Original Album Series

~ Release by Wilson Pickett (see all versions of this release, 1 available)

Annotation

CD 1: In the Midnight Hour
CD 2: The Exciting Wilson Pickett
CD 3: The Wicked Pickett
CD 4: The Sound of Wilson Pickett
CD 5: I'm in Love

Annotation last modified on 2016-01-28 11:00 UTC.

Tracklist

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1▼CD: In the Midnight Hour
#TitleRatingLength
1In the Midnight Hour
recorded in:
Memphis, Tennessee, United States (on 1965-05-12)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-05-12)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-05-12)
electric bass guitar [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-05-12)
guitar:
Steve Cropper (on 1965-05-12)
piano:
Joe Hall (Stax studio pianist, 1960s) (on 1965-05-12)
tenor saxophone:
Charles “Packy” Axton (on 1965-05-12) and Andrew Love (on 1965-05-12)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-05-12)
vocals:
Wilson Pickett (on 1965-05-12)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-05-12)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 134) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 218)
recording of:
In the Midnight Hour (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. and Irving Music, Inc.
32:32
2Teardrops Will Fall
recorded in:
New York, New York, United States (on 1964-11-13)
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1964-11-13)
bass [electric bass]:
Jimmy Lewis (jazz bassist) (on 1964-11-13)
bass trombone:
Tony Studd (on 1964-11-13)
guitar:
Cornell Dupree (on 1964-11-13) and Wally Richardson (US jazz/R&B guitarist) (on 1964-11-13)
piano:
Paul Griffin (American pianist, session musician) (on 1964-11-13)
tenor saxophone:
Joe Grimaldi (on 1964-11-13)
trumpet:
Jack Cortner (New York-based Broadway and television composer/arranger) (on 1964-11-13), Ernie Royal (on 1964-11-13) and Clark Terry (American swing trumpeter) (on 1964-11-13)
vocals:
Cissy Houston (on 1964-11-13) and Wilson Pickett (on 1964-11-13)
conductor:
Teacho Wiltshire (on 1964-11-13)
arranger:
Teacho Wiltshire
cover recording of:
Teardrops Will Fall (on 1964-11-13)
writer:
David H. Alldred and Marion Smith
2:32
3Take a Little Love
recorded in:
New York, New York, United States (on 1964-11-13)
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1964-11-13)
bass [electric bass]:
Jimmy Lewis (jazz bassist) (on 1964-11-13)
bass trombone:
Tony Studd (on 1964-11-13)
guitar:
Cornell Dupree (on 1964-11-13) and Wally Richardson (US jazz/R&B guitarist) (on 1964-11-13)
piano:
Paul Griffin (American pianist, session musician) (on 1964-11-13)
tenor saxophone:
Joe Grimaldi (on 1964-11-13)
trumpet:
Jack Cortner (New York-based Broadway and television composer/arranger) (on 1964-11-13), Ernie Royal (on 1964-11-13) and Clark Terry (American swing trumpeter) (on 1964-11-13)
vocals:
Cissy Houston (on 1964-11-13) and Wilson Pickett (on 1964-11-13)
conductor:
Teacho Wiltshire (on 1964-11-13)
arranger:
Teacho Wiltshire
recording of:
Take a Little Love (on 1964-11-13)
lyricist and composer:
Wilson Pickett
2:21
4For Better or Worse
recorded in:
New York, New York, United States (on 1964-05-12)
producer:
Wilson Pickett
vocals:
Wilson Pickett (on 1964-05-12)
recorded at:
United Sound Systems in Detroit, Michigan, United States (on 1964-05-12)
recording of:
For Better or Worse (on 1964-05-12)
writer:
Don Juan Mancha and Wilson Pickett
2:45
5I Found a Love
recorded in:
Detroit, Michigan, United States (in 1961-06)
producer:
Robert West (US songwriter)
alto saxophone:
Ralph "Pee Wee" Middlebrook
bass:
Marshall Jones (US bassist & songwriter, member of Ohio Players)
bass [electric bass]:
Marshall Jones (US bassist & songwriter, member of Ohio Players) (in 1961-06)
brass:
Ralph "Pee Wee" Middlebrook (in 1961-06)
clarinet and piano:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1961)
drums (drum set):
Cornelius Johnson (Drummer in The Ohio Untouchables) (, in 1961-06)
guitar:
Lance Finnie, Lance Finnie (in 1961-06) and Robert Ward (guitar, blues musician) (in 1961-06)
tenor saxophone:
Clarence Satchell (, in 1961-06)
additional vocals:
Eddie Floyd and Sir Mack Rice
lead vocals:
Wilson Pickett
vocals:
Eddie Floyd (in 1961-06), Mack Rice (in 1961-06), Ben Night (in 1961-06), Wilson Pickett (in 1961-06) and Joe Stubbs (in 1961-06)
performer:
The Ohio Untouchables (in 1961-06)
recorded at:
King Studios in Cincinnati, Ohio, United States (in 1962-01)
recording of:
I Found a Love (in 1961-06)
writer:
Wilson Pickett, Willie Schofield and Robert L. West (US songwriter)
publisher:
Alibri Music Co, C & B West Publishing Co., Lupine Music, Progressive Music (publisher), Rightsong Music and Unichappell Music, Inc.
2:59
6That's a Man's Way
recorded in:
Memphis, Tennessee, United States (on 1965-05-12)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-05-12)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-05-12)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-05-12)
guitar:
Steve Cropper (on 1965-05-12)
piano:
Joe Hall (Stax studio pianist, 1960s) (on 1965-05-12)
tenor saxophone:
Charles “Packy” Axton (on 1965-05-12) and Andrew Love (on 1965-05-12)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-05-12)
vocals:
Wilson Pickett (on 1965-05-12)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-05-12)
recording of:
That’s a Man’s Way (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Cotillion Music Inc. (BMI) and Irving Music (BMI)
2:23
7I'm Gonna Cry
recorded in:
New York, New York, United States (on 1964-05-12)
producer:
Wilson Pickett
vocals:
Wilson Pickett (on 1964-05-12)
recorded at:
United Sound Systems in Detroit, Michigan, United States (on 1964-05-12)
recording of:
I’m Gonna Cry (on 1964-05-12)
writer:
Don Covay and Wilson Pickett
2:19
8Don't Fight It
recorded in:
Memphis, Tennessee, United States (on 1965-05-12)
baritone saxophone:
Floyd Newman (on 1965-05-12)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-05-12)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-05-12)
guitar:
Steve Cropper (on 1965-05-12)
piano:
Joe Hall (Stax studio pianist, 1960s) (on 1965-05-12)
tenor saxophone:
Charles “Packy” Axton (on 1965-05-12) and Andrew Love (on 1965-05-12)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-05-12)
vocals:
Wilson Pickett (on 1965-05-12)
recording of:
Don’t Fight It (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Cotillion Music Inc. (BMI) and Irving Music, Inc.
2:34
9Take This Love I've Got
recorded in:
Cincinnati, Ohio, United States (on 1962-10-19)
guitar:
Lance Finnie (on 1962-10-19) and Robert Ward (guitar, blues musician) (on 1962-10-19)
piano:
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist) (on 1962-10-19)
vocals:
Wilson Pickett (on 1962-10-19)
conductor:
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist) (on 1962-10-19)
recording of:
Take This Love I’ve Got (on 1962-10-19)
writer:
Bonny Rice, Eddie Floyd and Wilson Pickett
publisher:
Cotillion Music Inc. (BMI) and Lupine Music
2:14
10Come Home Baby
recorded in:
New York, New York, United States (on 1964-11-13)
producer:
Bert Berns
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1964-11-13)
bass [electric bass]:
Jimmy Lewis (jazz bassist) (on 1964-11-13)
bass trombone:
Tony Studd (on 1964-11-13)
drums (drum set):
Panama Francis (US swing jazz drummer) and Ted Sommer
guitar:
Cornell Dupree (on 1964-11-13) and Wally Richardson (US jazz/R&B guitarist) (on 1964-11-13)
piano:
Paul Griffin (American pianist, session musician) (on 1964-11-13)
tenor saxophone:
Joe Grimaldi (flute and saxophone player) and Joe Grimaldi (on 1964-11-13)
trumpet:
Jack Cortner (New York-based Broadway and television composer/arranger) (on 1964-11-13), Ernie Royal (on 1964-11-13) and Clark Terry (American swing trumpeter) (on 1964-11-13)
additional vocals:
Tami Lynn
lead vocals:
Wilson Pickett
vocals:
Cissy Houston (on 1964-11-13) and Wilson Pickett (on 1964-11-13)
conductor:
Teacho Wiltshire (on 1964-11-13)
arranger:
Teacho Wiltshire
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1964-11-13)
recording of:
Come Home Baby (on 1964-11-13)
writer:
Barry Mann and Cynthia Weil
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:35
11I'm Not Tired
recorded in:
Memphis, Tennessee, United States (on 1965-05-12)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-05-12)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-05-12)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-05-12)
guitar:
Steve Cropper (on 1965-05-12)
piano:
Joe Hall (Stax studio pianist, 1960s) (on 1965-05-12)
tenor saxophone:
Charles “Packy” Axton (on 1965-05-12) and Andrew Love (on 1965-05-12)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-05-12)
vocals:
Wilson Pickett (on 1965-05-12)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-05-12)
recording of:
I’m Not Tired (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Cotillion Music Inc. (BMI) and Irving Music, Inc.
2:44
12Let's Kiss and Make Up
recorded in:
Cincinnati, Ohio, United States (on 1962-10-19)
guitar:
Lance Finnie (on 1962-10-19) and Robert Ward (guitar, blues musician) (on 1962-10-19)
piano:
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist) (on 1962-10-19)
vocals:
Wilson Pickett (on 1962-10-19)
conductor:
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist) (on 1962-10-19)
recording of:
Let’s Kiss and Make Up (on 1962-10-19)
lyricist and composer:
Willie Schofield
2:32
2▼CD: The Exciting Wilson Pickett
#TitleRatingLength
1Land of 1000 Dances
producer:
Jerry Wexler
baritone saxophone:
Floyd Newman (from 1966-05-08 until 1966-05-11)
bass guitar [bass]:
Tommy Cogbill (from 1966-05-08 until 1966-05-11)
drums (drum set):
Roger Hawkins (from 1966-05-08 until 1966-05-11)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-05-08 until 1966-05-11) and Chips Moman (from 1966-05-08 until 1966-05-11)
piano:
Spooner Oldham (from 1966-05-08 until 1966-05-11)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-05-08 until 1966-05-11) and Andrew Love (from 1966-05-08 until 1966-05-11)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1966-05-08 until 1966-05-11)
vocals:
Wilson Pickett (from 1966-05-08 until 1966-05-11)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-05-08 until 1966-05-11)
cover recording of:
Land of 1000 Dances (from 1966-05-08 until 1966-05-11)
lyricist and composer:
Chris Kenner
additional writer:
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd. and Tune-Kel
recording of:
Land of 1000 Dances
lyricist and composer:
Chris Kenner
additional writer:
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd. and Tune-Kel
42:26
2Something You Got
baritone saxophone:
Floyd Newman (from 1966-05-08 until 1966-05-11)
bass:
Tommy Cogbill (from 1966-05-08 until 1966-05-11)
drums (drum set):
Roger Hawkins (from 1966-05-08 until 1966-05-11)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-05-08 until 1966-05-11) and Chips Moman (from 1966-05-08 until 1966-05-11)
piano:
Spooner Oldham (from 1966-05-08 until 1966-05-11)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-05-08 until 1966-05-11) and Andrew Love (from 1966-05-08 until 1966-05-11)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1966-05-08 until 1966-05-11)
vocals:
Wilson Pickett (from 1966-05-08 until 1966-05-11)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-05-08 until 1966-05-11)
cover recording of:
Something You Got (from 1966-05-08 until 1966-05-11)
lyricist and composer:
Chris Kenner
writer:
Fats Domino and Chris Kenner
publisher:
EMI Longitude Music and Tune-Kel Music
2:55
3634-5789
recorded in:
Memphis, Tennessee, United States (on 1965-12-20)
producer:
Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-12-20)
bass guitar [bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-12-20)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-12-20)
guitar:
Steve Cropper (on 1965-12-20)
piano:
Isaac Hayes (on 1965-12-20)
tenor saxophone:
Charles “Packy” Axton (on 1965-12-20) and Andrew Love (on 1965-12-20)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-12-20)
vocals:
Wilson Pickett (on 1965-12-20)
recording of:
634‒5789 (Soulsville, U.S.A.) (on 1965-12-20)
writer:
Steve Cropper and Eddie Floyd
2:58
4Barefootin'
baritone saxophone:
Floyd Newman (from 1966-05-08 until 1966-05-11)
bass:
Tommy Cogbill (from 1966-05-08 until 1966-05-11)
drums (drum set):
Roger Hawkins (from 1966-05-08 until 1966-05-11)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-05-08 until 1966-05-11) and Chips Moman (from 1966-05-08 until 1966-05-11)
piano:
Spooner Oldham (from 1966-05-08 until 1966-05-11)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-05-08 until 1966-05-11) and Andrew Love (from 1966-05-08 until 1966-05-11)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1966-05-08 until 1966-05-11)
vocals:
Wilson Pickett (from 1966-05-08 until 1966-05-11)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-05-08 until 1966-05-11)
cover recording of:
Barefootin’ (from 1966-05-08 until 1966-05-11)
lyricist and composer:
Robert Parker (American R&B singer and musician)
publisher:
Bonatemp Music Publishing Co., Inc. (in 1965, in 1967)
2:21
5Mercy, Mercy
baritone saxophone:
Floyd Newman (from 1966-05-08 until 1966-05-11)
bass:
Tommy Cogbill (from 1966-05-08 until 1966-05-11)
drums (drum set):
Roger Hawkins (from 1966-05-08 until 1966-05-11)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-05-08 until 1966-05-11) and Chips Moman (from 1966-05-08 until 1966-05-11)
piano:
Spooner Oldham (from 1966-05-08 until 1966-05-11)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-05-08 until 1966-05-11) and Andrew Love (from 1966-05-08 until 1966-05-11)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1966-05-08 until 1966-05-11)
vocals:
Wilson Pickett (from 1966-05-08 until 1966-05-11)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-05-08 until 1966-05-11)
cover recording of:
Mercy, Mercy (from 1966-05-08 until 1966-05-11)
writer:
Don Covay and R.A. Miller (US songwriter Ronald Alonzo Miller)
publisher:
Cotillion Music Inc. (BMI) and Vonglo Music (BMI-affiliated)
2:28
6You're So Fine
baritone saxophone:
Floyd Newman (from 1966-05-08 until 1966-05-11)
bass:
Tommy Cogbill (from 1966-05-08 until 1966-05-11)
drums (drum set):
Roger Hawkins (from 1966-05-08 until 1966-05-11)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-05-08 until 1966-05-11) and Chips Moman (from 1966-05-08 until 1966-05-11)
piano:
Spooner Oldham (from 1966-05-08 until 1966-05-11)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-05-08 until 1966-05-11) and Andrew Love (from 1966-05-08 until 1966-05-11)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1966-05-08 until 1966-05-11)
vocals:
Wilson Pickett (from 1966-05-08 until 1966-05-11)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-05-08 until 1966-05-11)
cover recording of:
You’re So Fine (from 1966-05-08 until 1966-05-11)
writer:
Lance Finney, Willie Schofield and Bob West (US session bassist, producer & songwriter)
publisher:
C & B West Publishing Co., EMI United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
2:36
7In the Midnight Hour
recorded in:
Memphis, Tennessee, United States (on 1965-05-12)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-05-12)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-05-12)
electric bass guitar [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-05-12)
guitar:
Steve Cropper (on 1965-05-12)
piano:
Joe Hall (Stax studio pianist, 1960s) (on 1965-05-12)
tenor saxophone:
Charles “Packy” Axton (on 1965-05-12) and Andrew Love (on 1965-05-12)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-05-12)
vocals:
Wilson Pickett (on 1965-05-12)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-05-12)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 134) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 218)
recording of:
In the Midnight Hour (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. and Irving Music, Inc.
32:34
8Ninety-Nine and a Half (Won't Do)
recorded in:
Memphis, Tennessee, United States (on 1965-12-20)
baritone saxophone:
Floyd Newman (on 1965-12-20)
bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-12-20)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-12-20)
guitar:
Steve Cropper (on 1965-12-20)
piano:
Isaac Hayes (on 1965-12-20)
tenor saxophone:
Charles “Packy” Axton (on 1965-12-20) and Andrew Love (on 1965-12-20)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-12-20)
vocals:
Wilson Pickett (on 1965-12-20)
recording of:
Ninety‐Nine and a Half (Won’t Do) (on 1965-12-20)
writer:
Steve Cropper, Eddie Floyd and Wilson Pickett
publisher:
Burlington Music Co., Ltd., Irving Music (BMI), Irving Music, Inc., Pronto Music (publisher) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
42:42
9Danger Zone
producer:
Jim Stewart (Guitarist, recorded with John Palumbo) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-09-16)
bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-09-16)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-09-16)
guitar:
Steve Cropper (on 1965-09-16)
piano:
Isaac Hayes (on 1965-09-16)
tenor saxophone:
Charles “Packy” Axton (on 1965-09-16) and Andrew Love (on 1965-09-16)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-09-16) and Gene “Bowlegs” Miller (American trumpeter) (on 1965-09-16)
vocals:
Wilson Pickett (on 1965-09-16)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-09-16)
recording of:
Danger Zone (on 1965-09-16)
writer:
Steve Cropper and Wilson Pickett
2:09
10I'm Drifting
recorded in:
Memphis, Tennessee, United States (on 1965-12-20)
baritone saxophone:
Floyd Newman (on 1965-12-20)
bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-12-20)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-12-20)
guitar:
Steve Cropper (on 1965-12-20)
piano:
Isaac Hayes (on 1965-12-20)
tenor saxophone:
Charles “Packy” Axton (on 1965-12-20) and Andrew Love (on 1965-12-20)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-12-20)
vocals:
Wilson Pickett (on 1965-12-20)
recording of:
I’m Drifting (on 1965-12-20)
writer:
Homer Banks (soul singer and songwriter), Wilson Pickett and David Porter (US soul musician, producer & songwriter)
2:53
11It's All Over
producer:
Jim Stewart (Guitarist, recorded with John Palumbo) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-09-16)
bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-09-16)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-09-16)
guitar:
Steve Cropper (on 1965-09-16)
piano:
Isaac Hayes (on 1965-09-16)
tenor saxophone:
Charles “Packy” Axton (on 1965-09-16) and Andrew Love (on 1965-09-16)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-09-16) and Gene “Bowlegs” Miller (American trumpeter) (on 1965-09-16)
vocals:
Wilson Pickett (on 1965-09-16)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-09-16)
recording of:
It’s All Over (on 1965-09-16)
writer:
Steve Cropper and Wilson Pickett
2:24
12She's So Good to Me
baritone saxophone:
Floyd Newman (from 1966-05-08 until 1966-05-11)
bass:
Tommy Cogbill (from 1966-05-08 until 1966-05-11)
drums (drum set):
Roger Hawkins (from 1966-05-08 until 1966-05-11)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-05-08 until 1966-05-11) and Chips Moman (from 1966-05-08 until 1966-05-11)
piano:
Spooner Oldham (from 1966-05-08 until 1966-05-11)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-05-08 until 1966-05-11) and Andrew Love (from 1966-05-08 until 1966-05-11)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1966-05-08 until 1966-05-11)
vocals:
Wilson Pickett (from 1966-05-08 until 1966-05-11)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-05-08 until 1966-05-11)
recording of:
She’s So Good to Me (from 1966-05-08 until 1966-05-11)
writer:
Sam Cooke (American singer and songwriter, “King of Soul”) and Bobby Womack
2:16
3▼CD: The Wicked Pickett
#TitleRatingLength
1Mustang Sally
recorded in:
Muscle Shoals, Alabama, United States (on 1966-10-13)
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Jerry Wexler
drums (drum set):
Roger Hawkins (from 1966-10-13 until 1966-10-14)
electric bass guitar [electric bass]:
Tommy Cogbill (from 1966-10-13 until 1966-10-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-10-13 until 1966-10-14)
guitar [lead guitar]:
Lincoln "Chips" Moman (from 1966-10-13 until 1966-10-14)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1966-10-13 until 1966-10-14)
tenor saxophone:
Gilbert Caples (from 1966-10-13 until 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-10-13 until 1966-10-14) and Eddie Logan (from 1966-10-13 until 1966-10-14)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1966-10-13 until 1966-10-14)
vocals:
Wilson Pickett (from 1966-10-13 until 1966-10-14)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-10-13 until 1966-10-14)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 434)
cover recording of:
Mustang Sally (from 1966-10-13 until 1966-10-14)
lyricist and composer:
Sir Mack Rice
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
43:08
2New Orleans
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Jerry Wexler
bass [electric bass]:
Tommy Cogbill (from 1966-10-13 until 1966-10-14)
drums (drum set):
Roger Hawkins (from 1966-10-13 until 1966-10-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-10-13 until 1966-10-14)
guitar [lead guitar]:
Lincoln "Chips" Moman (from 1966-10-13 until 1966-10-14)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1966-10-13 until 1966-10-14)
tenor saxophone:
Gilbert Caples (from 1966-10-13 until 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-10-13 until 1966-10-14) and Eddie Logan (from 1966-10-13 until 1966-10-14)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1966-10-13 until 1966-10-14)
vocals:
Wilson Pickett (from 1966-10-13 until 1966-10-14)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-10-13 until 1966-10-14)
cover recording of:
New Orleans (from 1966-10-13 until 1966-10-14)
writer:
Frank Guida and Joseph Royster
publisher:
Dominion Music Co. Ltd., Rockmasters, Inc. (BMI-affiliated), Wixen Music Publishing, Inc. and Wixen Music UK Ltd.
2:32
3Sunny
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Jerry Wexler
bass [electric bass]:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-10-12)
drums (drum set):
Roger Hawkins (on 1966-10-12)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1966-10-12)
guitar [lead guitar]:
Lincoln "Chips" Moman (on 1966-10-12)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (on 1966-10-12)
tenor saxophone:
Gilbert Caples (on 1966-10-12), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1966-10-12) and Eddie Logan (on 1966-10-12)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (on 1966-10-12)
vocals:
Wilson Pickett (on 1966-10-12)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1966-10-12)
cover recording of:
Sunny (on 1966-10-12)
lyricist and composer:
Bobby Hebb
publisher:
MRC Music Corp., Portable Music Co., Inc., Unichappell Music and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:11
4Everybody Needs Somebody to Love
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Jerry Wexler
bass [electric bass]:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-10-12)
drums (drum set):
Roger Hawkins (on 1966-10-12)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1966-10-12)
guitar [lead guitar]:
Lincoln "Chips" Moman (on 1966-10-12)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (on 1966-10-12)
tenor saxophone:
Gilbert Caples (on 1966-10-12), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1966-10-12) and Eddie Logan (on 1966-10-12)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (on 1966-10-12)
vocals:
Wilson Pickett (on 1966-10-12)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1966-10-12)
cover recording of:
Everybody Needs Somebody to Love (on 1966-10-12)
writer:
Bert Russell Berns, Solomon Burke and Jerry Wexler
publisher:
BERT RUSSELL MUSIC L L C 301, EMI Music Publishing Ltd. (PRS‐affiliated), Fujipacific Music, Inc., KEETCH CAESAR AND DINO MUSIC INC and Musical Lights Tokyo
32:17
5Ooh Poo Pah Doo
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Jerry Wexler
bass [electric bass]:
Tommy Cogbill (from 1966-10-13 until 1966-10-14)
drums (drum set):
Roger Hawkins (from 1966-10-13 until 1966-10-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-10-13 until 1966-10-14)
guitar [lead guitar]:
Lincoln "Chips" Moman (from 1966-10-13 until 1966-10-14)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1966-10-13 until 1966-10-14)
tenor saxophone:
Gilbert Caples (from 1966-10-13 until 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-10-13 until 1966-10-14) and Eddie Logan (from 1966-10-13 until 1966-10-14)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1966-10-13 until 1966-10-14)
vocals:
Wilson Pickett (from 1966-10-13 until 1966-10-14)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-10-13 until 1966-10-14)
cover recording of:
Ooh Poo Pah Doo (from 1966-10-13 until 1966-10-14)
lyricist and composer:
Jessie Hill (American R&B and Louisiana blues singer)
2:33
6She Ain't Gonna Do Right
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Jerry Wexler
baritone saxophone:
Floyd Newman (from 1966-05-08 until 1966-05-11)
bass [electric bass]:
Tommy Cogbill (from 1966-05-08 until 1966-05-11)
drums (drum set):
Roger Hawkins (from 1966-05-08 until 1966-05-11)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-05-08 until 1966-05-11) and Lincoln "Chips" Moman (from 1966-05-08 until 1966-05-11)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-05-08 until 1966-05-11) and Andrew Love (from 1966-05-08 until 1966-05-11)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1966-05-08 until 1966-05-11)
vocals:
Wilson Pickett (from 1966-05-08 until 1966-05-11)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-05-08 until 1966-05-11)
recording of:
She Ain’t Gonna Do Right (from 1966-05-08 until 1966-05-11)
composer:
Spooner Oldham and Dan Penn (songwriter, soul singer)
2:16
7Knock on Wood
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Jerry Wexler
bass [electric bass]:
Tommy Cogbill (from 1966-10-13 until 1966-10-14)
drums (drum set):
Roger Hawkins (from 1966-10-13 until 1966-10-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-10-13 until 1966-10-14)
guitar [lead guitar]:
Lincoln "Chips" Moman (from 1966-10-13 until 1966-10-14)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1966-10-13 until 1966-10-14)
tenor saxophone:
Gilbert Caples (from 1966-10-13 until 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-10-13 until 1966-10-14) and Eddie Logan (from 1966-10-13 until 1966-10-14)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1966-10-13 until 1966-10-14)
vocals:
Wilson Pickett (from 1966-10-13 until 1966-10-14)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-10-13 until 1966-10-14)
cover recording of:
Knock on Wood (from 1966-10-13 until 1966-10-14)
writer:
Steve Cropper and Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
adaptation of:
Potkraj na les
2:39
8Time Is on My Side
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Jerry Wexler
bass [electric bass]:
Tommy Cogbill (from 1966-10-13 until 1966-10-14)
drums (drum set):
Roger Hawkins (from 1966-10-13 until 1966-10-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-10-13 until 1966-10-14)
guitar [lead guitar]:
Lincoln "Chips" Moman (from 1966-10-13 until 1966-10-14)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1966-10-13 until 1966-10-14)
tenor saxophone:
Gilbert Caples (from 1966-10-13 until 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-10-13 until 1966-10-14) and Eddie Logan (from 1966-10-13 until 1966-10-14)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1966-10-13 until 1966-10-14)
vocals:
Wilson Pickett (from 1966-10-13 until 1966-10-14)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-10-13 until 1966-10-14)
cover recording of:
Time Is on My Side (from 1966-10-13 until 1966-10-14)
additional lyricist:
Jimmy Norman
composer:
Norman Meade
publisher:
Rittenhouse Music Corp., TRO Essex Music Ltd. and ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
version of:
Time Is on My Side (original version, only lyrics are “Time Is on My Side” and “You’ll Come Runnin’ Back”)
2:35
9Up Tight Good Woman
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Jerry Wexler
bass [electric bass]:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-10-12)
drums (drum set):
Roger Hawkins (on 1966-10-12)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1966-10-12)
guitar [lead guitar]:
Lincoln "Chips" Moman (on 1966-10-12)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (on 1966-10-12)
tenor saxophone:
Gilbert Caples (on 1966-10-12), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1966-10-12) and Eddie Logan (on 1966-10-12)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (on 1966-10-12)
vocals:
Wilson Pickett (on 1966-10-12)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1966-10-12)
recording of:
Up Tight Good Woman (on 1966-10-12)
composer:
Spooner Oldham and Dan Penn (songwriter, soul singer)
2:31
10You Left the Water Running
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Jerry Wexler
bass [electric bass]:
Tommy Cogbill (from 1966-10-13 until 1966-10-14)
drums (drum set):
Roger Hawkins (from 1966-10-13 until 1966-10-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-10-13 until 1966-10-14)
guitar [lead guitar]:
Lincoln "Chips" Moman (from 1966-10-13 until 1966-10-14)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1966-10-13 until 1966-10-14)
tenor saxophone:
Gilbert Caples (from 1966-10-13 until 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-10-13 until 1966-10-14) and Eddie Logan (from 1966-10-13 until 1966-10-14)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1966-10-13 until 1966-10-14)
vocals:
Wilson Pickett (from 1966-10-13 until 1966-10-14)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-10-13 until 1966-10-14)
cover recording of:
You Left the Water Running (from 1966-10-13 until 1966-10-14)
writer:
Oscar Franck, Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Dan Penn (songwriter, soul singer)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Warner Chappell Music Ltd. (1996–2019)
2:29
11Three Time Loser
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Jerry Wexler
bass [electric bass]:
Tommy Cogbill (from 1966-10-13 until 1966-10-14)
drums (drum set):
Roger Hawkins (from 1966-10-13 until 1966-10-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-10-13 until 1966-10-14)
guitar [lead guitar]:
Lincoln "Chips" Moman (from 1966-10-13 until 1966-10-14)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1966-10-13 until 1966-10-14)
tenor saxophone:
Gilbert Caples (from 1966-10-13 until 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-10-13 until 1966-10-14) and Eddie Logan (from 1966-10-13 until 1966-10-14)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1966-10-13 until 1966-10-14)
vocals:
Wilson Pickett (from 1966-10-13 until 1966-10-14)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-10-13 until 1966-10-14)
recording of:
Three Time Loser (from 1966-10-13 until 1966-10-14)
writer:
Don Covay and Ron Miller (US songwriter Ronald Alonzo Miller)
publisher:
Pronto Music (publisher) and Warner/Chappell Music Scandinavia AB
2:21
12Nothing You Can Do
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Jerry Wexler
baritone saxophone:
Floyd Newman (from 1966-05-08 until 1966-05-11)
bass [electric bass]:
Tommy Cogbill (from 1966-05-08 until 1966-05-11)
drums (drum set):
Roger Hawkins (from 1966-05-08 until 1966-05-11)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-05-08 until 1966-05-11) and Lincoln "Chips" Moman (from 1966-05-08 until 1966-05-11)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-05-08 until 1966-05-11) and Andrew Love (from 1966-05-08 until 1966-05-11)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1966-05-08 until 1966-05-11)
vocals:
Wilson Pickett (from 1966-05-08 until 1966-05-11)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-05-08 until 1966-05-11)
cover recording of:
Nothing You Can Do (from 1966-05-08 until 1966-05-11)
composer:
Bobby Womack
2:13
4▼CD: The Sound of Wilson Pickett
#TitleRatingLength
1Soul Dance Number Three
baritone saxophone:
Floyd Newman (from 1967-02-01 until 1967-02-04)
bass [electric bass]:
Tommy Cogbill (from 1967-02-01 until 1967-02-04)
drums (drum set):
Roger Hawkins (from 1967-02-01 until 1967-02-04)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-02-01 until 1967-02-04) and Lincoln "Chips" Moman (from 1967-02-01 until 1967-02-04)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1967-02-01 until 1967-02-04)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-02-01 until 1967-02-04) and Jimmy Mitchell (saxophone) (from 1967-02-01 until 1967-02-04)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-02-01 until 1967-02-04)
vocals:
Wilson Pickett (from 1967-02-01 until 1967-02-04)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1967-02-01 until 1967-02-04)
recording of:
Soul Dance Number Three (from 1967-02-01 until 1967-02-04)
writer:
Wilson Pickett and Jerry Wexler
2:42
2Funky Broadway
producer:
Jerry Wexler
baritone saxophone:
Floyd Newman (from 1967-02-01 until 1967-02-04)
drums (drum set):
Roger Hawkins (from 1967-02-01 until 1967-02-04)
electric bass guitar [electric bass]:
Tommy Cogbill (from 1967-02-01 until 1967-02-04)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-02-01 until 1967-02-04) and Lincoln "Chips" Moman (from 1967-02-01 until 1967-02-04)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1967-02-01 until 1967-02-04)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-02-01 until 1967-02-04) and Jimmy Mitchell (saxophone) (from 1967-02-01 until 1967-02-04)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-02-01 until 1967-02-04)
vocals:
Wilson Pickett (from 1967-02-01 until 1967-02-04)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1967-02-01 until 1967-02-04)
cover recording of:
Funky Broadway (from 1967-02-01 until 1967-02-04)
lyricist and composer:
Arlester “Dyke” Christian
22:37
3I Need a Lot of Loving Every Day
2:23
4I Found a Love, Part I
baritone saxophone:
Floyd Newman (from 1967-02-01 until 1967-02-04)
bass [electric bass]:
Tommy Cogbill (from 1967-02-01 until 1967-02-04)
drums (drum set):
Roger Hawkins (from 1967-02-01 until 1967-02-04)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-02-01 until 1967-02-04) and Lincoln "Chips" Moman (from 1967-02-01 until 1967-02-04)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1967-02-01 until 1967-02-04)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-02-01 until 1967-02-04) and Jimmy Mitchell (saxophone) (from 1967-02-01 until 1967-02-04)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-02-01 until 1967-02-04)
vocals:
Wilson Pickett (from 1967-02-01 until 1967-02-04)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1967-02-01 until 1967-02-04)
partial cover recording of:
I Found a Love (from 1967-02-01 until 1967-02-04)
writer:
Wilson Pickett, Willie Schofield and Robert L. West (US songwriter)
publisher:
Alibri Music Co, C & B West Publishing Co., Lupine Music, Progressive Music (publisher), Rightsong Music and Unichappell Music, Inc.
2:34
5I Found a Love, Part II
baritone saxophone:
Floyd Newman (from 1967-02-01 until 1967-02-04)
bass [electric bass]:
Tommy Cogbill (from 1967-02-01 until 1967-02-04)
drums (drum set):
Roger Hawkins (from 1967-02-01 until 1967-02-04)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-02-01 until 1967-02-04) and Lincoln "Chips" Moman (from 1967-02-01 until 1967-02-04)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1967-02-01 until 1967-02-04)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-02-01 until 1967-02-04) and Jimmy Mitchell (saxophone) (from 1967-02-01 until 1967-02-04)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-02-01 until 1967-02-04)
vocals:
Wilson Pickett (from 1967-02-01 until 1967-02-04)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1967-02-01 until 1967-02-04)
partial cover recording of:
I Found a Love (from 1967-02-01 until 1967-02-04)
writer:
Wilson Pickett, Willie Schofield and Robert L. West (US songwriter)
publisher:
Alibri Music Co, C & B West Publishing Co., Lupine Music, Progressive Music (publisher), Rightsong Music and Unichappell Music, Inc.
3:00
6You Can't Stand Alone
baritone saxophone:
Floyd Newman (from 1967-02-01 until 1967-02-04)
bass [electric bass]:
Tommy Cogbill (from 1967-02-01 until 1967-02-04)
drums (drum set):
Roger Hawkins (from 1967-02-01 until 1967-02-04)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-02-01 until 1967-02-04) and Lincoln "Chips" Moman (from 1967-02-01 until 1967-02-04)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1967-02-01 until 1967-02-04)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-02-01 until 1967-02-04) and Jimmy Mitchell (saxophone) (from 1967-02-01 until 1967-02-04)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-02-01 until 1967-02-04)
vocals:
Wilson Pickett (from 1967-02-01 until 1967-02-04)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1967-02-01 until 1967-02-04)
recording of:
You Can't Stand Alone (from 1967-02-01 until 1967-02-04)
writer:
Rudy Clark (US songwriter)
2:52
7Mojo Mamma
baritone saxophone:
Floyd Newman (from 1967-02-01 until 1967-02-04)
bass [electric bass]:
Tommy Cogbill (from 1967-02-01 until 1967-02-04)
drums (drum set):
Roger Hawkins (from 1967-02-01 until 1967-02-04)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-02-01 until 1967-02-04) and Lincoln "Chips" Moman (from 1967-02-01 until 1967-02-04)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1967-02-01 until 1967-02-04)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-02-01 until 1967-02-04) and Jimmy Mitchell (saxophone) (from 1967-02-01 until 1967-02-04)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-02-01 until 1967-02-04)
vocals:
Wilson Pickett (from 1967-02-01 until 1967-02-04)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1967-02-01 until 1967-02-04)
2:02
8I Found the One
baritone saxophone:
Floyd Newman (from 1967-02-01 until 1967-02-04)
bass [electric bass]:
Tommy Cogbill (from 1967-02-01 until 1967-02-04)
drums (drum set):
Roger Hawkins (from 1967-02-01 until 1967-02-04)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-02-01 until 1967-02-04) and Lincoln "Chips" Moman (from 1967-02-01 until 1967-02-04)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1967-02-01 until 1967-02-04)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-02-01 until 1967-02-04) and Jimmy Mitchell (saxophone) (from 1967-02-01 until 1967-02-04)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-02-01 until 1967-02-04)
vocals:
Wilson Pickett (from 1967-02-01 until 1967-02-04)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1967-02-01 until 1967-02-04)
2:33
9Something Within Me
baritone saxophone:
Floyd Newman (from 1967-02-01 until 1967-02-04)
bass [electric bass]:
Tommy Cogbill (from 1967-02-01 until 1967-02-04)
drums (drum set):
Roger Hawkins (from 1967-02-01 until 1967-02-04)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-02-01 until 1967-02-04) and Lincoln "Chips" Moman (from 1967-02-01 until 1967-02-04)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1967-02-01 until 1967-02-04)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-02-01 until 1967-02-04) and Jimmy Mitchell (saxophone) (from 1967-02-01 until 1967-02-04)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-02-01 until 1967-02-04)
vocals:
Wilson Pickett (from 1967-02-01 until 1967-02-04)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1967-02-01 until 1967-02-04)
3:44
10I'm Sorry About That
baritone saxophone:
Floyd Newman (from 1967-02-01 until 1967-02-04)
bass [electric bass]:
Tommy Cogbill (from 1967-02-01 until 1967-02-04)
drums (drum set):
Roger Hawkins (from 1967-02-01 until 1967-02-04)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-02-01 until 1967-02-04) and Lincoln "Chips" Moman (from 1967-02-01 until 1967-02-04)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1967-02-01 until 1967-02-04)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-02-01 until 1967-02-04) and Jimmy Mitchell (saxophone) (from 1967-02-01 until 1967-02-04)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-02-01 until 1967-02-04)
vocals:
Wilson Pickett (from 1967-02-01 until 1967-02-04)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1967-02-01 until 1967-02-04)
3:07
11Love Is a Beautiful Thing
baritone saxophone:
Floyd Newman (from 1967-02-01 until 1967-02-04)
bass [electric bass]:
Tommy Cogbill (from 1967-02-01 until 1967-02-04)
drums (drum set):
Roger Hawkins (from 1967-02-01 until 1967-02-04)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-02-01 until 1967-02-04) and Lincoln "Chips" Moman (from 1967-02-01 until 1967-02-04)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1967-02-01 until 1967-02-04)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-02-01 until 1967-02-04) and Jimmy Mitchell (saxophone) (from 1967-02-01 until 1967-02-04)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-02-01 until 1967-02-04)
vocals:
Wilson Pickett (from 1967-02-01 until 1967-02-04)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1967-02-01 until 1967-02-04)
cover recording of:
Love Is a Beautiful Thing (from 1967-02-01 until 1967-02-04)
composer:
Eddie Brigati and Felix Cavaliere (American singer, songwriter, record producer, and musician)
2:16
5▼CD: I'm in Love
#TitleRatingLength
1Jealous Love
recorded in:
Memphis, Tennessee, United States (from 1967-07-01 until 1967-07-03)
recording engineer:
Tom Dowd (from 1967-07-01 until 1967-07-03)
baritone saxophone:
Floyd Newman (from 1967-07-01 until 1967-07-03)
bass [electric bass]:
Tommy Cogbill (from 1967-07-01 until 1967-07-03)
drums (drum set):
Gene Chrisman (from 1967-07-01 until 1967-07-03)
guitar:
Reggie Young (Guitarist and songwriter) (from 1967-07-01 until 1967-07-03)
guitar [lead guitar]:
Bobby Womack (from 1967-07-01 until 1967-07-03)
organ:
Bobby Emmons (from 1967-07-01 until 1967-07-03)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (from 1967-07-01 until 1967-07-03)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-07-01 until 1967-07-03) and King Curtis (saxophonist) (from 1967-07-01 until 1967-07-03)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-07-01 until 1967-07-03)
vocals:
Wilson Pickett (from 1967-07-01 until 1967-07-03)
recording of:
Jealous Love (from 1967-07-01 until 1967-07-03)
writer:
King Curtis (saxophonist) and Bobby Womack
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Cotillion Music Inc. (BMI) and Warner/Chappell Music Ltd. (1996–2019)
2:49
2Stagger Lee
recorded in:
Memphis, Tennessee, United States (from 1967-07-01 until 1967-07-03)
recording engineer:
Tom Dowd (from 1967-07-01 until 1967-07-03)
baritone saxophone:
Floyd Newman (from 1967-07-01 until 1967-07-03)
bass [electric bass]:
Tommy Cogbill (from 1967-07-01 until 1967-07-03)
drums (drum set):
Gene Chrisman (from 1967-07-01 until 1967-07-03)
guitar:
Reggie Young (Guitarist and songwriter) (from 1967-07-01 until 1967-07-03)
guitar [lead guitar]:
Bobby Womack (from 1967-07-01 until 1967-07-03)
organ:
Bobby Emmons (from 1967-07-01 until 1967-07-03)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (from 1967-07-01 until 1967-07-03)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-07-01 until 1967-07-03) and King Curtis (saxophonist) (from 1967-07-01 until 1967-07-03)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-07-01 until 1967-07-03)
vocals:
Wilson Pickett (from 1967-07-01 until 1967-07-03)
recording of:
Stagger Lee (Lloyd Price version) (on 1967-07-01)
writer:
Harold Logan and Lloyd Price (US R&B/soul singer)
publisher:
EMI Catalogue Partnership, Irving Music (BMI) and Travis Music Co.
version of:
Stagger Lee (“Stackolee” etc., traditional)
2:22
3That Kind of Love
recorded in:
Memphis, Tennessee, United States (from 1967-07-01 until 1967-07-03)
recording engineer:
Tom Dowd (from 1967-07-01 until 1967-07-03)
baritone saxophone:
Floyd Newman (from 1967-07-01 until 1967-07-03)
bass [electric bass]:
Tommy Cogbill (from 1967-07-01 until 1967-07-03)
drums (drum set):
Gene Chrisman (from 1967-07-01 until 1967-07-03)
guitar:
Reggie Young (Guitarist and songwriter) (from 1967-07-01 until 1967-07-03)
guitar [lead guitar]:
Bobby Womack (from 1967-07-01 until 1967-07-03)
organ:
Bobby Emmons (from 1967-07-01 until 1967-07-03)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (from 1967-07-01 until 1967-07-03)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-07-01 until 1967-07-03) and King Curtis (saxophonist) (from 1967-07-01 until 1967-07-03)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-07-01 until 1967-07-03)
vocals:
Wilson Pickett (from 1967-07-01 until 1967-07-03)
2:19
4I'm in Love
recorded in:
Memphis, Tennessee, United States (from 1967-07-01 until 1967-07-03)
recording engineer:
Tom Dowd (from 1967-07-01 until 1967-07-03)
producer:
Jerry Wexler
baritone saxophone:
Floyd Newman (from 1967-07-01 until 1967-07-03)
bass [electric bass]:
Tommy Cogbill (from 1967-07-01 until 1967-07-03)
drums (drum set):
Gene Chrisman (from 1967-07-01 until 1967-07-03)
guitar:
Reggie Young (Guitarist and songwriter) (from 1967-07-01 until 1967-07-03)
guitar [lead guitar]:
Bobby Womack (from 1967-07-01 until 1967-07-03)
organ:
Bobby Emmons (from 1967-07-01 until 1967-07-03)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (from 1967-07-01 until 1967-07-03)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-07-01 until 1967-07-03) and King Curtis (saxophonist) (from 1967-07-01 until 1967-07-03)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-07-01 until 1967-07-03)
vocals:
Wilson Pickett (from 1967-07-01 until 1967-07-03)
recording of:
I’m in Love (from 1967-07-01 until 1967-07-03)
lyricist and composer:
Bobby Womack
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Pronto Music (publisher)
2:32
5Hello Sunshine
recorded in:
Memphis, Tennessee, United States (from 1967-07-01 until 1967-07-03)
recording engineer:
Tom Dowd (from 1967-07-01 until 1967-07-03)
baritone saxophone:
Floyd Newman (from 1967-07-01 until 1967-07-03)
bass [electric bass]:
Tommy Cogbill (from 1967-07-01 until 1967-07-03)
drums (drum set):
Gene Chrisman (from 1967-07-01 until 1967-07-03)
guitar:
Reggie Young (Guitarist and songwriter) (from 1967-07-01 until 1967-07-03)
guitar [lead guitar]:
Bobby Womack (from 1967-07-01 until 1967-07-03)
organ:
Bobby Emmons (from 1967-07-01 until 1967-07-03)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (from 1967-07-01 until 1967-07-03)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-07-01 until 1967-07-03) and King Curtis (saxophonist) (from 1967-07-01 until 1967-07-03)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-07-01 until 1967-07-03)
vocals:
Wilson Pickett (from 1967-07-01 until 1967-07-03)
recording of:
Hello Sunshine
writer:
King Curtis (saxophonist) and Ron Miller (Motown songwriter Ronald Norman Miller)
2:34
6Don't Cry No More
recorded in:
Memphis, Tennessee, United States (from 1967-07-01 until 1967-07-03)
recording engineer:
Tom Dowd (from 1967-07-01 until 1967-07-03)
baritone saxophone:
Floyd Newman (from 1967-07-01 until 1967-07-03)
bass [electric bass]:
Tommy Cogbill (from 1967-07-01 until 1967-07-03)
drums (drum set):
Gene Chrisman (from 1967-07-01 until 1967-07-03)
guitar:
Reggie Young (Guitarist and songwriter) (from 1967-07-01 until 1967-07-03)
guitar [lead guitar]:
Bobby Womack (from 1967-07-01 until 1967-07-03)
organ:
Bobby Emmons (from 1967-07-01 until 1967-07-03)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (from 1967-07-01 until 1967-07-03)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-07-01 until 1967-07-03) and King Curtis (saxophonist) (from 1967-07-01 until 1967-07-03)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-07-01 until 1967-07-03)
vocals:
Wilson Pickett (from 1967-07-01 until 1967-07-03)
2:13
7We've Got to Have Love
recorded in:
Memphis, Tennessee, United States (from 1967-07-01 until 1967-07-03)
recording engineer:
Tom Dowd (from 1967-07-01 until 1967-07-03)
baritone saxophone:
Floyd Newman (from 1967-07-01 until 1967-07-03)
bass [electric bass]:
Tommy Cogbill (from 1967-07-01 until 1967-07-03)
drums (drum set):
Gene Chrisman (from 1967-07-01 until 1967-07-03)
guitar:
Reggie Young (Guitarist and songwriter) (from 1967-07-01 until 1967-07-03)
guitar [lead guitar]:
Bobby Womack (from 1967-07-01 until 1967-07-03)
organ:
Bobby Emmons (from 1967-07-01 until 1967-07-03)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (from 1967-07-01 until 1967-07-03)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-07-01 until 1967-07-03) and King Curtis (saxophonist) (from 1967-07-01 until 1967-07-03)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-07-01 until 1967-07-03)
vocals:
Wilson Pickett (from 1967-07-01 until 1967-07-03)
2:06
8Bring It on Home to Me
recorded in:
Memphis, Tennessee, United States (from 1967-07-01 until 1967-07-03)
recording engineer:
Tom Dowd (from 1967-07-01 until 1967-07-03)
baritone saxophone:
Floyd Newman (from 1967-07-01 until 1967-07-03)
bass [electric bass]:
Tommy Cogbill (from 1967-07-01 until 1967-07-03)
drums (drum set):
Gene Chrisman (from 1967-07-01 until 1967-07-03)
guitar:
Reggie Young (Guitarist and songwriter) (from 1967-07-01 until 1967-07-03)
guitar [lead guitar]:
Bobby Womack (from 1967-07-01 until 1967-07-03)
organ:
Bobby Emmons (from 1967-07-01 until 1967-07-03)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (from 1967-07-01 until 1967-07-03)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-07-01 until 1967-07-03) and King Curtis (saxophonist) (from 1967-07-01 until 1967-07-03)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-07-01 until 1967-07-03)
vocals:
Wilson Pickett (from 1967-07-01 until 1967-07-03)
cover recording of:
Bring It On Home to Me (from 1967-07-01 until 1967-07-03)
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music, ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Kags Music Corp.
3:12
9She's Lookin' Good
recorded in:
Memphis, Tennessee, United States (from 1967-07-01 until 1967-07-03)
recording engineer:
Tom Dowd (from 1967-07-01 until 1967-07-03)
baritone saxophone:
Floyd Newman (from 1967-07-01 until 1967-07-03)
bass [electric bass]:
Tommy Cogbill (from 1967-07-01 until 1967-07-03)
drums (drum set):
Gene Chrisman (from 1967-07-01 until 1967-07-03)
guitar:
Reggie Young (Guitarist and songwriter) (from 1967-07-01 until 1967-07-03)
guitar [lead guitar]:
Bobby Womack (from 1967-07-01 until 1967-07-03)
organ:
Bobby Emmons (from 1967-07-01 until 1967-07-03)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (from 1967-07-01 until 1967-07-03)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-07-01 until 1967-07-03) and King Curtis (saxophonist) (from 1967-07-01 until 1967-07-03)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-07-01 until 1967-07-03)
vocals:
Wilson Pickett (from 1967-07-01 until 1967-07-03)
recorded at:
American Studios in Nashville, Tennessee, United States (from 1967-07-01 until 1967-07-03)
cover recording of:
She’s Looking Good (from 1967-07-01 until 1967-07-03)
writer:
Justin Dickens
composer:
Rodger Collins
2:27
10I've Come a Long Way
recorded in:
Memphis, Tennessee, United States (from 1967-07-01 until 1967-07-03)
recording engineer:
Tom Dowd (from 1967-07-01 until 1967-07-03)
baritone saxophone:
Floyd Newman (from 1967-07-01 until 1967-07-03)
bass [electric bass]:
Tommy Cogbill (from 1967-07-01 until 1967-07-03)
drums (drum set):
Gene Chrisman (from 1967-07-01 until 1967-07-03)
guitar:
Reggie Young (Guitarist and songwriter) (from 1967-07-01 until 1967-07-03)
guitar [lead guitar]:
Bobby Womack (from 1967-07-01 until 1967-07-03)
organ:
Bobby Emmons (from 1967-07-01 until 1967-07-03)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (from 1967-07-01 until 1967-07-03)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-07-01 until 1967-07-03) and King Curtis (saxophonist) (from 1967-07-01 until 1967-07-03)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-07-01 until 1967-07-03)
vocals:
Wilson Pickett (from 1967-07-01 until 1967-07-03)
recording of:
I've Come a Long Way (from 1967-07-01 until 1967-07-03)
writer:
Bobby Womack
3:10