Hallelujah! Gospel 1930–1941

~ Release by Louis Armstrong (see all versions of this release, 2 available)

Tracklist

1CD
#TitleRatingLength
1Shadrack
recorded in:
New York, New York, United States (on 1938-06-14)
vocals:
Louis Armstrong (on 1938-06-14) and The CBS Choir (on 1938-06-14)
arranger:
Lyn Murray
recording of:
Shadrack (on 1938-06-14)
writer:
R. McGimsey
2:36
2Nobody Knows the Trouble I’ve Seen
recorded in:
New York, New York, United States (on 1938-06-14)
bell, drums (drum set), vibraphone and xylophone:
Paul Barbarin (jazz drummer from New Orleans) (on 1938-06-14)
double bass:
George "Pops" Foster (on 1938-06-14)
guitar:
Lee Blair (on 1938-06-14)
piano:
Luis Russell (on 1938-06-14)
vocals:
Louis Armstrong (on 1938-06-14) and The CBS Choir (on 1938-06-14)
arranger:
Lyn Murray
recording of:
Nobody Knows the Trouble I’ve Seen (on 1938-06-14)
lyricist and composer:
[traditional] (special purpose artist)
publisher:
C. Mose Music
3:11
3When the Saints Go Marchin’ In
recorded in:
New York, New York, United States (on 1938-05-13)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1938-05-13) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-05-13)
double bass:
George "Pops" Foster (on 1938-05-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-05-13)
guitar:
Lee Blair (on 1938-05-13)
piano:
Luis Russell (on 1938-05-13)
tenor saxophone:
Bingie Madison (on 1938-05-13)
trombone:
J.C. Higginbotham (on 1938-05-13)
trumpet:
Louis Armstrong (on 1938-05-13) and Shelton "Scad" Hemphill (on 1938-05-13)
vocals:
Louis Armstrong (on 1938-05-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-13)
recording of:
When the Saints Go Marching In (Louis Armstrong’s version) (on 1938-05-13)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Louis Armstrong
version of:
When the Saints Go Marching In
2:44
4Dear Old Southland
recording of:
Dear Old Southland (jazz standard)
lyricist:
Henry Creamer (Lyricist) (in 1921)
composer:
Turner Layton (in 1921)
publisher:
Mills Music
3:15
5Old Man Mose
recorded in:
New York, New York, United States (on 1935-11-22)
bass:
George "Pops" Foster (on 1935-11-22)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-11-22)
guitar:
Lee Blair (on 1935-11-22)
piano:
Luis Russell (on 1935-11-22)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-11-22), Henry “Moon” Jones (swing era reeds) (on 1935-11-22) and Bingie Madison (on 1935-11-22)
tenor saxophone:
Greely Walton (on 1935-11-22)
trombone:
Jimmy Archey (on 1935-11-22) and Harry White (jazz trombonist) (on 1935-11-22)
trumpet:
Gus Aiken (on 1935-11-22), Louis Armstrong (on 1935-11-22), Louis Bacon (on 1935-11-22) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-11-22)
orchestra:
Louis Armstrong & His Orchestra (on 1935-11-22)
recording of:
Ol’ Man Mose (on 1935-11-22)
writer:
Louis Armstrong and Zilner Randolph
42:34
6Lawd, You Made the Night Too Long
recorded in:
Chicago, Illinois, United States (on 1932-03-11)
alto saxophone:
Lester Boone and George James (US jazz saxophonist)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton)
drums (drum set):
Tubby Hall
guitar:
Mike McKendrick (Jazz banjo and guitar)
piano:
Charlie Alexander (US jazz pianist)
tenor saxophone:
Albert Washington (jazz tenor sax)
trombone:
Preston Jackson (jazz trombonist)
trumpet:
Louis Armstrong and Zilner Randolph
vocals:
Louis Armstrong
recording of:
Lord, You Made the Night Too Long (on 1932-03-11)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1932)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1932)
3:23
7I’ll Get Mine Bye and Bye
recording of:
I'll Get Mine Bye and Bye
writer:
Jimmie Davis (American politician, singer and songwriter)
3:02
8As Long as You Live
recorded in:
New York, New York, United States (on 1938-05-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-05-13)
double bass:
George "Pops" Foster (on 1938-05-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-05-13)
guitar:
Lee Blair (on 1938-05-13)
piano:
Luis Russell (on 1938-05-13)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1938-05-13)
tenor saxophone:
Bingie Madison (on 1938-05-13)
trombone:
J.C. Higginbotham (on 1938-05-13)
trumpet:
Louis Armstrong (on 1938-05-13) and Shelton "Scad" Hemphill (on 1938-05-13)
vocals:
Louis Armstrong (on 1938-05-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-13)
recording of:
As Long as You Live, You'll Be Dead If You Die (on 1938-05-13)
lyricist:
Johnny Mercer
composer:
Bernie Hanighen
2:15
9Now You Call That a Buddy
3:17
10I Hope Gabriel Likes My Music
recorded in:
New York, New York, United States (on 1935-12-19)
double bass:
George "Pops" Foster (on 1935-12-19)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-12-19)
guitar:
Lee Blair (on 1935-12-19)
piano:
Luis Russell (on 1935-12-19)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-12-19), Henry “Moon” Jones (swing era reeds) (on 1935-12-19) and Bingie Madison (on 1935-12-19)
tenor saxophone:
Greely Walton (on 1935-12-19)
trombone:
Jimmy Archey (on 1935-12-19) and Harry White (jazz trombonist) (on 1935-12-19)
trumpet:
Gus Aiken (on 1935-12-19), Louis Armstrong (on 1935-12-19), Louis Bacon (on 1935-12-19) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-12-19)
vocals:
Louis Armstrong (on 1935-12-19)
orchestra:
Louis Armstrong & His Orchestra (on 1935-12-19)
recording of:
I Hope Gabriel Likes My Music (on 1935-12-19)
composer:
Dave Franklin (Tin Pan Alley songwriter)
3:16
11Going to Shout All Over God’s Heaven
recorded in:
New York, New York, United States (on 1938-06-14)
bell, drums (drum set), vibraphone and xylophone:
Paul Barbarin (jazz drummer from New Orleans) (on 1938-06-14)
double bass:
George "Pops" Foster (on 1938-06-14)
guitar:
Lee Blair (on 1938-06-14)
piano:
Luis Russell (on 1938-06-14)
vocals:
Louis Armstrong (on 1938-06-14) and The CBS Choir (on 1938-06-14)
arranger:
Lyn Murray
recording of:
Going to Shout All Over God’s Heaven (on 1938-06-14)
writer:
[traditional] (special purpose artist)
2:46
12Cain and Abel
2:59
13Jonah and the Whale
recorded in:
New York, New York, United States (on 1938-06-14)
bell, drums (drum set), vibraphone and xylophone:
Paul Barbarin (jazz drummer from New Orleans) (on 1938-06-14)
double bass:
George "Pops" Foster (on 1938-06-14)
guitar:
Lee Blair (on 1938-06-14)
piano:
Luis Russell (on 1938-06-14)
vocals:
Louis Armstrong (on 1938-06-14) and The CBS Choir (on 1938-06-14)
arranger:
Lyn Murray
recording of:
Jonah and the Whale (on 1938-06-14)
lyricist and composer:
Robert MacGimsey
2:48
14Bye and Bye
recorded in:
New York, New York, United States (on 1939-12-18)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1939-12-18)
bass:
George "Pops" Foster (on 1939-12-18)
drums (drum set):
Sid Catlett (on 1939-12-18)
guitar:
Lee Blair (on 1939-12-18)
piano:
Luis Russell (on 1939-12-18)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1939-12-18)
saxophone:
Joe Garland (saxophonist, composer) (on 1939-12-18)
tenor saxophone:
Bingie Madison (on 1939-12-18)
trombone:
Wilbur de Paris (on 1939-12-18), J.C. Higginbotham (on 1939-12-18) and George Washington (jazz trombonist) (on 1939-12-18)
trumpet:
Henry “Red” Allen (jazz musician) (on 1939-12-18), Louis Armstrong (on 1939-12-18), Bernard Flood (on 1939-12-18) and Shelton "Scad" Hemphill (on 1939-12-18)
vocals:
Louis Armstrong (on 1939-12-18)
orchestra:
Louis Armstrong & His Orchestra (on 1939-12-18)
recording of:
Bye and Bye (on 1939-12-18)
composer:
[traditional] (special purpose artist)
arranger:
Kenny Burrell
2:33
15When It’s Sleepy Time Down South3:16
16Shadrack (live)
live recording of:
Shadrack
writer:
R. McGimsey
2:51
17Nobody Knows the Trouble I’ve Seen (live)
live recording of:
Nobody Knows the Trouble I’ve Seen
lyricist and composer:
[traditional] (special purpose artist)
publisher:
C. Mose Music
3:41