Two New

~ Release by Mal Waldron / George Haslam (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1I’ve Got the World on a String
recording engineer:
Tim Turan (mainly mastering engineer, drummer) (on 1995-04-20)
baritone saxophone [baritone sax]:
George Haslam (jazz baritone saxophonist and tárogató player) (on 1995-04-20)
piano:
Mal Waldron (American jazz pianist) (on 1995-04-20)
phonographic copyright (℗) by:
SLAM (in 1995)
instrumental cover recording of:
I’ve Got the World on a String (on 1995-04-20)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
6:25
2One for Steve
recording engineer:
Tim Turan (mainly mastering engineer, drummer) (on 1995-04-20)
piano:
Mal Waldron (American jazz pianist) (on 1995-04-20)
taragot [tárogató]:
George Haslam (jazz baritone saxophonist and tárogató player) (on 1995-04-20)
phonographic copyright (℗) by:
SLAM (in 1995)
recording of:
One for Steve (on 1995-04-20)
composer:
George Haslam (jazz baritone saxophonist and tárogató player) and Mal Waldron (American jazz pianist)
6:03
3Tangled Lawful Bells
recording engineer:
Tim Turan (mainly mastering engineer, drummer) (on 1995-04-20)
piano:
Mal Waldron (American jazz pianist) (on 1995-04-20)
taragot [tárogató]:
George Haslam (jazz baritone saxophonist and tárogató player) (on 1995-04-20)
phonographic copyright (℗) by:
SLAM (in 1995)
recording of:
Tangled Lawful Bells (on 1995-04-20)
composer:
George Haslam (jazz baritone saxophonist and tárogató player) and Mal Waldron (American jazz pianist)
5:14
4Let’s Do It Over
recording engineer:
Tim Turan (mainly mastering engineer, drummer) (on 1995-04-20)
baritone saxophone [baritone sax]:
George Haslam (jazz baritone saxophonist and tárogató player) (on 1995-04-20)
piano:
Mal Waldron (American jazz pianist) (on 1995-04-20)
phonographic copyright (℗) by:
SLAM (in 1995)
recording of:
Let’s Do It Over (on 1995-04-20)
composer:
George Haslam (jazz baritone saxophonist and tárogató player)
6:09
5Sakura
recording engineer:
Tim Turan (mainly mastering engineer, drummer) (on 1995-04-20)
baritone saxophone [baritone sax]:
George Haslam (jazz baritone saxophonist and tárogató player) (on 1995-04-20)
piano:
Mal Waldron (American jazz pianist) (on 1995-04-20)
phonographic copyright (℗) by:
SLAM (in 1995)
instrumental cover recording of:
さくらさくら (on 1995-04-20)
lyricist and composer:
[traditional] (special purpose artist)
publisher:
アップフロント音楽出版 (UP‐FRONT MUSIC INC.)
part of:
日本の歌百選 (number: 42)
4:13
6Steps in Rhythm
recording engineer:
Tim Turan (mainly mastering engineer, drummer) (on 1995-04-20)
baritone saxophone [baritone sax]:
George Haslam (jazz baritone saxophonist and tárogató player) (on 1995-04-20)
piano:
Mal Waldron (American jazz pianist) (on 1995-04-20)
phonographic copyright (℗) by:
SLAM (in 1995)
recording of:
Steps in Rhythm (on 1995-04-20)
composer:
George Haslam (jazz baritone saxophonist and tárogató player)
5:09
7Datura
recording engineer:
Tim Turan (mainly mastering engineer, drummer) (on 1995-04-20)
baritone saxophone [baritone sax]:
George Haslam (jazz baritone saxophonist and tárogató player) (on 1995-04-20)
piano:
Mal Waldron (American jazz pianist) (on 1995-04-20)
phonographic copyright (℗) by:
SLAM (in 1995)
recording of:
Datura (on 1995-04-20)
composer:
Richard Leigh Harris (pianist, composer)
4:46
8From Charleston Till Now
recording engineer:
Tim Turan (mainly mastering engineer, drummer) (on 1995-04-20)
piano:
Mal Waldron (American jazz pianist) (on 1995-04-20)
taragot [tárogató]:
George Haslam (jazz baritone saxophonist and tárogató player) (on 1995-04-20)
phonographic copyright (℗) by:
SLAM (in 1995)
recording of:
From Charleston Till Now (on 1995-04-20)
composer:
George Haslam (jazz baritone saxophonist and tárogató player) and Mal Waldron (American jazz pianist)
9:39
9Come Sunday
recording engineer:
Tim Turan (mainly mastering engineer, drummer) (on 1995-04-20)
baritone saxophone [baritone sax]:
George Haslam (jazz baritone saxophonist and tárogató player) (on 1995-04-20)
piano:
Mal Waldron (American jazz pianist) (on 1995-04-20)
phonographic copyright (℗) by:
SLAM (in 1995)
instrumental cover recording of:
Come Sunday (1958 revision with lyrics) (on 1995-04-20)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
6:28
10I’m Old Fashioned
recording engineer:
Tim Turan (mainly mastering engineer, drummer) (on 1995-04-20)
baritone saxophone [baritone sax]:
George Haslam (jazz baritone saxophonist and tárogató player) (on 1995-04-20)
piano:
Mal Waldron (American jazz pianist) (on 1995-04-20)
phonographic copyright (℗) by:
SLAM (in 1995)
instrumental cover recording of:
I’m Old Fashioned (from “You Were Never Lovelier”) (on 1995-04-20)
lyricist:
Johnny Mercer (in 1942)
composer:
Jerome Kern (in 1942)
publisher:
T.B. Harms Co., The Johnny Mercer Foundation and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
5:28
11After the Carnage
recording engineer:
Tim Turan (mainly mastering engineer, drummer) (on 1995-04-20)
baritone saxophone [baritone sax]:
George Haslam (jazz baritone saxophonist and tárogató player) (on 1995-04-20)
piano:
Mal Waldron (American jazz pianist) (on 1995-04-20)
phonographic copyright (℗) by:
SLAM (in 1995)
recording of:
After the Carnage (on 1995-04-20)
composer:
Mal Waldron (American jazz pianist)
4:42
12Thailand Dance
recording engineer:
Tim Turan (mainly mastering engineer, drummer) (on 1995-04-20)
baritone saxophone [baritone sax]:
George Haslam (jazz baritone saxophonist and tárogató player) (on 1995-04-20)
piano:
Mal Waldron (American jazz pianist) (on 1995-04-20)
phonographic copyright (℗) by:
SLAM (in 1995)
recording of:
Thailand Dance (on 1995-04-20)
composer:
George Haslam (jazz baritone saxophonist and tárogató player) and Mal Waldron (American jazz pianist)
9:10

Credits

Release

photography:Beryl Haslam (photography for a George Haslam album)
Joseph Koumbas (musician, photographer)
Richard Leigh.Harris (pianist, composer)
producer and design:George Haslam (jazz baritone saxophonist and tárogató player)
mastering:Tim Turan (mainly mastering engineer, drummer)
illustration:Narv Waldron (visual artist)
artwork:Paul Medley
copyrighted (©) by:SLAM (in 1995)
Discogs:https://www.discogs.com/release/2599234 [info]
ASIN:UK: B00DVZ4JIA [info]
Allmusic:https://www.allmusic.com/album/release/mr0000489620 [info]
https://www.allmusic.com/album/release/mr0000841369 [info]