The History of Pop 1955-1957

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Only You (And You Alone)
piano:
Buck Ram (on 1955-04-26)
lead vocals:
Tony Williams (lead singer for The Platters) (on 1955-04-26)
spoken vocals [dialogue]:
Wolfman Jack (US disc jockey) (on 1955-04-26)
phonographic copyright (℗) by:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1955), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1955) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1957)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 10)
recording of:
Only You (on 1955-04-26)
lyricist, writer and composer:
Buck Ram and Ande Rand
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music and Sherwin Music (publisher) (in 1973)
The Platters2:37
2Island in the Sun
producer:
Joe Carlton
bongos:
Noah Rodriguez (on 1957-01-27)
congas:
Daniel Barrajanos (on 1957-01-27)
double bass:
Norman Keenan (on 1957-01-27)
flute:
James N. DeMeo (on 1957-01-27) and Harold M. Jones (50s US flautist) (on 1957-01-27)
guitar:
Frantz Casséus (on 1957-01-27), Victor Messer (on 1957-01-27) and Millard Thomas (on 1957-01-27)
marimba:
Joe Venuto (on 1957-01-27)
trumpet:
Joseph B. Wilder (on 1957-01-27)
choir vocals:
Gilbert E. Adkins (on 1957-01-27), Irving D. Barnes (on 1957-01-27), Leon Bibb (on 1957-01-27), Charles Colman (on 1957-01-27), Stephen Harbachick (baritone) (on 1957-01-27), Marvin Hayes (bass-baritone) (on 1957-01-27), Herbert L. Stubbs (on 1957-01-27), Irving Burgie (on 1957-01-27), Joe N. Kenyon (on 1957-01-27), Leroy B. Thompson (on 1957-01-27), Samuel R. McCurry (on 1957-01-27), John Nielsen (on 1957-01-27), Brock Peters (on 1957-01-27), Howard A. Roberts (founder of the Howard Roberts Chorale) (on 1957-01-27), Rodester Timmons (on 1957-01-27) and William Stewart (choral vocals in Harry Belafonte recordings) (on 1957-01-27)
lead vocals:
Harry Belafonte (on 1957-01-27)
vocals:
Harry Belafonte
conductor:
Robert DeCormier (American composer and conductor) (on 1957-01-27)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1957-01-27)
recording of:
Island in the Sun (on 1957-01-27)
writer:
Harry Belafonte and Lord Burgess
publisher:
Caribe Music Corp., Cherry Lane Music Publishing and Clara Music Publ. Corp.
Harry Belafonte3:25
3All I Have to Do Is Dream
recording of:
All I Have to Do Is Dream
lyricist and composer:
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Acuff-Rose Publications, Inc. (BMI) (on 1958-04-21)
The Everly Brothers2:22
4Little Things Mean a Lot
John Gary2:12
5Mi casa, su casa
recording of:
Mi Casa Su Casa
writer:
Al Hoffman and Dick Manning (American songwriter)
Perry Como3:02
6Suddenly There’s a Valley
Gogi Grant3:00
7Don’t Let the Sun Catch You Crying
Annie Ross4:50
8Born to Be With You
recording of:
Born to Be With You
lyricist and composer:
Don Robertson (“Happy Whistler” songwriter)
The Chordettes2:50
9Mr. WonderfulPeggy Lee3:20
10Earth Angel (Will You Be Mine)
recording of:
Earth Angel (Will You Be Mine)
writer:
Jesse Belvin, Gaynel Hodge (doo-wop singer and songwriter), Curtis Williams (1950s doo-wop singer, member of The Penguins) and Dootsie Williams (band leader, record producer and record label owne)
publisher:
Dootsie Williams Music (publisher) (in 1986)
part of:
Back to the Future: the Musical
The Penguins2:50
11A Fine Romance
recorded in:
Los Angeles, California, United States (on 1957-08-13)
double bass:
Ray Brown (jazz bassist) (on 1957-08-13)
drums (drum set):
Louie Bellson (on 1957-08-13)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-13)
trumpet:
Louis Armstrong (on 1957-08-13)
lead vocals:
Louis Armstrong (on 1957-08-13) and Ella Fitzgerald (American jazz singer) (on 1957-08-13)
recording of:
A Fine Romance (from “Swing Time”) (on 1957-08-13)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
cover recording of:
A Fine Romance (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
Ella Fitzgerald & Louis Armstrong43:53
12Love Letters in the Sand
Pat Boone2:17
13The Great Pretender
recorded in:
Chicago, Illinois, United States (in 1955-09)
lead vocals:
Tony Williams (lead singer for The Platters)
phonographic copyright (℗) by:
Elap Music Ltd. (a division of Pickwick Group Ltd. / a division of Carlton Home Entertainment (UK) Ltd.)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 8) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 352)
recording of:
The Great Pretender (in 1955-09)
lyricist and composer:
Buck Ram
publisher:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) and Southern Music Publishing Company Limited
The Platters52:40
14The Wayward Wind
recording of:
The Wayward Wind
lyricist and composer:
Stan Lebowsky and Herb Newman
Gogi Grant22:58
15Ivory Tower
recording of:
Ivory Tower
writer:
Jack Fulton (US jazz trombonist, composer & vocalist) and Lois Steele
Cathy Carr32:36
16Love Is a Many Splendored Thing
orchestra:
Jack Pleiss’ Orchestra
phonographic copyright (℗) by:
Geffen Records (in 1955)
recording of:
Love Is a Many‐Splendored Thing
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Miller Music (publisher) and WC Music Corp.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The 28th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1955 winner)
The Four Aces32:59
17In the Still of the Night
producer:
Marty Kugell
double bass:
Doug Murray (double bassist) (in 1956-02)
drums (drum set) [drums]:
Bobby Mapp (in 1956-02)
piano:
Curlee Glover (in 1956-02)
solo saxophone:
Vinny Mazzetta (in 1956-02)
vocals:
Al Denby (in 1956-02), Jim Freeman (in 1956-02), Ed Martin (in 1956-02), Nat Mosley (in 1956-02) and Fred Parris (in 1956-02)
phonographic copyright (℗) by:
Standard Records (in 1956)
recorded at:
Saint Bernadette Catholic School (New Haven) in New Haven, Connecticut, United States (in 1956-02)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 90) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 170)
recording of:
In the Still of the Night (Five Satins doo-wop song) (in 1956)
lyricist and composer:
Fred Parris
publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Llee Corp. (LLEE Corporation) (in 1956)
Five Satins4.53:04
18When I Fall in Love
vocals:
Nat King Cole (on 1956-12-28)
conductor:
Gordon Jenkins (on 1956-12-28)
arranger:
Gordon Jenkins
cover recording of:
When I Fall in Love (on 1956-12-28)
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
When I Fall in Love
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Nat King Cole1.53:11
19Around the World (In Eighty Days)
vocals:
Bing Crosby
recording of:
Around the World (Around the World in 80 Days) (on 1956-10-03)
lyricist:
Harold Adamson and Stella Unger
composer:
Victor Young (American composer, arranger, violinist & conductor)
part of:
Around the World in 80 Days (1956 film soundtrack, main theme)
Bing Crosby2:56
20Tammy
Debbie Reynolds3:06
21April Love
conductor:
Billy Vaughn
phonographic copyright (℗) by:
Geffen Records. (in 1957)
recording of:
April Love (on 1957-09-15)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Leo Feist, Inc.
part of:
The 30th Academy Award for Best Original Song (number: 2)
Pat Boone2:43
22The Banana Boat Song (Day-O)
guitar:
Millard Thomas
recording of:
Day‐O (The Banana Boat Song) (Burgess/Attaway arrangement made famous by Harry Belafonte)
additional lyricist:
William Attaway (in 1955) and Irving Burgie (in 1955)
composer:
[traditional] (special purpose artist)
publisher:
Caribe Music Corp., Cherry Lane Music Ltd., Cherry Lane Music Publishing Ltd, EMI Songs Ltd., Garber Music Ltd., Lord Burgess Music Publishing Co., Music Sales Corp (American copyright holder in both popular and classical music) and Reservoir Media Music
version of:
Day‐O (The Banana Boat Song) (original folk song)
Harry Belafonte3:06
23Buona Sera, Signorina
Louis Prima2:55
2CD
#TitleArtistRatingLength
1Rock Around the Clock
double bass:
Marshall Lytle (on 1954-04-12)
drums (drum set):
Billy Gussak (on 1954-04-12)
electric guitar:
Danny Cedrone (on 1954-04-12)
guitar:
Bill Haley (on 1954-04-12)
piano:
Johnny Grande (on 1954-04-12)
steel guitar:
William F. ‘Billy’ Williamson (on 1954-04-12)
tenor saxophone:
Joey D'Ambrosio (on 1954-04-12)
vocals:
Bill Haley (on 1954-04-12)
recording of:
Rock Around the Clock (Bill Haley’s version) (on 1954-04-12)
lyricist and composer:
Jimmy De Knight (in 1952) and Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. and Myers Music, Inc.
version of:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & the Comets42:14
2See You Later, Alligator
Bill Haley & the Comets2:46
3Blue Suede Shoes
double bass:
Clayton Perkins (in 1955-12)
drums (drum set):
W.S. Holland (in 1955-12)
guitar:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12) and Jay Perkins (in 1955-12)
vocals:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12)
phonographic copyright (℗) by:
Sun (US label founded in 1952) (in 1955, from 1956 to present)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 5) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 95)
recording of:
Blue Suede Shoes (in 1955-12)
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. and Wren Music Co.
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Carl Perkins42:17
4Be Bop a Lula
double bass [upright bass]:
Jack Neal (on 1956-05-04)
drums (drum set) [drums]:
Dickie Harrell (on 1956-05-04)
guitar [lead guitar]:
Cliff Gallup (lead guitarist for The Blue Caps) (on 1956-05-04)
guitar [rhythm guitar]:
Willie Williams (50s rock guitarist) (on 1956-05-04)
vocals:
Gene Vincent (on 1956-05-04)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (from 1956 to present)
recorded at:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1956-05-04)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 9) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 102)
recording of:
Be‐Bop‐a‐Lula (on 1956-05-04)
writer:
Bill “Tex” Davis and Gene Vincent
publisher:
Lowery Music Co. Inc.
Gene Vincent4.352:36
5Great Balls of Fire
recording of:
Great Balls of Fire
writer:
Otis Blackwell (American pianist, singer and songwriter) and Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) and Warner Chappell Music (publisher as Warner/Chappell Music)
Jerry Lee Lewis1:54
6That’ll Be the Day
recording of:
That’ll Be the Day
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
Buddy Holly2:17
7Honeycomb
cover recording of:
Honeycomb (in 1957)
lyricist and composer:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl) (in 1954)
Jimmie Rodgers42:17
8The Fool
cover recording of:
The Fool
lyricist and composer:
Naomi Ford
publisher:
Mother Texas Music
recording of:
The Fool
lyricist and composer:
Naomi Ford
publisher:
Mother Texas Music
Sanford Clark2:45
9Butterfly
vocals:
Andy Williams (US pop/jazz vocalist)
conductor:
Archie Bleyer
phonographic copyright (℗) by:
Cadence (NYC-based label founded by Archie Bleyer) (in 1957)
cover recording of:
Butterfly
writer:
Bernie Lowe and Kal Mann
publisher:
Mayland‐Presley
Andy Williams2:22
10I’m Walkin’
producer:
Dave Bartholomew
phonographic copyright (℗) by:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1957) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
recorded at:
J&M/Cosimo Recording Studios (New Orleans, circa 1956-1968) in New Orleans, Louisiana, United States (on 1957-01-03)
recording of:
I’m Walkin’ (on 1957-01-03)
lyricist and composer:
Antoine Dominique Domino (Fats Domino) and Dave Bartholomew
publisher:
Cordial MV, EMI Catalogue Partnership, EMI Unart Catalog Inc. and Rolf Budde Musikverlag (aka Budde Music)
Fats Domino42:14
11Hearts of Stone
The Charms2:35
12Melodie d’amour
performer:
Hugo Winterhalter (Hugo Winterhaller)
The Ames Brothers2:39
13Everybody Loves My Baby
Chris Barber’s Jazz Band3:17
14Maybellene
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1955-05-21)
guitar and lead vocals:
Chuck Berry (on 1955-05-21)
maracas [possibly]:
Leonard Chess (on 1955-05-21) and Jerome Green (on 1955-05-21)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1955-05-21)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1955-05-21)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 2), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 18), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 102)
recording of:
Maybellene (on 1955-05-21)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and Salee Music Company
Chuck Berry3.852:22
15Why Do Fools Fall in Love
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 8) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 307)
recording of:
Why Do Fools Fall in Love (in 1955-11)
additional writer:
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) and Herman Santiago (singer for Frankie Lymon & The Teenagers)
writer:
Morris Levy and Frankie Lymon
publisher:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Frankie Lymon & The Teenagers4.52:18
16Wake Up Little Susie
phonographic copyright (℗) by:
Cadence (NYC-based label founded by Archie Bleyer) (in 1957)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 21) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 311)
recording of:
Wake Up Little Susie (in 1957)
writer:
Boudleaux Bryant and Felice Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI), House of Bryant Publications (publisher; do NOT use as release label), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers4.652:04
17Stupid Cupid
recording of:
Stupid Cupid
lyricist:
Howard Greenfield
composer:
Neil Sedaka
Connie Francis2:15
18Mr. Sandman
producer:
Archie Bleyer
performer:
The Chordettes
phonographic copyright (℗) by:
Cadence (NYC-based label founded by Archie Bleyer) (in 1957)
recording of:
Mr. Sandman
lyricist and composer:
Pat Ballard
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
The Chordettes4.452:24
19Blueberry Hill
producer:
Dave Bartholomew
phonographic copyright (℗) by:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (in 1957) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
recorded at:
Master Recorders in Hollywood, Los Angeles, California, United States
edit of:
Blueberry Hill (Imperial) by Fats Domino
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 81) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 147)
cover recording of:
Blueberry Hill (on 1956-06-27)
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
Fats Domino4.652:22
20The Green Door
cover recording of:
Green Door
lyricist:
Marvin Moore (songwriter, best known for “Four Walls” and “The Green Door”)
composer:
Bob Davie
Jim Lowe2:14
21Ko Ko Mo (I Love You So)
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (in 1955) and The Ray Charles Singers (in 1955)
performer:
Mitchell Ayres and His Orchestra (in 1955)
cover recording of:
Ko Ko Mo (I Love You So)
writer:
Forest Gene Wilson (in 1954), Eunice Levy (Member of Gene and Eunice) (in 1954) and Jake Porter (in 1954)
publisher:
Chappell/Morris Ltd. and Meridian Music Corp. (in 1954)
recording of:
Ko Ko Mo (I Love You So)
writer:
Forest Gene Wilson (in 1954), Eunice Levy (Member of Gene and Eunice) (in 1954) and Jake Porter (in 1954)
publisher:
Chappell/Morris Ltd. and Meridian Music Corp. (in 1954)
Perry Como2:42
22Hummingbird
cover recording of:
Hummingbird
lyricist:
Don Robertson (“Happy Whistler” songwriter)
composer:
Don Robertson (“Happy Whistler” songwriter) (in 1955)
Les Paul & Mary Ford2:39
23Sixteen Tons
acoustic guitar:
Bobby Gibbons (on 1955-09-20)
bass clarinet:
Darol Rice (on 1955-09-20)
clarinet:
Red Mandel (on 1955-09-20)
double bass [bass]:
Rolly Bundock (on 1955-09-20)
drums (drum set) [drums]:
Roy Harte (drummer and Pacific Jazz founder) (on 1955-09-20)
finger snaps and lead vocals:
Tennessee Ernie Ford (on 1955-09-20)
trombone:
George Bruns (on 1955-09-20)
trumpet:
Charlie Parlato (on 1955-09-20)
conductor:
Jack Fascinato (on 1955-09-20)
arranger:
Jack Fascinato
phonographic copyright (℗) by:
Bacci Bros Records (in 2010) and Lucky Vintage (in 2014)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-09-20)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 12)
cover recording of:
Sixteen Tons (on 1955-09-20)
lyricist and composer:
Merle Travis
publisher:
American Music, Inc. and Campbell Connelly & Co. Ltd.
Tennessee Ernie Ford4.652:37
24The Ballad of Davy Crockett
recording of:
The Ballad of Davy Crockett
lyricist:
Tom Blackburn
composer:
George Bruns
publisher:
Walt Disney Music Company (music publisher, do not use as release label)
Bill Hayes2:26
25Walkin’ After Midnight
vocals:
Patsy Cline
phonographic copyright (℗) by:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1957)
cover recording of:
Walkin’ After Midnight
lyricist:
Don Hecht
composer:
Alan Block and Don Hecht
publisher:
Acuff-Rose Music Limited (UK), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Music Publishing LLC (1995–2020)
Patsy Cline4.62:36
26Cherry Pink and Apple Blossom White
solo trumpet:
Billy Regis
recording of:
Cherry Pink and Apple Blossom White (1951 song, version of “Cerisier rose et pommier blanc”) (in 1955)
composer:
Louiguy (French composer Louis Guglielmi)
translator:
Mack David (American lyricist and songwriter)
is based on:
Cerisier rose et pommier blanc (1950 song)
Pérez Prado und sein Orchester3:01

Credits

Release group

part of:The History of Pop (Reader’s Digest) (number: 1955-1957) (order: 2)