Un' aura amorosa

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Edición con motivo de la exposición "Un' aura amorosa" del Museo del Prado

Annotation last modified on 2022-12-23 20:09 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Madama Butterfly, Atto II: coro a bocca chisa
choir vocals:
Coro del Teatro dell’Opera di Roma
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Gabriele Santini (conductor)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (in 1959)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:06
2Concerti a cinque, op. 9 for oboe and strings, No. 2 in D minor: II. Adagio
cello:
Wouter Möller (cellist)
harpsichord:
Bob van Asperen (harpsichordist and organist)
oboe:
Han de Vries (oboist)
orchestra:
Alma Musica Amsterdam
conductor:
Bob van Asperen (harpsichordist and organist)
recording of:
Concerto for Oboe in D minor, op. 9 no. 2: II. Adagio
composer:
Tomaso Giovanni Albinoni (Italian Baroque composer)
part of:
Concerto for Oboe in D minor, op. 9 no. 2
Tomaso Giovanni Albinoni4:28
3Die Shöpfung, part 3: Duet mit Chorus. Von deiner Güt (Eva/Adam)
baritone vocals:
Markus Werba
bass vocals:
Markus Werba
choir vocals:
Choeur Les Arts florissants
soprano vocals:
Sophie Karthäuser (Belgian soprano) and Genia Kühmeier
tenor vocals:
Toby Spence (tenor)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXVIII. Duett mit Chor: Von deiner Güt', o Herr und Gott
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III
Joseph Haydn9:23
4Symphony No. 6 in F "Pastoral" op. 68: V. Allegretto (abbrev. version Norman Bates)
orchestra:
The Philadelphia Orchestra
conductor:
Riccardo Muti (conductor)
recording of:
Symphony No. 6 in F "Pastoral" op. 68: V. Allegretto (Norman Bates' abbreviate version)
instruments arranger:
Norman Bates (Folk pop band from Munich, Germany)
arrangement of:
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (Symphony No. 6 in F major, Op. 68 "Pastorale": V. "Shepherds' song: Cheerful and thankful feelings after the storm" Allegretto)
Ludwig van Beethoven6:40
5Wachet auf, ruft uns die Stimme BWV 140: chorus
oboe:
Mark Radcliffe (Oboist)
bass vocals:
Michael George (operatic bass)
choir vocals:
The Choir of King’s College, Cambridge
soprano vocals:
Susan Gritton (soprano)
tenor vocals:
Ian Bostridge (tenor)
orchestra:
Academy of Ancient Music
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1999-06 until 2000-01)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro "Wachet auf, ruft uns die Stimme" (from 1999-06 until 2000-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach6:09
6Petite suite, piano 4 hands: I. En bateau
piano:
Michel Béroff (French pianist) (in 1982-04) and Jean‐Philippe Collard (French classical pianist) (in 1982-04)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1982-04)
recording of:
Petite Suite, L. 65, CD 71a : I. En bateau (for piano 4-hands) (in 1982-04)
composer:
Claude Debussy (French composer) (from 1888 until 1889)
part of:
Petite Suite, L. 65, CD 71a (for piano 4-hands)
Claude Debussy3:15
7Orfeo ed Euridice: Dance of the Blessed Spirits (ballet in D Minor)
producer:
John Fraser (UK producer)
flute:
Paul Davies (flautist) (from 1983-06-27 until 1983-06-28)
harpsichord:
Ian Watson (conductor and keyboardist) (from 1983-06-27 until 1983-06-28)
orchestra:
Academy of St Martin in the Fields (from 1983-06-27 until 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (from 1983-06-27 until 1983-06-28)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-06-27 until 1983-06-28)
recording of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version) (from 1983-06-27 until 1983-06-28)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
part of:
Orpheus und Eurydike: Akt II (German version)
Christoph Willibald Gluck5:56
8Cantata no. 208 "Sheep may safely" (arr. Neville Marriner)
organ:
Ian Watson (conductor and keyboardist)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (orchestrated by Marriner)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach4:32
9Messe solennelle de Samte Cécile: Benedictus
baritone vocals:
Jean‐Philippe Lafont (baritone)
choir vocals:
Chœur de Radio France
soprano vocals:
Barbara Hendricks (soprano)
tenor vocals:
Laurence Dale (tenor)
orchestra:
Orchestre philharmonique de Radio France
conductor:
Georges Prêtre (French conductor)
chorus master:
Jacques Jouineau (chorus master)
recording of:
Messe solennelle de Sainte Cécile : VI. Benedictus
composer:
Charles Gounod (French composer)
part of:
Messe solennelle de Sainte Cécile, CG 56 (St. Cecilia Mass, en sol majeur pour solistes, chœur, orchestre et orgue)
Charles Gounod3:10
10Kuolema - Incidental Music op. 44/1: Valse triste
producer:
Christopher Bishop (conductor/producer)
orchestra:
Hallé Orchestra (on 1966-01-24)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1966-01-24)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”) (on 1966-01-24)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1966-01-24)
recording of:
Valse triste, op. 44 no. 1 (for orchestra) (on 1966-01-24)
composer:
Jean Sibelius (Finnish composer) (in 1903)
revised by:
Jean Sibelius (Finnish composer) (in 1904)
premiered at:
Konsertti (1904-04-25)
premiered at:
Svenska Teatern (Swedish Theatre, theatre in Helsinki, Finland) in Helsinki, Uusimaa, Finland (on 1904-04-25)
part of:
2 Pieces from Kuolema, op. 44
revision of:
Kuolema, JS 113: No. 1. Tempo di valse lente (for orchestra)
Jean Sibelius5:31
11Così fan tutte K. 588: Un'aura amorosa
producer:
John Fraser (UK producer)
tenor vocals [Ferrando]:
John Aler (tenor) (in 1986-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1986-02)
conductor:
Bernard Haitink (conductor) (in 1986-02)
balance engineer:
Stuart Eltham (engineer) (in 1986-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1986-02)
recording of:
Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando) (in 1986-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:42
12Coppélia, Act III: Divertissements: III. La prière
orchestra:
Orchestre de l’Opéra national de Paris
conductor:
Jean-Baptiste Mari (conductor)
recording of:
Coppélia : Tableau III, No. 20c. La Prière
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau III
Léo Delibes3:44
13Messa da Requiem: Libera me - Requiem
violin:
Malcolm Stewart (violinist)
choir vocals:
Orfeón Donostiarra (Spanish choir)
soprano vocals:
Júlia Várady (soprano)
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
Messa da requiem: VIIc. Libera me: Requiem aeternam
composer:
Giuseppe Verdi (Italian opera composer)
version of:
Messa per Rossini: VIIc. Responsorium. Libera me, Domine: Requiem aeternam
part of:
Messa da requiem: VII. Libera me (soprano, coro)
Giuseppe Verdi2:52
14Symphony no. 8 in F op. 93: II. Allegretto scherzando
producer:
David Groves (classical music producer at EMI)
orchestra:
The Philadelphia Orchestra (on 1987-01-10, on 1987-01-12, on 1987-01-17, on 1987-01-19, on 1987-01-21)
conductor:
Riccardo Muti (conductor) (on 1987-01-10, on 1987-01-12, on 1987-01-17, on 1987-01-19, on 1987-01-21)
balance engineer:
Michael Sheady (engineer)
recorded at:
Memorial Hall (Philadelphia) in Philadelphia, Pennsylvania, United States (on 1987-01-10, on 1987-01-12, on 1987-01-17, on 1987-01-19, on 1987-01-21)
recording of:
Symphony no. 8 in F major, op. 93: II. Allegretto scherzando (from 1987-01-10 until 1987-01-21)
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven3:40