Bach Edition, Volume 19: Cantatas/Kantaten, Volume X

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

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1▼CD: BWV 146, 28, 48
#TitleRatingLength
1Cantata, BWV 146 "Wir müssen durch viel Trübsal in das Reich Gottes eingehen": I. Sinfonia
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal": I. Sinfonia (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
arrangement of:
Keyboard Concerto in D minor, BWV 1052: I. Allegro
part of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal"
8:00
2Cantata, BWV 146 "Wir müssen durch viel Trübsal in das Reich Gottes eingehen": II. Coro "Wir müssen durch viel Trübsal"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal": II. Coro "Wir müssen durch viel Trübsal" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
arrangement of:
Keyboard Concerto in D minor, BWV 1052: II. Adagio
part of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal"
5:26
3Cantata, BWV 146 "Wir müssen durch viel Trübsal in das Reich Gottes eingehen": III. Aria (Alto) "Ich will nach dem Himmel zu"
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal": III. Aria (Alt) "Ich will nach dem Himmel zu" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
part of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal"
7:48
4Cantata, BWV 146 "Wir müssen durch viel Trübsal in das Reich Gottes eingehen": IV Recitativo (Soprano) "Ach! wer doch schon".
soprano vocals:
Marjon Strijk (Dutch soprano vocalist)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal": IV. Recitativo (Sopran) "Ach! wer doch schon im Himmel wär" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
part of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal"
1:45
5Cantata, BWV 146 "Wir müssen durch viel Trübsal in das Reich Gottes eingehen": V. Aria (Soprano) "Ich säe meine Zähren"
soprano vocals:
Marjon Strijk (Dutch soprano vocalist)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal": V. Aria (Sopran) "Ich säe meine Zähren" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
part of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal"
6:13
6Cantata, BWV 146 "Wir müssen durch viel Trübsal in das Reich Gottes eingehen": VI. Recitativo (Tenore) "Ich bin bereit"
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal": VI. Recitativo (Tenor) "Ich bin bereit" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
part of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal"
1:19
7Cantata, BWV 146 "Wir müssen durch viel Trübsal in das Reich Gottes eingehen": VII. Duetto (Tenore, Basso) "Wie will ich mich freuen"
bass vocals:
Bas Ramselaar (operatic bass)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal": VII. Aria (Duetto Tenor, Bass) "Wie will ich mich freuen" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
part of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal"
6:17
8Cantata, BWV 146 "Wir müssen durch viel Trübsal in das Reich Gottes eingehen": VIII. Choral (Coro) "Denn wer selig dahin fähret"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal": VIII. Choral "Denn wer selig dahin fähret" (from 2000-03 until 2000-06)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
part of:
Breitkopf 389 Choralgesänge (number: 360)
part of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal"
1:03
9Cantata, BWV 28 "Gottlob! nun geht das Jahr zu Ende":I. Aria (Soprano) "Gottlob! nun geht das Jahr zu Ende"
soprano vocals:
Marjon Strijk (Dutch soprano vocalist)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": I. Aria (Soprano) "Gottlob! nun geht das Jahr zu Ende" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Erdmann Neumeister (from 1714 until 1717)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
4:17
10Cantata, BWV 28 "Gottlob! nun geht das Jahr zu Ende": II. Coro "Nun lob, mein Seel, den Herren"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": II. Coro "Nun lob, mein Seel, den Herren" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Johann Gramann (in 1530)
is based on:
Nun lob, mein Seel, den Herren (german hymn, lyrics after Psalm 103, with the melody of "Weiß mir ein Blümlein blaue", 16th century)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
4:30
11Cantata, BWV 28 "Gottlob! nun geht das Jahr zu Ende": Recitativo & Arioso (Basso) "So spricht der Herr"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": III. Recitativo (Arioso: Basso) "So spricht der Herr" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
1:56
12Cantata, BWV 28 "Gottlob! nun geht das Jahr zu Ende": IV. Recitativo (Tenore) "Gott ist ein Quell"
tenor vocals:
Nico van der Meel (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": IV. Recitativo (Tenore) "Gott ist ein Quell, wo lauter Güte fleußt" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Erdmann Neumeister (from 1714 until 1717)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
1:07
13Cantata, BWV 28 "Gottlob! nun geht das Jahr zu Ende": V. Aria (Duetto: Alto, Tenore) "Gott hat uns"
alto vocals:
Sytse Buwalda
tenor vocals:
Nico van der Meel (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": V. Aria (Duetto: Alto, Tenore) "Gott hat uns im heurigen Jahre gesegnet" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Erdmann Neumeister (from 1714 until 1717)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
2:44
14Cantata, BWV 28 "Gottlob! nun geht das Jahr zu Ende": VI. Choral (Coro) "All soch dein Güt wir preisen"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": VI. Choral "All solch dein Güt wir preisen" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Paul Eber (in 1580)
part of:
Breitkopf 389 Choralgesänge (number: 124)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
1:03
15Cantata, BWV 48 "Ich elender Mensch, wer wird mich erlösen": I. Coro: "Ich elender Mensch"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen": I. Coro "Ich elender Mensch, wer wird mich erlösen" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen"
5:16
16Cantata, BWV 48 "Ich elender Mensch, wer wird mich erlösen": II. Recitativo (Alto) "O Schmerz, o Elend"
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen": II. Recitativo (Alto) "O Schmerz, o Elend, so mich trifft" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen"
1:17
17Cantata, BWV 48 "Ich elender Mensch, wer wird mich erlösen": III. Choral (Coro) "Solls ja so sein"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen": III. Choral "Solls ja so sein, daß Straf und Pein" (from 2000-03 until 2000-06)
lyricist:
Martin Rutilius (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 4)
part of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen"
0:38
18Cantata, BWV 48 "Ich elender Mensch, wer wird mich erlösen": IV. Aria (Alto) "Ach lege das Sodom"
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen": IV. Aria (Alto) "Ach, lege das Sodom der sündlichen Glieder" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen"
2:45
19Cantata, BWV 48 "Ich elender Mensch, wer wird mich erlösen": V. Recitativo (Tenore) "Hier aber tut des Heilands Hand"
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen": V. Recitativo (Tenore) "Hier aber tut des Heilands Hand" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen"
0:43
20Cantata, BWV 48 "Ich elender Mensch, wer wird mich erlösen": VI. Aria (Tenore) "Vergibt mir Jesus meine Sünden"
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen": VI. Aria (Tenore) "Vergibt mir Jesus meine Sünden" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen"
3:16
21Cantata, BWV 48 "Ich elender Mensch, wer wird mich erlösen": VII. Choral (Coro) "Herr Jesu Christ, einiger Trost"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen": VII. Choral "Herr Jesu Christ, einiger Trost" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 144)
part of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen"
1:00
2▼CD: BWV 39, 143,175, 65
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1Cantata, BWV 39 "Brich dem Hungrigen dein Brot": I. Coro "Brich dem Hungrigen dein Brot"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 39 "Brich dem Hungrigen dein Brot": I. Coro "Brich dem Hungrigen dein Brot" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 39 "Brich dem Hungrigen dein Brot"
6:58
2Cantata, BWV 39 "Brich dem Hungrigen dein Brot": II. Recitativo (Basso) "Der reiche Gott wirft seinen"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 39 "Brich dem Hungrigen dein Brot": II. Recitativo (Basso) "Der reiche Gott wirft seinen Überfluß" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ernst Ludwig von Sachsen-Meiningen (in 1704)
part of:
Kantate, BWV 39 "Brich dem Hungrigen dein Brot"
1:34
3Cantata, BWV 39 "Brich dem Hungrigen dein Brot": III. Aria (Alto): "Seinem Schöpfer noch auf Erden"
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 39 "Brich dem Hungrigen dein Brot": III. Aria (Alto) "Seinem Schöpfer noch auf Erden" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ernst Ludwig von Sachsen-Meiningen (in 1704)
part of:
Kantate, BWV 39 "Brich dem Hungrigen dein Brot"
4:08
4Cantata, BWV 39 "Brich dem Hungrigen dein Brot": IV. Aria (Basso) "Wohlzutun und mitzuteilen"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 39 "Brich dem Hungrigen dein Brot": IV. Aria (Basso) "Wohlzutun und mitzuteilen vergesset nicht" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 39 "Brich dem Hungrigen dein Brot"
2:54
5Cantata, BWV 39 "Brich dem Hungrigen dein Brot": V. Aria (Soprano) "Höchster, was ich habe"
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 39 "Brich dem Hungrigen dein Brot": V. Aria (Soprano) "Höchster, was ich habe" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ernst Ludwig von Sachsen-Meiningen (in 1704)
part of:
Kantate, BWV 39 "Brich dem Hungrigen dein Brot"
3:05
6Cantata, BWV 39 "Brich dem Hungrigen dein Brot": VI. Recitativo (Alto) "Wie soll ich dir, o Herr"
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 39 "Brich dem Hungrigen dein Brot": VI. Recitativo (Alto) "Wie soll ich dir, o Herr, denn sattsamlich vergelten" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ernst Ludwig von Sachsen-Meiningen (in 1704)
part of:
Kantate, BWV 39 "Brich dem Hungrigen dein Brot"
1:47
7Cantata, BWV 39 "Brich dem Hungrigen dein Brot": VII. Choral (Coro) "Selig sind, die aus Erbarmen"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 39 "Brich dem Hungrigen dein Brot": VII. Choral "Selig sind, die aus Erbarmen" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
David Denicke (in 1648)
part of:
Breitkopf 389 Choralgesänge (number: 104)
part of:
Kantate, BWV 39 "Brich dem Hungrigen dein Brot"
1:09
8Cantata, BWV 143 "Lobe den Herrn, meine Seele": I. Coro "Lobe den Herrn, meine Seele"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": I. Coro "Lobe den Herrn, meine Seele" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
1:15
9Cantata, BWV 143 "Lobe den Herrn, meine Seele": II. Choral (Soprano) "Du Friedefürst, Herr Jesu Christ"
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": II. Choral (Sopran) "Du Friedefürst, Herr Jesu Christ" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
2:13
10Cantata, BWV 143 "Lobe den Herrn, meine Seele": III. Recitativo (Tenore) "Wohl dem, des Hilfe der Gott"
tenor vocals:
Nico van der Meel (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": III. Recitativo (Tenor) "Wohl dem, des Hülfe der Gott Jakob ist" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
0:23
11Cantata, BWV 143 "Lobe den Herrn, meine Seele": IV. Aria (Tenore) "Tausenfaches Unglück"
tenor vocals:
Nico van der Meel (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": IV. Aria "Tausendfaches Unglück, Schrecken" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
3:35
12Cantata, BWV 143 "Lobe den Herrn, meine Seele": V. Aria (Basso) "Der Herr ist König ewiglich"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": V. Aria (Bass) "Der Herr ist König ewiglich" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
1:47
13Cantata, BWV 143 "Lobe den Herrn, meine Seele": VI. Aria (Tenore) "Jesu, Retter deiner Herde"
tenor vocals:
Nico van der Meel (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": VI. Aria (Tenor) "Jesu, Retter deiner Herde" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
2:20
14Cantata, BWV 143 "Lobe den Herrn, meine Seele": VII. Coro "Halleluja"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": VII. Coro "Alleluja. Gedenk Herr, jetzund an dein Amt" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
2:28
15Cantata, BWV 175 "Er rufet seinen Schafen mit Namen": I. Recitativo (Tenore) "Er rufet seinen Schafen"
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": I. Recitativo (Tenor) "Er rufet seinen Schafen mit Namen" (from 2000-03 until 2000-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
0:29
16Cantata, BWV 175 "Er rufet seinen Schafen mit Namen": II. Aria (Alto) "Komm, leite mich"
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": II. Aria (Alt) "Komm, leite mich" (from 2000-03 until 2000-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
4:45
17Cantata, BWV 175 "Er rufet seinen Schafen mit Namen": III. Recitativo (Tenore): "Wo find ich dich?"
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": III. Recitativo (Tenor) "Wo find ich dich" (from 2000-03 until 2000-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
0:30
18Cantata, BWV 175 "Er rufet seinen Schafen mit Namen": IV. Aria (Tenore) "Es dünket mich"
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": IV. Aria (Tenor) "Es dünket mich, ich seh dich kommen" (from 2000-03 until 2000-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
3:19
19Cantata, BWV 175 "Er rufet seinen Schafen mit Namen": V. Recitativo (Alto, Basso) "Sie vernahmen aber nicht"
alto vocals:
Sytse Buwalda
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": V. Recitativo (Alt, Bass) "Sie vernahmen aber nicht" (from 2000-03 until 2000-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
1:08
20Cantata, BWV 175 "Er rufet seinen Schafen mit Namen": VI. Aria (Basso) "Öffnet euch, ihr beiden Ohren"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": VI. Aria (Bass) "Öffnet euch, ihr beiden Ohren" (from 2000-03 until 2000-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
4:25
21Cantata, BWV 175 "Er rufet seinen Schafen mit Namen": VII. Choral (Coro) "Nun, werter Geist, ich folg dir"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": VII. Choral "Nun, werter Geist, ich folge dir" (from 2000-03 until 2000-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Johann von Rist (in 1651)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
1:34
22Cantata, BWV 65 "Sie werden aus Saba alle kommen": I. Coro "Sie werden aus Saba alle kommen"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": I. Coro "Sie werden aus Saba alle kommen" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
3:47
23Cantata, BWV 65 "Sie werden aus Saba alle kommen": II. Choral (Coro) "Die Kön’ge aus Saba kamen dar"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": II. Choral "Die Kön'ge aus Saba kamen dar" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 302)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
0:25
24Cantata, BWV 65 "Sie werden aus Saba alle kommen": III. Recitativo (Basso) "Was dort Jesaias vorhergesehn"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": III. Recitativo (Bass) "Was dort Jesaias vorhergesehn" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
2:09
25Cantata, BWV 65 "Sie werden aus Saba alle kommen": IV. Aria (Basso) "Gold aus Ophir ist zu schlecht"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": IV. Aria (Bass) "Gold aus Ophir ist zu schlecht" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
3:20
26Cantata, BWV 65 "Sie werden aus Saba alle kommen": V. Recitativo (Tenore) "Verschmähe nicht"
tenor vocals:
Nico van der Meel (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": V. Recitativo (Tenor) "Verschmähe nicht, du meiner Seele Licht" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
1:27
27Cantata, BWV 65 "Sie werden aus Saba alle kommen": VI. Aria (Tenore) "Nimm mich dir zu eigen hin"
tenor vocals:
Nico van der Meel (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": VI. Aria (Tenor) "Nimm mich dir zu eigen hin" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
3:32
28Cantata, BWV 65 "Sie werden aus Saba alle kommen": VII. Choral (Coro) "Ei nun, mein Gott, so fall ich dir"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": VII. Choral "Ei nun, mein Gott, so fall ich dir" (from 2000-03 until 2000-06)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 346)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
1:18
3▼CD: BWV 180, 197, 52
#TitleRatingLength
1Cantata, BWV 180 "Schmücke dich, o liebe Seele": I. Coro "Schmücke dich, o liebe Seele"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": I. Choral "Schmücke dich, o liebe Seele" (from 2000-03 until 2000-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Franck (German poet of the 17th century) (from 1649 until 1653)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
5:46
2Cantata, BWV 180 "Schmücke dich, o liebe Seele": II. Aria (Tenore) "Ermuntre dich"
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": II. Aria (Tenor) "Ermuntre dich: dein Heiland klopft" (from 2000-03 until 2000-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
6:18
3Cantata, BWV 180 "Schmücke dich, o liebe Seele": III. Recitativo • Arioso (Soprano) "Wie teuer sind des heilgen"
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": III. Recitativo e Choral (Sopran) "Wie teuer sind des heilgen Mahles Gaben" (from 2000-03 until 2000-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Franck (German poet of the 17th century) (from 1649 until 1653)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
3:05
4Cantata, BWV 180 "Schmücke dich, o liebe Seele": IV. Recitativo (Alto) "Mein Herz fühlt in sich"
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": IV. Recitativo (Alt) "Mein Herz fühlt in sich Furcht und Freude" (from 2000-03 until 2000-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
1:20
5Cantata, BWV 180 "Schmücke dich, o liebe Seele": V. Aria (Soprano) "Lebens Sonne, Licht der Sinnen"
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": V. Aria (Sopran) "Lebens Sonne, Licht der Sinnen" (from 2000-03 until 2000-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
4:02
6Cantata, BWV 180 "Schmücke dich, o liebe Seele": VI. Recitativo (Basso) "Herr, laß an mir dein treues Lieben"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": VI. Recitativo (Bass) "Herr, laß an mir dein treues Lieben" (from 2000-03 until 2000-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
0:57
7Cantata, BWV 180 "Schmücke dich, o liebe Seele": VII. Choral (Coro) "Jesu, wahres Brot des Lebens"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": VII. Choral "Jesu, wahres Brot des Lebens" (from 2000-03 until 2000-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Franck (German poet of the 17th century) (from 1649 until 1653)
part of:
Breitkopf 389 Choralgesänge (number: 304)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
1:16
8Cantata, BWV 197 "Gott ist unsre Zuversicht": I. Coro "Gott ist unsre Zuversicht"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": I. Coro "Gott ist unsre Zuversicht" (from 2000-03 until 2000-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
5:36
9Cantata, BWV 197 "Gott ist unsre Zuversicht": II. Recitativo (Basso) "Gott ist und bleibt der beste Sorger"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": II. Recitativo (Bass) "Gott ist und bleibt der beste Sorger" (from 2000-03 until 2000-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
1:17
10Cantata, BWV 197 "Gott ist unsre Zuversicht": III. Aria (Alto) "Schläfert allen Sorgenkummer"
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": III. Aria (Alt) "Schläfert allen Sorgenkummer" (from 2000-03 until 2000-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
7:23
11Cantata, BWV 197 "Gott ist unsre Zuversicht": IV. Recitativo (Basso) "Drum folget Gott"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": IV. Recitativo (Bass) "Drum folget Gott und seinem Triebe" (from 2000-03 until 2000-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
0:52
12Cantata, BWV 197 "Gott ist unsre Zuversicht": V. Choral (Coro) "Du süße Lieb, schenk uns deine Gunst nach der Trauung"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": V. Choral "Du süße Lieb, schenk uns deine Gunst" (from 2000-03 until 2000-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 255)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
0:59
13Cantata, BWV 197 "Gott ist unsre Zuversicht": VI. Aria (Basso) "O du angenehmes Paar"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": VI. Aria (Bass) "O du angenehmes Paar" (from 2000-03 until 2000-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
4:58
14Cantata, BWV 197 "Gott ist unsre Zuversicht": VII. Recitativo (Soprano) "So wie es Gott mit dir getreu"
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": VII. Recitativo (Sopran) "So wie es Gott mit dir" (from 2000-03 until 2000-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
1:45
15Cantata, BWV 197 "Gott ist unsre Zuversicht": VIII. Aria (Soprano) "Vergnügen und Lust"
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": VIII. Aria (Sopran) "Vergnügen und Lust" (from 2000-03 until 2000-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
3:16
16Cantata, BWV 197 "Gott ist unsre Zuversicht": IX. Recitativo (Basso) "Und dieser frohe Lebenslauf"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": IX. Recitativo (Bass) "Und dieser frohe Lebenslauf" (from 2000-03 until 2000-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
0:51
17Cantata, BWV 197 "Gott ist unsre Zuversicht": X. Choral (Coro) "Sing, bet und geh auf Gottes Wegen"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": X. Choral "So wandelt froh auf Gottes Wegen" (from 2000-03 until 2000-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
Georg Neumark (German hymn writer) (in 1657)
part of:
Breitkopf 389 Choralgesänge (number: 370)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
1:00
18Cantata, BWV 52 "Falsche Welt, dir trau ich nicht": I. Sinfonia
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht": I. Sinfonia (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht"
4:09
19Cantata, BWV 52 "Falsche Welt, dir trau ich nicht": II. Recitativo (Soprano) "Falsche Welt, dir trau ich nicht"
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht": II. Recitativo (Soprano) "Falsche Welt, dir trau ich nicht!" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht"
1:03
20Cantata, BWV 52 "Falsche Welt, dir trau ich nicht": III. Aria (Soprano) "Immerhin, immerhin"
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht": III. Aria (Soprano) "Immerhin, immerhin, wenn ich gleich verstoßen bin!" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht"
3:12
21Cantata, BWV 52 "Falsche Welt, dir trau ich nicht": IV. Recitativo (Soprano) "Gott ist getreu!"
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht": IV. Recitativo (Soprano) "Gott ist getreu!" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht"
1:10
22Cantata, BWV 52 "Falsche Welt, dir trau ich nicht": V. Aria (Soprano) "Ich halt es mit dem lieben Gott"
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht": V. Aria (Soprano) "Ich halt es mit dem lieben Gott" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht"
3:51
23Cantata, BWV 52 "Falsche Welt, dir trau ich nicht": VI. Choral (Coro) "In dich hab ich gehoffet, Herr"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 2000-03 until 2000-06)
recording of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht": VI. Choral "In dich hab ich gehoffet, Herr" (from 2000-03 until 2000-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Adam Reusner
part of:
Breitkopf 389 Choralgesänge (number: 212)
part of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht"
0:50
4▶CD: BWV 137, 25, 119, 43
5▶CD: BWV 75, 59, 21

Credits

Release group

part of:Bach Edition (number: 19) (order: 19)