Klassisen musiikin kauneimmat

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Note that the cover art for disc 9 (Grieg) of this set is incorrect: tracks 8 and 9 are reversed.

Annotation last modified on 2013-04-17 23:30 UTC.

Tracklist

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1▼CD: Tšaikovski: Mestariteokset
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1Pianokonsertto nro 1 b-molli, Op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito
piano:
Ida Černecká (pianist) and Peter Toperczer (Slavic pianist)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Slovak Philharmonic Orchestra (Slovak Philharmonic)
conductor:
Anton Nanut (conductor), Bystrík Režucha (conductor) and Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1988)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
Пётр Ильич Чайковский20:17
2Pianokonsertto nro 1 b-molli, Op. 23: II. Andantino semplice - Prestissimo
piano:
Ida Černecká (pianist) and Peter Toperczer (Slavic pianist)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Slovak Philharmonic Orchestra (Slovak Philharmonic)
conductor:
Anton Nanut (conductor), Bystrík Režucha (conductor) and Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1988)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (1888 version, most often performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (original 1874/75 version, rarely performed)
Пётр Ильич Чайковский7:08
3Pianokonsertto nro 1 b-molli, Op. 23: III. Allegro con fuoco
piano:
Ida Černecká (pianist) and Peter Toperczer (Slavic pianist)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Slovak Philharmonic Orchestra (Slovak Philharmonic)
conductor:
Anton Nanut (conductor), Bystrík Režucha (conductor) and Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1988)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (1888 version, most often performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (original 1874/75 version, rarely performed)
Пётр Ильич Чайковский6:59
4Pähkinänsärkijä-sarja, Op. 71a: I. Miniatyyrialkusoitto
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), Leipzig Philharmonic Orchestra (FICTIONAL / used for an Alfred Scholz (style) release - NOT the Philharmonie Leipzig (est. 2000)), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Gerhard Bosse (as used for an Alfred Scholz release - NOT the real artist), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (until 1892)
part of:
The Nutcracker (suite from the ballet), op. 71a
Пётр Ильич Чайковский3:17
5Pähkinänsärkijä-sarja, Op. 71a: II. Marssi
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
recording of:
Щелкунчик, op. 71: Действие I, Картина I, no. 2. Марш (The Nutcracker, op. 71: March, March)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1, The Nutcracker, op. 71: Act 1)
Пётр Ильич Чайковский2:47
6Pähkinänsärkijä-sarja, Op. 71a: III. Makeishaltijattaren tanssi
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
Пётр Ильич Чайковский2:09
7Pähkinänsärkijä-sarja, Op. 71a: IV. Venäläinen tanssi - Trepak
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский1:15
8Pähkinänsärkijä-sarja, Op. 71a: V. Arabialainen tanssi
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский3:40
9Pähkinänsärkijä-sarja, Op. 71a: VI. Kiinalainen tanssi
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский1:25
10Pähkinänsärkijä-sarja, Op. 71a: VII. Ruokopillien tanssi
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Пётр Ильич Чайковский2:40
11Pähkinänsärkijä-sarja, Op. 71a: VIII. Kukkaisvalssi
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), Hamburger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Pietro di la Corona (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
Пётр Ильич Чайковский7:10
12Joutsenlampi orkesterisarja baletista, Op. 20: I. Johdanto sekä Kohtaus
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Schwanensee / Swan Lake, Ballett / Ballet: 1. Szene
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
recording of:
The Swan Lake (suite from the ballet), op. 20a: I. Scène (lake in the moonlight)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский3:14
13Joutsenlampi orkesterisarja baletista, Op. 20: II. Valssi
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Swan Lake (suite from the ballet), op. 20a: II. Valse
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский7:43
14Joutsenlampi orkesterisarja baletista, Op. 20: III. Joutsenten tanssi
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Swan Lake (suite from the ballet), op. 20a: II. Valse
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
recording of:
The Swan Lake (suite from the ballet), op. 20a: III. Danse des cygnes
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский1:37
2▼CD: Mozart: Loistelias perintö
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1Sinfonia nro 41 C-duuri, KV 551 "Jupiter-sinfonia": I. Allegro vivace
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Richard Edlinger (conductor and composer)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: I. Allegro vivace
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart10:18
2Sinfonia nro 41 C-duuri, KV 551 "Jupiter-sinfonia": II. Andante cantabile
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Richard Edlinger (conductor and composer)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: II. Andante cantabile
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart11:38
3Sinfonia nro 41 C-duuri, KV 551 "Jupiter-sinfonia": III. Menuetti ja trio - Allegro
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Richard Edlinger (conductor and composer)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: III. Minuetto. Allegretto – Trio
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart4:51
4Sinfonia nro 41 C-duuri, KV 551 "Jupiter-sinfonia": IV. Molto allegro
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Richard Edlinger (conductor and composer)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: IV. Molto allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart8:36
5Serenadi nro 13 G-duuri, KV 525 "Pieni yösoitto": I. Allegro
sound engineer:
Bernhard Mahne (Classical music producer) (from 1986-04-22 until 1986-04-24) and Lutz Wildner (from 1986-04-22 until 1986-04-24)
orchestra:
Camerata Academica (Austrian chamber orchestra), Camerata Academica Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (name used by Alfred Scholz, may be incorrect), Mainz Chamber Orchestra, Mozart Festival Orchestra (an Alfred Scholz pseudonym), The Northstar Orchestra, Philharmonia Slavonica (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) and Camerata Labacensis (Slovenian chamber orchestra) (from 1986-04-22 until 1986-04-24)
conductor:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alfred Scholz and Alexander von Pitamic (Alfred Scholz pseudonym) (from 1986-04-22 until 1986-04-24)
recorded at:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovenia (from 1986-04-22 until 1986-04-24)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (from 1986-04-22 until 1986-04-24)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart6:31
6Serenadi nro 13 G-duuri, KV 525 "Pieni yösoitto": II. Romanssi - Andante
sound engineer:
Bernhard Mahne (Classical music producer) (from 1986-04-22 until 1986-04-24) and Lutz Wildner (from 1986-04-22 until 1986-04-24)
orchestra:
Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra, Philharmonia Slavonica (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) and Camerata Labacensis (Slovenian chamber orchestra) (from 1986-04-22 until 1986-04-24)
conductor:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Libor Pešek (conductor), Alfred Scholz and Alexander von Pitamic (Alfred Scholz pseudonym) (from 1986-04-22 until 1986-04-24)
recorded at:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovenia (from 1986-04-22 until 1986-04-24)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (from 1986-04-22 until 1986-04-24)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart6:45
7Serenadi nro 13 G-duuri, KV 525 "Pieni yösoitto": III. Menuetti ja trio - Allegretto
sound engineer:
Bernhard Mahne (Classical music producer) (from 1986-04-22 until 1986-04-24) and Lutz Wildner (from 1986-04-22 until 1986-04-24)
orchestra:
Camerata Academia Salzburg (Austrian chamber orchestra), Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra, Philharmonic Orchestra London (Alfred Scholz pseudonym) and Camerata Labacensis (Slovenian chamber orchestra) (from 1986-04-22 until 1986-04-24)
conductor:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alfred Scholz and Alexander von Pitamic (Alfred Scholz pseudonym) (from 1986-04-22 until 1986-04-24)
recorded at:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovenia (from 1986-04-22 until 1986-04-24)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio (from 1986-04-22 until 1986-04-24)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart2:19
8Serenadi nro 13 G-duuri, KV 525 "Pieni yösoitto": IV. Rondo - Allegro
sound engineer:
Bernhard Mahne (Classical music producer) (from 1986-04-22 until 1986-04-24) and Lutz Wildner (from 1986-04-22 until 1986-04-24)
orchestra:
Camerata Academica (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Academica of Salzburg (Austrian chamber orchestra), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra, Mozart Festival Orchestra (an Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) and Camerata Labacensis (Slovenian chamber orchestra) (from 1986-04-22 until 1986-04-24)
conductor:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alfred Scholz and Alexander von Pitamic (Alfred Scholz pseudonym) (from 1986-04-22 until 1986-04-24)
recorded at:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovenia (from 1986-04-22 until 1986-04-24)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (from 1986-04-22 until 1986-04-24)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart3:27
9Käyrätorvikonsertto nro 2 Es-duuri, KV 417: I. Allegro maestoso
French horn:
Josef Dokupil (horn player, an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Concerto for Horn no. 2 in E-flat major, K. 417: I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Concerto for Horn no. 2 in E-flat major, K. 417
Wolfgang Amadeus Mozart6:46
10Käyrätorvikonsertto nro 2 Es-duuri, KV 417: II. Andante
French horn:
Josef Dokupil (horn player, an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Concerto for Horn no. 2 in E-flat major, K. 417: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Concerto for Horn no. 2 in E-flat major, K. 417
Wolfgang Amadeus Mozart3:16
11Käyrätorvikonsertto nro 2 Es-duuri, KV 417: III. Rondo - Allegro
French horn:
Josef Dokupil (horn player, an Alfred Scholz pseudonym)
horn:
Josef Dokupil (horn player, an Alfred Scholz pseudonym) and K. Sreter (an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
performer:
Kamil Streter (an Alfred Scholz pseudonym)
recording of:
Concerto for Horn no. 2 in E-flat major, K. 417: III. Rondo. Allegro - Più allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Concerto for Horn no. 2 in E-flat major, K. 417
Wolfgang Amadeus Mozart4:01
3▼CD: Chopin: Pianoteoksia
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1Etydi c-molli, Op. 10 nro 12 "Vallankumousetydi"
piano:
Silvia Čápová (pianist), Vitalij Margulis and Marián Pivka (pianist)
solo piano:
Marián Pivka (pianist)
recording of:
Étude in C minor, op. 10 no. 12 “Revolutionary”: Allegro con fuoco
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1831)
part of:
Études, op. 10
Frédéric Chopin2:47
2Fantasia-impromptu cis-molli, Op. 66
piano:
Peter Schmalfuss (pianist)
recording of:
Fantaisie‐impromptu in C‐sharp minor, op. 66
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1834)
part of:
Classic 100: Piano (2004) (number: 13) and Works of Fryderyk Chopin by opus number (number: op. 66)
Frédéric Chopin5:15
3Preludi G-duuri, Op. 28 nro 3
piano:
Ida Černecká (pianist)
recording of:
Prélude no. 3 in G major, op. 28: Vivace
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:01
4Preludi e-molli, Op. 28 nro 4
piano:
Marián Pivka (pianist) and Dubravka Tomšič (pianist)
recording of:
Prélude no. 4 in E minor, op. 28: Largo
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:08
5Preludi A-duuri, Op. 28 nro 7
piano:
Ida Černecká (pianist)
recording of:
Prélude no. 7 in A major, op. 28: Andantino
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1836)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:58
6Preludi Des-duuri, Op. 28 nro 15 "Sadepisarapreludi"
piano:
Silvia Čápová (pianist), Christiane Mathé (pianist) and Rudolf Winterstein (pianist)
recording of:
Prélude no. 15 in D‐flat major, op. 28 “Raindrop”: Sostenuto
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin5:35
7Minuuttivalssi, Op. 64 nro 1
piano:
Silvia Čápová (pianist)
recording of:
Waltz no. 6 in D‐flat major, op. 64 no. 1 “Minute Waltz”
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1846 until 1847)
part of:
Waltzes, op. 64
Frédéric Chopin1:51
8Valssi nro 1 Es-duuri, Op. 18
piano:
Dubravka Tomšič (pianist)
recording of:
Waltz no. 1 in E‐flat major, op. 18 “Grande Valse brillante”
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1833)
dedicated to:
Laura Harsford
part of:
Works of Fryderyk Chopin by opus number (number: op. 18)
Frédéric Chopin5:12
9Valssi nro 7 cis-molli, Op. 64 nro 2
piano:
Dubravka Tomšič (pianist)
recording of:
Waltz no. 7 in C‐sharp minor, op. 64 no. 2
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1846 until 1847)
part of:
Waltzes, op. 64
Frédéric Chopin3:26
10Valssi nro 9 As-duuri, Op. 69 nro 1
piano:
Silvia Čápová (pianist)
recording of:
Waltz no. 9 in A‐flat major, op. 69 no. 1
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1829 until 1835)
part of:
Waltzes, op. 69
Frédéric Chopin4:16
11Valssi nro 14 e-molli, Op. posth.
piano:
Dubravka Tomšič (pianist)
recording of:
Waltz no. 14 in E minor, B. 56, KK IVa/15
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1830)
Frédéric Chopin2:48
12Nokturno Es-duuri, Op. 9 nro 2
piano:
Peter Schmalfuss (pianist)
recording of:
Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830 until 1832)
part of:
Classic 100: Piano (2025) (number: 3) and Classic 100: Piano (2004) (number: 18)
part of:
Nocturnes, op. 9 (original for piano)
Frédéric Chopin24:40
13Noktorno F-duuri, Op. 15 nro 1
piano:
Peter Schmalfuss (pianist)
recording of:
Les Sylphides: II. Nocturne in F major, op. 15 no. 1 (orch. by Douglas)
orchestrator:
Roy Douglas (British composer, pianist) (in 1936)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
version of:
Nocturne no. 4 in F major, op. 15 no. 1: Andante cantabile
part of:
Les Sylphides (orch. by Douglas)
recording of:
Nocturne no. 4 in F major, op. 15 no. 1: Andante cantabile (ended)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Nocturnes, op. 15
Frédéric Chopin4:05
14Nokturno Fis-duuri, Op. 15 nro 2
piano:
Peter Schmalfuss (pianist)
recording of:
Nocturne no. 5 in F‐sharp major, op. 15 no. 2: Larghetto (ended)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830 until 1832)
part of:
Nocturnes, op. 15
Frédéric Chopin3:24
15Nokturno g-molli, Op. 15 nro 3
piano:
Peter Schmalfuss (pianist)
recording of:
Nocturne no. 6 in G minor, op. 15 no. 3: Lento (ended)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Nocturnes, op. 15
Frédéric Chopin4:56
16Nokturno Des-duuri, Op. 27 nro 2
piano:
Vitalij Margulis and Peter Schmalfuss (pianist)
recording of:
Nocturne no. 8 in D‐flat major, op. 27 no. 2: Lento sostenuto (ended)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1836)
part of:
Nocturnes, op. 27
Frédéric Chopin5:33
17Balladi g-molli, Op. 23
piano:
Ida Černecká (pianist)
recording of:
Ballade no. 1 in G minor, op. 23
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1831 until 1835)
dedicated to:
Nathaniel von Stockhausen (Hanover ambassador to France)
part of:
Classic 100: Piano (2004) (number: 20) and Works of Fryderyk Chopin by opus number (number: op. 23)
part of:
Ballades (Chopin’s Four Ballades)
Frédéric Chopin8:54
4▼CD: Beethoven: Suuret sinfoniat
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1Sinfonia nro 5 c-molli, Op. 67 "Kohtalonsinfonia": I. Allegro con brio
orchestra:
Radio Symphony Orchestra (pseudonym used on Alfred Scholz Recordings) and Radio-Sinfonieorchester Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor) and Anton Nanut (Alfred Scholz pseudonym)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven47:24
2Sinfonia nro 5 c-molli, Op. 67 "Kohtalonsinfonia": II. Andante con moto
orchestra:
Radio Symphony Orchestra (pseudonym used on Alfred Scholz Recordings) and Radio-Sinfonieorchester Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor) and Anton Nanut (Alfred Scholz pseudonym)
recording of:
Symphony no. 5 in C minor, op. 67: II. Andante con moto
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven411:03
3Sinfonia nro 5 c-molli, Op. 67 "Kohtalonsinfonia": III. Allegro
orchestra:
Radio Symphony Orchestra (pseudonym used on Alfred Scholz Recordings) and Radio-Sinfonieorchester Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor) and Anton Nanut (Alfred Scholz pseudonym)
recording of:
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven45:21
4Sinfonia nro 5 c-molli, Op. 67 "Kohtalonsinfonia": IV. Allegro
orchestra:
Radio Symphony Orchestra (pseudonym used on Alfred Scholz Recordings) and Radio-Sinfonieorchester Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor) and Anton Nanut (Alfred Scholz pseudonym)
recording of:
Symphony no. 5 in C minor, op. 67: IV. Allegro
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven48:57
5Sinfonia nro 6 F-duuri, Op. 68 "Pastoraalisinfonia": I. Allegro ma non troppo "Iloisten tuntemusten herääminen maaseudulle saavuttaessa"
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Münchner Philharmoniker (Munich Philharmonic Orchestra), Munich Symphony Orchestra (an Alfred Scholz pseudonym, not the former Symphonie‐Orchester Graunke), Philharmonia Slavonica (Alfred Scholz pseudonym), Slowakische Philharmonie (Slovak Philharmonic) and Süddeutsche Philharmonica (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Hans Swarowski (conductor, used as Alfred Scholz pseudonym), Bystrík Režucha (conductor), Alfred Scholz and Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” (Symphony no. 6 in F major, op. 68 "Pastoral": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country")
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven10:35
6Sinfonia nro 6 F-duuri, Op. 68 "Pastoraalisinfonia": II. Andante molto mosso "Näkymä purolla"
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) and Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie‐Orchester Graunke)
conductor:
Hans Swarowski (conductor, used as Alfred Scholz pseudonym) and Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso “Scene at the brook” (Symphony no. 6 in F major, op. 68 "Pastoral": II. Andante molto mosso "Scene at the brook")
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven13:22
7Sinfonia nro 6 F-duuri, Op. 68 "Pastoraalisinfonia": III. Allegro "Maalaisihmisten lystikäs yhdessäolo"
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) and Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie‐Orchester Graunke)
conductor:
Hans Swarowski (conductor, used as Alfred Scholz pseudonym) and Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk”
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven2:53
8Sinfonia nro 6 F-duuri, Op. 68 "Pastoraalisinfonia": IV. Allegro "Ukkosmyrsky"
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Münchner Philharmoniker (Munich Philharmonic Orchestra), Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie‐Orchester Graunke), Philharmonia Slavonica (Alfred Scholz pseudonym) and Slowakische Philharmonie (Slovak Philharmonic)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Hans Swarowski (conductor, used as Alfred Scholz pseudonym), Bystrík Režucha (conductor) and Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro “Thunderstorm”
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven3:51
9Sinfonia nro 6 F-duuri, Op. 68 "Pastoraalisinfonia": V. Allegretto "Paimenlaulu; iloiset ja kiitolliset tunteet myrskyn jälkeen"
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Münchner Philharmoniker (Munich Philharmonic Orchestra), Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie‐Orchester Graunke) and Slovenská filharmónia (Slovak Philharmonic)
conductor:
Hans Swarowski (conductor, used as Alfred Scholz pseudonym), Bystrík Režucha (conductor), Alfred Scholz and Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (Symphony No. 6 in F major, Op. 68 "Pastorale": V. "Shepherds' song: Cheerful and thankful feelings after the storm" Allegretto)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven10:34
5▼CD: Vivaldi: Barokin parhaita
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1Konsertto nro 1 E-duuri, Op. 8/RV 269 "Kevät": I. Allegro
violin:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), I Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti), Musici di San Marco (an Alfred Scholz pseudonym), I Solisti Napoli (probably a pseudonym of Alfred Sholtz), Salzburger Kammerorchester (Salzburg Chamber Orchestra), Slovak Chamber Orchestra and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Alexander von Pitamic (Alfred Scholz pseudonym) and Bohdan Warchal (violinist, conductor)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (“The Four Seasons”: Concerto in E Major, op. 8 no. 1, RV. 269, “Spring”: 1. Allegro)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi13:34
2Konsertto nro 1 E-duuri, Op. 8/RV 269 "Kevät": II. Largo e pianissimo sempre
instruments:
I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym) and Slovak Chamber Orchestra
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Bohdan Warchal (violinist, conductor)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi2:53
3Konsertto nro 1 E-duuri, Op. 8/RV 269 "Kevät": III. Maalaistanssi: Allegro
instruments:
I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym) and Slovak Chamber Orchestra
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Bohdan Warchal (violinist, conductor)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi4:30
4Konsertto nro 2 g-molli, Op. 8/RV 315 "Kesä": I. Allegro non molto
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym), Nova Filarmonia Portuguesa and Slovak Chamber Orchestra
conductor:
Álvaro Cassuto (Portuguese composer and conductor), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Bohdan Warchal (violinist, conductor)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: I. Allegro non molto
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi5:56
5Konsertto nro 2 g-molli, Op. 8/RV 315 "Kesä": II. Adagio - Presto
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym), Salzburger Kammerorchester (Salzburg Chamber Orchestra) and Slovak Chamber Orchestra
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym) and Bohdan Warchal (violinist, conductor)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: II. Adagio e piano – Presto e forte
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:25
6Konsertto nro 2 g-molli, Op. 8/RV 315 "Kesä": III. Presto
violin:
Werner Riessmann (violin player)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym) and Slovak Chamber Orchestra
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Bohdan Warchal (violinist, conductor)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi3:06
7Konsertto nro 3 F-duuri, Op. 8/RV 293 "Syksy": I. Allegro
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym) and Slovak Chamber Orchestra
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Bohdan Warchal (violinist, conductor)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi5:29
8Konsertto nro 3 F-duuri, Op. 8/RV 293 "Syksy": II. Adagio
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym) and Slovak Chamber Orchestra
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Bohdan Warchal (violinist, conductor)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi2:17
9Konsertto nro 3 F-duuri, Op. 8/RV 293 "Syksy": III. Allegro
violin:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), I Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti), Musici di San Marco (an Alfred Scholz pseudonym), I Solisti Napoli (probably a pseudonym of Alfred Sholtz), Salzburger Kammerorchester (Salzburg Chamber Orchestra), Slovak Chamber Orchestra and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Alexander von Pitamic (Alfred Scholz pseudonym) and Bohdan Warchal (violinist, conductor)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (“The Four Seasons”: Concerto in E Major, op. 8 no. 1, RV. 269, “Spring”: 1. Allegro)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi13:34
10Konsertto nro 4 f-molli, Op. 8/RV 297 "Talvi": I. Allegro non molto
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym) and Slovak Chamber Orchestra
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Bohdan Warchal (violinist, conductor)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:45
11Konsertto nro 4 f-molli, Op. 8/RV 297 "Talvi": II. Largo
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym) and Slovak Chamber Orchestra
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Luigi Varese (an Alfred Scholz pseudonym) and Bohdan Warchal (violinist, conductor)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi2:21
12Konsertto nro 4 f-molli, Op. 8/RV 297 "Talvi": III. Allegro
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym) and Slovak Chamber Orchestra
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Bohdan Warchal (violinist, conductor)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:56
13Sinfonia C-duuri: I. Allegro molto
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym) and I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Anton Nanut (Alfred Scholz pseudonym)
recording of:
Sinfonia in C major, RV 116: I. Allegro
composer:
[anonymous] (special purpose artist)
previously attributed to:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Sinfonia in C major, RV 116
Antonio Vivaldi5:17
14Sinfonia C-duuri: II. Larghetto
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym) and I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Anton Nanut (conductor)
recording of:
Sinfonia in C major, RV 116: II. Andante
composer:
[anonymous] (special purpose artist)
previously attributed to:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Sinfonia in C major, RV 116
Antonio Vivaldi3:11
15Sinfonia C-duuri: III. Allegro
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym) and I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Anton Nanut (conductor)
recording of:
Sinfonia in C major, RV 116: III. Allegro
composer:
[anonymous] (special purpose artist)
previously attributed to:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Sinfonia in C major, RV 116
Antonio Vivaldi1:39
16Konsertto A-duuri: I. Allegro molto
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym) and I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Anton Nanut (conductor)
recording of:
Concerto for Strings in A major, RV 158 "Concerto ripieno": I. Allegro molto
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Strings in A major, RV 158 "Concerto ripieno"
Antonio Vivaldi2:46
17Konsertto A-duuri: II. Andante
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym) and I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Anton Nanut (conductor)
recording of:
Concerto for Strings in A major, RV 158 "Concerto ripieno": II. Andante molto
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Strings in A major, RV 158 "Concerto ripieno"
Antonio Vivaldi2:47
18Konsertto A-duuri: III. Allegro
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym) and I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Anton Nanut (conductor)
recording of:
Concerto for Strings in A major, RV 158 "Concerto ripieno": III. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Strings in A major, RV 158 "Concerto ripieno"
Antonio Vivaldi3:08
6▼CD: Händel: Kuninkaallista musiikkia
#TitleArtistRatingLength
1Vesimusiiki-sarja nro 1 F-duuri, HWV 348: I. Alkusoitto
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Norddeutsche Philharmonie (an Alfred Scholz pseudonym), Nuremberg Symphony Orchestra (the real orchestra) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym) and Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: I. Overture. Largo - Allegro
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
Georg Friedrich Händel3:15
2Vesimusiiki-sarja nro 1 F-duuri, HWV 348: II. Adagio e staccato
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Norddeutsche Philharmonie (an Alfred Scholz pseudonym), Nuremberg Symphony Orchestra (the real orchestra), Radio Symphony Orchestra (SWR Baden-Baden and Freiburg Symphony Orchestra) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym), Hanns Reinartz (professor and conductor at Würzburg), Rolf Reinhardt (German conductor 1927-2006) and Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: II. Adagio e staccato
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
Georg Friedrich Händel2:25
3Vesimusiiki-sarja nro 1 F-duuri, HWV 348: III. Allegro
orchestra:
Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym) and Hanns Reinartz (professor and conductor at Würzburg)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: IIIa. [Allegro] (no tempo marking)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music, Suite no. 1 in F major, HWV 348: III. Allegro - Andante - Allegro da capo
Georg Friedrich Händel2:30
4Vesimusiiki-sarja nro 1 F-duuri, HWV 348: IV. Andante
orchestra:
Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: IIIb. Andante
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music, Suite no. 1 in F major, HWV 348: III. Allegro - Andante - Allegro da capo
Georg Friedrich Händel2:28
5Vesimusiiki-sarja nro 1 F-duuri, HWV 348: V. Allegro
orchestra:
Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: IIIc. Allegro da capo
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music, Suite no. 1 in F major, HWV 348: III. Allegro - Andante - Allegro da capo
Georg Friedrich Händel2:32
6Vesimusiiki-sarja nro 1 F-duuri, HWV 348: VI. A tempo di minuetto
orchestra:
Norddeutsche Philharmonie (an Alfred Scholz pseudonym), Nuremberg Symphony Orchestra (the real orchestra) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym), Hanns Reinartz (professor and conductor at Würzburg) and Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: IV. Minuet (no tempo marking)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
Georg Friedrich Händel4:06
7Vesimusiiki-sarja nro 1 F-duuri, HWV 348: VII. Air
orchestra:
Norddeutsche Philharmonie (an Alfred Scholz pseudonym), Nuremberg Symphony Orchestra (the real orchestra) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym), Hanns Reinartz (professor and conductor at Würzburg) and Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: V. Air. Presto
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
Georg Friedrich Händel4:15
8Vesimusiiki-sarja nro 1 F-duuri, HWV 348: VIII. Menuetti
orchestra:
Norddeutsche Philharmonie (an Alfred Scholz pseudonym), Nuremberg Symphony Orchestra (the real orchestra) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym), Hanns Reinartz (professor and conductor at Würzburg) and Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: VI. Minuet
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
Georg Friedrich Händel2:08
9Vesimusiiki-sarja nro 1 F-duuri, HWV 348: IX. Bourrëe
orchestra:
Norddeutsche Philharmonie (an Alfred Scholz pseudonym), Nuremberg Symphony Orchestra (the real orchestra) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym), Hanns Reinartz (professor and conductor at Würzburg) and Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: VII. Bourrée. Presto
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
Georg Friedrich Händel2:20
10Vesimusiiki-sarja nro 1 F-duuri, HWV 348: X. Hornpipe
orchestra:
Norddeutsche Philharmonie (an Alfred Scholz pseudonym), Nuremberg Symphony Orchestra (the real orchestra) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym), Hanns Reinartz (professor and conductor at Würzburg) and Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: VIII. Hornpipe
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
Georg Friedrich Händel2:12
11Vesimusiiki-sarja nro 1 F-duuri, HWV 348: XI. Allegro moderato
orchestra:
Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: IIIa. [Allegro] (no tempo marking)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music, Suite no. 1 in F major, HWV 348: III. Allegro - Andante - Allegro da capo
recording of:
Water Music, Suite no. 1 in F major, HWV 348: IX. [Allegro moderato] (no tempo marking, sometimes marked Andante)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
Georg Friedrich Händel4:25
12Vesimusiiki-sarja nro 2 D-duuri, HWV 349: I. Andante
orchestra:
Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 11. Allegro
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
Georg Friedrich Händel1:48
13Vesimusiiki-sarja nro 2 D-duuri, HWV 349: II. Allegro: alla Hornpipe
orchestra:
Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
Georg Friedrich Händel5:17
14Vesimusiiki-sarja nro 2 D-duuri, HWV 349: III. Coro
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym), Norddeutsche Philharmonie (an Alfred Scholz pseudonym), Nuremberg Symphony Orchestra (Alfred Scholz pseudonym) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym), Luigi Varese (an Alfred Scholz pseudonym) and Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym)
recording of:
Suite no. 2 in D-major ex "Water Music": Coro
composer:
George Frideric Handel (German‐British baroque composer)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 13. Minuet
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
Georg Friedrich Händel1:25
15Vesimusiiki-sarja nro 2 D-duuri, HWV 349: IV. Loure
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym) and Luigi Varese (an Alfred Scholz pseudonym)
recording of:
Suite no. 2 in D-major ex "Water Music": Loure
composer:
George Frideric Handel (German‐British baroque composer)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 14. Lentement
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
Georg Friedrich Händel2:00
16Vesimusiiki-sarja nro 2 D-duuri, HWV 349: V. Bourrëe
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym) and Luigi Varese (an Alfred Scholz pseudonym)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 15. Bourrée
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
Georg Friedrich Händel1:31
17Ilotulitusmusiiki D-duuri, HWV 351: I. Alkusoitto
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Music for the Royal Fireworks, HWV 351: I. Ouverture
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
Georg Friedrich Händel9:32
18Ilotulitusmusiiki D-duuri, HWV 351: II. Bourrëe
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Music for the Royal Fireworks, HWV 351: II. Bourrée
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
Georg Friedrich Händel1:15
19Ilotulitusmusiiki D-duuri, HWV 351: III. La Paix
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Music for the Royal Fireworks, HWV 351: III. La Paix: Largo alla siciliana
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
Georg Friedrich Händel3:39
20Ilotulitusmusiiki D-duuri, HWV 351: IV. Menuetti I
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Music for the Royal Fireworks, HWV 351: Va. Menuet I
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351: V. Menuet I and II
Georg Friedrich Händel0:59
21Ilotulitusmusiiki D-duuri, HWV 351: V. Menuetti II
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Music for the Royal Fireworks, HWV 351: Vb. Menuet II
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351: V. Menuet I and II
Georg Friedrich Händel1:18
22Ilotulitusmusiiki D-duuri, HWV 351: VI. La Rëjouissance
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
Georg Friedrich Händel2:14
7▼CD: Schubert: Haaveilumusiikkia
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1Sinfonia nro 7 h-molli, D 759 "Keskeneräinen-sinfonia": I. Allegro moderato
orchestra:
Ljubljana Radio Symphony Orchestra (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato
composer:
Franz Schubert (composer) (in 1822)
part of:
Symphony no. 8 in B minor, D. 759 “Unfinished”
Franz Schubert13:42
2Sinfonia nro 7 h-molli, D 759 "Keskeneräinen-sinfonia": II. Andante con moto
orchestra:
Ljubljana Radio Symphony Orchestra (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto
composer:
Franz Schubert (composer) (in 1822)
part of:
Symphony no. 8 in B minor, D. 759 “Unfinished”
Franz Schubert10:24
3Kvintetto A-duuri, D 667 "Forellikvintetto": I. Allegro vivace
piano:
Hugo Steurer (classical pianist)
strings:
Quintetto Caspar da Salo (string quartet, Alfred Scholz related)
recording of:
Quintett A-Dur, D. 667 „Forellenquintett“: I. Allegro vivace
composer:
Franz Schubert (composer) (in 1819)
part of:
Quintett A-Dur, D. 667 „Forellenquintett“ (Piano quintet in A, "Trout Quintet")
Franz Schubert12:32
4Kvintetto A-duuri, D 667 "Forellikvintetto": II. Andante
piano:
Hugo Steurer (classical pianist)
strings:
Quintetto Caspar da Salo (string quartet, Alfred Scholz related)
recording of:
Quintett A-Dur, D. 667 „Forellenquintett“: II. Andante
composer:
Franz Schubert (composer) (in 1819)
part of:
Quintett A-Dur, D. 667 „Forellenquintett“ (Piano quintet in A, "Trout Quintet")
Franz Schubert7:00
5Kvintetto A-duuri, D 667 "Forellikvintetto": III. Scherzo: Presto
piano:
Hugo Steurer (classical pianist)
strings:
Quintetto Caspar da Salo (string quartet, Alfred Scholz related)
recording of:
Quintett A-Dur, D. 667 „Forellenquintett“: III. Scherzo. Presto
composer:
Franz Schubert (composer) (in 1819)
part of:
Quintett A-Dur, D. 667 „Forellenquintett“ (Piano quintet in A, "Trout Quintet")
Franz Schubert4:05
6Kvintetto A-duuri, D 667 "Forellikvintetto": IV. Thema con variazioni: Andantino - Allegretto
instruments:
Wiener Klavierquintett
piano:
Hugo Steurer (classical pianist)
strings:
Quintetto Caspar da Salo (string quartet, Alfred Scholz related)
recording of:
Quintett A-Dur, D. 667 „Forellenquintett“: IV. Theme con variazioni. Andantine - Allegretto
composer:
Franz Schubert (composer) (in 1819)
publisher:
G. Henle Verlag
part of:
Quintett A-Dur, D. 667 „Forellenquintett“ (Piano quintet in A, "Trout Quintet")
Franz Schubert7:35
7Kvintetto A-duuri, D 667 "Forellikvintetto": V. Finale: Allegro giusto
instruments:
Caspar da Salo Quartet (string quartet, Alfred Scholz related)
piano:
Hugo Steurer (classical pianist)
strings:
Quintetto Caspar da Salo (string quartet, Alfred Scholz related)
recording of:
Quintett A-Dur, D. 667 „Forellenquintett“: V. Finale. Allegro giusto
composer:
Franz Schubert (composer) (in 1819)
part of:
Quintett A-Dur, D. 667 „Forellenquintett“ (Piano quintet in A, "Trout Quintet")
Franz Schubert6:32
8▶CD: J. Strauss: Valssikunigas
9▶CD: Grieg: Norjan kaikuja
10▶CD: J.S. Bach: Barokin huipennus
11▶CD: Debussy: Runollisia sävelkuvia
12▶CD: Mendelssohn: Klassista eleganssia