Carmina Burana

~ Release by Carl Orff; Edita Gruberova, John Aler, Thomas Hampson, Shinyukai Choir, Knaben des Staats‐ und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa (see all versions of this release, 3 available)

Annotation

on CD-Medium:
LC0305 (-> Philips)

Annotation last modified on 2020-04-07 22:37 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Fortuna Imperatrix Mundi: O Fortuna
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
choir vocals:
Shinyukai Choir (in 1988-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1988-06-25 until 1988-06-26)
conductor:
Seiji Ozawa (conductor and composer) (from 1988-06-25 until 1988-06-26)
chorus master:
Shin Sekiya (choirmaster) (from 1988-06-25 until 1988-06-26)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:22
2Fortuna Imperatrix Mundi: Fortune plango vulnera
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
choir vocals:
Shinyukai Choir (in 1988-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1988-06-25 until 1988-06-26)
conductor:
Seiji Ozawa (conductor and composer) (from 1988-06-25 until 1988-06-26)
chorus master:
Shin Sekiya (choirmaster) (from 1988-06-25 until 1988-06-26)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
Fortune plango vulnera (Poem, CB 16)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:42
3I. Primo vere: Veris leta facies
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
choir vocals:
Shinyukai Choir (in 1988-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1988-06-25 until 1988-06-26)
conductor:
Seiji Ozawa (conductor and composer) (from 1988-06-25 until 1988-06-26)
chorus master:
Shin Sekiya (choirmaster) (from 1988-06-25 until 1988-06-26)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: I. Primo vere: III. Veris leta facies (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff4:35
4I. Primo vere: Omnia Sol temperat
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
baritone vocals:
Thomas Hampson (baritone) (in 1988-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1988-06-25 until 1988-06-26)
conductor:
Seiji Ozawa (conductor and composer) (from 1988-06-25 until 1988-06-26)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff2:38
5I. Primo vere: Ecce gratum
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
choir vocals:
Shinyukai Choir (in 1988-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1988-06-25 until 1988-06-26)
conductor:
Seiji Ozawa (conductor and composer) (from 1988-06-25 until 1988-06-26)
chorus master:
Shin Sekiya (choirmaster) (from 1988-06-25 until 1988-06-26)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: I. Primo vere: V. Ecce gratum (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff2:34
6Uf dem Anger: Tanz -
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1988-06-25 until 1988-06-26)
conductor:
Seiji Ozawa (conductor and composer) (from 1988-06-25 until 1988-06-26)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: Uf dem Anger: VI. Tanz (Carmina Burana: On the Green: 6. Dance) (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff1:48
7Uf dem Anger: Floret silva nobilis
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
choir vocals:
Shinyukai Choir (in 1988-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1988-06-25 until 1988-06-26)
conductor:
Seiji Ozawa (conductor and composer) (from 1988-06-25 until 1988-06-26)
chorus master:
Shin Sekiya (choirmaster) (from 1988-06-25 until 1988-06-26)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: Uf dem Anger: VII. Floret silva nobilis (Carmina Burana: Uf dem Anger: 7. Floret silva) (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:17
8Uf dem Anger: Chramer, gip die varwe mir
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
baritone vocals:
Thomas Hampson (baritone) (in 1988-06)
choir vocals:
Shinyukai Choir (in 1988-06)
soprano vocals:
Edita Gruberová (soprano) (in 1988-06)
tenor vocals:
John Aler (tenor) (in 1988-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1988-06-25 until 1988-06-26)
conductor:
Seiji Ozawa (conductor and composer) (from 1988-06-25 until 1988-06-26)
chorus master:
Shin Sekiya (choirmaster) (from 1988-06-25 until 1988-06-26)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir (Carmina Burana: Uf dem anger: 8. Chramer, gip die varwe mir) (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:22
9Uf dem Anger: Swaz hie gat umbe - Chume, chum geselle min
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
choir vocals:
Shinyukai Choir (in 1988-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1988-06-25 until 1988-06-26)
conductor:
Seiji Ozawa (conductor and composer) (from 1988-06-25 until 1988-06-26)
chorus master:
Shin Sekiya (choirmaster) (from 1988-06-25 until 1988-06-26)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff44:40
10Uf dem Anger: Were diu werlt alle min
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
choir vocals:
Shinyukai Choir (in 1988-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1988-06-25 until 1988-06-26)
conductor:
Seiji Ozawa (conductor and composer) (from 1988-06-25 until 1988-06-26)
chorus master:
Shin Sekiya (choirmaster) (from 1988-06-25 until 1988-06-26)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: Uf dem Anger: X. Were diu werlt alle min (Carmina Burana: Uf dem Anger: 10. Were diu werlt alle min) (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff0:50
11II. In Taberna: Estuans interius
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
baritone vocals:
Thomas Hampson (baritone) (in 1988-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1988-06-25 until 1988-06-26)
conductor:
Seiji Ozawa (conductor and composer) (from 1988-06-25 until 1988-06-26)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: II. In Taberna: XI. Estuans interius (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff2:23
12II. In Taberna: Olim lacus colueram
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
choir vocals:
Shinyukai Choir (in 1988-06)
tenor vocals:
John Aler (tenor) (in 1988-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1988-06-25 until 1988-06-26)
conductor:
Seiji Ozawa (conductor and composer) (from 1988-06-25 until 1988-06-26)
chorus master:
Shin Sekiya (choirmaster) (from 1988-06-25 until 1988-06-26)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: II. In Taberna: XII. Olim lacus colueram (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff3:47
13II. In Taberna: Ego sum abbas
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
baritone vocals:
Thomas Hampson (baritone) (in 1988-06)
choir vocals:
Shinyukai Choir (in 1988-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1988-06-25 until 1988-06-26)
conductor:
Seiji Ozawa (conductor and composer) (from 1988-06-25 until 1988-06-26)
chorus master:
Shin Sekiya (choirmaster) (from 1988-06-25 until 1988-06-26)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: II. In Taberna: XIII. Ego sum abbas (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff1:29
14II. In Taberna: In taberna quando sumus
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
choir vocals:
Shinyukai Choir (in 1988-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1988-06-25 until 1988-06-26)
conductor:
Seiji Ozawa (conductor and composer) (from 1988-06-25 until 1988-06-26)
chorus master:
Shin Sekiya (choirmaster) (from 1988-06-25 until 1988-06-26)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff2:58
15III. Cour d’amours: Amor volat undique
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
choir vocals:
Knaben des Staats‐ und Domchores Berlin (in 1988-06)
soprano vocals:
Edita Gruberová (soprano) (in 1988-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1988-06-25 until 1988-06-26)
conductor:
Seiji Ozawa (conductor and composer) (from 1988-06-25 until 1988-06-26)
chorus master:
Christian Grube (choral conductor) (from 1988-06-25 until 1988-06-26)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: III. Cour d’amours: XV. Amor volat undique (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff3:09
16III. Cour d’amours: Dies, nox et omnia
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
baritone vocals:
Thomas Hampson (baritone) (in 1988-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1988-06-25 until 1988-06-26)
conductor:
Seiji Ozawa (conductor and composer) (from 1988-06-25 until 1988-06-26)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:30
17III. Cour d’amours: Stetit puella
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
soprano vocals:
Edita Gruberová (soprano) (in 1988-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1988-06-25 until 1988-06-26)
conductor:
Seiji Ozawa (conductor and composer) (from 1988-06-25 until 1988-06-26)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: III. Cour d’amours: XVII. Stetit puella (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:58
18III. Cour d’amours: Circa mea pectora
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
baritone vocals:
Thomas Hampson (baritone) (from 1988-06-25 until 1988-06-26)
choir vocals:
Shinyukai Choir (in 1988-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1988-06-25 until 1988-06-26)
conductor:
Seiji Ozawa (conductor and composer) (from 1988-06-25 until 1988-06-26)
chorus master:
Shin Sekiya (choirmaster) (from 1988-06-25 until 1988-06-26)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: III. Cour d’amours: XVII. Stetit puella (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
recording of:
Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:56
19III. Cour d’amours: Si puer cum puellula
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
baritone vocals:
Thomas Hampson (baritone) (in 1988-06)
choir vocals:
Shinyukai Choir (in 1988-06)
soprano vocals:
Edita Gruberová (soprano) (in 1988-06)
tenor vocals:
John Aler (tenor) (in 1988-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1988-06-25 until 1988-06-26)
conductor:
Seiji Ozawa (conductor and composer) (from 1988-06-25 until 1988-06-26)
chorus master:
Shin Sekiya (choirmaster) (from 1988-06-25 until 1988-06-26)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:06
20III. Cour d’amours: Veni, veni, venias
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
choir vocals:
Shinyukai Choir (in 1988-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1988-06-25 until 1988-06-26)
conductor:
Seiji Ozawa (conductor and composer) (from 1988-06-25 until 1988-06-26)
chorus master:
Shin Sekiya (choirmaster) (from 1988-06-25 until 1988-06-26)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:58
21III. Cour d’amours: In trutina
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
soprano vocals:
Edita Gruberová (soprano) (in 1988-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1988-06-25 until 1988-06-26)
conductor:
Seiji Ozawa (conductor and composer) (from 1988-06-25 until 1988-06-26)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:00
22III. Cour d’amours: Tempus est iocundum
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
baritone vocals:
Thomas Hampson (baritone) (in 1988-06)
choir vocals:
Knaben des Staats‐ und Domchores Berlin (in 1988-06)
soprano vocals:
Edita Gruberová (soprano) (in 1988-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1988-06-25 until 1988-06-26)
conductor:
Seiji Ozawa (conductor and composer) (from 1988-06-25 until 1988-06-26)
chorus master:
Christian Grube (choral conductor) (from 1988-06-25 until 1988-06-26)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:23
23III. Cour d’amours: Dulcissime
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
soprano vocals:
Edita Gruberová (soprano) (in 1988-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1988-06-25 until 1988-06-26)
conductor:
Seiji Ozawa (conductor and composer) (from 1988-06-25 until 1988-06-26)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: III. Cour d’amours: XXIII. Dulcissime (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:49
24Blanziflor et Helena: Ave formosissima
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
choir vocals:
Shinyukai Choir (in 1988-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1988-06-25 until 1988-06-26)
conductor:
Seiji Ozawa (conductor and composer) (from 1988-06-25 until 1988-06-26)
chorus master:
Shin Sekiya (choirmaster) (from 1988-06-25 until 1988-06-26)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff1:40
25Fortuna Imperatrix Mundi: O Fortuna
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
choir vocals:
Shinyukai Choir (in 1988-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1988-06-25 until 1988-06-26)
conductor:
Seiji Ozawa (conductor and composer) (from 1988-06-25 until 1988-06-26)
chorus master:
Shin Sekiya (choirmaster) (from 1988-06-25 until 1988-06-26)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise) (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff2:26

Credits

Release

manufactured in:France
West Germany
printed in:West Germany
art direction:George Cramer (art director and designer)
liner notes:Karl Schumann (liner notes author)
liner notes translator:Pierre Balascheff (musicologist, translator, playwright)
Stefania Brizzolara (phillips classics italian linernotes translator)
Francis Catalá (translation)
producer:Eve Edwards (task: artists and repertoire production)
Erik Smith (British producer, pianist and harpsichordist) (task: artists and repertoire production)
illustration:Silvan Steenbrink (illustration)
rights society:BIEM (international rights organization representing member societies from 58 countries)
STEMRA (Netherlands rights society for composers and music publishers)
manufactured by:PMDC (France)
copyrighted (©) by:Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)