Marc Goldberg (bassoonist)
cello:
Diane Barere, Stephanie Cummins (cello), David Eggar, Ellen Westerman, Jeanne LeBlanc and Richard Locker (cellist)
cor anglais [English horn] and oboe:
Diane Lesser
double bass:
Tim Cobb (double bassist) and David Finck
drums (drum set):
Harold Jones (jazz drummer)
flute and piccolo:
Katherine Fink and Pamela Sklar
French horn:
Barbara Jostlein Currie, Bob Carlisle (french hornist), Philip Myers (hornist), Ann Scherer and Thomas Jostlein
guitar:
Gray Sargent
harp:
Grace Paradise
percussion:
Ben Herman (American percussionist), Erik Charlston and Gordon Gottlieb (American percussionist and conductor)
piano:
Lee Musiker
tenor trombone:
Mike Davis (US jazz trombonist)
trumpet:
Tony Kadleck
viola:
Adria Benjamin, Karen Dreyfus (violist), Desiree Elsevier, Monica Gerard, David Gold (viola player), Vincent Lionti, Todd Low, Craig Mumm, Alissa Smith and Judy Witmer
violin:
Elena Barere (violinist), Avril Brown (Violinist), Sean Carney (violinist), Jonathan Dinklage, Cornelius Dufallo, Liz Lim Dutton, Sanguen Eanet, Katherine Fong, Ming Feng Hsin, Karen Karlsrud, Katherine Livolsi, Yoon Kwon, Ann Leathers (US violinist), Matthew Lehmann, Laura McGinniss, Yurika Mok, Lorenza Ponce, Carol Pool (violin), Wen Qian, Shirien Taylor Donahue, Catherine Sim, Entcho Todorov, Una Tone, Yuri Vodovoz, Xiao‐Dong Wang (violinist) and Nancy Wu (violinist)
lead vocals:
Tony Bennett (US jazz/standards vocalist) and Queen Latifah
conductor:
Jorge Calandrelli
arranger:
Jorge Calandrelli
concertmaster:
Elena Barere (violinist)
recorded at and mixed at:
Bennett Studios in Englewood, New Jersey, United States
cover recording of:
Who Can I Turn To (When Nobody Needs Me)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd, Downtown DMP Songs, Musical Comedy Prods. and TRO Muscal Comedy Productions, Inc.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
Tony Bennett duet with Queen Latifah3:53
10Speak Low
recording engineer and mixer:
Dae Bennett
assistant engineer:
Alessandro Perrotta, Adam Bancroft and Brian Chirlo
producer:
Dae Bennett and Phil Ramone
bass:
David Finck and Marshall Wood
bass clarinet and clarinet:
Charles Pillow
bass trombone:
George Flynn (trombone)
bassoon:
Marc Goldberg (bassoonist)
cello:
Diane Barere, Stephanie Cummins (cello), David Eggar, Jeanne LeBlanc, Richard Locker (cellist) and Ellen Westermann
cor anglais [English horn] and oboe:
Diane Lesser
double bass:
Tim Cobb (double bassist) and David Finck
drums (drum set):
Harold Jones (jazz drummer)
flute and piccolo:
Katherine Fink and Pamela Sklar
French horn:
Barbara Jostlein Currie, Bob Carlisle (french hornist), Philip Myers (hornist), Ann Scherer and Thomas Jostlein
guitar:
Gray Sargent
harp:
Grace Paradise
percussion:
Ben Herman (American percussionist), Erik Charlston and Gordon Gottlieb (American percussionist and conductor)
piano:
Lee Musiker
tenor trombone:
Mike Davis (US jazz trombonist)
trumpet:
Tony Kadleck
viola:
Adria Benjamin, Karen Dreyfus (violist), Desiree Elsevier, Monica Gerard, David Gold (viola player), Vincent Lionti, Todd Low, Craig Mumm, Alissa Smith and Judy Witmer
violin:
Elena Barere (violinist), Avril Brown (Violinist), Sean Carney (violinist), Jonathan Dinklage, Cornelius Dufallo, Liz Lim Dutton, Sanguen Eanet, Katherine Fong, Ming Feng Hsin, Karen Karlsrud, Katherine Livolsi, Yoon Kwon, Ann Leathers (US violinist), Matthew Lehmann, Laura McGinniss, Yurika Mok, Lorenza Ponce, Carol Pool (violin), Wen Qian, Shirien Taylor Donahue, Catherine Sim, Entcho Todorov, Una Tone, Yuri Vodovoz, Xiao‐Dong Wang (violinist) and Nancy Wu (violinist)
lead vocals:
Tony Bennett (US jazz/standards vocalist) and Norah Jones
conductor:
Jorge Calandrelli
arranger:
Jorge Calandrelli
concertmaster:
Elena Barere (violinist)
recorded at and mixed at:
Bennett Studios in Englewood, New Jersey, United States
cover recording of:
Speak Low (One Touch of Venus)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
publisher:
Chappell & Co.
part of:
One Touch of Venus (1943 musical)
Tony Bennett duet with Norah Jones3:56
11This Is All I Ask
recording engineer and mixer:
Dae Bennett
assistant engineer:
Alessandro Perrotta, Adam Bancroft and Brian Chirlo
producer:
Dae Bennett and Phil Ramone
bass:
Marshall Wood
bass clarinet and clarinet:
Charles Pillow
bass trombone:
George Flynn (trombone)
bassoon:
Marc Goldberg (bassoonist)
cello:
Diane Barere, Stephanie Cummins (cello), David Eggar, Jeanne LeBlanc, Richard Locker (cellist) and Ellen Westermann
cor anglais [English horn] and oboe:
Diane Lesser
double bass:
Tim Cobb (double bassist) and David Finck
drums (drum set):
Harold Jones (jazz drummer)
flute and piccolo:
Katherine Fink and Pamela Sklar
French horn:
Barbara Jostlein Currie, Bob Carlisle (french hornist), Philip Myers (hornist), Ann Scherer and Thomas Jostlein
guitar:
Gray Sargent
harp:
Grace Paradise
percussion:
Ben Herman (American percussionist), Erik Charlston and Gordon Gottlieb (American percussionist and conductor)
piano:
Lee Musiker
tenor trombone:
Mike Davis (US jazz trombonist)
trumpet:
Tony Kadleck
viola:
Adria Benjamin, Karen Dreyfus (violist), Desiree Elsevier, Monica Gerard, David Gold (viola player), Vincent Lionti, Todd Low, Craig Mumm, Alissa Smith and Judy Witmer
violin:
Elena Barere (violinist), Avril Brown (Violinist), Sean Carney (violinist), Jonathan Dinklage, Cornelius Dufallo, Liz Lim Dutton, Sanguen Eanet, Katherine Fong, Ming Feng Hsin, Karen Karlsrud, Katherine Livolsi, Yoon Kwon, Laura McGinnis, Ann Leathers (US violinist), Matthew Lehmann, Yurika Mok, Lorenza Ponce, Carol Pool (violin), Wen Qian, Shirien Taylor Donahue, Catherine Sim, Entcho Todorov, Una Tone, Yuri Vodovoz, Xiao‐Dong Wang (violinist) and Nancy Wu (violinist)
lead vocals:
Tony Bennett (US jazz/standards vocalist) and Josh Groban
conductor:
Jorge Calandrelli
arranger:
Jorge Calandrelli
concertmaster:
Elena Barere (violinist)
recorded at and mixed at:
Bennett Studios in Englewood, New Jersey, United States
cover recording of:
This Is All I Ask
lyricist and composer:
Gordon Jenkins
publisher:
Anne-Rachel Music Corp., EMI Robbins Catalog Inc. (ASCAP), Intersong Music and Robbins Music Corp.
Tony Bennett duet with Josh Groban4:36
12Watch What Happens
recording engineer and mixer:
Dae Bennett
assistant engineer:
Alessandro Perrotta, Adam Bancroft and Brian Chirlo
producer:
Dae Bennett and Phil Ramone
alto saxophone:
Lawrence Feldman (flutist and saxophonist) and Lou Marini
baritone saxophone:
Roger Rosenberg
bass:
Marshall Wood
bass trombone:
George Flynn (trombone)
drums (drum set):
Harold Jones (jazz drummer)
guitar:
Gray Sargent
piano:
Lee Musiker
tenor saxophone:
Charlie Pillow and Dave Mann (saxophonist)
tenor trombone:
Larry Farrell, Mike Davis (US jazz trombonist) and Keith O’Quinn (trombonist)
trumpet:
Bud Burridge (trunpet player), John Owens (US trumpeter), Tony Kadleck and Bob Millikan (trumpeter)
lead vocals:
Tony Bennett (US jazz/standards vocalist) and Natalie Cole
conductor:
Marion Evans
arranger:
Marion Evans
recorded at and mixed at:
Bennett Studios in Englewood, New Jersey, United States
cover recording of:
Watch What Happens
lyricist:
Jacques Demy
composer:
Michel Legrand
translator:
Norman Gimbel
translated version of:
Les Parapluies de Cherbourg: Récit de Cassard
Tony Bennett duet with Natalie Cole2:10
13Stranger in Paradise
recording engineer and mixer:
Dae Bennett
assistant engineer:
Alessandro Perrotta, Adam Bancroft and Brian Chirlo
producer:
Dae Bennett and Phil Ramone
bass:
Marshall Wood
bass clarinet and clarinet:
Charles Pillow
bass trombone:
George Flynn (trombone)
bassoon:
Marc Goldberg (bassoonist)
cello:
Diane Barere, Stephanie Cummins (cello), David Eggar, Ellen Westerman, Jeanne LeBlanc and Richard Locker (cellist)
cor anglais [English horn] and oboe:
Diane Lesser
double bass:
Tim Cobb (double bassist) and David Finck
drums (drum set):
Harold Jones (jazz drummer)
flute and piccolo:
Katherine Fink and Pamela Sklar
French horn:
Barbara Jostlein Currie, Bob Carlisle (french hornist), Philip Myers (hornist), Ann Scherer and Thomas Jostlein
guitar:
Gray Sargent
harp:
Grace Paradise
percussion:
Ben Herman (American percussionist), Erik Charlston and Gordon Gottlieb (American percussionist and conductor)
piano:
Lee Musiker
tenor trombone:
Mike Davis (US jazz trombonist)
trumpet:
Tony Kadleck
viola:
Adria Benjamin, Karen Dreyfus (violist), Desiree Elsevier, Monica Gerard, David Gold (viola player), Vincent Lionti, Todd Low, Craig Mumm, Alissa Smith and Judy Witmer
violin:
Elena Barere (violinist), Avril Brown (Violinist), Sean Carney (violinist), Jonathan Dinklage, Cornelius Dufallo, Liz Lim Dutton, Sanguen Eanet, Katherine Fong, Ming Feng Hsin, Karen Karlsrud, Katherine Livolsi, Yoon Kwon, Ann Leathers (US violinist), Matthew Lehmann, Liz Lim Dutton, Laura McGinniss, Yurika Mok, Lorenza Ponce, Carol Pool (violin), Wen Qian, Shirien Taylor Donahue, Catherine Sim, Entcho Todorov, Una Tone, Yuri Vodovoz, Xiao‐Dong Wang (violinist) and Nancy Wu (violinist)
lead vocals:
Tony Bennett (US jazz/standards vocalist) and Andrea Bocelli (tenor)
conductor:
Jorge Calandrelli
arranger:
Jorge Calandrelli
concertmaster:
Elena Barere (violinist)
recorded at:
Andrea Bocelli’s Home Studio in Italy and Bennett Studios in Englewood, New Jersey, United States
mixed at:
Bennett Studios in Englewood, New Jersey, United States
cover recording of:
Stranger in Paradise (popular song from the 1953 musical “Kismet”)
lyricist:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
composer:
Alexander Borodin (Russian composer), George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Scheffel Music Corp, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Frank Music Co. Ltd. (from 1953 to present)
is based on:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major
part of:
Kismet (full musical)
Tony Bennett duet with Andrea Bocelli5:03
14The Way You Look Tonight
recording engineer and mixer:
Dae Bennett
assistant engineer:
Alessandro Perrotta, Adam Bancroft and Brian Chirlo
producer:
Dae Bennett and Phil Ramone
bass:
David Finck and Marshall Wood
bass clarinet and clarinet:
Charles Pillow
bass trombone:
George Flynn (trombone)
bassoon:
Marc Goldberg (bassoonist)
cello:
Diane Barere, Stephanie Cummins (cello), David Eggar, Ellen Westerman, Jeanne LeBlanc and Richard Locker (cellist)
cor anglais [English horn] and oboe:
Diane Lesser
double bass:
Tim Cobb (double bassist) and David Finck
drums (drum set):
Harold Jones (jazz drummer)
flute and piccolo:
Katherine Fink and Pamela Sklar
French horn:
Barbara Jostlein Currie, Bob Carlisle (french hornist), Philip Myers (hornist), Ann Scherer and Thomas Jostlein
guitar:
Gray Sargent
harp:
Grace Paradise
percussion:
Ben Herman (American percussionist), Erik Charlston and Gordon Gottlieb (American percussionist and conductor)
piano:
Lee Musiker
tenor trombone:
Mike Davis (US jazz trombonist)
trumpet:
Tony Kadleck
viola:
Adria Benjamin, Karen Dreyfus (violist), Desiree Elsevier, Monica Gerard, David Gold (viola player), Vincent Lionti, Todd Low, Craig Mumm, Alissa Smith and Judy Witmer
violin:
Elena Barere (violinist), Avril Brown (Violinist), Sean Carney (violinist), Jonathan Dinklage, Cornelius Dufallo, Liz Lim Dutton, Sanguen Eanet, Katherine Fong, Ming Feng Hsin, Karen Karlsrud, Katherine Livolsi, Yoon Kwon, Ann Leathers (US violinist), Matthew Lehmann, Liz Lim Dutton, Laura McGinniss, Yurika Mok, Lorenza Ponce, Carol Pool (violin), Wen Qian, Shirien Taylor Donahue, Catherine Sim, Entcho Todorov, Una Tone, Yuri Vodovoz, Xiao‐Dong Wang (violinist) and Nancy Wu (violinist)
lead vocals:
Tony Bennett (US jazz/standards vocalist) and Faith Hill (country pop singer)
conductor:
Jorge Calandrelli
arranger:
Jorge Calandrelli
concertmaster:
Elena Barere (violinist)
recorded at and mixed at:
Bennett Studios in Englewood, New Jersey, United States
cover recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
Tony Bennett duet with Faith Hill3:55
15Yesterday I Heard the Rain
recording engineer and mixer:
Dae Bennett
additional engineer:
Dustin Higgins (trumpet)
assistant engineer:
Alessandro Perrotta, Adam Bancroft and Brian Chirlo
producer:
Dae Bennett and Phil Ramone
bass:
Marshall Wood
bass clarinet and clarinet:
Charles Pillow
bass trombone:
George Flynn (trombone)
bassoon:
Marc Goldberg (bassoonist)
cello:
Diane Barere, Stephanie Cummins (cello), David Eggar, Jeanne LeBlanc, Richard Locker (cellist) and Ellen Westermann
cor anglais [English horn] and oboe:
Diane Lesser
double bass:
Tim Cobb (double bassist) and David Finck
drums (drum set):
Harold Jones (jazz drummer)
flute and piccolo:
Katherine Fink and Pamela Sklar
French horn:
Barbara Jostlein Currie, Bob Carlisle (french hornist), Philip Myers (hornist), Ann Scherer and Thomas Jostlein
guitar:
Gray Sargent
harp:
Grace Paradise
keytar and solo trumpet:
Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer)
percussion:
Ben Herman (American percussionist), Erik Charlston and Gordon Gottlieb (American percussionist and conductor)
piano:
Lee Musiker
tenor trombone:
Mike Davis (US jazz trombonist)
trumpet:
Tony Kadleck
viola:
Adria Benjamin, Karen Dreyfus (violist), Desiree Elsevier, Monica Gerard, David Gold (viola player), Vincent Lionti, Todd Low, Craig Mumm, Alissa Smith and Judy Witmer
violin:
Elena Barere (violinist), Avril Brown (Violinist), Sean Carney (violinist), Jonathan Dinklage, Cornelius Dufallo, Liz Lim Dutton, Sanguen Eanet, Katherine Fong, Ming Feng Hsin, Karen Karlsrud, Katherine Livolsi, Yoon Kwon, Laura McGinnis, Ann Leathers (US violinist), Matthew Lehmann, Yurika Mok, Lorenza Ponce, Carol Pool (violin), Wen Qian, Shirien Taylor Donahue, Catherine Sim, Entcho Todorov, Una Tone, Yuri Vodovoz, Xiao‐Dong Wang (violinist) and Nancy Wu (violinist)
lead vocals:
Tony Bennett (US jazz/standards vocalist) and Alejandro Sanz
conductor:
Jorge Calandrelli
arranger:
Jorge Calandrelli
concertmaster:
Elena Barere (violinist)
recorded at and mixed at:
Bennett Studios in Englewood, New Jersey, United States
cover recording of:
Yesterday I Heard the Rain
lyricist:
Gene Lees
writer:
Armando Manzanero
publisher:
Dunbar Music
Tony Bennett duet with Alejandro Sanz3:44
16It Had to Be You
recording engineer and mixer:
Dae Bennett
assistant engineer:
Alessandro Perrotta, Adam Bancroft and Brian Chirlo
producer:
Dae Bennett and Phil Ramone
bass:
Marshall Wood
bass clarinet and clarinet:
Charles Pillow
bass trombone:
George Flynn (trombone)
bassoon:
Marc Goldberg (bassoonist)
cello:
Diane Barere, Stephanie Cummins (cello), David Eggar, Ellen Westerman, Jeanne LeBlanc and Richard Locker (cellist)
cor anglais [English horn] and oboe:
Diane Lesser
double bass:
Tim Cobb (double bassist) and David Finck
drums (drum set):
Harold Jones (jazz drummer)
flute and piccolo:
Katherine Fink and Pamela Sklar
French horn:
Barbara Jostlein Currie, Bob Carlisle (french hornist), Philip Myers (hornist), Ann Scherer and Thomas Jostlein
guitar:
Gray Sargent
harp:
Grace Paradise
percussion:
Ben Herman (American percussionist), Erik Charlston and Gordon Gottlieb (American percussionist and conductor)
piano:
Lee Musiker
tenor trombone:
Mike Davis (US jazz trombonist)
trumpet:
Tony Kadleck
viola:
Adria Benjamin, Karen Dreyfus (violist), Desiree Elsevier, Monica Gerard, David Gold (viola player), Vincent Lionti, Todd Low, Craig Mumm, Alissa Smith and Judy Witmer
violin:
Elena Barere (violinist), Avril Brown (Violinist), Sean Carney (violinist), Cornelius Duffalo, Jonathan Dinklage, Liz Lim Dutton, Sanguen Eanet, Katherine Fong, Ming Feng Hsin, Karen Karlsrud, Katherine Livolsi, Yoon Kwon, Laura McGinnis, Ann Leathers (US violinist), Matthew Lehmann, Yurika Mok, Lorenza Ponce, Carol Pool (violin), Wen Qian, Shirien Taylor Donahue, Catherine Sim, Entcho Todorov, Una Tone, Yuri Vodovoz, Xiao‐Dong Wang (violinist) and Nancy Wu (violinist)
lead vocals:
Tony Bennett (US jazz/standards vocalist) and Carrie Underwood
conductor:
Jorge Calandrelli
arranger:
Jorge Calandrelli
concertmaster:
Elena Barere (violinist)
recorded at and mixed at:
Bennett Studios in Englewood, New Jersey, United States
cover recording of:
It Had to Be You
lyricist:
Gus Kahn (in 1924)
composer:
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) and Jerome H. Remick & Co. (on 1924-05-09)
Tony Bennett duet with Carrie Underwood3:51
17When Do the Bells Ring for Me
recording engineer and mixer:
Dae Bennett
assistant engineer:
Alessandro Perrotta, Adam Bancroft and Brian Chirlo
producer:
Dae Bennett and Phil Ramone
bass:
Tim Cobb (double bassist) and Marshall Wood
bass clarinet and clarinet:
Charles Pillow
bass trombone:
George Flynn (trombone)
bassoon:
Marc Goldberg (bassoonist)
cello:
Diane Barere, Stephanie Cummins (cello), David Eggar, Jeanne LeBlanc, Richard Locker (cellist) and Ellen Westermann
cor anglais [English horn] and oboe:
Diane Lesser
double bass:
Tim Cobb (double bassist) and David Finck
drums (drum set):
Harold Jones (jazz drummer)
flute and piccolo:
Katherine Fink and Pamela Sklar
French horn:
Barbara Jostlein Currie, Bob Carlisle (french hornist), Philip Myers (hornist), Ann Scherer and Thomas Jostlein
guitar:
Gray Sargent
harp:
Grace Paradise
percussion:
Ben Herman (American percussionist), Erik Charlston and Gordon Gottlieb (American percussionist and conductor)
piano:
Lee Musiker
tenor trombone:
Mike Davis (US jazz trombonist)
trumpet:
Tony Kadleck
viola:
Adria Benjamin, Karen Dreyfus (violist), Desiree Elsevier, Monica Gerard, David Gold (viola player), Vincent Lionti, Todd Low, Craig Mumm, Alissa Smith and Judy Witmer
violin:
Elena Barere (violinist), Avril Brown (Violinist), Sean Carney (violinist), Jonathan Dinklage, Cornelius Dufallo, Liz Lim Dutton, Sanguen Eanet, Katherine Fong, Ming Feng Hsin, Karen Karlsrud, Katherine Livolsi, Yoon Kwon, Ann Leathers (US violinist), Matthew Lehmann, Laura McGinniss, Yurika Mok, Lorenza Ponce, Carol Pool (violin), Wen Qian, Shirien Taylor Donahue, Catherine Sim, Entcho Todorov, Una Tone, Yuri Vodovoz, Xiao‐Dong Wang (violinist) and Nancy Wu (violinist)
lead vocals:
Tony Bennett (US jazz/standards vocalist) and Mariah Carey
conductor:
Jorge Calandrelli
arranger:
Jorge Calandrelli
concertmaster:
Elena Barere (violinist)
recorded at:
Bennett Studios in Englewood, New Jersey, United States and Mariah Carey’s Home Studio
mixed at:
Bennett Studios in Englewood, New Jersey, United States
cover recording of:
When Do the Bells Ring for Me
lyricist and composer:
Charles DeForest
publisher:
Benedetto Music
Tony Bennett duet with Mariah Carey2:53
18When You Wish Upon a Star
recording engineer and mixer:
Dae Bennett
assistant engineer:
Alessandro Perrotta, Adam Bancroft and Brian Chirlo
producer:
Dae Bennett, David Foster (Canadian music producer, arranger and composer) and Phil Ramone
arranger:
David Foster (Canadian music producer, arranger and composer)
recorded at and mixed at:
Bennett Studios in Englewood, New Jersey, United States
cover recording of:
When You Wish Upon a Star (Pinocchio, 1940 film)
lyricist:
Ned Washington
composer:
Leigh Harline
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Chappell Music Ltd.
part of:
The 13th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1940 winner)
medley of:
Little Wooden Head (Pinocchio, 1940 film, music cue)
medley of:
When You Wish Upon a Star (Pinocchio, 1940 film, music cue)
medley of:
When You Wish Upon a Star (Pinocchio, 1940 film, music cue)
part of:
Celebrate the Future Hand in Hand
part of:
Pinocchio (1940 Disney film soundtrack)
Tony Bennettduet withJackie Evancho3:43
19I Left My Heart In San Francisco
guest performer:
Judy Garland
cover recording of:
I Left My Heart in San Francisco
lyricist:
Douglass Cross (US songwriter)
composer:
George Cory
publisher:
Colgems-EMI Music Inc., Dash Music Co. Ltd. and EMI April Music Inc.
Tony Bennett duet with Judy Garland2:01