Arien, Duette und Szenen

~ Release by Plácido Domingo (see all versions of this release, 1 available)

Annotation

Complied from releases dated 1971-1975.

Annotation last modified on 2014-09-22 00:28 UTC.

Tracklist

1▼12" Vinyl
#TitleArtistRatingLength
A1O wäre ich erkoren - Holde Aida
engineer:
Stuart Eltham (engineer)
producer:
John Mordler (producer)
tenor vocals [Radamès]:
Plácido Domingo (tenor) (from 1974-07-02 until 1974-07-11)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1974-07-02 until 1974-07-11)
conductor:
Riccardo Muti (conductor) (from 1974-07-02 until 1974-07-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1974-07-02 until 1974-07-11)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (from 1974-07-02 until 1974-07-11)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Plácido Domingo4:15
A2Ich seh dich wieder, meine Aida - Entfliehn aus diesem Lande wir
engineer:
Stuart Eltham (engineer)
producer:
John Mordler (producer)
soprano vocals:
Montserrat Caballé (soprano)
tenor vocals:
Plácido Domingo (tenor)
conductor:
Riccardo Muti (conductor)
recording of:
Aida: Atto III: Duetto: “Fuggiam gli ardori inospiti” / “Là, tra foreste vergini” (Aida, Radamès)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
recording of:
Aida: Atto III. Duetto “Pur ti riveggo, mia dolce Aida…” (Radamès, Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Plácido Domingo, Montserrat Caballé7:37
A3Weise Prophetin - O sag, wenn ich fahr' auf schäumenden Wogen
engineer:
Stuart Eltham (engineer)
producer:
John Mordler (producer)
bass vocals:
Richard van Allan (operatic bass-baritone) and Gwynne Howell (operatic bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
soprano vocals:
Reri Grist (American soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
chorus master:
Robin Stapleton (conductor)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 9a Scena “Su, profetessa, monta il treppiè” (Coro, Oscar, Riccardo) (from 1975-06-28 until 1975-07-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 9a Scena “Su, profetessa, monta il treppiè” (Coro, Oscar, Riccardo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 9b Canzone “Di’ tu se fedele il flutto m’aspetta” (Riccardo, Coro)
composer:
Giuseppe Verdi (Italian opera composer) (in 1859)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 9b Canzone “Di’ tu se fedele il flutto m’aspetta” (Riccardo, Coro)
composer:
Giuseppe Verdi (Italian opera composer) (in 1859)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Plácido Domingo, Gwynne Howell, Richard van Allan, Reri Grist3:59
A4Wohl kam im sich'ren Heime - Doch heiss dich auch ein Pflichtgebet
engineer:
Stuart Eltham (engineer)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21a. Scena “Forse la soglia attinse” (Riccardo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21b. Romanza “Ma se m'è forza perderti” (Riccardo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Plácido Domingo5:05
A5Der König! - Unter einer Eiche, so schien mir
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
tenor vocals:
Plácido Domingo (tenor) and Keith Erwen (operatic tenor)
orchestra:
London Symphony Orchestra
conductor:
James Levine (US conductor and pianist)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recording of:
Giovanna d'Arco: Prologo, Nº 2a. Scena "Il re! - Nel suo bel volto" (Delil, Carlo, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Giovanna d'Arco: Prologo
recording of:
Giovanna d'Arco: Prologo, Nº 2b. Cavatina "Sotto una quercia parvemi" (Carlo, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Giovanna d'Arco: Prologo
Plácido Domingo, Keith Erwen5:36
B1Der Welt entsag' ich - Gott, der entflammte der Liebe heisse Glut in jenem Herzen
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
Sherrill Milnes (baritone)
bass vocals:
Simon Estes (bass-baritone)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recording of:
Don Carlo: Atto I, scena 1. N°4 “Dio, che nell’alma infondere amor …” (Carlo, Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Plácido Domingo, Sherrill Milnes, Simon Estes10:57
B2Um Mitternacht in den Gärten der Königin - Bist du's, bist du's, o Heissgeliebte
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
alto vocals:
Shirley Verrett (mezzo-soprano)
baritone vocals:
Sherrill Milnes (baritone)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
recording of:
Don Carlo: Atto II, scena 1. N°1 “A mezzanotte, ai giardin della Regina” … “Sei tu, sei tu, bell'adorata” (Carlo, Eboli)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
part of:
Don Carlo: Atto II (III)
Plácido Domingo, Sherrill Milnes, Shirley Verrett8:05
B3Wo lebte wohl ein Wesen
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
tenor vocals:
Plácido Domingo (tenor) (in 1972)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972)
conductor:
Bruno Bartoletti (conductor) (in 1972)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recording of:
Manon Lescaut: Atto I. “Donna non vidi mai simile a questa!” (Des Grieux) (in 1972)
composer:
Giacomo Puccini (Italian composer) (in 1893)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto I
Plácido Domingo2:25
B4Eilt Euch! Macht Front! Ah! Kommt mir nicht zu nahe!
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass vocals:
Gwynne Howell (operatic bass) and Robert Lloyd (operatic bass)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Bruno Bartoletti (conductor)
recording of:
Manon Lescaut: Atto III. “Presto! In fila!…No! No! pazzo son” (Des Grieux, Sergente, Comandante)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto III
Plácido Domingo, Robert Lloyd, Gwynne Howell3:35
B5Verlassen hab' ich Feld und Auen
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
producer:
John Mordler (producer)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
London Symphony Orchestra
conductor:
Julius Rudel (conductor)
recording of:
Mefistofele: Atto I, Scena IIa. “Dai campi, dai prati” (Faust)
composer and librettist:
Arrigo Boito (librettist, composer)
part of:
Mefistofele: Atto I
Plácido Domingo2:23