The Performer: Complete Decca Recordings

~ Release by Benjamin Britten (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part One: 1 Sire, Lord and Master (chorus)
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
St John Passion: Part I. No. 1. Chorus "Sire, Lord and Master"" (ed. Britten) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Benjamin Britten (English composer, conductor, and pianist)
translator:
Imogen Holst (composer) and Peter Pears (tenor)
arrangement of:
Johannes-Passion, BWV 245: Teil I. No. 1 Chorus "Herr, unser Herrscher"
part of:
St John Passion (ed. Britten)
Johann Sebastian Bach9:58
2Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part One: 2 Jesus went with his disciples
bass vocals [Jesus]:
Gwynne Howell (operatic bass) (in 1971-04)
tenor vocals [Evangelist]:
Peter Pears (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
St John Passion: Part I. No. 2. Recitative "Jesus went with His disciples" (Evangelist, Jesus) (ed. Britten) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Benjamin Britten (English composer, conductor, and pianist)
translator:
Imogen Holst (composer) and Peter Pears (tenor)
part of:
St John Passion (ed. Britten)
Johann Sebastian Bach2:58
3Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part One: 7 O generous love! (chorale)
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
St John Passion: Part I. No. 3. Chorus "O generous love!" (ed. Britten) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Benjamin Britten (English composer, conductor, and pianist)
arrangement of:
Johannes-Passion, BWV 245: Teil I. No. 3 Choral "O große Lieb"
part of:
St John Passion (ed. Britten)
Johann Sebastian Bach1:09
4Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part One: 8 So that the word might be fulfilled
bass vocals [Jesus]:
Gwynne Howell (operatic bass) (in 1971-04)
tenor vocals [Evangelist]:
Peter Pears (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
St John Passion: Part I. No. 4. Recitative "So that the word might be fulfilled" (Evangelist, Jesus) (ed. Britten) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Benjamin Britten (English composer, conductor, and pianist)
translator:
Imogen Holst (composer) and Peter Pears (tenor)
arrangement of:
Johannes-Passion, BWV 245: Teil I. No. 4 "Auf daß das Wort erfüllet werde" (Evangelista, Jesus)
part of:
St John Passion (ed. Britten)
Johann Sebastian Bach1:17
5Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part One: 9 Thy will be done, O God of love (chorale)
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
St John Passion: Part I. No. 5. Chorus "Thy will be done, o God of love!" (ed. Britten) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Benjamin Britten (English composer, conductor, and pianist)
translator:
Imogen Holst (composer) and Peter Pears (tenor)
arrangement of:
Johannes-Passion, BWV 245: Teil I. No. 5 Choral "Dein Will gescheh, Herr Gott, zugleich"
part of:
St John Passion (ed. Britten)
Johann Sebastian Bach0:56
6Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part One: 10 The band then, together with the captain
tenor vocals [Evangelist]:
Peter Pears (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
St John Passion: Part I. No. 6. Recitative "The band then, together with the captain" (Evangelist) (ed. Britten) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Benjamin Britten (English composer, conductor, and pianist)
translator:
Imogen Holst (composer) and Peter Pears (tenor)
arrangement of:
Johannes-Passion, BWV 245: Teil I. No. 6 "Die Schar aber und der Oberhauptmann" (Evangelista)
part of:
St John Passion (ed. Britten)
Johann Sebastian Bach0:49
7Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part One: 11 To release me from the prison (contralto aria)
alto vocals:
Alfreda Hodgson (contralto) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
St John Passion: Part I. No. 7. Aria "To release me from this prison" (Contralto) (ed. Britten) (in 1971-04)
arranger:
Benjamin Britten (English composer, conductor, and pianist)
translator:
Imogen Holst (composer) and Peter Pears (tenor)
arrangement of:
Johannes-Passion, BWV 245: Teil I. No. 7 Aria (Alt) "Von den Stricken meiner Sünden"
part of:
St John Passion (ed. Britten)
Johann Sebastian Bach5:33
8Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part One: 12 Simon Peter also followed Jesus from afar
tenor vocals [Evangelist]:
Peter Pears (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
St John Passion: Part I. No. 8. Recitative "Simon Peter also followed" (Evangelist) (ed. Britten) (in 1971-04)
arranger:
Benjamin Britten (English composer, conductor, and pianist)
translator:
Imogen Holst (composer) and Peter Pears (tenor)
arrangement of:
Johannes-Passion, BWV 245: Teil I. No. 8 "Simon Petrus aber folgete Jesu nach" (Evangelista)
part of:
St John Passion (ed. Britten)
Johann Sebastian Bach0:19
9Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part One: 13 I'll follow thee also (soprano aria)
soprano vocals:
Heather Harper (soprano) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
St John Passion: Part I. No. 9. Aria (Soprano) "I'll follow Thee also" (ed. Britten) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Benjamin Britten (English composer, conductor, and pianist)
translator:
Imogen Holst (composer) and Peter Pears (tenor)
arrangement of:
Johannes-Passion, BWV 245: Teil I. No. 9 Aria (Sopran) "Ich folge dir gleichfalls"
part of:
St John Passion (ed. Britten)
Johann Sebastian Bach4:00
10Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part One: 14 Now that same disciple was known unto the high priest
bass vocals [Jesus]:
Gwynne Howell (operatic bass) (in 1971-04)
tenor vocals [Evangelist]:
Peter Pears (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
St John Passion: Part I. No. 10. Recitative "Now that same disciple" (Evangelist, Mary, Peter, Jesus, Servent) (ed. Britten) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Benjamin Britten (English composer, conductor, and pianist)
translator:
Imogen Holst (composer) and Peter Pears (tenor)
arrangement of:
Johannes-Passion, BWV 245: Teil I. No. 10 "Derselbige Jünger war" (Evangelista, Ancilla, Servus, Petrus, Jesus)
part of:
St John Passion (ed. Britten)
Johann Sebastian Bach3:37
11Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part One: 15 Ah, who would dare to smite thee?
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
tenor vocals [Evangelist]:
Peter Pears (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
St John Passion: Part I. No. 11. Chorus "Ah, who would dare to smite Thee?" (Evangelist) (ed. Britten) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Benjamin Britten (English composer, conductor, and pianist)
translator:
Imogen Holst (composer)
arrangement of:
Johannes-Passion, BWV 245: Teil I. No. 11 Choral "Wer hat dich so geschlagen"
part of:
St John Passion (ed. Britten)
Johann Sebastian Bach1:30
12Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part One: 16 Now Annas sent him bound unto the high priest
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
tenor vocals [Evangelist]:
Peter Pears (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 12 "Und Hannas sandte ihn gebunden" (Evangelista, Chorus, Servus, Petrus) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:37
13Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part One: 19 Ah! take flight (tenor aria)
tenor vocals:
Robert Tear (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 13 Aria (Tenor) "Ach, mein Sinn" (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach3:39
14Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part One: 20 Peter, who denied his Lord (chorale)
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 14 Choral "Petrus, der nicht denkt zurück" (in 1971-04)
lyricist:
Paul Stockmann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 192)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:32
15Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 21 Christ, who gave us life and light (chorale)
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 15 Choral "Christus, der uns selig macht" (in 1971-04)
lyricist:
Michael Weiße (German theologian and hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 49)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:01
16Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 22 Then led they Jesus from Caiaphas to the judgement
bass vocals [Jesus]:
Gwynne Howell (operatic bass) (in 1971-04)
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
tenor vocals [Evangelist]:
Peter Pears (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 16 "Da führeten sie Jesum" (Evangelista, Pilatus, Jesus, Chorus) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach4:53
17Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 27 Ah, King of Heaven (chorale)
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 17 Choral "Ach großer König" (in 1971-04)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 169)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:59
18Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 28 And Pilate said unto him
bass vocals [Jesus]:
Gwynne Howell (operatic bass) (in 1971-04)
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
tenor vocals [Evangelist]:
Peter Pears (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 18 "Da sprach Pilatus zu ihm" (Evangelista, Pilatus, Jesus, Chorus) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:24
19Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 31 Look yonder, o my soul (bass arioso)
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 19 Arioso (Bass) "Betrachte, meine Seel" (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach3:06
20Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 32 Consider, how his body (tenor aria)
tenor vocals:
Robert Tear (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 20 Aria (Tenor) "Erwäge, wie sein blutgefärbter Rücken" (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach9:27
2▼CD
#TitleArtistRatingLength
1Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 33 And when the soldiers had plaited a crown of thorns
bass vocals [Jesus]:
Gwynne Howell (operatic bass) (in 1971-04)
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
tenor vocals [Evangelist]:
Peter Pears (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 21 "Und die Kriegsknechte flochten" (Evangelista, Chorus, Pilatus, Jesus) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach7:00
2Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 40 Thy bonds, O Christ, have set us free
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 22 Choral "Durch dein Gefängnis, Gottes Sohn" (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 239)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:14
3Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 41 But the Jews cried out and said
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
tenor vocals [Evangelist]:
Peter Pears (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 23 "Die Juden aber schrieen" (Evangelista, Chorus, Pilatus) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach4:40
4Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 48 Haste, ye souls forlorn and weary (bass aria & ch.)
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1971-04)
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 24 Aria (Bass, Chorus) "Eilt, ihr angefochtnen Seelen" (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach5:05
5Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 49 And there crucified they him
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
tenor vocals [Evangelist]:
Peter Pears (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 25 "Allda kreuzigten sie ihn" (Evangelista, Chorus, Pilatus) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:34
6Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 52 Within my heart, O Saviour (chorale)
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 26 Choral "In meines Herzens Grunde" (in 1971-04)
lyricist:
Valerius Herberger (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 315)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:04
7Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 53 And then did the soldiers
bass vocals [Jesus]:
Gwynne Howell (operatic bass) (in 1971-04)
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
tenor vocals [Evangelist]:
Peter Pears (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 27 "Die Kriegsknechte aber" (Evangelista, Chorus, Jesus) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach4:27
8Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 56 When his life had reached its end (chorale)
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 28 Choral "Er nahm alles wohl in acht" (in 1971-04)
lyricist:
Paul Stockmann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 193)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:25
9Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 57 And from that hour he took her unto his own home
bass vocals [Jesus]:
Gwynne Howell (operatic bass) (in 1971-04)
tenor vocals [Evangelist]:
Peter Pears (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 29 "Und von Stund an" (Evangelista, Jesus) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:49
10Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 58 The end is nigh (contralto aria)
alto vocals:
Alfreda Hodgson (contralto) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach6:49
11Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 60 My dearest Saviour, wilt thou answer? (bass & ch.)
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1971-04)
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 32 Aria (Bass, Chorus) "Mein teurer Heiland, laß dich fragen" (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach5:52
12Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 61 And then behold, the veil of the temple was rent
tenor vocals [Evangelist]:
Peter Pears (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 33 "Und siehe da, der Vorhang" (Evangelista) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:30
13Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 62 My heart, behold how all the world (tenor arioso)
tenor vocals:
Robert Tear (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 34 Arioso (Tenor) "Mein Herz, in dem die ganze Welt" (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:03
14Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 63 With torrents of weeping (soprano only)
soprano vocals:
Heather Harper (soprano) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 35 Aria (Sopran) "Zerfließe, mein Herze" (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach7:06
15Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 64 The Jews therefore, because it was the preparation
tenor vocals [Evangelist]:
Peter Pears (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 36 "Die Juden aber" (Evangelista) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:24
16Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 65 Help us, Son of God most high (chorale)
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 37 Choral "O hilf, Christe, Gottes Sohn" (in 1971-04)
lyricist:
Michael Weiße (German theologian and hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 50)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:10
17Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 66 And after this, Joseph of Arimethea
tenor vocals [Evangelist]:
Peter Pears (tenor) (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 38 "Darnach bat Pilatum" (Evangelista) (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach3:11
18Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 67 Farewell, O weary, broken body (chorus)
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 39 Chorus "Ruht wohl, ihr heiligen Gebeine" (in 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach7:49
19Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 68 Lord Jesus, when we come to die (chorale)
choir vocals:
Wandsworth School Boys’ Choir (in 1971-04)
orchestra:
English Chamber Orchestra (in 1971-04)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1971-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1971-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 40 Choral "Ach Herr, laß dein lieb Engelein" (in 1971-04)
lyricist:
Martin Schalling
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 154)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:27
3▼CD
#TitleArtistRatingLength
1Süßer Trost, mein Jesus kommt, Cantata BWV 151: I. Aria: Süßer Trost, mein Jesu kommt
soprano vocals:
Heather Harper (soprano) (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
recorded at:
St Andrew's Church (Holborn) in London (Greater London), England, United Kingdom (in 1968-12)
live recording of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": I. Aria (Sopran) "Süßer Trost, mein Jesus kömmt" (in 1968-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"
Johann Sebastian Bach8:35
2Süßer Trost, mein Jesus kommt, Cantata BWV 151: II. Recitativo: Erfreue dich, mein Herz
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
recorded at:
St Andrew's Church (Holborn) in London (Greater London), England, United Kingdom (in 1968-12)
live recording of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": II. Recitativo (Bass) "Erfreue dich, mein Herz" (in 1968-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"
Johann Sebastian Bach1:29
3Süßer Trost, mein Jesus kommt, Cantata BWV 151: III. Aria: in Jesu Demut kann ich Trost
alto vocals:
Helen Watts (contralto) (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
recorded at:
St Andrew's Church (Holborn) in London (Greater London), England, United Kingdom (in 1968-12)
live recording of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": III. Aria (Alt) "In Jesu Demut kann ich Trost" (in 1968-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"
Johann Sebastian Bach6:41
4Süßer Trost, mein Jesus kommt, Cantata BWV 151: IV. Recitativo: Du teurer Gottessohn, nun hast du mir den Himmel aufgemacht
tenor vocals:
Peter Pears (tenor) (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
recorded at:
St Andrew's Church (Holborn) in London (Greater London), England, United Kingdom (in 1968-12)
live recording of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": IV. Recitativo (Tenor) "Du teurer Gottessohn" (in 1968-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"
Johann Sebastian Bach1:19
5Süßer Trost, mein Jesus kommt, Cantata BWV 151: V. Choral: Heut' schleusst er wieder auf die Tür
choir vocals:
Wandsworth School Choir (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
recorded at:
St Andrew's Church (Holborn) in London (Greater London), England, United Kingdom (in 1968-12)
live recording of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": V. Choral "Heut schleußt er wieder auf die Tür" (in 1968-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Nikolaus Hermann (in 1560)
part of:
Breitkopf 389 Choralgesänge (number: 235)
part of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"
Johann Sebastian Bach1:02
6Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102, Pt. 1: I. "Herr, deine Augen sehen nach dem Glauben"
choir vocals:
Aldeburgh Festival Singers (in 1965-06)
orchestra:
English Chamber Orchestra (in 1965-06)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1965-06)
recorded at:
Holy Trinity Church (Blythburgh) in Blythburgh, Suffolk, England, United Kingdom (in 1965-06)
live recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": I. Coro "Herr, deine Augen sehen nach dem Glauben" (in 1965-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach6:27
7Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102, Pt. 1: II. "Wo ist das Ebenbild"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1965-06)
orchestra:
English Chamber Orchestra (in 1965-06)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1965-06)
recorded at:
Holy Trinity Church (Blythburgh) in Blythburgh, Suffolk, England, United Kingdom (in 1965-06)
live recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": II. Recitativo (Bass) "Wo ist das Ebenbild, das Gott uns eingepräget" (in 1965-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach1:23
8Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102, Pt. 1: III. "Weh, der Seele"
alto vocals:
Janet Baker (mezzo‐soprano and alto) (in 1965-06)
orchestra:
English Chamber Orchestra (in 1965-06)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1965-06)
recorded at:
Holy Trinity Church (Blythburgh) in Blythburgh, Suffolk, England, United Kingdom (in 1965-06)
live recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": III. Aria (Alt) "Weh der Seele, die den Schaden" (in 1965-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach5:45
9Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102, Pt. 1: IV. "Verachtest du den Reichtum seiner Gnade"
choir vocals:
Aldeburgh Festival Singers (in 1965-06)
orchestra:
English Chamber Orchestra (in 1965-06)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1965-06)
recorded at:
Holy Trinity Church (Blythburgh) in Blythburgh, Suffolk, England, United Kingdom (in 1965-06)
live recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": I. Coro "Herr, deine Augen sehen nach dem Glauben" (in 1965-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach3:24
10Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102, Pt. 2: V. "Erschrecke doch"
tenor vocals:
Peter Pears (tenor) (in 1965-06)
orchestra:
English Chamber Orchestra (in 1965-06)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1965-06)
recorded at:
Holy Trinity Church (Blythburgh) in Blythburgh, Suffolk, England, United Kingdom (in 1965-06)
live recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": V. Aria (Tenor) "Erschrecke doch, du allzu sichre Seele" (in 1965-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
revision of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": V. Aria (Tenor) "Erschrecke doch, du allzu sichre Seele" (for tenor, flauto traverso and continuo)
Johann Sebastian Bach4:55
11Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102, Pt. 2: VI. "Beim Warten ist Gefahr"
alto vocals:
Janet Baker (mezzo‐soprano and alto) (in 1965-06)
orchestra:
English Chamber Orchestra (in 1965-06)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1965-06)
recorded at:
Holy Trinity Church (Blythburgh) in Blythburgh, Suffolk, England, United Kingdom (in 1965-06)
live recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": VI. Recitativo (Alt) "Beim Warten ist Gefahr" (in 1965-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach1:31
12Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102, Pt. 2: VII. "Heut lebst du, heut bekehre dich"
choir vocals:
Aldeburgh Festival Singers (in 1965-06)
orchestra:
English Chamber Orchestra (in 1965-06)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1965-06)
recorded at:
Holy Trinity Church (Blythburgh) in Blythburgh, Suffolk, England, United Kingdom (in 1965-06)
live recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": VII. Choral "Heute lebst du, heut bekehre dich" (in 1965-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Heermann (in 1630)
part of:
Breitkopf 389 Choralgesänge (number: 320)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach2:47
13Brandenburg Concerto no. 1 in F major, BWV 1046: I. (Allegro)
French horn:
Ifor James (horn player) (in 1968-12) and Anthony Randall (in 1968-12)
oboe:
Peter Graeme (oboist) (in 1968-12)
violin:
Emanuel Hurwitz (violinist) (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: I. (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach4:21
14Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio
French horn:
Ifor James (horn player) (in 1968-12) and Anthony Randall (in 1968-12)
oboe:
Peter Graeme (oboist) (in 1968-12)
violin:
Emanuel Hurwitz (violinist) (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: II. Adagio (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach4:06
15Brandenburg Concerto no. 1 in F major, BWV 1046: III. Allegro
French horn:
Ifor James (horn player) (in 1968-12) and Anthony Randall (in 1968-12)
oboe:
Peter Graeme (oboist) (in 1968-12)
violin:
Emanuel Hurwitz (violinist) (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: III. Allegro (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach4:43
16Brandenburg Concerto no. 1 in F major, BWV 1046: IV. Menuetto: Trio I
French horn:
Ifor James (horn player) (in 1968-12) and Anthony Randall (in 1968-12)
oboe:
Peter Graeme (oboist) (in 1968-12)
violin:
Emanuel Hurwitz (violinist) (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
partial recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: IV. Menuetto – Trio I – Menuetto da capo – Polacca – Menuetto da capo – Trio II – Menuetto da capo (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach3:53
17Brandenburg Concerto no. 1 in F major, BWV 1046: V. Polacca; Trio II
French horn:
Ifor James (horn player) (in 1968-12) and Anthony Randall (in 1968-12)
oboe:
Peter Graeme (oboist) (in 1968-12)
violin:
Emanuel Hurwitz (violinist) (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
partial recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: IV. Menuetto – Trio I – Menuetto da capo – Polacca – Menuetto da capo – Trio II – Menuetto da capo (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach4:34
18Brandenburg Concerto no. 2 in F major, BWV 1047: I. (Allegro)
flute:
Richard Adeney (flautist) (in 1968-12)
oboe:
Peter Graeme (oboist) (in 1968-12)
trumpet:
David Mason (trumpeter) (in 1968-12)
violin:
Emanuel Hurwitz (violinist) (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach5:27
19Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante
flute:
Richard Adeney (flautist) (in 1968-12)
oboe:
Peter Graeme (oboist) (in 1968-12)
trumpet:
David Mason (trumpeter) (in 1968-12)
violin:
Emanuel Hurwitz (violinist) (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante) (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach3:52
20Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai
flute:
Richard Adeney (flautist) (in 1968-12)
oboe:
Peter Graeme (oboist) (in 1968-12)
trumpet:
David Mason (trumpeter) (in 1968-12)
violin:
Emanuel Hurwitz (violinist) (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach3:02
4▼CD
#TitleArtistRatingLength
1Brandenburg Concerto no. 3 in G major, BWV 1048: I. (Allegro)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach6:49
2Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach5:06
3Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro
flute:
Richard Adeney (flautist) (in 1968-12) and Norman Knight (flautist) (in 1968-12)
harpsichord:
Philip Ledger (in 1968-12)
violin:
Emanuel Hurwitz (violinist) (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach7:26
4Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante
flute:
Richard Adeney (flautist) (in 1968-12) and Norman Knight (flautist) (in 1968-12)
harpsichord:
Philip Ledger (in 1968-12)
violin:
Emanuel Hurwitz (violinist) (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: II. Andante (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach4:09
5Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto
flute:
Richard Adeney (flautist) (in 1968-12) and Norman Knight (flautist) (in 1968-12)
harpsichord:
Philip Ledger (in 1968-12)
violin:
Emanuel Hurwitz (violinist) (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: III. Presto (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach5:13
6Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro
flute:
Richard Adeney (flautist) (in 1968-12)
harpsichord:
Philip Ledger (in 1968-12)
violin:
Emanuel Hurwitz (violinist) (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach10:37
7Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affetuoso
producer:
Ray Minshull (record producer)
flute:
Richard Adeney (flautist) (in 1968-12)
harpsichord:
Philip Ledger (in 1968-12)
violin:
Emanuel Hurwitz (violinist) (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1968-12) and Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: II. Adagio
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach5:37
8Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro
flute:
Richard Adeney (flautist) (in 1968-12)
harpsichord:
Philip Ledger (in 1968-12)
violin:
Emanuel Hurwitz (violinist) (in 1968-12)
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: III. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach5:25
9Brandenburg Concerto no. 6 in B-Flat major, BWV 1051: I. --
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: I. (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
Johann Sebastian Bach7:02
10Brandenburg Concerto no. 6 in B-Flat major, BWV 1051: II. Adagio ma non tanto
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: II. Adagio ma non tanto (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
Johann Sebastian Bach4:55
11Brandenburg Concerto no. 6 in B-Flat major, BWV 1051: III. Allegro
orchestra:
English Chamber Orchestra (in 1968-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-12)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: III. Allegro (in 1968-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
Johann Sebastian Bach6:19
5▼CD
#TitleArtistRatingLength
1The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 1: Symphony
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part I "Oberon's birthday": Symphony (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell6:50
2The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 1: Now the night is chas'd away
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Now the night is chas'd away" (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell2:42
3The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 1: Let the fifes and the clarions....Dance
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Let the fifes and the clarions...Dance" (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell2:08
4The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 1: When a cruel long winter
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part I "Oberon's birthday": "When a cruel long Winter" (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell2:48
5The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 1: Hail! great parent of us all
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Hail! great parent of us all" (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell2:15
6The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 1: Thus the ever grateful Spring
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Thus the ever grateful Spring" (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell2:47
7The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 1: Here's the Summer, sprightly gay
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Here's the Summer, springly, gay" (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell1:14
8The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 1: See, my many-coloured fields
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part I "Oberon's birthday": "See, my many-coloured fields" (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell3:04
9The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 1: Next, Winter comes slowly, pale
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Next, Winter comes slowly" (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell2:55
10The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 1: Hail! great parent of us all
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Hail! great parent of us all" (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell2:17
11The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 2: Prelude...Come, all ye songsters of the sky
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part II "Night and silence": Prelude - "Come, all ye songsters of the sky" (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell2:31
12The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 2: The songsters...May the god of wit inspire
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part II "Night and silence": "The Songsters... May the god of wit inspire" (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell1:57
13The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 2: Echo...Now join your warbling voices all
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part II "Night and silence": "Echo... Now join your warbling voices all" (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell2:14
14The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 2: Fill up the bowl
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part II "Night and silence": "Fill up the bowl, then" (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell6:35
15The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 2: See, even Night herself is here
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part II "Night and silence": "See, even Night herself is here" (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell5:22
16The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 2: "I am come to lock all fast"
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part II "Night and silence": "I am come to lock all fast" (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell0:43
17The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 2: "One charming night"
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part II "Night and silence": "One charming night" (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell2:16
18The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 2: no. 17 "Hush, no more"
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part II "Night and silence": "Hush, no more" (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell4:04
19The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 2: no. 18 Dance for the followers of night
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1970-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1970-09)
recorded at:
Snape Maltings in Suffolk, England, United Kingdom (in 1970-09)
recording of:
The Fairy Queen, Z. 629: Part II "Night and silence": "Dance for the followers of night" (in 1970-09)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell1:30
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Credits

Release group

includes:Schubert: Arpeggione Sonata / Schumann: Fünf Stücke im Volkston / Debussy: Cello Sonata by Schubert (Franz Schubert, composer), Schumann (Robert Schumann, German classical composer), Debussy (French composer); Rostropovich (Mstislav Rostropovich, cellist/conductor), Britten (English composer, conductor, and pianist)