First Blood (Complete Original Motion Picture Soundtrack) (remastered)

~ Release by Jerry Goldsmith (see all versions of this release, 16 available)

Annotation

List of subparts
CD1 tracks 1 to 19: Score Presentation
CD1 tracks 20 to 22: Discrete Versions
CD2 tracks 1 to 11: Original 1982 Soundtrack Album
CD2 track 12: The Extra

It's A Long Road - Performed by Dan Hill; Lyrics by Hal Shaper; Music by Jerry Goldsmith
Vocal Tracks Produced By Bruce Botnick

This release is dedicated to the memory of director Ted Kotcheff (1931-2025)

Representative for Studio Canal - Steve Sellers

Annotation last modified on 2025-05-14 06:47 UTC.

Tracklist

| |
1▼CD
#TitleRatingLength
1Theme From First Blood (Pop Orchestra version)
recording engineer and mixer:
Alan Snelling
editor:
Douglass Fake
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
4:16
2Homecoming (Film version)
2:28
3Last Summer
1:05
4Back to Town
0:51
5The Razor (Film version)
3:13
6No Warmth
1:07
7Hanging On (Film version)
2:13
8Over the Cliff (Film version)
1:31
9A Stitch in Time
1:01
10Mountain Hunt (Film version)
5:01
11First Meal
0:43
12First Blood (Film version)
5:17
13The Tunnel (Film version)
3:34
14Escape Route (Film version)
2:45
15Over the Top
1:05
16My Town (Film version)
1:01
17No Power / Fireworks
2:55
18It's a Long Road
3:30
19It's a Long Road (Theme From First Blood - vocal)
3:28
20No Power
1:01
21Fireworks
1:58
22Mission's Over
0:49
2▼CD
#TitleRatingLength
1It's a Long Road (Theme From First Blood - vocal)
3:26
2Escape Route
recording engineer and mixer:
Alan Snelling
editor:
Douglass Fake
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
2:43
3First Blood
recording engineer:
Bruce Botnick and Alan Snelling
producer:
Jerry Goldsmith (American score composer)
mixer:
Alan Snelling and Randy Tominaga
editor:
Douglass Fake and Randy Tominaga
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
recording of:
First Blood (First Blood)
orchestrator and arranger:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
4:41
4The Tunnel
recording engineer:
Bruce Botnick and Alan Snelling
producer:
Jerry Goldsmith (American score composer)
mixer:
Alan Snelling and Randy Tominaga
editor:
Douglass Fake and Randy Tominaga
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
recording of:
The Tunnel (First Blood)
orchestrator and arranger:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
4:05
5Hanging On
recording engineer:
Bruce Botnick and Alan Snelling
producer:
Jerry Goldsmith (American score composer)
mixer:
Alan Snelling and Randy Tominaga
editor:
Douglass Fake and Randy Tominaga
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
recording of:
Hanging On (First Blood)
orchestrator and arranger:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
3:35
6Homecoming
recording engineer and mixer:
Alan Snelling
editor:
Douglass Fake
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
2:29
7Mountain Hunt
recording engineer:
Bruce Botnick and Alan Snelling
producer:
Jerry Goldsmith (American score composer)
mixer:
Alan Snelling and Randy Tominaga
editor:
Douglass Fake and Randy Tominaga
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
recording of:
Mountain Hunt (First Blood)
orchestrator and arranger:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
6:13
8My Town
recording engineer:
Bruce Botnick and Alan Snelling
producer:
Jerry Goldsmith (American score composer)
mixer:
Alan Snelling and Randy Tominaga
editor:
Douglass Fake and Randy Tominaga
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
recording of:
My Town (First Blood)
orchestrator and arranger:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
2:00
9The Razor
recording engineer:
Bruce Botnick and Alan Snelling
producer:
Jerry Goldsmith (American score composer)
mixer:
Alan Snelling and Randy Tominaga
editor:
Douglass Fake and Randy Tominaga
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
recording of:
The Razor (First Blood)
orchestrator and arranger:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
3:14
10Over the Cliff
recording engineer:
Bruce Botnick and Alan Snelling
producer:
Jerry Goldsmith (American score composer)
mixer:
Alan Snelling and Randy Tominaga
editor:
Douglass Fake and Randy Tominaga
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
recording of:
Over the Cliff (First Blood)
orchestrator and arranger:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
2:09
11It's a Long Road (instrumental)
recording engineer:
Bruce Botnick and Alan Snelling
producer:
Jerry Goldsmith (American score composer)
mixer:
Alan Snelling and Randy Tominaga
editor:
Douglass Fake and Randy Tominaga
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
recording of:
It's a Long Road (instrumental) (First Blood)
orchestrator and arranger:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
3:00
12It's a Long Road (Recording session piano / vocal demo)
recording engineer and mixer:
Alan Snelling
editor:
Douglass Fake
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
remixer:
Douglass Fake
edited at and remixed at:
Intrada in Oakland, California, United States
3:25