French Kiss

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Someone Like You
Techniker(in) und Mix:
Mick Glossop (producer & engineer)
Produzent(in):
Van Morrison
Sologesang:
Van Morrison
Saiteninstrumente arranger:
Fiachra Trench
arranger:
Van Morrison
phonographisches Urheberrecht (℗) von:
Exile Productions Ltd. (not for Label Release) (in 1987)
recording of:
Someone Like You (in 1987)
Texter und Komponist(in):
Van Morrison
publisher:
Essential Music (logo subtitled "The music of your life"), Exile Publishing Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Van Morrison4:08
2La Vie en rose
Orchester:
Sy Oliver’s Orchestra (am 1950-06-26)
cover recording of:
La Vie en rose (English translation) (am 1950-06-26)
Texter:
Édith Piaf
Komponist(in):
Louiguy (French composer Louis Guglielmi)
Übersetzer:
Mack David (American lyricist and songwriter)
publisher:
Éditions Beuscher Arpège
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
übersetzte Version von:
La Vie en rose (French original)
Louis Armstrong43:25
3Les Yeux ouverts
Techniker(in):
John Brough
Produzent(in) und Mix:
Jon Kelly (engineer at Air London Studios) und The Magic Pumpkin (Producer)
recording of:
Les Yeux ouverts (French version of "Dream a Little Dream of Me")
Texter:
Brice Homs, Gus Kahn und Körin Ternovtzeff
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
übersetzte Version von:
Dream a Little Dream of Me
The Beautiful South3:35
4Via con me
Produzent(in):
Italo Greco
recording of:
Via con me
Texter und Komponist(in):
Paolo Conte
publisher:
Universal Music Publishing Ricordi srl
Paolo Conte2:37
5I Love Paris
recording engineer und Mix:
Robert Schaper und Dennis Sands (American sound engineer)
Koproduzent(in):
Michale Mason (producer)
Produzent(in):
James Newton Howard (American score composer)
chromatische Mundharmonika:
Toots Thielemans
Interpret(in):
Toots Thielemans
arranger:
James Newton Howard (American score composer)
recording of:
I Love Paris (Can-Can [Pistache, Company])
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
Can‐Can
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
James Newton Howard feat. Toots Thielemans1:41
6Feels Like a Woman
Produzent(in):
Corrado Rustici
recording of:
Feels Like a Woman
Verfasser(in):
Tena Clark und Zucchero
Zucchero5:16
7I Love Paris
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-02-07) und Bud Shank (am 1956-02-07)
baritone saxophone:
Chuck Gentry (am 1956-02-07)
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-07)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-02-07) und Edgar Lustgarten (am 1956-02-07)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-07)
Gitarre:
Barney Kessel (am 1956-02-07)
Harfe:
Corky Hale (am 1956-02-07)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-07)
Kontrabass:
Joe Mondragon (am 1956-02-07)
Oboe:
Bob Cooper (US jazz saxophonist) (am 1956-02-07)
Posaune:
Milt Bernhart (am 1956-02-07), Joe Howard (american trombone player) (am 1956-02-07) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-07)
Schlagzeug:
Alvin Stoller (am 1956-02-07)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-02-07) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-07)
Trompete:
Pete Candoli (am 1956-02-07), Harry “Sweets” Edison (am 1956-02-07), Maynard Ferguson (am 1956-02-07) und Conrad Gozzo (am 1956-02-07)
Sologesang:
Ella Fitzgerald (American jazz singer) (in 1956, am 1956-02-07)
conductor:
Buddy Bregman (in 1956, am 1956-02-07)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-07)
recording of:
I Love Paris (Can-Can [Pistache, Company]) (am 1956-02-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
Can‐Can
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Ella Fitzgerald5:00
8Verlaine
vocals:
Charles Trenet
recording of:
Verlaine (Chanson d’automne)
Texter:
Paul Verlaine (French poet)
Komponist(in):
Séverin Luino (in 1941) und Charles Trenet (in 1941)
publisher:
Éditions Raoul Breton (in 1941)
Charles Trenet3:13
9C'est trop beau
recording of:
C'est Trop Beau
Verfasser(in):
Francis Lopez (French composer) und Raymond Vincy
Tino Rossi2:33
10La Mer
Techniker(in):
Al Schmitt
Produzent(in):
Johnny Mandel (American composer and arranger)
recording of:
La Mer
Texter:
Charles Trenet (in 1945)
Komponist(in):
Albert Lasry (French pianist, orchestra leader and composer) (in 1945) und Charles Trenet (in 1945)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Kevin Kline3:47
11I Want You
recording engineer und Mix:
Robert Schaper und Dennis Sands (American sound engineer)
Koproduzent(in):
Michale Mason (producer)
Produzent(in):
James Newton Howard (American score composer)
James Newton Howard2:06
12Les Yeux de ton père
Produzent(in):
Clive Martin und Sodi (French producer, musician and composer)
recording of:
Les Yeux de ton père
Texter:
N. Rota
Komponist(in):
M. Crespin
publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)) und Delabel Éditions (publisher; do NOT use as release label)
Les Négresses Vertes3:57