An Evening of Classical: Liszt

~ Release by Franz Liszt (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleRatingLength
16 Consolations, S. 172: No. 2 in E major (Un poco più mosso)
piano:
Nelson Freire (pianist) (in 2011-01)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 2011-01)
recording of:
Consolation in E major, S. 172 no. 2: Un poco più mosso (in 2011-01)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
revision of:
Consolation in E major, S. 171a no. 2: Un poco più mosso (first, less common version)
2:31
2Grand Duo concertant, S. 128: Variation II
violin:
Gidon Kremer (violinist)
partial recording of:
Grand duo concertant sur "Le Marin", S. 128
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 128)
is based on:
Le Marin
1:24
3Hungarian Rhapsodies, S. 244: No. 18 in F sharp minor
piano:
Misha Dichter (pianist)
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 18 in F-sharp minor, S. 244 no. 18 (final version)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
19 Hungarian Rhapsodies, S. 244 / R. 106
revision of:
Hungarian Rhapsody no. 18 in F-sharp minor, S. 244 no. 18/2 (second draft, second coda)
3:25
4Grand Duo concertant S. 128: Lento assai - Animato, quasi Allegro
3:11
512 Études d'exécution transcendante, S. 139: No. 2. Molto vivace
2:05
6Lohengrin's Admonition from Lohengrin (Wagner), S. 446
4:42
710 Harmonies poétiques et religieuses, S. 173: 3. Bénédiction de Dieu dans la solitude - Andante
2:18
8Grand Duo concertant, S. 128: Andantino
2:14
9Piano Sonata in B minor, S. 178: c. Grandioso
recording engineer:
Marcus Herzog (engineer) (on 2019-10-17)
producer:
Sid McLauchlan (engineer/producer)
piano:
Seong‐Jin Cho (pianist) (on 2019-10-17)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH, Berlin (this is the company; for release labels, use “Deutsche Grammophon”) (in 2020)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (on 2019-10-17)
partial recording of:
Sonata for Piano in B minor, S. 178 (on 2019-10-17)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
2:15
10Schwanengesang, S. 560 (piano transcriptions after Schubert): No. 1. Liebesbotschaft
2:45
11Grand Duo concertant, S. 128: Finale. Animato marziale
1:39
126 Consolations, S. 172: No. 4 in D-flat major (Quasi adagio)
piano:
Nelson Freire (pianist) (in 2011-01)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 2011-01)
recording of:
Consolation in D‐flat major, S. 172 no. 4: Quasi adagio (in 2011-01)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
revision of:
Consolation in D‐flat major, S. 171a no. 4: Quasi adagio (first, less common version)
2:58
1312 Études d'exécution transcendante, S. 139: No. 5. Feux follets (Allegretto)
recording engineer:
Marcus Herzog (engineer)
producer:
Sid McLauchlan (engineer/producer)
piano:
Daniil Trifonov (pianist) (in 2015-09)
piano technician:
Serge Poulain (piano technician)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2016)
recorded at:
Siemens‐Villa in Berlin, Germany (in 2015-09)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: V. “Feux follets” in B‐flat major. Allegretto (in 2015-09)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
3:27
146 Consolations, S. 172: No. 6 in E major (Allegretto, sempre cantabile)
piano:
Nelson Freire (pianist) (in 2011-01)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 2011-01)
recording of:
Consolation in E major, S. 172 no. 6: Allegretto sempre cantabile (in 2011-01)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
revision of:
Consolation in E major, S. 171a no. 6: Allegretto (first, less common version)
2:10
155 Kleine Klavierstücke, S. 192: No. 3 in F-sharp, Andantino
1:22
16Schlaflos! Frage und Antwort, S. 203
2:23
176 Consolations, S. 172: No. 1 in E major (Andante con moto)
recording engineer:
Jürgen Bulgrin (sound engineer)
producer:
Cord Garben (pianist and conductor) and Steven Paul (classical arranger/producer for Deutsche Grammophon)
piano:
Daniel Barenboim (pianist and conductor) (in 1979-11)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1979-11)
recording of:
Consolation in E major, S. 172 no. 1: Andante con moto (in 1979-11)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
revision of:
Consolation in E major, S. 171a no. 1: Andante con moto (first, less common version)
1:24
18Piano Concerto no. 2 in A major, S. 125: 2. Allegro agitato assai
1:56
19Années de pèlerinage: 1e année: Suisse, S. 160: 3. Pastorale
recording engineer:
Cees Heijkoop (recording engineer) and Willem van Leeuwen (recording engineer)
producer and balance engineer:
Volker Straus (producer/engineer)
piano:
Alfred Brendel (Austrian pianist) (in 1986-10)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1986-10)
recording of:
Pastorale, S. 160 no. 3 (in 1986-10)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Années de pèlerinage : Première année : Suisse, S. 160
revision of:
Album d'un voyageur, S. 156: II. Fleurs mélodiques des Alpes: 7c. Allegro pastorale
1:36
2012 Etudes d'exécution transcendante, S. 139: No. 1. Prélude (Presto)
recording engineer and producer:
Rainer Maillard
assistant engineer:
Bastian Schick
piano:
Alice Sara Ott (pianist) (in 2008-06)
piano technician:
Jan Kittel (piano technician)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2008)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 2008-06)
recording of:
Études d’exécution transcendante, S. 139, R. 2b: I. Preludio in C major (in 2008-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b (Transcendental Études, S. 139, R. 2b)
0:53
21Venezia e Napoli, S.162 (rev. version 1859) supplement to Années de Pelerinage, 2ème année: Italie (S.161): 2. Canzone
3:12
22Das Wandern, S. 565 no. 1 (after Schubert, D. 795)
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1981-11)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-11)
recording of:
Das Wandern, S. 565 no. 1 (for solo piano, Liszt) (in 1981-11)
composer:
Franz Schubert (composer)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1846)
arrangement of:
Die schöne Müllerin, D. 795: Nr. 1. Das Wandern
part of:
Six mélodies favorites de La Belle Meunière, S. 565
1:54
23Piano Concerto no. 2 in A major, S. 125: IV. Allegro animato
1:45
242 Études de Concert, S. 145: No. 1. Waldesrauschen
piano:
Géza Anda (Geza Anda, pianist) (in 1966-05)
recorded at:
Studio Rosenhügel in Wien (Vienna), Austria (in 1966-05)
recording of:
Zwei Konzertetüden, S. 145, Nr. 1: Waldesrauschen (in 1966-05)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1862 until 1863)
part of:
Zwei Konzertetüden, S. 145
3:36
25Impromptu ("Nocturne") (1872)
3:17
26Hungarian Rhapsodies, S. 244: No. 17 in D minor
3:19
27Années de pèlerinage: 1e année: Suisse, S. 160: 4. Au bord d'une source
3:37
28Piano Concerto no. 2 in A major, S. 125: 5. Marziale un poco meno Allegro
3:29
29Weihnachtsbaum Suite, S.186: 7. Schlummerlied
3:55
30Grand Duo concertant, S. 128: Variation III. Allegretto pastorale
3:13
316 Etudes d'exécution transcendante d'après Paganini, S. 140: 2. Octaves
piano:
Nikita Magaloff (pianist)
recording of:
Études d’exécution transcendante d’après Paganini, S. 140: No. 2 in E-flat major
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1838 until 1840)
is based on:
24 Caprices for Solo Violin, op. 1, MS 25: No. 17 in E-flat major: Sostenuto – Andante
part of:
Études d’exécution transcendante d’après Paganini, S. 140
4:09
32Wohin?, S. 565 no. 5 (after Schubert, D. 795)
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1981-11)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-11)
recording of:
Wohin?, S. 565 no. 5 (for solo piano, Liszt) (in 1981-11)
composer:
Franz Schubert (composer)
arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
Die schöne Müllerin, D. 795: Nr. 2. Wohin?
part of:
Six mélodies favorites de La Belle Meunière, S. 565
3:01
33Unstern! -Sinistre, S. 208
4:09
34Piano Concerto no. 1 in E-flat major, S. 124: IIb. Allegretto vivace - Allegro animato
3:58
35Années de pèlerinage: 1e année: Suisse, S. 160: 5. Orage
recording engineer:
Cees Heijkoop (recording engineer) and Willem van Leeuwen (recording engineer)
producer and balance engineer:
Volker Straus (producer/engineer)
piano:
Alfred Brendel (Austrian pianist) (in 1986-10)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1986-10)
recording of:
Orage, S. 160 no. 5 (in 1986-10)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Années de pèlerinage : Première année : Suisse, S. 160
4:18
36Piano Concerto no. 1 in E-flat major, S. 124: IV. Allegro marziale animato - Presto
4:09
37Liszt: Mephisto Waltz No. 1, S.514 (Edit)
4:01
38Liszt: La Lugubre Gondola, S.200 No. 1
4:11
39Weihnachtsbaum Suite, S.186 - Transcription by Vladimir Horowitz : Liszt: Weihnachtsbaum Suite, S.186 - Transcription by Vladimir Horowitz - 10. Ehemals
3:58
40Piano Concerto No. 1 in E Flat Major, S. 124 : Liszt: Piano Concerto No. 1 in E Flat Major, S. 124 - III. Allegro marziale animato
producer:
Wolfgang Stengel
piano:
Krystian Zimerman (pianist) (in 1987-04)
orchestra:
Boston Symphony Orchestra (in 1987-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1987-04)
balance engineer:
Hans‐Peter Schweigmann (in 1987-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-04)
recording of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: IV. Allegro marziale animato (in 1987-04)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124
4:02
41Weihnachtsbaum Suite, S.186 : Liszt: Weihnachtsbaum Suite, S.186 - 6. Glockenspiel
4:21
4212 Etudes d'exécution transcendante, S.139 : Liszt: 12 Etudes d'exécution transcendante, S.139 - No. 3 Paysage (Poco adagio)
4:16
436 Consolations, S. 172 : Liszt: 6 Consolations, S. 172 - No. 3 in D-Flat Major (lento, placido)
4:15
44Liszt: Rhapsodie espagnole, S. 254
4:01
45Liebesträume, S. 541 : Liszt: Liebesträume, S. 541 - No. 2 in E-Flat Major "Seliger Tod"
4:44
463 Etudes de Concert, S.144 : Liszt: 3 Etudes de Concert, S.144 - No. 3 in D Flat "Un sospiro"
4:51
47Piano Concerto No. 2 in A Major, S. 125 : Liszt: Piano Concerto No. 2 in A Major, S. 125 - III. Marziale un poco meno allegro
producer:
Wolfgang Stengel
piano:
Krystian Zimerman (pianist) (in 1987-04)
orchestra:
Boston Symphony Orchestra (in 1987-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1987-04)
balance engineer:
Hans‐Peter Schweigmann (in 1987-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-04)
partial recording of:
Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement) (in 1987-04)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1839 until 1861, from 1849 until 1861)
dedicated to:
Hans Bronsart Von Schellendorff (German composer)
premiered at:
[concert] (1857-01-07)
publisher:
Schott Music International (publisher; do not use as label) (in 1863)
part of:
The Music of Liszt (number: S. 125)
is based on:
Concerto sans orchestre, S. 524a
4:22
4812 Études d'exécution transcendante, S. 139 : Liszt: 12 Études d'exécution transcendante, S. 139 - No. 7 Eroica (Allegro)
4:37
49Liszt: Grand Galop Chromatique, S.219
4:31
506 Etudes d'exécution transcendante d'après Paganini, S.140 : Liszt: 6 Etudes d'exécution transcendante d'après Paganini, S.140 - 1. Trémolo
4:21
51Piano Concerto No. 2 in A Major, S. 125 : Liszt: Piano Concerto No. 2 in A Major, S. 125 - 1. Adagio sostenuto assai
4:39
523 Études de Concert, S. 144 : Liszt: 3 Études de Concert, S. 144 - No. 2 in F Minor "La leggierezza" (A capriccio - Quasi allegretto)
4:32
53Hungarian Coronation Mass, S.11 : Liszt: Hungarian Coronation Mass, S.11 - 5. Offertorium
5:26
54Tre Sonetti di Petrarca, S. 270 : Liszt: Tre Sonetti di Petrarca, S. 270 - Sonetto No. 47: "Benedetto sia 'l giorno" Preludio con moto - Sempre mosso, con intimo se
5:30
55O lieb, so lang du lieben kannst, S.298 : Liszt: O lieb, so lang du lieben kannst, S.298 - Liebestraum No. 3
5:01
56Piano Concerto No. 1 in E-Flat Major, S. 124 : Liszt: Piano Concerto No. 1 in E-Flat Major, S. 124 - IIa. Quasi adagio
5:00
57Venezia e Napoli, S.162 (rev. version 1859) supplement to Années de Pelerinage, 2ème année: Italie (S.161) : Liszt: Venezia e Napoli, S.162 (rev. version 1859) supplement to Années de Pelerinage, 2ème année: Italie (S.161) - 1. Gondoliera
5:03
58Concerto Pathétique in E minor : Liszt: Concerto Pathétique in E minor - 2. Andante sostenuto
4:59
59Piano Concerto No. 1 in E-Flat Major, S. 124 : Liszt: Piano Concerto No. 1 in E-Flat Major, S. 124 - I. Allegro maestoso
5:14
60Liebesträume, S. 541 : Liszt: Liebesträume, S. 541 - No. 3 in A-Flat Major "Oh Lieb, so lang du lieben kannst"
4:51
616 Etudes d'exécution transcendante d'après Paganini, S.140 : Liszt: 6 Etudes d'exécution transcendante d'après Paganini, S.140 - 6. Thème et variations
5:08
62Années de pèlerinage: 2ème année: Italie, S.161 : Liszt: Années de pèlerinage: 2ème année: Italie, S.161 - 4. Sonetto 47 del Petrarca
5:03
63Die Legende von der Heiligen Elisabeth / 4. Landgräfin Sophie : Liszt: Die Legende von der Heiligen Elisabeth / 4. Landgräfin Sophie - Die Pforte schloß sich hinter ihr - Es wächst der Sturm
5:18
64Soirées de Vienne, S.427 : Liszt: Soirées de Vienne, S.427 - 7. Allegro spiritoso
5:23
65Liszt: Valse oubliée No. 2 in A flat, S.215
5:12
66Liszt: Rakoczy March, S117
4:58
67Années de pèlerinage: 3ème année, S.163 : Liszt: Années de pèlerinage: 3ème année, S.163 - 2. Aux cyprès de la Villa d'Este No. 1 (Thrénodie)
5:43
68Liszt: Lob der Tränen, S.557 (after Schubert, D.711)
5:37
69Hungarian Rhapsodies, S.244 : Liszt: Hungarian Rhapsodies, S.244 - No. 15 in A minor
5:36
70Années de pèlerinage: 2ème année: Italie, S.161 : Liszt: Années de pèlerinage: 2ème année: Italie, S.161 - 5. Sonetto 104 del Petrarca (Live)
5:52
71Hungarian Rhapsodies, S.244 : Liszt: Hungarian Rhapsodies, S.244 - No. 7 in D minor
5:42
7212 Etudes d'exécution transcendante, S.139 : Liszt: 12 Etudes d'exécution transcendante, S.139 - No. 10 Allegro agitato molto
5:33
73Hungarian Rhapsodies, S.244 : Liszt: Hungarian Rhapsodies, S.244 - No. 10 in E major
5:37
74Liszt: Spinning Song, S.440 piano transcription from Richard Wagner's "Flying Dutchman"
5:40
7512 Etudes d'exécution transcendante, S. 139 : Liszt: 12 Etudes d'exécution transcendante, S. 139 - No. 12, Chasse neige (Andante con moto)
5:35
76Schwanengesang, S. 560 : Liszt: Schwanengesang, S. 560 - No. 4 Ständchen
5:42
7712 Études d'exécution transcendante, S. 139 : Liszt: 12 Études d'exécution transcendante, S. 139 - No. 6 Vision (Lento)
5:41
78Liszt: Concert Paraphrase on Rigoletto, S. 434 (after Verdi's Opera)
6:28
79Die Legende von der Heiligen Elisabeth / 5. Elisabeth : Liszt: Die Legende von der Heiligen Elisabeth / 5. Elisabeth - Es beruhigt sich das Toben
6:34
80Soirées de Vienne, S.427 : Liszt: Soirées de Vienne, S.427 - No. 6 in A Minor (Live)
6:33
81Liszt: Mosonyis Grabgeleit, S.194
6:44
82Tre Sonetti di Petrarca, S. 270 : Liszt: Tre Sonetti di Petrarca, S. 270 - Sonetto No. 104: "Pace non trovo" Agitato assai - Adagio
6:42
83Liszt: Vexilla regis prodeunt, S.185
6:51
84Années de pèlerinage: 3ème année, S.163 : Liszt: Années de pèlerinage: 3ème année, S.163 - 6. Marche funèbre (En mémoire de Maximilien I)
7:35
85Hungarian Rhapsodies, S.244 : Liszt: Hungarian Rhapsodies, S.244 - No. 8 in F sharp minor
6:51
86Hungarian Rhapsodies, S.244 : Liszt: Hungarian Rhapsodies, S.244 - No. 6 in D flat major
6:54
87メフィスト・ポルカ : Liszt: Mephisto Polka, S.217
6:52
88Années de pèlerinage: 3ème année, S.163 : Liszt: Années de pèlerinage: 3ème année, S.163 - 1. Angelus (Prière aux anges gardiens)
8:14
89Liszt: Ave Maria
8:01
90Prelude and Fugue on the Name B-A-C-H, S. 260 : Liszt: Prelude and Fugue on the Name B-A-C-H, S. 260 - 2. Fugue
organ:
Jeanne Demessieux
recording of:
Fantasie und Fuge über den Choral Ad nos, ad salutarem undam, S. 259: III. Fugue (for organ)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Fantasie und Fuge über den Choral Ad nos, ad salutarem undam, S. 259 (for organ)
8:30
91Liszt: Harmonies du soir
8:36
92Liszt: Ballade No. 1
7:44
93リゴレットパラフレーズ : Liszt: Paraphrase de concert sur Rigoletto, S. 434
recorded in:
New York, New York, United States (on 1970-10-03)
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (on 1970-10-03, in 1982-02)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1982-02)
recording of:
Konzert-Paraphrase über Verdis "Rigoletto", S. 434 (on 1970-10-03)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 434)
is based on:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto)
recording of:
Konzert-Paraphrase über Verdis "Rigoletto", S. 434 (in 1982-02)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 434)
is based on:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto)
7:00
9412 Etudes d'exécution transcendante, S.139 : Liszt: 12 Etudes d'exécution transcendante, S.139 - No. 4 Mazeppa (Presto)
7:46
95Fantasy and Fugue on "Ad nos, ad salutarem undam", S. 259 : Liszt: Fantasy and Fugue on "Ad nos, ad salutarem undam", S. 259 - 2. Adagio
organ:
Jeanne Demessieux
recording of:
Fantasie und Fuge über den Choral Ad nos, ad salutarem undam, S. 259: II. Adagio (for organ)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Fantasie und Fuge über den Choral Ad nos, ad salutarem undam, S. 259 (for organ)
6:55
96Liszt: Czardas Macabre S.224
7:49
97Tre Sonetti di Petrarca, S. 270 : Liszt: Tre Sonetti di Petrarca, S. 270 - Sonetto No. 123: "I' vidi in terra angelici costumi" Lento placido - Sempre lento - Più l
7:11
98Années de pèlerinage: 3ème année, S.163 : Liszt: Années de pèlerinage: 3ème année, S.163 - 5. Sunt lacrimae rerum (En mode hongrois)
7:08
9910 Harmonies poétiques et religieuses, S.173 : Liszt: 10 Harmonies poétiques et religieuses, S.173 - No. 1 Invocation
7:31
1006 Hungarian Rhapsodies, S.359 : Liszt: 6 Hungarian Rhapsodies, S.359 - No. 3 in D major (No. 6 in piano version)
8:38
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