Complete Recordings on Deutsche Grammophon

~ Release by Monique Haas (see all versions of this release, 1 available)

Tracklist

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1▼CD: Mozart
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1Concerto for Piano and Orchestra no. 14 in E-flat major, K. 449: 1. Allegro vivace
producer:
Wolfgang Lohse
piano:
Monique Haas (pianist) (from 1957-12-18 until 1957-12-20)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1957-12-18 until 1957-12-20)
conductor:
Ferdinand Leitner (conductor) (from 1957-12-18 until 1957-12-20)
balance engineer:
Helmut Elbl
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1957-12-18 until 1957-12-20)
recording of:
Concerto for Piano no. 14 in E‐flat major, K. 449 “First Ployer”: I. Allegro vivace (from 1957-12-18 until 1957-12-20)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1784)
part of:
Concerto for Piano no. 14 in E‐flat major, K. 449 “First Ployer”
Wolfgang Amadeus Mozart8:54
2Concerto for Piano and Orchestra no. 14 in E-flat major, K. 449: 2. Andantino
producer:
Wolfgang Lohse
piano:
Monique Haas (pianist) (from 1957-12-18 until 1957-12-20)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1957-12-18 until 1957-12-20)
conductor:
Ferdinand Leitner (conductor) (from 1957-12-18 until 1957-12-20)
balance engineer:
Helmut Elbl
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1957-12-18 until 1957-12-20)
recording of:
Concerto for Piano no. 14 in E‐flat major, K. 449 “First Ployer”: II. Andantino (from 1957-12-18 until 1957-12-20)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1784)
part of:
Concerto for Piano no. 14 in E‐flat major, K. 449 “First Ployer”
Wolfgang Amadeus Mozart6:52
3Concerto for Piano and Orchestra no. 14 in E-flat major, K. 449: 3. Allegro, ma non troppo
producer:
Wolfgang Lohse
piano:
Monique Haas (pianist) (from 1957-12-18 until 1957-12-20)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1957-12-18 until 1957-12-20)
conductor:
Ferdinand Leitner (conductor) (from 1957-12-18 until 1957-12-20)
balance engineer:
Helmut Elbl
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1957-12-18 until 1957-12-20)
recording of:
Concerto for Piano no. 14 in E‐flat major, K. 449 “First Ployer”: III. Allegro ma non troppo (from 1957-12-18 until 1957-12-20)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1784)
part of:
Concerto for Piano no. 14 in E‐flat major, K. 449 “First Ployer”
Wolfgang Amadeus Mozart6:31
4Sonata for Piano Duet in B-flat major, K. 358 (186c): 1. Allegro
producer:
Karl-Heinz Schneider (producer)
piano:
Monique Haas (pianist) (from 1957-06-20 until 1957-06-21)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1957-06-20 until 1957-06-21)
recording of:
Sonata for Piano with 4 Hands in B-flat major, K. 186c/358: I. Allegro (from 1957-06-20 until 1957-06-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Sonata for Piano with 4 Hands in B-flat major, K. 186c/358
Wolfgang Amadeus Mozart3:59
5Sonata for Piano Duet in B-flat major, K. 358 (186c): 2. Adagio
producer:
Karl-Heinz Schneider (producer)
piano:
Monique Haas (pianist) (from 1957-06-20 until 1957-06-21)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1957-06-20 until 1957-06-21)
recording of:
Sonata for Piano with 4 Hands in B-flat major, K. 186c/358: II. Adagio (from 1957-06-20 until 1957-06-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Sonata for Piano with 4 Hands in B-flat major, K. 186c/358
Wolfgang Amadeus Mozart4:39
6Sonata for Piano Duet in B-flat major, K. 358 (186c): 3. Molto presto
producer:
Karl-Heinz Schneider (producer)
piano:
Monique Haas (pianist) (from 1957-06-20 until 1957-06-21)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1957-06-20 until 1957-06-21)
recording of:
Sonata for Piano with 4 Hands in B-flat major, K. 186c/358: III. Molto presto (from 1957-06-20 until 1957-06-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Sonata for Piano with 4 Hands in B-flat major, K. 186c/358
Wolfgang Amadeus Mozart4:02
7Sonata for Piano Duet in D major, K. 381 (123a): 1. Allegro
producer:
Karl-Heinz Schneider (producer)
piano:
Monique Haas (pianist) (from 1957-06-20 until 1957-06-21)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1957-06-20 until 1957-06-21)
recording of:
Sonata for Piano with 4 Hands in D major, K. 123a/381: I. Allegro (from 1957-06-20 until 1957-06-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Sonata for Piano with 4 Hands in D major, K. 123a/381
Wolfgang Amadeus Mozart3:25
8Sonata for Piano Duet in D major, K. 381 (123a): 2. Andante
producer:
Karl-Heinz Schneider (producer)
piano:
Monique Haas (pianist) (from 1957-06-20 until 1957-06-21)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1957-06-20 until 1957-06-21)
recording of:
Sonata for Piano with 4 Hands in D major, K. 123a/381: II. Andante (from 1957-06-20 until 1957-06-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Sonata for Piano with 4 Hands in D major, K. 123a/381
Wolfgang Amadeus Mozart4:07
9Sonata for Piano Duet in D major, K. 381 (123a): 3. Allegro molto
producer:
Karl-Heinz Schneider (producer)
piano:
Monique Haas (pianist) (from 1957-06-20 until 1957-06-21)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1957-06-20 until 1957-06-21)
recording of:
Sonata for Piano with 4 Hands in D major, K. 123a/381: III. Allegro molto (from 1957-06-20 until 1957-06-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Sonata for Piano with 4 Hands in D major, K. 123a/381
Wolfgang Amadeus Mozart2:52
10Sonata for Two Pianos in D major, K. 448 (375a): 1. Allegro con spirito
producer:
Karl-Heinz Schneider (producer)
piano:
Monique Haas (pianist) (from 1955-11-19 until 1955-11-21)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1955-11-19 until 1955-11-21)
recording of:
Sonata for 2 Pianos in D major, K. 375a/448: I. Allegro con spirito (from 1955-11-19 until 1955-11-21)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
arrangement of:
Sonata for 2 Pianos in D major, K. 375a/448: I. Allegro con spirito (catch-all for arrangements)
part of:
Sonata for 2 Pianos in D major, K. 375a/448
Wolfgang Amadeus Mozart7:45
11Sonata for Two Pianos in D major, K. 448 (375a): 2. Andante
producer:
Karl-Heinz Schneider (producer)
piano:
Monique Haas (pianist) (from 1955-11-19 until 1955-11-21)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1955-11-19 until 1955-11-21)
recording of:
Sonata for 2 Pianos in D major, K. 375a/448: II. Andante (from 1955-11-19 until 1955-11-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Sonata for 2 Pianos in D major, K. 375a/448
Wolfgang Amadeus Mozart6:40
12Sonata for Two Pianos in D major, K. 448 (375a): 3. Allegro molto
producer:
Karl-Heinz Schneider (producer)
piano:
Monique Haas (pianist) (from 1955-11-19 until 1955-11-21)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1955-11-19 until 1955-11-21)
recording of:
Sonata for 2 Pianos in D major, K. 375a/448: III. Allegro molto & Coda (from 1955-11-19 until 1955-11-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Sonata for 2 Pianos in D major, K. 375a/448
Wolfgang Amadeus Mozart5:59
2▼CD: Mozart · Haydn
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1Concerto for Piano and Orchestra no. 23 in A major, K. 488: 1. Allegro
producer:
Wolfgang Lohse
piano:
Monique Haas (pianist) (from 1953-01-23 until 1953-01-25)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1953-01-23 until 1953-01-25)
conductor:
Ferdinand Leitner (conductor) (from 1953-01-23 until 1953-01-25)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1953-01-23 until 1953-01-25)
recording of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488: I. Allegro (from 1953-01-23 until 1953-01-25)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1786 until 1786-03-02)
part of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488
Wolfgang Amadeus Mozart10:43
2Concerto for Piano and Orchestra no. 23 in A major, K. 488: 2. Adagio
producer:
Wolfgang Lohse
piano:
Monique Haas (pianist) (from 1953-01-23 until 1953-01-25)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1953-01-23 until 1953-01-25)
conductor:
Ferdinand Leitner (conductor) (from 1953-01-23 until 1953-01-25)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1953-01-23 until 1953-01-25)
recording of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488: II. Andante (Adagio) (from 1953-01-23 until 1953-01-25)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1786 until 1786-03-02)
part of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488
Wolfgang Amadeus Mozart6:34
3Concerto for Piano and Orchestra no. 23 in A major, K. 488: 3. Allegro assai
producer:
Wolfgang Lohse
piano:
Monique Haas (pianist) (from 1953-01-23 until 1953-01-25)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1953-01-23 until 1953-01-25)
conductor:
Ferdinand Leitner (conductor) (from 1953-01-23 until 1953-01-25)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1953-01-23 until 1953-01-25)
recording of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488: III. Allegro assai (from 1953-01-23 until 1953-01-25)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1786 until 1786-03-02)
part of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488
Wolfgang Amadeus Mozart7:52
4Piano Sonata in F major, Hob. XVI:23: 1. Allegro
producer:
Hans Weber (producer/engineer)
piano:
Monique Haas (pianist) (from 1959-07-13 until 1959-07-15)
balance engineer:
Harro-Hell Michna
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1959-07-13 until 1959-07-15)
recording of:
Sonata no. 38 in F major, Hob. XVI:23: I. Allegro moderato (from 1959-07-13 until 1959-07-15)
composer:
Joseph Haydn (composer)
part of:
Sonata no. 38 in F major, Hob. XVI:23
Joseph Haydn4:52
5Piano Sonata in F major, Hob. XVI:23: 2. Adagio
producer:
Hans Weber (producer/engineer)
piano:
Monique Haas (pianist) (from 1959-07-13 until 1959-07-15)
balance engineer:
Harro-Hell Michna
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1959-07-13 until 1959-07-15)
recording of:
Sonata no. 38 in F major, Hob. XVI:23: II. Adagio (from 1959-07-13 until 1959-07-15)
composer:
Joseph Haydn (composer)
part of:
Sonata no. 38 in F major, Hob. XVI:23
Joseph Haydn5:35
6Piano Sonata in F major, Hob. XVI:23: 3. Finale. Presto
producer:
Hans Weber (producer/engineer)
piano:
Monique Haas (pianist) (from 1959-07-13 until 1959-07-15)
balance engineer:
Harro-Hell Michna
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1959-07-13 until 1959-07-15)
recording of:
Sonata no. 38 in F major, Hob. XVI:23: III. Finale: Presto (from 1959-07-13 until 1959-07-15)
composer:
Joseph Haydn (composer)
part of:
Sonata no. 38 in F major, Hob. XVI:23
Joseph Haydn4:11
7Arietta con variazioni in E-flat major, Hob. XVII:3: Moderato - Variations 1-12
producer:
Hans Weber (producer/engineer)
piano:
Monique Haas (pianist) (from 1959-07-13 until 1959-07-15)
balance engineer:
Harro-Hell Michna
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1959-07-13 until 1959-07-15)
recording of:
Arietta Nr. 1 mit 12 Variationen in Es-dur, Hob. XVII:3 (from 1959-07-13 until 1959-07-15)
composer:
Joseph Haydn (composer)
part of:
Hoboken-Verzeichnis (number: Hob. XVII:3)
Joseph Haydn9:08
8Piano Sonata in E-flat major, Hob. XVI:52: 1. Allegro (moderato)
producer:
Hans Weber (producer/engineer)
piano:
Monique Haas (pianist) (from 1959-07-13 until 1959-07-15)
balance engineer:
Harro-Hell Michna
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1959-07-13 until 1959-07-15)
recording of:
Piano Sonata no. 62 in E-flat major, Hob. XVI:52: I. Allegro (from 1959-07-13 until 1959-07-15)
composer:
Joseph Haydn (composer) (in 1794)
part of:
Piano Sonata no. 62 in E-flat major, Hob. XVI:52
Joseph Haydn8:10
9Piano Sonata in E-flat major, Hob. XVI:52: 2. Adagio
producer:
Hans Weber (producer/engineer)
piano:
Monique Haas (pianist) (from 1959-07-13 until 1959-07-15)
balance engineer:
Harro-Hell Michna
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1959-07-13 until 1959-07-15)
recording of:
Piano Sonata no. 62 in E-flat major, Hob. XVI:52: II. Adagio (from 1959-07-13 until 1959-07-15)
composer:
Joseph Haydn (composer) (in 1794)
part of:
Piano Sonata no. 62 in E-flat major, Hob. XVI:52
Joseph Haydn6:07
10Piano Sonata in E-flat major, Hob. XVI:52: 3. Finale. Presto
producer:
Hans Weber (producer/engineer)
piano:
Monique Haas (pianist) (from 1959-07-13 until 1959-07-15)
balance engineer:
Harro-Hell Michna
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1959-07-13 until 1959-07-15)
recording of:
Piano Sonata no. 62 in E-flat major, Hob. XVI:52: III. Finale: Presto (from 1959-07-13 until 1959-07-15)
composer:
Joseph Haydn (composer) (in 1794)
part of:
Piano Sonata no. 62 in E-flat major, Hob. XVI:52
Joseph Haydn5:47
11Fantasia in C major, Hob. XVII:4: Presto
producer:
Hans Weber (producer/engineer)
piano:
Monique Haas (pianist) (from 1959-07-13 until 1959-07-15)
balance engineer:
Harro-Hell Michna
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1959-07-13 until 1959-07-15)
recording of:
Fantasia (Capriccio) in C major, Hob. XVII:4 (from 1959-07-13 until 1959-07-15)
composer:
Joseph Haydn (composer) (in 1789)
part of:
Hoboken-Verzeichnis (number: Hob. XVII:4)
Joseph Haydn5:49
3▼CD: Schumann · Chopin
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1Concerto for Piano and Orchestra in A minor, op. 54: 1. Allegro affettuoso
producer:
Fred Hamel
piano:
Monique Haas (pianist) (from 1951-05-22 until 1951-05-23)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1951-05-22 until 1951-05-23)
conductor:
Eugen Jochum (conductor) (from 1951-05-22 until 1951-05-23)
balance engineer:
Wilhelm Aulenkamp and Heinrich Keilholz (in 1951-05)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1951-05-22 until 1951-05-23)
recording of:
Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso (from 1951-05-22 until 1951-05-23)
composer:
Robert Schumann (German classical composer) (in 1845)
part of:
Concerto for Piano and Orchestra in A minor, op. 54
revision of:
Phantasie in A minor
Robert Schumann14:48
2Concerto for Piano and Orchestra in A minor, op. 54: 2. Intermezzo. Andantino grazioso -
producer:
Fred Hamel
piano:
Monique Haas (pianist) (from 1951-05-22 until 1951-05-23)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1951-05-22 until 1951-05-23)
conductor:
Eugen Jochum (conductor) (from 1951-05-22 until 1951-05-23)
balance engineer:
Wilhelm Aulenkamp and Heinrich Keilholz (in 1951-05)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1951-05-22 until 1951-05-23)
recording of:
Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino grazioso (from 1951-05-22 until 1951-05-23)
composer:
Robert Schumann (German classical composer) (in 1845)
part of:
Concerto for Piano and Orchestra in A minor, op. 54
Robert Schumann4:55
3Concerto for Piano and Orchestra in A minor, op. 54: 3. Allegro vivace
producer:
Fred Hamel
piano:
Monique Haas (pianist) (from 1951-05-22 until 1951-05-23)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1951-05-22 until 1951-05-23)
conductor:
Eugen Jochum (conductor) (from 1951-05-22 until 1951-05-23)
balance engineer:
Wilhelm Aulenkamp and Heinrich Keilholz (in 1951-05)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1951-05-22 until 1951-05-23)
recording of:
Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace (from 1951-05-22 until 1951-05-23)
composer:
Robert Schumann (German classical composer) (in 1845)
part of:
Concerto for Piano and Orchestra in A minor, op. 54
Robert Schumann10:33
4Fantasiestücke, op. 12: 1. Des Abends. Sehr innig zu spielen
producer:
Karl-Heinz Schneider (producer)
piano:
Monique Haas (pianist) (from 1955-01-03 until 1955-01-05)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1955-01-03 until 1955-01-05)
recording of:
Fantasiestücke, op. 12: I. Des Abends (from 1955-01-03 until 1955-01-05)
composer:
Robert Schumann (German classical composer) (until 1837-07)
part of:
Fantasiestücke, op. 12
Robert Schumann4:15
5Fantasiestücke, op. 12: 2. Aufschwung. Sehr rasch
producer:
Karl-Heinz Schneider (producer)
piano:
Monique Haas (pianist) (from 1955-01-03 until 1955-01-05)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1955-01-03 until 1955-01-05)
recording of:
Fantasiestücke, op. 12: II. Aufschwung (from 1955-01-03 until 1955-01-05)
composer:
Robert Schumann (German classical composer) (until 1837-07)
part of:
Fantasiestücke, op. 12
Robert Schumann3:16
6Fantasiestücke, op. 12: 3. Warum? Langsam und zart
producer:
Karl-Heinz Schneider (producer)
piano:
Monique Haas (pianist) (from 1955-01-03 until 1955-01-05)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1955-01-03 until 1955-01-05)
recording of:
Fantasiestücke, op. 12: III. Warum? (from 1955-01-03 until 1955-01-05)
composer:
Robert Schumann (German classical composer) (until 1837-07)
part of:
Fantasiestücke, op. 12
Robert Schumann3:23
7Fantasiestücke, op. 12: 4. Grillen. Mit Humor
producer:
Karl-Heinz Schneider (producer)
piano:
Monique Haas (pianist) (from 1955-01-03 until 1955-01-05)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1955-01-03 until 1955-01-05)
recording of:
Fantasiestücke, op. 12: IV. Grillen (from 1955-01-03 until 1955-01-05)
composer:
Robert Schumann (German classical composer) (until 1837-07)
part of:
Fantasiestücke, op. 12
Robert Schumann3:01
8Fantasiestücke, op. 12: 5. In der Nacht. Mit Leidenschaft
producer:
Karl-Heinz Schneider (producer)
piano:
Monique Haas (pianist) (from 1955-01-03 until 1955-01-05)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1955-01-03 until 1955-01-05)
recording of:
Fantasiestücke, op. 12: V. In der Nacht (from 1955-01-03 until 1955-01-05)
composer:
Robert Schumann (German classical composer) (until 1837-07)
part of:
Fantasiestücke, op. 12
Robert Schumann4:36
9Fantasiestücke, op. 12: 6. Fabel. Langsam - Schnell
producer:
Karl-Heinz Schneider (producer)
piano:
Monique Haas (pianist) (from 1955-01-03 until 1955-01-05)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1955-01-03 until 1955-01-05)
recording of:
Fantasiestücke, op. 12: VI. Fabel (from 1955-01-03 until 1955-01-05)
composer:
Robert Schumann (German classical composer) (until 1837-07)
part of:
Fantasiestücke, op. 12
Robert Schumann2:49
10Fantasiestücke, op. 12: 7. Traumes Wirren. Äußerst lebhaft
producer:
Karl-Heinz Schneider (producer)
piano:
Monique Haas (pianist) (from 1955-01-03 until 1955-01-05)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1955-01-03 until 1955-01-05)
recording of:
Fantasiestücke, op. 12: VII. Traumes Wirren (from 1955-01-03 until 1955-01-05)
composer:
Robert Schumann (German classical composer) (until 1837-07)
part of:
Fantasiestücke, op. 12
Robert Schumann2:39
11Fantasiestücke, op. 12: 8. Ende vom Lied. Mit gutem Humor
producer:
Karl-Heinz Schneider (producer)
piano:
Monique Haas (pianist) (from 1955-01-03 until 1955-01-05)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1955-01-03 until 1955-01-05)
recording of:
Fantasiestücke, op. 12: VIII. Ende vom Lied (from 1955-01-03 until 1955-01-05)
composer:
Robert Schumann (German classical composer) (until 1837-07)
part of:
Fantasiestücke, op. 12
Robert Schumann4:40
12Etude in G-flat major, op. 10 no. 5: Vivace
producer:
Hans Weber (producer/engineer)
piano:
Monique Haas (pianist) (on 1959-07-16)
balance engineer:
Harro-Hell Michna
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (on 1959-07-16)
recording of:
Étude in G‐flat major, op. 10 no. 5 “Black Keys”: Vivace (on 1959-07-16)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1830)
part of:
Études, op. 10
Frédéric Chopin1:54
13Etude in E major, op. 10 no. 3: Lento, ma non troppo
producer:
Hans Weber (producer/engineer)
piano:
Monique Haas (pianist) (on 1959-07-16)
balance engineer:
Harro-Hell Michna
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (on 1959-07-16)
recording of:
Étude in E major, op. 10 no. 3: Lento ma non troppo (on 1959-07-16)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1832)
part of:
Études, op. 10
Frédéric Chopin4:02
4▼CD: Debussy
#TitleArtistRatingLength
1Préludes, 1ᵉʳ Livre: I. Danseuses de Delphes. Lent et grave
producer:
Otto Ernst Wohlert
piano:
Monique Haas (pianist) (from 1962-07-02 until 1962-07-05)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1962-07-02 until 1962-07-05)
recording of:
Préludes, Livre I, L. 117, CD 125: I. Danseuses de Delphes. Lent et grave (from 1962-07-02 until 1962-07-05)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-05-25)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy3:22
2Préludes, 1ᵉʳ Livre: II. Voiles. Modéré
producer:
Otto Ernst Wohlert
piano:
Monique Haas (pianist) (from 1962-07-02 until 1962-07-05)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1962-07-02 until 1962-07-05)
recording of:
Préludes, Livre I, L. 117, CD 125: II. Voiles. Modéré (from 1962-07-02 until 1962-07-05)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-05-25)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy3:10
3Préludes, 1ᵉʳ Livre: III. Le vent dans la plaine. Animé
producer:
Otto Ernst Wohlert
piano:
Monique Haas (pianist) (from 1962-07-02 until 1962-07-05)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1962-07-02 until 1962-07-05)
recording of:
Préludes, Livre I, L. 117, CD 125: III. Le Vent dans la plaine. Animé (from 1962-07-02 until 1962-07-05)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1911-01-16)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy2:14
4Préludes, 1ᵉʳ Livre: IV. Les sons et les parfums tournent dans lʼair du soir. Modéré
producer:
Otto Ernst Wohlert
piano:
Monique Haas (pianist) (from 1962-07-02 until 1962-07-05)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1962-07-02 until 1962-07-05)
recording of:
Préludes, Livre I, L. 117, CD 125: IV. «Les sons et les parfums tournent dans l'air du soir». Modéré (from 1962-07-02 until 1962-07-05)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1911-01-16)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy3:31
5Préludes, 1ᵉʳ Livre: V. Les collines dʼAnacapri. Très modéré
producer:
Otto Ernst Wohlert
piano:
Monique Haas (pianist) (from 1962-07-02 until 1962-07-05)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1962-07-02 until 1962-07-05)
recording of:
Préludes, Livre I, L. 117, CD 125: V. Les collines d'Anacapri. Très modéré (from 1962-07-02 until 1962-07-05)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1911-01-14)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy3:10
6Préludes, 1ᵉʳ Livre: VI. Des pas sur la neige. triste et lent
producer:
Otto Ernst Wohlert
piano:
Monique Haas (pianist) (from 1962-07-02 until 1962-07-05)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1962-07-02 until 1962-07-05)
recording of:
Préludes, Livre I, L. 117, CD 125: VI. Des pas sur la neige. Triste et lent (from 1962-07-02 until 1962-07-05)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert]
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy3:59
7Préludes, 1ᵉʳ Livre: VII. Ce quʼa vu le vent dʼouest. Animé et tumultueux
producer:
Otto Ernst Wohlert
piano:
Monique Haas (pianist) (from 1962-07-02 until 1962-07-05)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1962-07-02 until 1962-07-05)
recording of:
Préludes, Livre I, L. 117, CD 125: VII. Ce qu'a vu le vent d'ouest. Animé et tumultueux (from 1962-07-02 until 1962-07-05)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-07-26)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy3:13
8Préludes, 1ᵉʳ Livre: VIII. La fille aux cheveux de lin. Très calme et doucement expressif
producer:
Otto Ernst Wohlert
piano:
Monique Haas (pianist) (from 1962-07-02 until 1962-07-05)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1962-07-02 until 1962-07-05)
recording of:
Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair) (from 1962-07-02 until 1962-07-05)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-06-02)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy2:46
9Préludes, 1ᵉʳ Livre: IX. La sérénade interrompue. Modérément animé
producer:
Otto Ernst Wohlert
piano:
Monique Haas (pianist) (from 1962-07-02 until 1962-07-05)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1962-07-02 until 1962-07-05)
recording of:
Préludes, Livre I, L. 117, CD 125: IX. La sérénade interrompue. Modérément animé (from 1962-07-02 until 1962-07-05)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1911-01-14)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy2:29
10Préludes, 1ᵉʳ Livre: X. La cathédrale engloutie. Profonément calme
producer:
Otto Ernst Wohlert
piano:
Monique Haas (pianist) (from 1962-07-02 until 1962-07-05)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1962-07-02 until 1962-07-05)
recording of:
Préludes, Livre I, L. 117, CD 125: X. La cathédrale engloutie. Profondément calme (from 1962-07-02 until 1962-07-05)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-05-25)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy6:38
11Préludes, 1ᵉʳ Livre: XI. La danse de Puck. Capricieux et léger
producer:
Otto Ernst Wohlert
piano:
Monique Haas (pianist) (from 1962-07-02 until 1962-07-05)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1962-07-02 until 1962-07-05)
recording of:
Préludes, Livre I, L. 117, CD 125: XI. La danse de Puck. Capricieux et léger (from 1962-07-02 until 1962-07-05)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-05-25)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy2:51
12Préludes, 1ᵉʳ Livre: XII. Minstrels. Modéré
producer:
Otto Ernst Wohlert
piano:
Monique Haas (pianist) (from 1962-07-02 until 1962-07-05)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1962-07-02 until 1962-07-05)
recording of:
Préludes, Livre I, L. 117, CD 125: XII. Minstrels. Modéré (from 1962-07-02 until 1962-07-05)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1911-02-10)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy2:11
13Préludes, 2ᵉ Livre: I. Brouillards. Modéré
producer:
Otto Ernst Wohlert
piano:
Monique Haas (pianist) (from 1963-01-14 until 1963-01-17)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1963-01-14 until 1963-01-17)
recording of:
Préludes, Livre II, L. 123: I. Brouillards. Modéré (Préludes, Book II: 1. Brouillards) (from 1963-01-14 until 1963-01-17)
composer:
Claude Debussy (French composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy2:56
14Préludes, 2ᵉ Livre: II. Feuilles mortes. Lent et mélancolique
producer:
Otto Ernst Wohlert
piano:
Monique Haas (pianist) (from 1963-01-14 until 1963-01-17)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1963-01-14 until 1963-01-17)
recording of:
Préludes, Livre II, L. 123: II. Feuilles mortes. Lent et mélancolique (Préludes, Book II: 2. Feuilles mortes) (from 1963-01-14 until 1963-01-17)
composer:
Claude Debussy (French composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy3:26
15Préludes, 2ᵉ Livre: III. La puerta del vino. Mouvement de Habanera
producer:
Otto Ernst Wohlert
piano:
Monique Haas (pianist) (from 1963-01-14 until 1963-01-17)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1963-01-14 until 1963-01-17)
recording of:
Préludes, Livre II, L. 123: III. La puerta del Vino. Mouvement de Habanera (Préludes, Book II: 3. La Puerta del Vino) (from 1963-01-14 until 1963-01-17)
composer:
Claude Debussy (French composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy2:54
16Préludes, 2ᵉ Livre: IV. Les fées sont dʼexquises danseuses. Rapide et léger
producer:
Otto Ernst Wohlert
piano:
Monique Haas (pianist) (from 1963-01-14 until 1963-01-17)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1963-01-14 until 1963-01-17)
recording of:
Préludes, Livre II, L. 123: IV. «Les fées sont d’exquises danseuses». Rapide et léger (Préludes, Book II: 4. “Les Fées sont d’exquises danseuses”) (from 1963-01-14 until 1963-01-17)
composer:
Claude Debussy (French composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy3:05
17Préludes, 2ᵉ Livre: V. Bruyères. Calme
producer:
Otto Ernst Wohlert
piano:
Monique Haas (pianist) (from 1963-01-14 until 1963-01-17)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1963-01-14 until 1963-01-17)
recording of:
Préludes, Livre II, L. 123: V. Bruyères. Calme (Préludes, Book II: 5. Bruyères) (from 1963-01-14 until 1963-01-17)
composer:
Claude Debussy (French composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy2:57
18Préludes, 2ᵉ Livre: VI. «General Lavine» — eccentric. Dans le style et le Mouvement dʼun Cake-Walk
producer:
Otto Ernst Wohlert
piano:
Monique Haas (pianist) (from 1963-01-14 until 1963-01-17)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1963-01-14 until 1963-01-17)
recording of:
Préludes, Livre II, L. 123: VI. Général Lavine – eccentric. Dans le style et le mouvement d’un Cakewalk (Préludes, Book II: 6. General Lavine – eccentric) (from 1963-01-14 until 1963-01-17)
composer:
Claude Debussy (French composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy2:25
19Préludes, 2ᵉ Livre: VII. La terrasse des audiences du clair de lune. Lent
producer:
Otto Ernst Wohlert
piano:
Monique Haas (pianist) (from 1963-01-14 until 1963-01-17)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1963-01-14 until 1963-01-17)
recording of:
Préludes, Livre II, L. 123: VII. La terrasse des audiences du clair de lune. Lent (Préludes, Book II: 7. La Terrasse des audiences du clair de lune) (from 1963-01-14 until 1963-01-17)
composer:
Claude Debussy (French composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy4:16
20Préludes, 2ᵉ Livre: VIII. Ondine. Scherzando
producer:
Otto Ernst Wohlert
piano:
Monique Haas (pianist) (from 1963-01-14 until 1963-01-17)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1963-01-14 until 1963-01-17)
recording of:
Préludes, Livre II, L. 123: VIII. Ondine. Scherzando (Préludes, Book II: 8. Ondine) (from 1963-01-14 until 1963-01-17)
composer:
Claude Debussy (French composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy3:11
21Préludes, 2ᵉ Livre: IX. Hommage à S. Pickwick, Esq., P.P.M.P.C. Grave
producer:
Otto Ernst Wohlert
piano:
Monique Haas (pianist) (from 1963-01-14 until 1963-01-17)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1963-01-14 until 1963-01-17)
recording of:
Préludes, Livre II, L. 123: IX. Hommage à S. Pickwick Esq. P.P.M.P.C.. Grave (Préludes, Book II: 9. Hommage à S. Pickwick Esq. P.P.M.P.C.) (from 1963-01-14 until 1963-01-17)
composer:
Claude Debussy (French composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy2:29
22Préludes, 2ᵉ Livre: X. Canope. Très calme et doucement triste
producer:
Otto Ernst Wohlert
piano:
Monique Haas (pianist) (from 1963-01-14 until 1963-01-17)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1963-01-14 until 1963-01-17)
recording of:
Préludes, Livre II, L. 123: X. Canope. Très calme et doucement triste (Préludes, Book II: 10. Canope) (from 1963-01-14 until 1963-01-17)
composer:
Claude Debussy (French composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy3:10
23Préludes, 2ᵉ Livre: XI. Les tierces alternées. Modérément animé
producer:
Otto Ernst Wohlert
piano:
Monique Haas (pianist) (from 1963-01-14 until 1963-01-17)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1963-01-14 until 1963-01-17)
recording of:
Préludes, Livre II, L. 123: XI. Les tierces alternées. Modérément animé (Préludes, Book II: 11. Les Tierces alternées) (from 1963-01-14 until 1963-01-17)
composer:
Claude Debussy (French composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy2:31
24Préludes, 2ᵉ Livre: XII. Feux dʼartifice. Modérément animé
producer:
Otto Ernst Wohlert
piano:
Monique Haas (pianist) (from 1963-01-14 until 1963-01-17)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1963-01-14 until 1963-01-17)
recording of:
Préludes, Livre II, L. 123: XII. Feux d’artifice. Modérément animé (Préludes, Book II: 12. Feux d’artifice) (from 1963-01-14 until 1963-01-17)
composer:
Claude Debussy (French composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy4:11
5▼CD: Debussy · Ravel
#TitleArtistRatingLength
1Douze etudes pour piano, Premier Livre: I. Pour les «cinq doigts» dʼaprès Monsieur Czerny
producer:
Fred Hamel
piano:
Monique Haas (pianist) (from 1951-10-22 until 1951-10-23)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1951-10-22 until 1951-10-23)
recording of:
Études, L. 136: I. Pour les « cinq doigts » d'après monsieur Czerny (from 1951-10-22 until 1951-10-23)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre I (number: 1)
part of:
Douze Études, pour piano, L. 136, CD 143
Claude Debussy2:41
2Douze etudes pour piano, Premier Livre: II. Pour les tierces
producer:
Fred Hamel
piano:
Monique Haas (pianist) (from 1951-10-22 until 1951-10-23)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1951-10-22 until 1951-10-23)
recording of:
Études, L. 136: II. Pour les tierces (from 1951-10-22 until 1951-10-23)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre I (number: 2)
part of:
Douze Études, pour piano, L. 136, CD 143
Claude Debussy3:18
3Douze etudes pour piano, Premier Livre: III. Pour les quartes
producer:
Fred Hamel
piano:
Monique Haas (pianist) (from 1951-10-22 until 1951-10-23)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1951-10-22 until 1951-10-23)
recording of:
Études, L. 136: III. Pour les quartes (from 1951-10-22 until 1951-10-23)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre I (number: 3)
part of:
Douze Études, pour piano, L. 136, CD 143
Claude Debussy5:15
4Douze etudes pour piano, Premier Livre: IV. Pour les sixtes
producer:
Fred Hamel
piano:
Monique Haas (pianist) (from 1951-10-22 until 1951-10-23)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1951-10-22 until 1951-10-23)
recording of:
Études, L. 136: IV. Pour les sixtes (from 1951-10-22 until 1951-10-23)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre I (number: 4)
part of:
Douze Études, pour piano, L. 136, CD 143
Claude Debussy4:09
5Douze etudes pour piano, Premier Livre: V. Pour les octaves
producer:
Fred Hamel
piano:
Monique Haas (pianist) (from 1951-10-22 until 1951-10-23)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1951-10-22 until 1951-10-23)
recording of:
Études, L. 136: V. Pour les octaves (from 1951-10-22 until 1951-10-23)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre I (number: 5)
part of:
Douze Études, pour piano, L. 136, CD 143
Claude Debussy2:38
6Douze etudes pour piano, Premier Livre: VI. Pour les huit doigts
producer:
Fred Hamel
piano:
Monique Haas (pianist) (from 1951-10-22 until 1951-10-23)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1951-10-22 until 1951-10-23)
recording of:
Études, L. 136: VI. Pour les huits doigts (from 1951-10-22 until 1951-10-23)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre I (number: 6)
part of:
Douze Études, pour piano, L. 136, CD 143
Claude Debussy1:37
7Douze etudes pour piano, Deuxième Livre: VII. Pour les degrés chromatiques
producer:
Fred Hamel
piano:
Monique Haas (pianist) (from 1951-10-22 until 1951-10-23)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1951-10-22 until 1951-10-23)
recording of:
Études, L. 136: VII. Pour les degrés chromatiques (from 1951-10-22 until 1951-10-23)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre II (number: 7)
part of:
Douze Études, pour piano, L. 136, CD 143
Claude Debussy2:15
8Douze etudes pour piano, Deuxième Livre: VIII. Pour les agréments
producer:
Fred Hamel
piano:
Monique Haas (pianist) (from 1951-10-22 until 1951-10-23)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1951-10-22 until 1951-10-23)
recording of:
Études, L. 136: VIII. Pour les agréments (from 1951-10-22 until 1951-10-23)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre II (number: 8)
part of:
Douze Études, pour piano, L. 136, CD 143
Claude Debussy4:32
9Douze etudes pour piano, Deuxième Livre: IX. Pour les notes répétées
producer:
Fred Hamel
piano:
Monique Haas (pianist) (from 1951-10-22 until 1951-10-23)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1951-10-22 until 1951-10-23)
recording of:
Études, L. 136: IX. Pour les notes répétées (from 1951-10-22 until 1951-10-23)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre II (number: 9)
part of:
Douze Études, pour piano, L. 136, CD 143
Claude Debussy2:57
10Douze etudes pour piano, Deuxième Livre: X. Pour les sonorités opposées
producer:
Fred Hamel
piano:
Monique Haas (pianist) (from 1951-10-22 until 1951-10-23)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1951-10-22 until 1951-10-23)
recording of:
Études, L. 136: X. Pour les sonorités opposées (from 1951-10-22 until 1951-10-23)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
premiered at:
[concert] (1916-11-21)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre II (number: 10)
part of:
Douze Études, pour piano, L. 136, CD 143
Claude Debussy5:33
11Douze etudes pour piano, Deuxième Livre: XI. Pour les arpèges composés
producer:
Fred Hamel
piano:
Monique Haas (pianist) (from 1951-10-22 until 1951-10-23)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1951-10-22 until 1951-10-23)
recording of:
Études, L. 136: XI. Pour les arpèges composés (from 1951-10-22 until 1951-10-23)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
premiered at:
[concert] (1916-11-21)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre II (number: 11)
part of:
Douze Études, pour piano, L. 136, CD 143
Claude Debussy3:46
12Douze etudes pour piano, Deuxième Livre: XII. Pour les accords
producer:
Fred Hamel
piano:
Monique Haas (pianist) (from 1951-10-22 until 1951-10-23)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1951-10-22 until 1951-10-23)
recording of:
Études, L. 136: XII. Pour les accords (from 1951-10-22 until 1951-10-23)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre II (number: 12)
part of:
Douze Études, pour piano, L. 136, CD 143
Claude Debussy4:07
13Valses nobles et sentimentales: 1. Modéré
producer:
Karl-Heinz Schneider (producer)
piano:
Monique Haas (pianist) (from 1955-11-22 until 1955-11-24)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1955-11-22 until 1955-11-24)
recording of:
Valses nobles et sentimentales: I. Modéré - Très franc (for piano) (from 1955-11-22 until 1955-11-24)
composer:
Maurice Ravel (French composer)
part of:
Valses nobles et sentimentales (for piano)
Maurice Ravel1:21
14Valses nobles et sentimentales: 2. Assez lent
producer:
Karl-Heinz Schneider (producer)
piano:
Monique Haas (pianist) (from 1955-11-22 until 1955-11-24)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1955-11-22 until 1955-11-24)
recording of:
Valses nobles et sentimentales: II. Assez lent (for piano) (from 1955-11-22 until 1955-11-24)
composer:
Maurice Ravel (French composer)
part of:
Valses nobles et sentimentales (for piano)
Maurice Ravel2:15
15Valses nobles et sentimentales: 3. Modéré
producer:
Karl-Heinz Schneider (producer)
piano:
Monique Haas (pianist) (from 1955-11-22 until 1955-11-24)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1955-11-22 until 1955-11-24)
recording of:
Valses nobles et sentimentales: III. Modéré (for piano) (from 1955-11-22 until 1955-11-24)
composer:
Maurice Ravel (French composer)
part of:
Valses nobles et sentimentales (for piano)
Maurice Ravel1:15
16Valses nobles et sentimentales: 4. Assez animé
producer:
Karl-Heinz Schneider (producer)
piano:
Monique Haas (pianist) (from 1955-11-22 until 1955-11-24)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1955-11-22 until 1955-11-24)
recording of:
Valses nobles et sentimentales: IV. Assez animé (for piano) (from 1955-11-22 until 1955-11-24)
composer:
Maurice Ravel (French composer)
part of:
Valses nobles et sentimentales (for piano)
Maurice Ravel1:08
17Valses nobles et sentimentales: 5. Presque lent
producer:
Karl-Heinz Schneider (producer)
piano:
Monique Haas (pianist) (from 1955-11-22 until 1955-11-24)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1955-11-22 until 1955-11-24)
recording of:
Valses nobles et sentimentales: V. Presque lent (for piano) (from 1955-11-22 until 1955-11-24)
composer:
Maurice Ravel (French composer)
part of:
Valses nobles et sentimentales (for piano)
Maurice Ravel1:18
18Valses nobles et sentimentales: 6. Vif
producer:
Karl-Heinz Schneider (producer)
piano:
Monique Haas (pianist) (from 1955-11-22 until 1955-11-24)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1955-11-22 until 1955-11-24)
recording of:
Valses nobles et sentimentales: VI. Vif (for piano) (from 1955-11-22 until 1955-11-24)
composer:
Maurice Ravel (French composer)
part of:
Valses nobles et sentimentales (for piano)
Maurice Ravel0:44
19Valses nobles et sentimentales: 7. Moins vif
producer:
Karl-Heinz Schneider (producer)
piano:
Monique Haas (pianist) (from 1955-11-22 until 1955-11-24)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1955-11-22 until 1955-11-24)
recording of:
Valses nobles et sentimentales: VII. Moins vif (for piano) (from 1955-11-22 until 1955-11-24)
composer:
Maurice Ravel (French composer)
part of:
Valses nobles et sentimentales (for piano)
Maurice Ravel2:35
20Valses nobles et sentimentales: 8. Epilogue. Lent
producer:
Karl-Heinz Schneider (producer)
piano:
Monique Haas (pianist) (from 1955-11-22 until 1955-11-24)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1955-11-22 until 1955-11-24)
recording of:
Valses nobles et sentimentales: VIII. Epilogue. Lent (for piano) (from 1955-11-22 until 1955-11-24)
composer:
Maurice Ravel (French composer)
part of:
Valses nobles et sentimentales (for piano)
Maurice Ravel3:58
21Le Tombeau de Couperin, Suite pour piano: 1. Prélude
producer:
Karl-Heinz Schneider (producer)
piano:
Monique Haas (pianist) (from 1955-01-05 until 1955-01-07)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1955-01-05 until 1955-01-07)
recording of:
Le tombeau de Couperin: I. Prélude (for solo piano) (from 1955-01-05 until 1955-01-07)
composer:
Maurice Ravel (French composer)
part of:
Le tombeau de Couperin (for solo piano)
Maurice Ravel2:59
22Le Tombeau de Couperin, Suite pour piano: 2. Fugue
producer:
Karl-Heinz Schneider (producer)
piano:
Monique Haas (pianist) (from 1955-01-05 until 1955-01-07)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1955-01-05 until 1955-01-07)
recording of:
Le tombeau de Couperin: II. Fugue (for solo piano) (from 1955-01-05 until 1955-01-07)
composer:
Maurice Ravel (French composer)
part of:
Le tombeau de Couperin (for solo piano)
Maurice Ravel3:17
23Le Tombeau de Couperin, Suite pour piano: 3. Forlane
producer:
Karl-Heinz Schneider (producer)
piano:
Monique Haas (pianist) (from 1955-01-05 until 1955-01-07)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1955-01-05 until 1955-01-07)
recording of:
Le tombeau de Couperin: III. Forlane (for solo piano) (from 1955-01-05 until 1955-01-07)
composer:
Maurice Ravel (French composer)
part of:
Le tombeau de Couperin (for solo piano)
Maurice Ravel4:50
24Le Tombeau de Couperin, Suite pour piano: 4. Rigaudon
producer:
Karl-Heinz Schneider (producer)
piano:
Monique Haas (pianist) (from 1955-01-05 until 1955-01-07)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1955-01-05 until 1955-01-07)
recording of:
Le tombeau de Couperin: IV. Rigaudon (for solo piano) (from 1955-01-05 until 1955-01-07)
composer:
Maurice Ravel (French composer)
part of:
Le tombeau de Couperin (for solo piano)
Maurice Ravel2:33
25Le Tombeau de Couperin, Suite pour piano: 5. Menuet
producer:
Karl-Heinz Schneider (producer)
piano:
Monique Haas (pianist) (from 1955-01-05 until 1955-01-07)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1955-01-05 until 1955-01-07)
recording of:
Le tombeau de Couperin: V. Menuet (for solo piano) (from 1955-01-05 until 1955-01-07)
composer:
Maurice Ravel (French composer)
part of:
Le tombeau de Couperin (for solo piano)
Maurice Ravel3:59
26Le Tombeau de Couperin, Suite pour piano: 6. Toccata
producer:
Karl-Heinz Schneider (producer)
piano:
Monique Haas (pianist) (from 1955-01-05 until 1955-01-07)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1955-01-05 until 1955-01-07)
recording of:
Le tombeau de Couperin: VI. Toccata (for solo piano) (from 1955-01-05 until 1955-01-07)
composer:
Maurice Ravel (French composer)
dedicated to:
Joseph de Marliave
part of:
Le tombeau de Couperin (for solo piano)
Maurice Ravel3:59
6▼CD: Stravinsky · Ravel · Bartók · Debussy
#TitleArtistRatingLength
1Capriccio for Piano and Orchestra: 1. Presto
producer:
Fred Hamel
piano:
Monique Haas (pianist) (from 1950-09-26 until 1950-09-27)
orchestra:
RIAS-Symphonie-Orchester (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1950-09-26 until 1950-09-27)
conductor:
Ferenc Fricsay (conductor) (from 1950-09-26 until 1950-09-27)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1950-09-26 until 1950-09-27)
recording of:
Capriccio for Piano and Orchestra: I. Presto (from 1950-09-26 until 1950-09-27)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1926 until 1929)
part of:
Capriccio for Piano and Orchestra (1st edition, contained some errors)
Igor Stravinsky6:59
2Capriccio for Piano and Orchestra: 2. Andante rapsodico
producer:
Fred Hamel
piano:
Monique Haas (pianist) (from 1950-09-26 until 1950-09-27)
orchestra:
RIAS-Symphonie-Orchester (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1950-09-26 until 1950-09-27)
conductor:
Ferenc Fricsay (conductor) (from 1950-09-26 until 1950-09-27)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1950-09-26 until 1950-09-27)
recording of:
Capriccio for Piano and Orchestra: II. Andante rapsodico (from 1950-09-26 until 1950-09-27)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1926 until 1929)
part of:
Capriccio for Piano and Orchestra (1st edition, contained some errors)
Igor Stravinsky5:00
3Capriccio for Piano and Orchestra: 3. Allegro capriccioso ma tempo giusto
producer:
Fred Hamel
piano:
Monique Haas (pianist) (from 1950-09-26 until 1950-09-27)
orchestra:
RIAS-Symphonie-Orchester (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1950-09-26 until 1950-09-27)
conductor:
Ferenc Fricsay (conductor) (from 1950-09-26 until 1950-09-27)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1950-09-26 until 1950-09-27)
recording of:
Capriccio for Piano and Orchestra: III. Allegro capriccioso ma tempo giusto (from 1950-09-26 until 1950-09-27)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1926 until 1929)
part of:
Capriccio for Piano and Orchestra (1st edition, contained some errors)
Igor Stravinsky5:37
4Concerto in G for Piano and Orchestra: 1. Allegramente
recorded in:
Hamburg, Germany (on 1948-11-30)
producer:
Fred Hamel
piano:
Monique Haas (pianist) (on 1948-11-30)
orchestra:
Sinfonie-Orchester des Nordwestdeutschen Rundfunks (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (on 1948-11-30)
conductor:
Hans Schmidt‐Isserstedt (on 1948-11-30)
recording of:
Piano Concerto in G major: I. Allegramente (on 1948-11-30)
composer:
Maurice Ravel (French composer) (from 1929 until 1931)
part of:
Piano Concerto in G major
Maurice Ravel7:43
5Concerto in G for Piano and Orchestra: 2. Adagio assai
recorded in:
Hamburg, Germany (on 1948-11-30)
producer:
Fred Hamel
piano:
Monique Haas (pianist) (on 1948-11-30)
orchestra:
Sinfonie-Orchester des Nordwestdeutschen Rundfunks (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (on 1948-11-30)
conductor:
Hans Schmidt‐Isserstedt (on 1948-11-30)
recording of:
Piano Concerto in G major: II. Adagio assai (on 1948-11-30)
composer:
Maurice Ravel (French composer) (from 1929 until 1931)
part of:
Piano Concerto in G major
Maurice Ravel8:44
6Concerto in G for Piano and Orchestra: 3. Presto
recorded in:
Hamburg, Germany (on 1948-11-30)
producer:
Fred Hamel
piano:
Monique Haas (pianist) (on 1948-11-30)
orchestra:
Sinfonie-Orchester des Nordwestdeutschen Rundfunks (NDR Elbphilharmonie Orchestra, 1945–2016: NDR Sinfonieorchester) (on 1948-11-30)
conductor:
Hans Schmidt‐Isserstedt (on 1948-11-30)
recording of:
Piano Concerto in G major: III. Presto (on 1948-11-30)
composer:
Maurice Ravel (French composer) (from 1929 until 1931)
part of:
Piano Concerto in G major
Maurice Ravel4:08
7Concerto for Piano and Orchestra no. 3: 1. Allegretto
producer:
Wolfgang Lohse
piano:
Monique Haas (pianist) (from 1954-04-27 until 1954-04-30)
orchestra:
RIAS-Symphonie-Orchester (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-04-27 until 1954-04-30)
conductor:
Ferenc Fricsay (conductor) (from 1954-04-27 until 1954-04-30)
balance engineer:
Karlheinz Westphal
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-04-27 until 1954-04-30)
recording of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127: I. Allegretto (from 1954-04-27 until 1954-04-30)
composer:
Béla Bartók (composer) (in 1945)
part of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127
Béla Bartók6:34
8Concerto for Piano and Orchestra no. 3: 2. Adagio religioso
producer:
Wolfgang Lohse
piano:
Monique Haas (pianist) (from 1954-04-27 until 1954-04-30)
orchestra:
RIAS-Symphonie-Orchester (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-04-27 until 1954-04-30)
conductor:
Ferenc Fricsay (conductor) (from 1954-04-27 until 1954-04-30)
balance engineer:
Karlheinz Westphal
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-04-27 until 1954-04-30)
recording of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127: II. Adagio religioso (from 1954-04-27 until 1954-04-30)
composer:
Béla Bartók (composer) (in 1945)
part of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127
Béla Bartók9:07
9Concerto for Piano and Orchestra no. 3: 3. (Allegro vivace)
producer:
Wolfgang Lohse
piano:
Monique Haas (pianist) (from 1954-04-27 until 1954-04-30)
orchestra:
RIAS-Symphonie-Orchester (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-04-27 until 1954-04-30)
conductor:
Ferenc Fricsay (conductor) (from 1954-04-27 until 1954-04-30)
balance engineer:
Karlheinz Westphal
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-04-27 until 1954-04-30)
recording of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127: III. Allegro vivace (from 1954-04-27 until 1954-04-30)
composer:
Béla Bartók (composer) (in 1945)
part of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127
Béla Bartók6:51
10Pour le piano: Toccata
producer and balance engineer:
Erich Thienhaus
piano:
Monique Haas (pianist) (on 1949-06-03)
recorded at:
Studio Blankenese in Hamburg, Germany (on 1949-06-03)
recording of:
Pour le piano, L. 95, CD 95: III. Toccata. À N.G. Coronio. Vif (on 1949-06-03)
composer:
Claude Debussy (French composer) (from 1894 until 1901)
dedicated to:
Nicolas G. Coronio
part of:
Pour le piano, L. 95, CD 95
Claude Debussy3:57
11Préludes 1ᵉʳ Livre: La fille aux cheveux de lin
producer and balance engineer:
Erich Thienhaus
piano:
Monique Haas (pianist) (on 1949-06-03)
recorded at:
Studio Blankenese in Hamburg, Germany (on 1949-06-03)
recording of:
Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair) (on 1949-06-03)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-06-02)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy2:58
12Etudes pour le piano: Pour les huit doigts
producer and balance engineer:
Erich Thienhaus
piano:
Monique Haas (pianist) (on 1949-06-03)
recorded at:
Studio Blankenese in Hamburg, Germany (on 1949-06-03)
recording of:
Études, L. 136: VI. Pour les huits doigts (on 1949-06-03)
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre I (number: 6)
part of:
Douze Études, pour piano, L. 136, CD 143
Claude Debussy1:28
13Préludes 2ᵉ Livre: Feux dʼartifice
producer and balance engineer:
Erich Thienhaus
piano:
Monique Haas (pianist) (on 1949-06-03)
recorded at:
Studio Blankenese in Hamburg, Germany (on 1949-06-03)
recording of:
Préludes, Livre II, L. 123: XII. Feux d’artifice. Modérément animé (Préludes, Book II: 12. Feux d’artifice) (on 1949-06-03)
composer:
Claude Debussy (French composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy3:55
7▶CD: Ravel · Hindemith
8▶CD: Mihalovici · Roussel · Bartók · Ravel