Blues Brother Soul Sister, Volume 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Dancing in the Street
producer:
William Stevenson (Motown songwriter)
baritone saxophone:
Thomas Bowles (on 1964-06-29)
bass guitar:
James Jamerson (on 1964-06-29)
drums (drum set):
Marvin Gaye (on 1964-06-29)
guitar:
Joe Messina (on 1964-06-29), Robert White (US funk/soul guitarist) (on 1964-06-29) and Eddie Willis (on 1964-06-29)
other instruments [tire iron]:
Ivy Jo Hunter (on 1964-06-29)
percussion, tambourine and vibraphone [vibes]:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (on 1964-06-29)
tenor saxophone:
Henry Cosby (on 1964-06-29)
trombone:
George Bohanon (on 1964-06-29) and Paul Riser (on 1964-06-29)
trumpet:
Russell Conway (trumpet player) (on 1964-06-29) and Herbert Williams (trumpet player) (on 1964-06-29)
background vocals:
Rosalind Ashford (on 1964-06-29), Ivy Jo Hunter (on 1964-06-29), Betty Kelly (on 1964-06-29) and William Stevenson (Motown songwriter) (on 1964-06-29)
lead vocals:
Martha Reeves (on 1964-06-29)
publisher:
EMI Music Publishing (do not use as a release label!)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 130) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 403)
recording of:
Dancing in the Street (on 1964-06-29)
writer:
I. Hunter, M. Gaye and W. Stevenson (Motown songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Martha and the Vandellas3.552:39
2I’m in the Mood
engineer:
Sam Lehmer (in 1988-04)
executive producer:
Mike Kappus
producer:
Roy Rogers (US blues guitarist & producer)
drums (drum set):
Scott Mathews (US producer, composer & drummer) (in 1988-04)
guitar:
John Lee Hooker (US blues singer, songwriter & guitarist) (until 1988-04) and Roy Rogers (US blues guitarist & producer) (in 1988-04)
slide guitar:
Bonnie Raitt (in 1988-04)
lead vocals:
John Lee Hooker (US blues singer, songwriter & guitarist) (in 1988-04)
vocals:
Bonnie Raitt (in 1988-04)
recorded at:
Russian Hill Recording in San Francisco, California, United States (in 1988-04)
recording of:
I’m in the Mood (in 1988-04)
writer:
Bernard Besman and John Lee Hooker (US blues singer, songwriter & guitarist)
publisher:
La Cienega Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
John Lee Hooker & Bonnie Raitt44:30
3It’s a Man’s Man’s Man’s World
recorded in:
New York, New York, United States (on 1966-02-16)
engineer:
Ron Lenhoff
producer:
James Brown (The Godfather of Soul)
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1966-02-16)
drums (drum set):
Bernard “Pretty” Purdie (on 1966-02-16)
guitar:
Billy Butler (jazz guitarist) (on 1966-02-16)
trumpet:
Dud Bascomb (Sr., jazz trumpeter) (on 1966-02-16), Waymon Reed (on 1966-02-16) and Lammar Wright (on 1966-02-16)
lead vocals:
James Brown (The Godfather of Soul) (on 1966-02-16)
recorded at:
Talent Masters Studios in New York, New York, United States (on 1966-02-16)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 123)
recording of:
It’s a Man’s Man’s Man’s World (on 1966-02-16)
writer:
James Brown (The Godfather of Soul) and Betty Jean Newsome
James Brown4.42:50
4Soulville
recorded in:
New York, New York, United States (on 1964-02-08)
producer:
Robert Mersey
organ:
Paul Griffin (American pianist, session musician) (on 1964-02-08)
piano and background vocals and lead vocals:
Aretha Franklin (on 1964-02-08)
conductor:
Robert Mersey
arranger:
Robert Mersey
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1964)
cover recording of:
Soulville (on 1964-02-08)
writer:
Henry Glover, Morris Levy, Titus Turner and Dinah Washington
publisher:
DeLarue Music Corp and EMI Longitude Music
Aretha Franklin2:22
5Born Under a Bad Sign
recorded in:
Memphis, Tennessee, United States (in 1967)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1967)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1967)
guitar:
Steve Cropper (in 1967) and Albert King (well‐known US blues guitarist & singer) (in 1967)
horn:
Joe Arnold (in 1967), Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1967) and Andrew Love (in 1967)
piano:
Isaac Hayes (in 1967) and Booker T. Jones (in 1967)
lead vocals:
Albert King (well‐known US blues guitarist & singer) (in 1967)
performer:
Booker T. & the MG’s (in 1967) and The Memphis Horns (in 1967)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1988)
recording of:
Born Under a Bad Sign (in 1967)
lyricist:
William Bell
composer:
Booker T. Jones
publisher:
Cotillion Music Inc. (BMI), Irving Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell Music, Inc.
Albert King32:47
6Tired of Being Alone
recorded at:
Royal Studios in Memphis, Tennessee, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 293)
recording of:
Tired of Being Alone
lyricist and composer:
Al Green (US soul singer, songwriter, pastor and record producer)
publisher:
Burlington Music Ltd., Irving Music, Inc. and Universal Music Publishing Group
Al Green4.452:52
7The Night Time Is the Right Time
cover recording of:
Night Time Is the Right Time
composer:
Lew Herman
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Planemar Music, Screen Gems–EMI Music Ltd. and Tro-Essex Music
Ike & Tina Turner3:30
8(I’m a) Road Runner
mixer:
Suha Gur
bass:
James Jamerson
guitar:
Willie Woods (US guitarist & songwriter)
keyboard:
Vic Thomas (keyboard)
membranophone:
James Graves
saxophone:
Junior Walker
recording of:
(I’m a) Road Runner
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music, Stone Agate Music Corp., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Jr. Walker & the All Stars22:48
9I Just Want to Make Love to You
producer:
Leonard Chess, Leonard & Phil Chess (legendary US production duo) and Phil Chess
lead vocals:
Etta James
orchestra:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
cover recording of:
I Just Wanna Make Love to You (in 1960-05)
lyricist and composer:
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Hoochie Coochie Music
recording of:
I Just Wanna Make Love to You
lyricist and composer:
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Hoochie Coochie Music
Etta James33:07
10Tell It Like It Is
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 381)
recording of:
Tell It Like It Is
writer:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) and Lee Diamond
publisher:
Conrad Music (publisher; do NOT use as release label) and Olrap Publishing Co., Inc.
Aaron Neville3:09
11Hi Heeled Sneakers
recorded in:
Chicago, Illinois, United States (in 1963)
producer:
Herb Abramson
bass guitar [bass]:
Brenda Lee Jones (in 1963)
guitar:
Dean "Cousin Sugar" Young (in 1963)
organ and piano:
Tommy Tucker (blues) (in 1963)
vocals:
Tommy Tucker (blues) (in 1963)
recording of:
Hi‐Heel Sneakers (in 1963)
lyricist and composer:
Robert Higginbotham (blues)
publisher:
Lily Pond Music and Robert Higginbotham Publisher
Tommy Tucker42:50
12Today I Sing the Blues
recorded in:
New York, New York, United States (on 1960-08-01)
producer:
John Hammond (producer)
bass:
Bill Lee (bassist, composer, father of Spike Lee) (on 1960-08-01)
drums (drum set):
Osie Johnson (on 1960-08-01)
guitar:
Lord Westbrook (on 1960-08-01)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1960-08-01)
trombone:
Tyree Glenn (on 1960-08-01)
arranger:
Curtis Lewis (US songwriter)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1961)
cover recording of:
Today I Sing the Blues (on 1960-08-01)
writer:
Curley Hamner
composer:
Curtis Lewis (US songwriter)
publisher:
Bess Music and BMG Music Publishing Ltd.
Aretha Franklin2:46
13Dimples
bass:
George Washington (1950s bassist) (in 1956)
guitar:
John Lee Hooker (US blues singer, songwriter & guitarist) (in 1956) and Eddie Taylor (electric blues guitarist and singer) (in 1956)
vocals:
John Lee Hooker (US blues singer, songwriter & guitarist) (in 1956)
recording of:
Dimples (in 1956)
lyricist:
John Lee Hooker (US blues singer, songwriter & guitarist) (in 1956)
composer:
James Bracken
publisher:
Conrad Music (publisher; do NOT use as release label), Costoma Publishing Company and Tristan Music Ltd.
John Lee Hooker42:13
14I’ll Take You There
producer:
Al Bell
mixer:
Terry Manning (US recording engineer)
arranger:
Al Bell
remasters:
I’ll Take You There by The Staple Singers
recording of:
I’ll Take You There
lyricist and composer:
Alvertis Isbell
publisher:
Music for Africa (South Africa)
The Staple Singers54:46
15The Thrill Is Gone
cover recording of:
The Thrill Is Gone (1951 blues song)
writer:
Roy Hawkins (in 1951) and Rick Darnell (in 1951)
publisher:
BMG Music Publishing, Inc., Carlin Music Corporation, Grosvenor House Music, Modern Music Publishing Co., Inc., Pamco Music Inc., Powerforce Music, Sounds Of Lucille, Inc. and Universal Music Careers
B.B. King4:58
16Private Number
producer:
Booker T. Jones
performer:
Judy Clay (American soul and gospel singer)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (in 1968)
recording of:
Private Number (in 1968)
writer:
William Bell and Booker T. Jones
publisher:
Irving Music, Inc. and Music for Africa (South Africa)
Judy Clay & William Bell22:42
17The Red Rooster
recorded in:
Chicago, Illinois, United States (in 1961-06)
double bass:
Willie Dixon (in 1961-06)
drums (drum set):
Sam Lay (in 1961-06)
electric bass guitar:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1961-06)
guitar:
Howlin’ Wolf (in 1961-06) and Hubert Sumlin (Chicago blues guitarist and singer) (in 1961-06)
piano:
Little Johnny Jones (Chicago blues pianist) (in 1961-06)
lead vocals:
Howlin’ Wolf (in 1961-06)
later releases:
Little Red Rooster (The Red Rooster) by Howlin’ Wolf
recording of:
The Red Rooster (in 1961-06)
lyricist and composer:
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Hoochie Coochie Music
cover recording of:
The Red Rooster
lyricist and composer:
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Hoochie Coochie Music
Howlin’ Wolf52:27
18Oh No Not My Baby
producer:
Luther Dixon and Stan Green
arranger:
Bert Keyes (piano, soul/funk producer/writer)
recording of:
Oh No Not My Baby
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Maxine Brown2:36
19I Put a Spell on You
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (on 1965-01-15)
vocals:
Nina Simone (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
cover recording of:
I Put a Spell on You (on 1965-01-15)
lyricist and composer:
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) and EMI United Partnership Ltd. (in 1956)
Nina Simone4.32:36
20When a Man Loves a Woman
producer:
Marlin Greene (’60s teen artist, writer & engineer) and Quin Ivy
double bass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-02-17)
drums (drum set):
Roger Hawkins (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene (’60s teen artist, writer & engineer) (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, in 1966) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
recorded at:
Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 54) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis, Percy Sledge and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI‐affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:55