Sonate für 2 Klaviere und Schlagzeug / Rapsodie espagnole / Ma Mère l'Oye

~ Release by Bartók, Ravel; Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis (see all versions of this release, 1 available)

Annotation

The percussionists wish to extend their special thanks to the companies Aehnelt Percussion, Troyan, Studio 49 and Sonor.

recorded at: Nijmegen, Concertgebouw, Concertzaal, 2/1993
piano technican: Serge Poulin
(P) 1994 Deutsche Grammophon GmbH, Hamburg

Annotation last modified on 2012-12-07 02:44 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Sonate für 2 Klaviere und Schlagzeug, Sz 110: I. Assai lento - Allegro molto
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115: I. Assai lento (in 1993-02)
composer:
Béla Bartók (composer) (in 1937)
part of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115
Béla Bartók12:59
2Sonate für 2 Klaviere und Schlagzeug, Sz 110: II. Lento, ma non troppo
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115: II. Lento, ma non troppo (in 1993-02)
composer:
Béla Bartók (composer) (in 1937)
part of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115
Béla Bartók6:36
3Sonate für 2 Klaviere und Schlagzeug, Sz 110: III. Allegro non troppo
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115: III. Allegro non troppo (in 1993-02)
composer:
Béla Bartók (composer) (in 1937)
part of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115
Béla Bartók6:24
4Ma Mère l'Oye: I. Pavane de la Belle au bois dormant. Lent
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Ma mère l’Oye: I. Pavane de la Belle au bois dormant. Lent (pour 2 pianos et percussion) (in 1993-02)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
percussion arranger:
Peter Sadlo (percussionist)
piano arranger:
Gaston Choisnel (French organist and composer) (in 1911)
part of:
Ma mère l’Oye (pour 2 pianos et percussion)
Maurice Ravel1:38
5Ma Mère l'Oye: II. Petit Poucet. Très modéré
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Ma mère l’Oye: II. Petit Poucet. Très modéré (pour 2 pianos et percussion) (in 1993-02)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
percussion arranger:
Peter Sadlo (percussionist)
piano arranger:
Gaston Choisnel (French organist and composer) (in 1911)
part of:
Ma mère l’Oye (pour 2 pianos et percussion)
Maurice Ravel3:00
6Ma Mère l'Oye: III. Laideronnette, impératrice des pagodes. Mouvement de marche
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Ma mère l’Oye: III. Laideronnette, impératrice des pagodes. Mouvement de marche (pour 2 pianos et percussion) (in 1993-02)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
percussion arranger:
Peter Sadlo (percussionist)
piano arranger:
Gaston Choisnel (French organist and composer) (in 1911)
part of:
Ma mère l’Oye (pour 2 pianos et percussion)
Maurice Ravel3:17
7Ma Mère l'Oye: IV. Les Entretiens de la Belle et de la Bête. Mouvement de valse très modere
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Ma mère l’Oye: IV. Les Entretiens de la Belle et de la Bête. Mouvement de valse tres modere (pour 2 pianos et percussion) (in 1993-02)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
percussion arranger:
Peter Sadlo (percussionist)
piano arranger:
Gaston Choisnel (French organist and composer) (in 1911)
part of:
Ma mère l’Oye (pour 2 pianos et percussion)
Maurice Ravel4:22
8Ma Mère l'Oye: V. Le Jardin féerique. Lent et grave
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Ma mère l’Oye: V. Le Jardin féerique. Lent et grave (pour 2 pianos et percussion) (in 1993-02)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
percussion arranger:
Peter Sadlo (percussionist)
piano arranger:
Gaston Choisnel (French organist and composer) (in 1911)
part of:
Ma mère l’Oye (pour 2 pianos et percussion)
Maurice Ravel3:26
9Rapsodie espagnole: I. Prélude à la nuit. Modéré
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Rapsodie espagnole: I. Prélude à la nuit. Modéré (pour 2 pianos et percussion) (in 1993-02)
composer:
Maurice Ravel (French composer) (from 1895 until 1908)
percussion arranger:
Peter Sadlo (percussionist)
part of:
Rapsodie espagnole (pour 2 piano et percussion)
Maurice Ravel3:56
10Rapsodie espagnole: II. Malagueña. Assez vif
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Rapsodie espagnole: II. Malagueña. Assez vif (pour 2 pianos et percussion) (in 1993-02)
composer:
Maurice Ravel (French composer) (from 1895 until 1908)
percussion arranger:
Peter Sadlo (percussionist)
part of:
Rapsodie espagnole (pour 2 piano et percussion)
Maurice Ravel1:49
11Rapsodie espagnole: III. Habanera. En demi-teinte et d'un rythme las
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Rapsodie espagnole: III. Habanera. En demi-teinte et d´un rythme las (pour 2 pianos et percussion) (in 1993-02)
composer:
Maurice Ravel (French composer) (from 1895 until 1908)
percussion arranger:
Peter Sadlo (percussionist)
part of:
Rapsodie espagnole (pour 2 piano et percussion)
Maurice Ravel2:39
12Rapsodie espagnole: IV. Feria. Assez vif
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Rapsodie espagnole: IV. Feria. Assez vif (pour 2 pianos et percussion) (in 1993-02)
composer:
Maurice Ravel (French composer) (from 1895 until 1908)
percussion arranger:
Peter Sadlo (percussionist)
part of:
Rapsodie espagnole (pour 2 piano et percussion)
Maurice Ravel5:26

Credits

Release

ASIN:DE: B0000012VA [info]