The People’s Edition

~ Release by Gustav Mahler (see all versions of this release, 1 available)

Tracklist

| |
1▼CD: Symphony № 1
#TitleRatingLength
1Symphony No. 1 in D major “Titan”: I. Langsam. Schleppend
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1967-10)
conductor:
Rafael Kubelík (conductor) (in 1967-10)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-10)
recording of:
Symphony no. 1 in D major “Titan”: I. Langsam. Schleppend (in 1967-10)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
14:39
2Symphony No. 1 in D major “Titan”: II. Kräftig bewegt
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1967-10)
conductor:
Rafael Kubelík (conductor) (in 1967-10)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-10)
recording of:
Symphony no. 1 in D major “Titan”: II. Kräftig bewegt (in 1967-10)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
7:04
3Symphony No. 1 in D major “Titan”: III. Feierlich und Gemessen, ohne zu schleppen
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1967-10)
conductor:
Rafael Kubelík (conductor) (in 1967-10)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-10)
recording of:
Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen (in 1967-10)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
quotes music from:
Frère Jacques
part of:
Symphony no. 1 in D major “Titan”
10:37
4Symphony No. 1 in D major “Titan”: IV. Stürmisch bewegt
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1967-10)
conductor:
Rafael Kubelík (conductor) (in 1967-10)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-10)
recording of:
Symphony no. 1 in D major “Titan”: IV. Stürmisch bewegt (in 1967-10)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
17:40
2▼CD: Symphony № 2
#TitleRatingLength
1Symphony No. 2 in C minor “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
engineer:
Jack Law (engineer) (in 1975-02), James Lock (James Locke, engineer) (in 1975-02) and Colin Moorfoot (engineer) (in 1975-02)
producer:
Ray Minshull (record producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1975-02)
conductor:
Zubin Mehta (conductor) (in 1975-02)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1975)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1975-02)
recording of:
Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso (Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso) (in 1975-02)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
version of:
Totenfeier (Funeral Rites)
part of:
Symphony no. 2 “Resurrection”
21:03
2Symphony No. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich
engineer:
Jack Law (engineer) (in 1975-02), James Lock (James Locke, engineer) (in 1975-02) and Colin Moorfoot (engineer) (in 1975-02)
producer:
Ray Minshull (record producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1975-02)
conductor:
Zubin Mehta (conductor) (in 1975-02)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1975)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1975-02)
recording of:
Symphony no. 2 in C minor "Resurrection": II. Andante moderato (in 1975-02)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
part of:
Symphony no. 2 “Resurrection”
10:12
3Symphony No. 2 in C minor “Resurrection”: III. Scherzo. In ruhig fliessender Bewegung
engineer:
Jack Law (engineer) (in 1975-02), James Lock (James Locke, engineer) (in 1975-02) and Colin Moorfoot (engineer) (in 1975-02)
producer:
Ray Minshull (record producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1975-02)
conductor:
Zubin Mehta (conductor) (in 1975-02)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1975)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1975-02)
recording of:
Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung (in 1975-02)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
is based on:
Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt
part of:
Symphony no. 2 “Resurrection”
10:28
4Symphony No. 2 in C minor “Resurrection”: IV. “O Röschen Rot! Der Mensch liegt in grösster Not!” (Sehr feierlich aber Schlicht)
engineer:
Jack Law (engineer) (in 1975-02), James Lock (James Locke, engineer) (in 1975-02) and Colin Moorfoot (engineer) (in 1975-02)
producer:
Ray Minshull (record producer)
contralto vocals:
Christa Ludwig (mezzo-soprano) (in 1975-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1975-02)
conductor:
Zubin Mehta (conductor) (in 1975-02)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1975)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1975-02)
recording of:
Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht (Symphony no. 2 in C minor “Resurrection”: 4. Primeval Light. Very solemn, but simple) (in 1975-02)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
[anonymous] (special purpose artist)
arrangement of:
Des Knaben Wunderhorn: Urlicht
part of:
Symphony no. 2 “Resurrection”
5:30
5Symphony No. 2 in C minor “Resurrection”: V (a). Im Tempo des Scherzos. Wild Herausfahrend —
engineer:
Jack Law (engineer) (in 1975-02), James Lock (James Locke, engineer) (in 1975-02) and Colin Moorfoot (engineer) (in 1975-02)
producer:
Ray Minshull (record producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1975-02)
conductor:
Zubin Mehta (conductor) (in 1975-02)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1975)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1975-02)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1975-02)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
9:45
6Symphony No. 2 in C minor “Resurrection”: V (b). Maestoso. Sehr zurückhaltend – Wieder zurückhaltend —
engineer:
Jack Law (engineer) (in 1975-02), James Lock (James Locke, engineer) (in 1975-02) and Colin Moorfoot (engineer) (in 1975-02)
producer:
Ray Minshull (record producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1975-02)
conductor:
Zubin Mehta (conductor) (in 1975-02)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1975)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1975-02)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1975-02)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
7:33
7Symphony No. 2 in C minor “Resurrection”: V (c). Sehr langsam und gedehnt —
engineer:
Jack Law (engineer) (in 1975-02), James Lock (James Locke, engineer) (in 1975-02) and Colin Moorfoot (engineer) (in 1975-02)
producer:
Ray Minshull (record producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1975-02)
conductor:
Zubin Mehta (conductor) (in 1975-02)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1975)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1975-02)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1975-02)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
2:21
8Symphony No. 2 in C minor “Resurrection”: V (d). “Aufersteh'n, ja aufersteh'n wirst du” (Langsam. Misterioso)
engineer:
Jack Law (engineer) (in 1975-02), James Lock (James Locke, engineer) (in 1975-02) and Colin Moorfoot (engineer) (in 1975-02)
producer:
Ray Minshull (record producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1975-02)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (in 1975-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1975-02)
conductor:
Zubin Mehta (conductor) (in 1975-02)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1975)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1975-02)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1975-02)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
6:39
9Symphony No. 2 in C minor “Resurrection”: V (e). “O glaube, Mein Herz, O glaube” (Etwas bewegter)
engineer:
Jack Law (engineer) (in 1975-02), James Lock (James Locke, engineer) (in 1975-02) and Colin Moorfoot (engineer) (in 1975-02)
producer:
Ray Minshull (record producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1975-02)
contralto vocals:
Christa Ludwig (mezzo-soprano) (in 1975-02)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (in 1975-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1975-02)
conductor:
Zubin Mehta (conductor) (in 1975-02)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1975)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1975-02)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1975-02)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
7:39
3▼CD: Symphony № 3
#TitleRatingLength
1Symphony No. 3 in D minor: Part 1, I (a). Kräftig. Entschieden
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
5:11
2Symphony No. 3 in D minor: Part 1, I (b). Kräftig. Entschieden: Immer das gleiche Tempo
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
3:43
3Symphony No. 3 in D minor: Part 1, I (c). Kräftig. Entschieden: Tempo I
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
4:50
4Symphony No. 3 in D minor: Part 1, I (d). Kräftig. Entschieden: Zeit lassen
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
2:02
5Symphony No. 3 in D minor: Part 1, I (e). Kräftig. Entschieden: Zeit lassen
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
4:11
6Symphony No. 3 in D minor: Part 1, I (f). Kräftig. Entschieden: Immer dasselbe Tempo. (Marsch.) Nicht eilen
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
3:26
7Symphony No. 3 in D minor: Part 1, I (g). Kräftig. Entschieden: Im alten Marschtempo (Allegro moderato)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
4:45
8Symphony No. 3 in D minor: Part 1, I (h). Kräftig. Entschieden: Tempo I
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
5:15
4▼CD: Symphony № 3 (cont.)
#TitleArtistRatingLength
1Symphony No. 3 in D minor: Part 2, II (a). Tempo di Menuetto. Sehr mäßig
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto (Sehr mäßig) (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler1:57
2Symphony No. 3 in D minor: Part 2, II (b). Tempo di Menuetto. Sehr mäßig: L'Istesso Tempo
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto (Sehr mäßig) (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler0:59
3Symphony No. 3 in D minor: Part 2, II (c). Tempo di Menuetto. Sehr mäßig: A Tempo (Wie im Anfang)
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto (Sehr mäßig) (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler3:24
4Symphony No. 3 in D minor: Part 2, II (d). Tempo di Menuetto. Sehr mäßig: Ganz plötzlich gemächlich. Tempo di Menuetto
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto (Sehr mäßig) (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler2:45
5Symphony No. 3 in D minor: Part 2, III (a). Comodo. Scherzando. Ohne Hast (Senza fretta)
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando (Ohne Hast) (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
is based on:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano)
part of:
Symphony no. 3 in D minor
Gustav Mahler2:29
6Symphony No. 3 in D minor: Part 2, III (b). Comodo. Scherzando. Ohne Hast (Senza fretta): Wieder sehr gemächlich, wie zu Anfang
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando (Ohne Hast) (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
is based on:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano)
part of:
Symphony no. 3 in D minor
Gustav Mahler2:52
7Symphony No. 3 in D minor: Part 2, III (c). Comodo. Scherzando. Ohne Hast (Senza fretta): etwas zurückhaltend
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
post horn:
Hans Gansch (trumpeter) (in 1999-10)
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando (Ohne Hast) (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
is based on:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano)
part of:
Symphony no. 3 in D minor
Gustav Mahler4:26
8Symphony No. 3 in D minor: Part 2, III (d). Comodo. Scherzando. Ohne Hast (Senza fretta): Schnell und schmetternd wie eine Fanfare – Tempo I. Mit geheimnisvoller Hast
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
post horn:
Hans Gansch (trumpeter) (in 1999-10)
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando (Ohne Hast) (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
is based on:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano)
part of:
Symphony no. 3 in D minor
Gustav Mahler2:49
9Symphony No. 3 in D minor: Part 2, III (e). Comodo. Scherzando. Ohne Hast (Senza fretta): Wieder sehr gemächlich, Beinahe langsam
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
post horn:
Hans Gansch (trumpeter) (in 1999-10)
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando (Ohne Hast) (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
is based on:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano)
part of:
Symphony no. 3 in D minor
Gustav Mahler3:47
10Symphony No. 3 in D minor: Part 2, IV (a). Sehr langsam. Misterioso. Durchaus ppp.: “O Mensch! Gib acht”
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
solo alto vocals:
Anna Larsson (contralto) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part II: IV. Sehr langsam (Misterioso. Durchaus ppp) ('O Mensch! Gib acht!') (in 1999-10)
lyricist:
Friedrich Nietzsche
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler4:51
11Symphony No. 3 in D minor: Part 2, IV (b). Sehr langsam. Misterioso. Durchaus ppp.: Più mosso subito
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part II: IV. Sehr langsam (Misterioso. Durchaus ppp) ('O Mensch! Gib acht!') (in 1999-10)
lyricist:
Friedrich Nietzsche
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler4:18
12Symphony No. 3 in D minor: Part 2, V. Lustig im Tempo und keck im Ausdruck: “Bimm Bamm. es sungen drei Engel”
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
choir vocals:
City of Birmingham Symphony Youth Chorus (in 1999-10) and London Symphony Chorus (in 1999-10)
solo alto vocals:
Anna Larsson (contralto) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
chorus master:
Simon Halsey (conductor) (in 1999-10) and Stephen Westrop (chorus master) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live recording of:
Symphony no. 3 in D minor, Part II: V. Lustig im Tempo und keck im Ausdruck ('Es sungen drei Engel') (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
is based on:
Es sungen drei Engel
part of:
Symphony no. 3 in D minor
Gustav Mahler4:19
13Symphony No. 3 in D minor: Part 2, VI (a). Langsam. Ruhevoll. Empfunden (Lento. Tranquillo. Sentito)
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler3:18
14Symphony No. 3 in D minor: Part 2, VI (b). Langsam. Ruhevoll. Empfunden: Nicht mehr so breit
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler2:42
15Symphony No. 3 in D minor: Part 2, VI (c). Langsam. Ruhevoll. Empfunden: Tempo I. Ruhevoll
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler2:51
16Symphony No. 3 in D minor: Part 2, VI (d). Langsam. Ruhevoll. Empfunden: Nicht mehr so breit
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler4:00
17Symphony No. 3 in D minor: Part 2, VI (e). Langsam. Ruhevoll. Empfunden: Tempo I
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler2:42
18Symphony No. 3 in D minor: Part 2, VI (f). Langsam. Ruhevoll. Empfunden: Langsam. Tempo I
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
violin:
Toru Yasunaga (Japanese violinist) (in 1999-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1999-10)
conductor:
Claudio Abbado (conductor) (in 1999-10)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
live partial recording of:
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden (in 1999-10)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler6:29
19[applause]
engineer:
Klaus-Peter Groß (engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Anthony Sellors
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1999)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1999-10)
[no artist]3:20
5▼CD: Symphony № 4
#TitleRatingLength
1Symphony No.4 in G major: I. Bedächtig. Nicht eilen – Recht gemächlich
producer:
Cord Garben (pianist and conductor) and Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1979-01-22 until 1979-02-24)
conductor:
Herbert von Karajan (conductor) (from 1979-01-22 until 1979-02-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1979-01-22 until 1979-02-24)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1979-01-22 until 1979-02-24)
recording of:
Symphonie Nr. 4 in G-Dur: I. Bedächtig. Nicht eilen - Recht gemächlich (from 1979-01-22 until 1979-02-24)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
17:40
2Symphony No.4 in G major: II. In gemächlicher bewegung. Ohne Hast
producer:
Cord Garben (pianist and conductor) and Michel Glotz
solo violin:
Michel Schwalbé (Polish violinist) (from 1979-01-22 until 1979-02-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1979-01-22 until 1979-02-24)
conductor:
Herbert von Karajan (conductor) (from 1979-01-22 until 1979-02-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1979-01-22 until 1979-02-24)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1979-01-22 until 1979-02-24)
recording of:
Symphonie Nr. 4 in G-Dur: II. In gemächlicher Bewegung. Ohne Hast (from 1979-01-22 until 1979-02-24)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
9:50
3Symphony No.4 in G major: III. Ruhevoll (Poco adagio)
producer:
Cord Garben (pianist and conductor) and Michel Glotz
solo violin:
Michel Schwalbé (Polish violinist) (from 1979-01-22 until 1979-02-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1979-01-22 until 1979-02-24)
conductor:
Herbert von Karajan (conductor) (from 1979-01-22 until 1979-02-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1979-01-22 until 1979-02-24)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1979-01-22 until 1979-02-24)
recording of:
Symphonie Nr. 4 in G-Dur: III. Ruhevoll. Poco adagio (from 1979-01-22 until 1979-02-24)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
22:52
4Symphony No.4 in G major: IV. Sehr behaglich: “Wir genießen die himmlischen Freuden”
producer:
Cord Garben (pianist and conductor) and Michel Glotz
solo violin:
Michel Schwalbé (Polish violinist) (from 1979-01-22 until 1979-02-24)
soprano vocals:
Edith Mathis (soprano) (from 1979-01-22 until 1979-02-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1979-01-22 until 1979-02-24)
conductor:
Herbert von Karajan (conductor) (from 1979-01-22 until 1979-02-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1979-01-22 until 1979-02-24)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1979-01-22 until 1979-02-24)
recording of:
Symphonie Nr. 4 in G-Dur: IV. Sehr behaglich. „Wir genießen die himmlischen Freuden“ (from 1979-01-22 until 1979-02-24)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
revision of:
Des Knaben Wunderhorn: Das himmlische Leben
10:08
6▼CD: Symphony № 5
#TitleRatingLength
1Symphony No. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt – Plötzlich schneller. Leidenschaftlich. Wild – Tempo I)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1987-09-08) and Wolf‐Dieter Karwatky (on 1987-09-08)
executive producer:
Hanno Rinke
producer:
Hans Weber (producer/engineer)
editor:
Helmut Burk
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1987-09-08)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1987-09-08)
balance engineer:
Helmut Burk (on 1987-09-08) and Karl-August Naegler (balance engineer) (on 1987-09-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1988)
recorded at:
Alte Oper in Frankfurt am Main (Frankfurt), Hessen (Hesse), Germany (on 1987-09-08)
live recording of:
Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) (on 1987-09-08)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
14:35
2Symphony No. 5 in C-sharp minor: II. Stürmisch wewegt. Mit größter Vehemenz – Bedeutend langsamer – Tempo I subito
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1987-09-08) and Wolf‐Dieter Karwatky (on 1987-09-08)
executive producer:
Hanno Rinke
producer:
Hans Weber (producer/engineer)
editor:
Helmut Burk
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1987-09-08)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1987-09-08)
balance engineer:
Helmut Burk (on 1987-09-08) and Karl-August Naegler (balance engineer) (on 1987-09-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1988)
recorded at:
Alte Oper in Frankfurt am Main (Frankfurt), Hessen (Hesse), Germany (on 1987-09-08)
live recording of:
Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz (on 1987-09-08)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
15:06
3Symphony No. 5 in C-sharp minor: III. Scherzo (Kräftig, Nicht Zu Schnell)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1987-09-08) and Wolf‐Dieter Karwatky (on 1987-09-08)
executive producer:
Hanno Rinke
producer:
Hans Weber (producer/engineer)
solo horn:
Friedrich Pfeiffer (on 1987-09-08)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1987-09-08)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1987-09-08)
balance engineer:
Helmut Burk (on 1987-09-08) and Karl-August Naegler (balance engineer) (on 1987-09-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1988)
recorded at:
Alte Oper in Frankfurt am Main (Frankfurt), Hessen (Hesse), Germany (on 1987-09-08)
compilation of:
Symphonie Nr 5: Zweiter Teil: 3. Scherzo (I). Kräftig, nicht zu schnell by Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist) and Symphonie Nr 5: Zweiter Teil: 3. Scherzo (II). Molto moderato (Ziff. 11) by Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
live recording of:
Symphony no. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell (on 1987-09-08)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
19:07
4Symphony No. 5 in C-sharp minor: IV. Adagietto (Sehr langsam)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1987-09-08) and Wolf‐Dieter Karwatky (on 1987-09-08)
executive producer:
Hanno Rinke
producer:
Hans Weber (producer/engineer)
editor:
Helmut Burk
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1987-09-08)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1987-09-08)
balance engineer:
Helmut Burk (on 1987-09-08) and Karl-August Naegler (balance engineer) (on 1987-09-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1988)
recorded at:
Alte Oper in Frankfurt am Main (Frankfurt), Hessen (Hesse), Germany (on 1987-09-08)
live recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (on 1987-09-08)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
11:13
5Symphony No. 5 in C-sharp minor: V. Rondo-Finale (Allegro)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1987-09-08) and Wolf‐Dieter Karwatky (on 1987-09-08)
executive producer:
Hanno Rinke
producer:
Hans Weber (producer/engineer)
editor:
Helmut Burk
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1987-09-08)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1987-09-08)
balance engineer:
Helmut Burk (on 1987-09-08) and Karl-August Naegler (balance engineer) (on 1987-09-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1988)
recorded at:
Alte Oper in Frankfurt am Main (Frankfurt), Hessen (Hesse), Germany (on 1987-09-08)
live recording of:
Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch (on 1987-09-08)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
15:00
7▼CD: Symphony № 6
#TitleRatingLength
1Symphony No. 6 in A minor “Tragic”: I. Allegro energico, ma non troppo. Heftig aber Markig
executive producer:
Hanno Rinke
producer:
Hans Weber (producer/engineer)
editor:
Rainer Maillard
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1988-09-27)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1988-09-27)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1988-09-27)
live recording of:
Symphonie Nr. 6 in a-Moll: I. Allegro energico, ma non troppo. Heftig, aber markig (on 1988-09-27)
composer:
Gustav Mahler (composer) (from 1903 until 1904-08)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
23:17
2Symphony No. 6 in A minor “Tragic”: II. Scherzo (Wuchtig)
executive producer:
Hanno Rinke
producer:
Hans Weber (producer/engineer)
editor:
Rainer Maillard
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1988-09-27)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1988-09-27)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1988-09-27)
live recording of:
Symphonie Nr. 6 in a-Moll: III. Scherzo. Wuchtig (sometimes II.) (on 1988-09-27)
composer:
Gustav Mahler (composer) (in 1903)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
14:16
3Symphony No. 6 in A minor “Tragic”: III. Andante moderato
executive producer:
Hanno Rinke
producer:
Hans Weber (producer/engineer)
editor:
Rainer Maillard
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1988-09-27)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1988-09-27)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1988-09-27)
live recording of:
Symphonie Nr. 6 in a-Moll: II. Andante moderato (sometimes III.) (on 1988-09-27)
composer:
Gustav Mahler (composer) (in 1903)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
16:18
8▼CD: Symphony № 6 (cont.)
#TitleRatingLength
1Symphony No. 6 in A minor “Tragic”: IV. Finale (Allegro moderato)
executive producer:
Hanno Rinke
producer:
Hans Weber (producer/engineer)
editor:
Rainer Maillard
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1988-09-27)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1988-09-27)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1988-09-27)
live recording of:
Symphonie Nr. 6 in a-Moll: IV. Finale. Allegro moderato (on 1988-09-27)
composer:
Gustav Mahler (composer) (from 1903 until 1904-08)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
33:08
9▼CD: Symphony № 7
#TitleRatingLength
1Symphony No. 7 in E minor “Song of the Night”: I. Langsam – Allegro
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2001-05)
conductor:
Claudio Abbado (conductor) (in 2001-05)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2002)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 2001-05)
live recording of:
Symphony no. 7 in E minor “Lied der Nacht”: I. Langsam – Allegro risoluto, ma non troppo (in 2001-05)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
21:35
2Symphony No. 7 in E minor “Song of the Night”: II. Nachtmusik (Allegro moderato)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2001-05)
conductor:
Claudio Abbado (conductor) (in 2001-05)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2002)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 2001-05)
live recording of:
Symphony no. 7 in E minor “Lied der Nacht”: II. Nachtmusik I. Allegro moderato (in 2001-05)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
15:54
3Symphony No. 7 in E minor “Song of the Night”: III. Scherzo
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2001-05)
conductor:
Claudio Abbado (conductor) (in 2001-05)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2002)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 2001-05)
live recording of:
Symphony no. 7 in E minor “Lied der Nacht”: III. Scherzo: Schattenhaft – Trio (in 2001-05)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
8:53
4Symphony No. 7 in E minor “Song of the Night”: IV. Nachtmusik (Andante amoroso)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2001-05)
conductor:
Claudio Abbado (conductor) (in 2001-05)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2002)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 2001-05)
live recording of:
Symphony no. 7 in E minor “Lied der Nacht”: IV. Nachtmusik II. Andante amoroso (in 2001-05)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
12:58
5Symphony No. 7 in E minor “Song of the Night”: V. Rondo-Finale (Allegro ordinario – Allegro moderato ma energico)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2001-05)
conductor:
Claudio Abbado (conductor) (in 2001-05)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2002)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 2001-05)
live recording of:
Symphony no. 7 in E minor “Lied der Nacht”: V. Rondo - Finale (in 2001-05)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
17:45
6[applause]
producer:
Christopher Alder (editor/engineer/producer)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2002)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 2001-05)
1:02
10▼CD: Symphony № 8
#TitleRatingLength
1Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: a. Veni creator spiritus
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: a. Veni creator spiritus (Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
1:27
2Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: b. Imple superna gratia
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
solo baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1971-09)
solo bass vocals:
Martti Talvela (operatic bass) (in 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (contralto) (in 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (soprano) (in 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
partial recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
4:26
3Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: c. Infirma nostri corporis
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
solo baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1971-09)
solo bass vocals:
Martti Talvela (operatic bass) (in 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (contralto) (in 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (soprano) (in 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: c. Infirma nostri corporis (7 Soli, Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
6:20
4Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: d. Accende lumen sensibus
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09), Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
solo baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1971-09)
solo bass vocals:
Martti Talvela (operatic bass) (in 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (contralto) (in 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (soprano) (in 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: f. Accende lumen sensibus, infunde amorem cordibus (7 Soli, Chor, Knaben Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
4:44
5Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09), Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
solo baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1971-09)
solo bass vocals:
Martti Talvela (operatic bass) (in 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (contralto) (in 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (soprano) (in 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: g. Veni creator spiritus (reprise) (7 Soli, Chor, Knaben Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
3:50
6Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: f. Gloria sit patri domino”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09), Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
solo baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1971-09)
solo bass vocals:
Martti Talvela (operatic bass) (in 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (contralto) (in 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (soprano) (in 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: h. Gloria sit Patri Domino (7 Soli, Chor, Knaben Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
2:35
7Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": Poco Adagio: “Waldung, sie schwankt heran”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
14:16
8Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": "Ewiger Wonnebrand”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
solo baritone vocals [Pater Ecstaticus]:
John Shirley‐Quirk (bass-baritone) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
1:35
9Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Wie Felsenabgrund mir zu Füßen”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
solo bass vocals [Pater Profundus]:
Martti Talvela (operatic bass) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
4:42
10Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Gerettet ist das edle Glied”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09), Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
3:03
11Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Uns bleibt ein Erdenrest”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09), Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
solo alto vocals:
Yvonne Minton (mezzo-soprano) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo)) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
2:59
12Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Höchste Herrscherin der Welt”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
solo soprano vocals [Una Poenitentium]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals [Doctor Marianus]:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
8:08
13Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Bei der Liebe, die den Fussen”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
solo contralto vocals [Maria Aegyptiaca]:
Helen Watts (contralto) (in 1971-09)
solo contralto vocals [Mulier Samaritana]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo soprano vocals [Magna Peccatrix]:
Heather Harper (soprano) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
4:54
14Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Neige, neige, du Ohnegleiche”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
solo soprano vocals [Una Poenitentium]:
Lucia Popp (soprano) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
5:18
15Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Blicket auf zum Retterblick”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1971-08 until 1971-09), Wiener Sängerknaben (The Vienna Boys Choir) (from 1971-08 until 1971-09) and Wiener Singverein (from 1971-08 until 1971-09)
solo soprano vocals [Mater Gloriosa]:
Arleen Augér (soprano) (from 1971-08 until 1971-09)
solo soprano vocals [Una Poenitentium]:
Lucia Popp (soprano) (from 1971-08 until 1971-09)
solo tenor vocals [Doctor Marianus]:
René Kollo (tenor) (from 1971-08 until 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
4:47
16Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Alles Vergängliche”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1971-08 until 1971-09), Wiener Sängerknaben (The Vienna Boys Choir) (from 1971-08 until 1971-09) and Wiener Singverein (from 1971-08 until 1971-09)
solo baritone vocals:
John Shirley‐Quirk (bass-baritone) (from 1971-08 until 1971-09)
solo bass vocals:
Martti Talvela (operatic bass) (from 1971-08 until 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (mezzo-soprano) (from 1971-08 until 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (contralto) (from 1971-08 until 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (soprano) (from 1971-08 until 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (soprano) (from 1971-08 until 1971-09)
solo tenor vocals:
René Kollo (tenor) (from 1971-08 until 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
6:43
11▶CD: Symphony № 9
12▶CD: Symphony № 9 (cont.)
13▶CD: Symphony № 10