The Anniversary Collection

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

Naxos 30th anniversary collection.

Annotation last modified on 2017-10-09 08:10 UTC.

Tracklist

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1▼CD: Overtures (Suites) Nos. 1-4
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1Overture no. 1 in C major, BWV 1066: I. Ouverture
engineer:
Ernst Hartmann
producer:
Uwe Walter (classical engineer)
editor:
Christoph Herr (engineer) and Uwe Walter (classical engineer)
bassoon:
Martin Kevenhörster (Classical bossoonist) (from 1988-02 until 1988-08)
oboe:
Bettina Eger (oboist) (from 1988-02 until 1988-08) and Anja Schmiel (Classical oboeist) (from 1988-02 until 1988-08)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra) (from 1988-02 until 1988-08)
conductor:
Helmut Müller‐Brühl (conductor) (from 1988-02 until 1988-08)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1988-02 until 1988-08)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: I. Ouverture (Suite for Orchestra No. 1 in C major, BWV 1066: Ouverture) (from 1988-02 until 1988-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
Johann Sebastian Bach5:52
2Overture no. 1 in C major, BWV 1066: II. Courante
engineer:
Ernst Hartmann
producer:
Uwe Walter (classical engineer)
editor:
Christoph Herr (engineer) and Uwe Walter (classical engineer)
bassoon:
Martin Kevenhörster (Classical bossoonist) (from 1988-02 until 1988-08)
oboe:
Bettina Eger (oboist) (from 1988-02 until 1988-08) and Anja Schmiel (Classical oboeist) (from 1988-02 until 1988-08)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra) (from 1988-02 until 1988-08)
conductor:
Helmut Müller‐Brühl (conductor) (from 1988-02 until 1988-08)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1988-02 until 1988-08)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: II. Courante (Suite for Orchestra No. 1 in C major, BWV 1066: Courante) (from 1988-02 until 1988-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
Johann Sebastian Bach2:33
3Overture no. 1 in C major, BWV 1066: III. Gavotte I/II
engineer:
Ernst Hartmann
producer:
Uwe Walter (classical engineer)
editor:
Christoph Herr (engineer) and Uwe Walter (classical engineer)
bassoon:
Martin Kevenhörster (Classical bossoonist) (from 1988-02 until 1988-08)
oboe:
Bettina Eger (oboist) (from 1988-02 until 1988-08) and Anja Schmiel (Classical oboeist) (from 1988-02 until 1988-08)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra) (from 1988-02 until 1988-08)
conductor:
Helmut Müller‐Brühl (conductor) (from 1988-02 until 1988-08)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1988-02 until 1988-08)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: III. Gavotte I / Gavotte II (from 1988-02 until 1988-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
Johann Sebastian Bach2:48
4Overture no. 1 in C major, BWV 1066: IV. Forlane
engineer:
Ernst Hartmann
producer:
Uwe Walter (classical engineer)
editor:
Christoph Herr (engineer) and Uwe Walter (classical engineer)
bassoon:
Martin Kevenhörster (Classical bossoonist) (from 1988-02 until 1988-08)
oboe:
Bettina Eger (oboist) (from 1988-02 until 1988-08) and Anja Schmiel (Classical oboeist) (from 1988-02 until 1988-08)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra) (from 1988-02 until 1988-08)
conductor:
Helmut Müller‐Brühl (conductor) (from 1988-02 until 1988-08)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1988-02 until 1988-08)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: IV. Forlane (from 1988-02 until 1988-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
Johann Sebastian Bach1:20
5Overture no. 1 in C major, BWV 1066: V. Menuet I/II
engineer:
Ernst Hartmann
producer:
Uwe Walter (classical engineer)
editor:
Christoph Herr (engineer) and Uwe Walter (classical engineer)
bassoon:
Martin Kevenhörster (Classical bossoonist) (from 1988-02 until 1988-08)
oboe:
Bettina Eger (oboist) (from 1988-02 until 1988-08) and Anja Schmiel (Classical oboeist) (from 1988-02 until 1988-08)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra) (from 1988-02 until 1988-08)
conductor:
Helmut Müller‐Brühl (conductor) (from 1988-02 until 1988-08)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1988-02 until 1988-08)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: V. Menuet I / Menuet II (from 1988-02 until 1988-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
Johann Sebastian Bach3:27
6Overture no. 1 in C major, BWV 1066: VI. Bourée I/II
engineer:
Ernst Hartmann
producer:
Uwe Walter (classical engineer)
editor:
Christoph Herr (engineer) and Uwe Walter (classical engineer)
bassoon:
Martin Kevenhörster (Classical bossoonist) (from 1988-02 until 1988-08)
oboe:
Bettina Eger (oboist) (from 1988-02 until 1988-08) and Anja Schmiel (Classical oboeist) (from 1988-02 until 1988-08)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra) (from 1988-02 until 1988-08)
conductor:
Helmut Müller‐Brühl (conductor) (from 1988-02 until 1988-08)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1988-02 until 1988-08)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: VI. Bourrée I / Bourrée II (from 1988-02 until 1988-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
Johann Sebastian Bach2:11
7Overture no. 1 in C major, BWV 1066: VII. Passepied I/II
engineer:
Ernst Hartmann
producer:
Uwe Walter (classical engineer)
editor:
Christoph Herr (engineer) and Uwe Walter (classical engineer)
bassoon:
Martin Kevenhörster (Classical bossoonist) (from 1988-02 until 1988-08)
oboe:
Bettina Eger (oboist) (from 1988-02 until 1988-08) and Anja Schmiel (Classical oboeist) (from 1988-02 until 1988-08)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra) (from 1988-02 until 1988-08)
conductor:
Helmut Müller‐Brühl (conductor) (from 1988-02 until 1988-08)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1988-02 until 1988-08)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: VII. Passepied I / Passepied II (from 1988-02 until 1988-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
Johann Sebastian Bach3:10
8Overture no. 2 in B minor, BWV 1067: I. Ouverture
engineer:
Bodo Heinemann (engineer)
producer:
Uwe Walter (classical engineer)
editor:
Christoph Herr (engineer) and Uwe Walter (classical engineer)
flute:
Karl Kaiser (flautist) (from 1988-02 until 1988-08)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra) (from 1988-02 until 1988-08)
conductor:
Helmut Müller‐Brühl (conductor) (from 1988-02 until 1988-08)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1988-02 until 1988-08)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: I. Ouverture (Orchestral Suite no. 2 in B minor, BWV 1067: I. Overture) (from 1988-02 until 1988-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Orchestral Suite no. 2 in B minor, BWV 1067: I. Ouverture (orch. Stokowski)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach6:23
9Overture no. 2 in B minor, BWV 1067: II. Rondeau
engineer:
Bodo Heinemann (engineer)
producer:
Uwe Walter (classical engineer)
editor:
Christoph Herr (engineer) and Uwe Walter (classical engineer)
flute:
Karl Kaiser (flautist) (from 1988-02 until 1988-08)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra) (from 1988-02 until 1988-08)
conductor:
Helmut Müller‐Brühl (conductor) (from 1988-02 until 1988-08)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1988-02 until 1988-08)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: II. Rondeau (Orchestral Suite no. 2 in B minor, BWV 1067: II. Rondeau) (from 1988-02 until 1988-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:41
10Overture no. 2 in B minor, BWV 1067: III. Sarabande
engineer:
Bodo Heinemann (engineer)
producer:
Uwe Walter (classical engineer)
editor:
Christoph Herr (engineer) and Uwe Walter (classical engineer)
flute:
Karl Kaiser (flautist) (from 1988-02 until 1988-08)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra) (from 1988-02 until 1988-08)
conductor:
Helmut Müller‐Brühl (conductor) (from 1988-02 until 1988-08)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1988-02 until 1988-08)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: III. Sarabande (Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande) (from 1988-02 until 1988-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach2:52
11Overture no. 2 in B minor, BWV 1067: IV. Bourée I/II
engineer:
Bodo Heinemann (engineer)
producer:
Uwe Walter (classical engineer)
editor:
Christoph Herr (engineer) and Uwe Walter (classical engineer)
flute:
Karl Kaiser (flautist) (from 1988-02 until 1988-08)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra) (from 1988-02 until 1988-08)
conductor:
Helmut Müller‐Brühl (conductor) (from 1988-02 until 1988-08)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1988-02 until 1988-08)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: IV. Bourrée I & II (Orchestral Suite no. 2 in B minor, BWV 1067: IV. Bourrée I & II) (from 1988-02 until 1988-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:48
12Overture no. 2 in B minor, BWV 1067: V. Polonaise, Double
engineer:
Bodo Heinemann (engineer)
producer:
Uwe Walter (classical engineer)
editor:
Christoph Herr (engineer) and Uwe Walter (classical engineer)
flute:
Karl Kaiser (flautist) (from 1988-02 until 1988-08)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra) (from 1988-02 until 1988-08)
conductor:
Helmut Müller‐Brühl (conductor) (from 1988-02 until 1988-08)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1988-02 until 1988-08)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: V. Polonaise & Double (Orchestral Suite no. 2 in B minor, BWV 1067: V. Polonaise & Double) (from 1988-02 until 1988-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach2:58
13Overture no. 2 in B minor, BWV 1067: VI. Menuet
engineer:
Bodo Heinemann (engineer)
producer:
Uwe Walter (classical engineer)
editor:
Christoph Herr (engineer) and Uwe Walter (classical engineer)
flute:
Karl Kaiser (flautist) (from 1988-02 until 1988-08)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra) (from 1988-02 until 1988-08)
conductor:
Helmut Müller‐Brühl (conductor) (from 1988-02 until 1988-08)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1988-02 until 1988-08)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet) (from 1988-02 until 1988-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:20
14Overture no. 2 in B minor, BWV 1067: VII. Badinerie
engineer:
Bodo Heinemann (engineer)
producer:
Uwe Walter (classical engineer)
editor:
Christoph Herr (engineer) and Uwe Walter (classical engineer)
flute:
Karl Kaiser (flautist) (from 1988-02 until 1988-08)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra) (from 1988-02 until 1988-08)
conductor:
Helmut Müller‐Brühl (conductor) (from 1988-02 until 1988-08)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1988-02 until 1988-08)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (from 1988-02 until 1988-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:30
15Overture no. 3 in D major, BWV 1068: I. Ouverture
engineer:
Ernst Hartmann
producer:
Uwe Walter (classical engineer)
editor:
Christoph Herr (engineer) and Uwe Walter (classical engineer)
bassoon:
Martin Kevenhörster (Classical bossoonist) (from 1988-02 until 1988-08)
oboe:
Bettina Eger (oboist) (from 1988-02 until 1988-08) and Anja Schmiel (Classical oboeist) (from 1988-02 until 1988-08)
timpani:
Stefan Rapp (from 1988-02 until 1988-08)
trumpet:
Ute Hartwich (trumpet) (from 1988-02 until 1988-08), Hans-Martin Kothe (trumpet) (from 1988-02 until 1988-08) and Almut Rux (trumpet) (from 1988-02 until 1988-08)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra) (from 1988-02 until 1988-08)
conductor:
Helmut Müller‐Brühl (conductor) (from 1988-02 until 1988-08)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1988-02 until 1988-08)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: I. Ouverture (from 1988-02 until 1988-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach6:19
16Overture no. 3 in D major, BWV 1068: II. Air
engineer:
Ernst Hartmann
producer:
Uwe Walter (classical engineer)
editor:
Christoph Herr (engineer) and Uwe Walter (classical engineer)
bassoon:
Martin Kevenhörster (Classical bossoonist) (from 1988-02 until 1988-08)
oboe:
Bettina Eger (oboist) (from 1988-02 until 1988-08) and Anja Schmiel (Classical oboeist) (from 1988-02 until 1988-08)
timpani:
Stefan Rapp (from 1988-02 until 1988-08)
trumpet:
Ute Hartwich (trumpet) (from 1988-02 until 1988-08), Hans-Martin Kothe (trumpet) (from 1988-02 until 1988-08) and Almut Rux (trumpet) (from 1988-02 until 1988-08)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra) (from 1988-02 until 1988-08)
conductor:
Helmut Müller‐Brühl (conductor) (from 1988-02 until 1988-08)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1988-02 until 1988-08)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (from 1988-02 until 1988-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach4:57
17Overture no. 3 in D major, BWV 1068: III. Gavotte I/II
engineer:
Ernst Hartmann
producer:
Uwe Walter (classical engineer)
editor:
Christoph Herr (engineer) and Uwe Walter (classical engineer)
bassoon:
Martin Kevenhörster (Classical bossoonist) (from 1988-02 until 1988-08)
oboe:
Bettina Eger (oboist) (from 1988-02 until 1988-08) and Anja Schmiel (Classical oboeist) (from 1988-02 until 1988-08)
timpani:
Stefan Rapp (from 1988-02 until 1988-08)
trumpet:
Ute Hartwich (trumpet) (from 1988-02 until 1988-08), Hans-Martin Kothe (trumpet) (from 1988-02 until 1988-08) and Almut Rux (trumpet) (from 1988-02 until 1988-08)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra) (from 1988-02 until 1988-08)
conductor:
Helmut Müller‐Brühl (conductor) (from 1988-02 until 1988-08)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1988-02 until 1988-08)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II (from 1988-02 until 1988-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach4:09
18Overture no. 3 in D major, BWV 1068: IV. Bourée
engineer:
Ernst Hartmann
producer:
Uwe Walter (classical engineer)
editor:
Christoph Herr (engineer) and Uwe Walter (classical engineer)
bassoon:
Martin Kevenhörster (Classical bossoonist) (from 1988-02 until 1988-08)
oboe:
Bettina Eger (oboist) (from 1988-02 until 1988-08) and Anja Schmiel (Classical oboeist) (from 1988-02 until 1988-08)
timpani:
Stefan Rapp (from 1988-02 until 1988-08)
trumpet:
Ute Hartwich (trumpet) (from 1988-02 until 1988-08), Hans-Martin Kothe (trumpet) (from 1988-02 until 1988-08) and Almut Rux (trumpet) (from 1988-02 until 1988-08)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra) (from 1988-02 until 1988-08)
conductor:
Helmut Müller‐Brühl (conductor) (from 1988-02 until 1988-08)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1988-02 until 1988-08)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: IV. Bourrée (from 1988-02 until 1988-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach1:16
19Overture no. 3 in D major, BWV 1068: V. Gigue
engineer:
Ernst Hartmann
producer:
Uwe Walter (classical engineer)
editor:
Christoph Herr (engineer) and Uwe Walter (classical engineer)
bassoon:
Martin Kevenhörster (Classical bossoonist) (from 1988-02 until 1988-08)
oboe:
Bettina Eger (oboist) (from 1988-02 until 1988-08) and Anja Schmiel (Classical oboeist) (from 1988-02 until 1988-08)
timpani:
Stefan Rapp (from 1988-02 until 1988-08)
trumpet:
Ute Hartwich (trumpet) (from 1988-02 until 1988-08), Hans-Martin Kothe (trumpet) (from 1988-02 until 1988-08) and Almut Rux (trumpet) (from 1988-02 until 1988-08)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra) (from 1988-02 until 1988-08)
conductor:
Helmut Müller‐Brühl (conductor) (from 1988-02 until 1988-08)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1988-02 until 1988-08)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: V. Gigue (from 1988-02 until 1988-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach2:57
20Overture no. 4 in D major, BWV 1069: I. Ouverture
engineer:
Ernst Hartmann
producer:
Uwe Walter (classical engineer)
editor:
Christoph Herr (engineer) and Uwe Walter (classical engineer)
bassoon:
Martin Kevenhörster (Classical bossoonist) (from 1988-02 until 1988-08)
oboe:
Bettina Eger (oboist) (from 1988-02 until 1988-08), Stefan Schilli (oboist) (from 1988-02 until 1988-08) and Anja Schmiel (Classical oboeist) (from 1988-02 until 1988-08)
timpani:
Stefan Rapp (from 1988-02 until 1988-08)
trumpet:
Ute Hartwich (trumpet) (from 1988-02 until 1988-08), Hans-Martin Kothe (trumpet) (from 1988-02 until 1988-08) and Almut Rux (trumpet) (from 1988-02 until 1988-08)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra) (from 1988-02 until 1988-08)
conductor:
Helmut Müller‐Brühl (conductor) (from 1988-02 until 1988-08)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1988-02 until 1988-08)
recording of:
Orchestersuite Nr. 4 D-Dur, BWV 1069: I. Ouverture (from 1988-02 until 1988-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 4 D-Dur, BWV 1069 (Orchestral suite no. 4 in D major, BWV 1069)
Johann Sebastian Bach7:21
21Overture no. 4 in D major, BWV 1069: II. Bourée I/II
engineer:
Ernst Hartmann
producer:
Uwe Walter (classical engineer)
editor:
Christoph Herr (engineer) and Uwe Walter (classical engineer)
bassoon:
Martin Kevenhörster (Classical bossoonist) (from 1988-02 until 1988-08)
oboe:
Bettina Eger (oboist) (from 1988-02 until 1988-08), Stefan Schilli (oboist) (from 1988-02 until 1988-08) and Anja Schmiel (Classical oboeist) (from 1988-02 until 1988-08)
timpani:
Stefan Rapp (from 1988-02 until 1988-08)
trumpet:
Ute Hartwich (trumpet) (from 1988-02 until 1988-08), Hans-Martin Kothe (trumpet) (from 1988-02 until 1988-08) and Almut Rux (trumpet) (from 1988-02 until 1988-08)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra) (from 1988-02 until 1988-08)
conductor:
Helmut Müller‐Brühl (conductor) (from 1988-02 until 1988-08)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1988-02 until 1988-08)
recording of:
Orchestersuite Nr. 4 D-Dur, BWV 1069: II. Bourrée I - alternativement Bourrée II (from 1988-02 until 1988-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 4 D-Dur, BWV 1069 (Orchestral suite no. 4 in D major, BWV 1069)
Johann Sebastian Bach2:45
22Overture no. 4 in D major, BWV 1069: III. Gavotte
engineer:
Ernst Hartmann
producer:
Uwe Walter (classical engineer)
editor:
Christoph Herr (engineer) and Uwe Walter (classical engineer)
bassoon:
Martin Kevenhörster (Classical bossoonist) (from 1988-02 until 1988-08)
oboe:
Bettina Eger (oboist) (from 1988-02 until 1988-08), Stefan Schilli (oboist) (from 1988-02 until 1988-08) and Anja Schmiel (Classical oboeist) (from 1988-02 until 1988-08)
timpani:
Stefan Rapp (from 1988-02 until 1988-08)
trumpet:
Ute Hartwich (trumpet) (from 1988-02 until 1988-08), Hans-Martin Kothe (trumpet) (from 1988-02 until 1988-08) and Almut Rux (trumpet) (from 1988-02 until 1988-08)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra) (from 1988-02 until 1988-08)
conductor:
Helmut Müller‐Brühl (conductor) (from 1988-02 until 1988-08)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1988-02 until 1988-08)
recording of:
Orchestersuite Nr. 4 D-Dur, BWV 1069: III. Gavotte (from 1988-02 until 1988-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 4 D-Dur, BWV 1069 (Orchestral suite no. 4 in D major, BWV 1069)
Johann Sebastian Bach2:03
23Overture no. 4 in D major, BWV 1069: IV. Menuet I/II
engineer:
Ernst Hartmann
producer:
Uwe Walter (classical engineer)
editor:
Christoph Herr (engineer) and Uwe Walter (classical engineer)
bassoon:
Martin Kevenhörster (Classical bossoonist) (from 1988-02 until 1988-08)
oboe:
Bettina Eger (oboist) (from 1988-02 until 1988-08), Stefan Schilli (oboist) (from 1988-02 until 1988-08) and Anja Schmiel (Classical oboeist) (from 1988-02 until 1988-08)
timpani:
Stefan Rapp (from 1988-02 until 1988-08)
trumpet:
Ute Hartwich (trumpet) (from 1988-02 until 1988-08), Hans-Martin Kothe (trumpet) (from 1988-02 until 1988-08) and Almut Rux (trumpet) (from 1988-02 until 1988-08)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra) (from 1988-02 until 1988-08)
conductor:
Helmut Müller‐Brühl (conductor) (from 1988-02 until 1988-08)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1988-02 until 1988-08)
recording of:
Orchestersuite Nr. 4 D-Dur, BWV 1069: IV. Menuet I - alternativement Menuet II (from 1988-02 until 1988-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 4 D-Dur, BWV 1069 (Orchestral suite no. 4 in D major, BWV 1069)
Johann Sebastian Bach3:57
24Overture no. 4 in D major, BWV 1069: V. Réjouissance
engineer:
Ernst Hartmann
producer:
Uwe Walter (classical engineer)
editor:
Christoph Herr (engineer) and Uwe Walter (classical engineer)
bassoon:
Martin Kevenhörster (Classical bossoonist) (from 1988-02 until 1988-08)
oboe:
Bettina Eger (oboist) (from 1988-02 until 1988-08), Stefan Schilli (oboist) (from 1988-02 until 1988-08) and Anja Schmiel (Classical oboeist) (from 1988-02 until 1988-08)
timpani:
Stefan Rapp (from 1988-02 until 1988-08)
trumpet:
Ute Hartwich (trumpet) (from 1988-02 until 1988-08), Hans-Martin Kothe (trumpet) (from 1988-02 until 1988-08) and Almut Rux (trumpet) (from 1988-02 until 1988-08)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra) (from 1988-02 until 1988-08)
conductor:
Helmut Müller‐Brühl (conductor) (from 1988-02 until 1988-08)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1988-02 until 1988-08)
recording of:
Orchestersuite Nr. 4 D-Dur, BWV 1069: V. Réjouissance (from 1988-02 until 1988-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 4 D-Dur, BWV 1069 (Orchestral suite no. 4 in D major, BWV 1069)
Johann Sebastian Bach2:36
2▼CD: Piano Sonatas: “Pathétique” / “Moonlight” / “Appassionata”
#TitleArtistRatingLength
1Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: I. Grave - Allegro di molto e con brio
engineer:
Mónika Feszler (producer)
producer:
Horváth János (János Horváth, engineer)
piano:
Jenő Jandó (pianist) (from 1987-04-21 until 1987-04-23)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1987-04-21 until 1987-04-23)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: I. Grave – Allegro di molto e con brio (from 1987-04-21 until 1987-04-23)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
Ludwig van Beethoven8:28
2Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile
engineer:
Mónika Feszler (producer)
producer:
Horváth János (János Horváth, engineer)
piano:
Jenő Jandó (pianist) (from 1987-04-21 until 1987-04-23)
phonographic copyright (℗) by:
Naxos and HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1987-04-21 until 1987-04-23)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile (from 1987-04-21 until 1987-04-23)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
Ludwig van Beethoven4:43
3Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro
engineer:
Mónika Feszler (producer)
producer:
Horváth János (János Horváth, engineer)
piano:
Jenő Jandó (pianist) (from 1987-04-21 until 1987-04-23)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1987-04-21 until 1987-04-23)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro (from 1987-04-21 until 1987-04-23)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
Ludwig van Beethoven4:31
4Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
engineer:
Mónika Feszler (producer)
producer:
Horváth János (János Horváth, engineer)
piano:
Jenő Jandó (pianist) (from 1987-04-21 until 1987-04-23)
phonographic copyright (℗) by:
Naxos International and HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1987-04-21 until 1987-04-23)
cover recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (from 1987-04-21 until 1987-04-23)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven35:15
5Piano Sonata no. 14 in C-sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: II. Allegretto
engineer:
Mónika Feszler (producer)
producer:
Horváth János (János Horváth, engineer)
piano:
Jenő Jandó (pianist) (from 1987-04-21 until 1987-04-23)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1987-04-21 until 1987-04-23)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto (from 1987-04-21 until 1987-04-23)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven2:05
6Piano Sonata no. 14 in C-sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: III. Presto agitato
engineer:
Mónika Feszler (producer)
producer:
Horváth János (János Horváth, engineer)
piano:
Jenő Jandó (pianist) (from 1987-04-21 until 1987-04-23)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1987-04-21 until 1987-04-23)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato (from 1987-04-21 until 1987-04-23)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven7:21
7Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai
engineer:
Mónika Feszler (producer)
producer:
Horváth János (János Horváth, engineer)
piano:
Jenő Jandó (pianist) (from 1987-04-21 until 1987-04-23)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1987-04-21 until 1987-04-23)
recording of:
Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai (from 1987-04-21 until 1987-04-23)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1806)
part of:
Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”
Ludwig van Beethoven9:36
8Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto
engineer:
Mónika Feszler (producer)
producer:
Horváth János (János Horváth, engineer)
piano:
Jenő Jandó (pianist) (from 1987-04-21 until 1987-04-23)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1987-04-21 until 1987-04-23)
recording of:
Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto (from 1987-04-21 until 1987-04-23)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1806)
part of:
Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”
Ludwig van Beethoven5:49
9Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo - Presto
engineer:
Mónika Feszler (producer)
producer:
Horváth János (János Horváth, engineer)
piano:
Jenő Jandó (pianist) (from 1987-04-21 until 1987-04-23)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1987-04-21 until 1987-04-23)
recording of:
Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo (from 1987-04-21 until 1987-04-23)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1806)
part of:
Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”
Ludwig van Beethoven8:09
3▼CD: Cello Sonatas and Songs
#TitleArtistRatingLength
1Cello Sonata no. 1 in E minor, op. 38: I. Allegro non troppo
cello:
Gabriel Schwabe (cellist) (from 2014-12-16 until 2014-12-18)
piano:
Nicholas Rimmer (pianist) (from 2014-12-16 until 2014-12-18)
recorded at:
Sendesaal Bremen (since 2009, fka Radio Bremen Sendesaal) in Bremen, Bremen, Germany (from 2014-12-16 until 2014-12-18)
recording of:
Sonata for Piano and Cello no. 1 in E minor, op. 38: I. Allegro non troppo (from 2014-12-16 until 2014-12-18)
composer:
Johannes Brahms (German composer) (from 1862 until 1865)
part of:
Sonata for Piano and Cello no. 1 in E minor, op. 38 (Cello Sonata no. 1 in E minor, op. 38)
Johannes Brahms13:25
2Cello Sonata no. 1 in E minor, op. 38: II. Allegretto quasi menuetto
cello:
Gabriel Schwabe (cellist) (from 2014-12-16 until 2014-12-18)
piano:
Nicholas Rimmer (pianist) (from 2014-12-16 until 2014-12-18)
recorded at:
Sendesaal Bremen (since 2009, fka Radio Bremen Sendesaal) in Bremen, Bremen, Germany (from 2014-12-16 until 2014-12-18)
recording of:
Sonata for Piano and Cello no. 1 in E minor, op. 38: II. Allegretto quasi menuetto (from 2014-12-16 until 2014-12-18)
composer:
Johannes Brahms (German composer) (from 1862 until 1865)
part of:
Sonata for Piano and Cello no. 1 in E minor, op. 38 (Cello Sonata no. 1 in E minor, op. 38)
Johannes Brahms5:14
3Cello Sonata no. 1 in E minor, op. 38: III. Allegro
cello:
Gabriel Schwabe (cellist) (from 2014-12-16 until 2014-12-18)
piano:
Nicholas Rimmer (pianist) (from 2014-12-16 until 2014-12-18)
recorded at:
Sendesaal Bremen (since 2009, fka Radio Bremen Sendesaal) in Bremen, Bremen, Germany (from 2014-12-16 until 2014-12-18)
recording of:
Sonata for Piano and Cello no. 1 in E minor, op. 38: III. Allegro (from 2014-12-16 until 2014-12-18)
composer:
Johannes Brahms (German composer) (from 1862 until 1865)
part of:
Sonata for Piano and Cello no. 1 in E minor, op. 38 (Cello Sonata no. 1 in E minor, op. 38)
Johannes Brahms6:33
4Die Mainacht, op. 43 no. 2
cello:
Gabriel Schwabe (cellist) (from 2014-12-16 until 2014-12-18)
piano:
Nicholas Rimmer (pianist) (from 2014-12-16 until 2014-12-18)
arranger:
Nicholas Rimmer (pianist) and Gabriel Schwabe (cellist)
recorded at:
Sendesaal Bremen (since 2009, fka Radio Bremen Sendesaal) in Bremen, Bremen, Germany (from 2014-12-16 until 2014-12-18)
recording of:
4 Gesänge, op. 43: Nr. 2. Die Mainacht (catch-all for arrangements) (from 2014-12-16 until 2014-12-18)
composer:
Johannes Brahms (German composer)
arrangement of:
4 Gesänge, op. 43: Nr. 2. Die Mainacht
Johannes Brahms3:30
5Botschaft, op. 47 no. 1
cello:
Gabriel Schwabe (cellist) (from 2014-12-16 until 2014-12-18)
piano:
Nicholas Rimmer (pianist) (from 2014-12-16 until 2014-12-18)
arranger:
Nicholas Rimmer (pianist) and Gabriel Schwabe (cellist)
recorded at:
Sendesaal Bremen (since 2009, fka Radio Bremen Sendesaal) in Bremen, Bremen, Germany (from 2014-12-16 until 2014-12-18)
recording of:
5 Lieder, op. 47: Nr. 1. Botschaft (catch-all for arrangements) (from 2014-12-16 until 2014-12-18)
composer:
Johannes Brahms (German composer)
arrangement of:
5 Lieder, op. 47: Nr. 1. Botschaft
Johannes Brahms1:50
6Liebesglut, op. 47 no. 2
cello:
Gabriel Schwabe (cellist) (from 2014-12-16 until 2014-12-18)
piano:
Nicholas Rimmer (pianist) (from 2014-12-16 until 2014-12-18)
arranger:
Nicholas Rimmer (pianist) and Gabriel Schwabe (cellist)
recorded at:
Sendesaal Bremen (since 2009, fka Radio Bremen Sendesaal) in Bremen, Bremen, Germany (from 2014-12-16 until 2014-12-18)
recording of:
5 Lieder, op. 47: Nr. 2. Liebesglut (catch-all for arrangements) (from 2014-12-16 until 2014-12-18)
composer:
Johannes Brahms (German composer)
arrangement of:
5 Lieder, op. 47: Nr. 2. Liebesglut
Johannes Brahms2:10
7Verzagen, op. 72 no. 4
cello:
Gabriel Schwabe (cellist) (from 2014-12-16 until 2014-12-18)
piano:
Nicholas Rimmer (pianist) (from 2014-12-16 until 2014-12-18)
arranger:
Nicholas Rimmer (pianist) and Gabriel Schwabe (cellist)
recorded at:
Sendesaal Bremen (since 2009, fka Radio Bremen Sendesaal) in Bremen, Bremen, Germany (from 2014-12-16 until 2014-12-18)
recording of:
5 Gesänge, op. 72: Nr. 4. Verzagen (catch-all for arrangements) (from 2014-12-16 until 2014-12-18)
composer:
Johannes Brahms (German composer)
arrangement of:
5 Gesänge, op. 72: Nr. 4. Verzagen
Johannes Brahms2:32
8Sommerabend, op. 85 no. 1
cello:
Gabriel Schwabe (cellist) (from 2014-12-16 until 2014-12-18)
piano:
Nicholas Rimmer (pianist) (from 2014-12-16 until 2014-12-18)
arranger:
Nicholas Rimmer (pianist) and Gabriel Schwabe (cellist)
engineered at:
Sendesaal Bremen (since 2009, fka Radio Bremen Sendesaal) in Bremen, Bremen, Germany (from 2014-12-16 until 2014-12-18)
recording of:
6 Lieder, op. 85: Nr. 1. Sommerabend (catch-all for arrangements) (from 2014-12-16 until 2014-12-18)
composer:
Johannes Brahms (German composer)
arrangement of:
6 Lieder, op. 85: Nr. 1. Sommerabend
Johannes Brahms2:52
9Nachtigall, op. 97 no. 1
cello:
Gabriel Schwabe (cellist) (from 2014-12-16 until 2014-12-18)
piano:
Nicholas Rimmer (pianist) (from 2014-12-16 until 2014-12-18)
arranger:
Nicholas Rimmer (pianist) and Gabriel Schwabe (cellist)
recorded at:
Sendesaal Bremen (since 2009, fka Radio Bremen Sendesaal) in Bremen, Bremen, Germany (from 2014-12-16 until 2014-12-18)
recording of:
6 Lieder, op. 97: Nr. 1. Nachtigall (catch-all for arrangements) (from 2014-12-16 until 2014-12-18)
composer:
Johannes Brahms (German composer)
arrangement of:
6 Lieder, op. 97: Nr. 1. Nachtigall
Johannes Brahms2:00
10Cello Sonata no. 2 in F major, op. 99: I. Allegro vivace
cello:
Gabriel Schwabe (cellist) (from 2014-12-16 until 2014-12-18)
piano:
Nicholas Rimmer (pianist) (from 2014-12-16 until 2014-12-18)
recorded at:
Sendesaal Bremen (since 2009, fka Radio Bremen Sendesaal) in Bremen, Bremen, Germany (from 2014-12-16 until 2014-12-18)
recording of:
Sonata no. 2 for Cello and Piano in F major, op. 99: I. Allegro vivace (from 2014-12-16 until 2014-12-18)
composer:
Johannes Brahms (German composer) (in 1886)
part of:
Sonata for Piano and Cello no. 2 in F major, op. 99 (Cello Sonata no. 2 in F major, op. 99)
Johannes Brahms8:13
11Cello Sonata no. 2 in F major, op. 99: II. Adagio affettuoso
cello:
Gabriel Schwabe (cellist) (from 2014-12-16 until 2014-12-18)
piano:
Nicholas Rimmer (pianist) (from 2014-12-16 until 2014-12-18)
recorded at:
Sendesaal Bremen (since 2009, fka Radio Bremen Sendesaal) in Bremen, Bremen, Germany (from 2014-12-16 until 2014-12-18)
recording of:
Sonata no. 2 for Cello and Piano in F major, op. 99: II. Adagio affettuoso (from 2014-12-16 until 2014-12-18)
composer:
Johannes Brahms (German composer) (in 1886)
part of:
Sonata for Piano and Cello no. 2 in F major, op. 99 (Cello Sonata no. 2 in F major, op. 99)
Johannes Brahms6:30
12Cello Sonata no. 2 in F major, op. 99: III. Allegro passionato
cello:
Gabriel Schwabe (cellist) (from 2014-12-16 until 2014-12-18)
piano:
Nicholas Rimmer (pianist) (from 2014-12-16 until 2014-12-18)
recorded at:
Sendesaal Bremen (since 2009, fka Radio Bremen Sendesaal) in Bremen, Bremen, Germany (from 2014-12-16 until 2014-12-18)
recording of:
Sonata no. 2 for Cello and Piano in F major, op. 99: III. Allegro passionato (from 2014-12-16 until 2014-12-18)
composer:
Johannes Brahms (German composer) (in 1886)
part of:
Sonata for Piano and Cello no. 2 in F major, op. 99 (Cello Sonata no. 2 in F major, op. 99)
Johannes Brahms6:53
13Cello Sonata no. 2 in F major, op. 99: IV. Allegro molto
cello:
Gabriel Schwabe (cellist) (from 2014-12-16 until 2014-12-18)
piano:
Nicholas Rimmer (pianist) (from 2014-12-16 until 2014-12-18)
recorded at:
Sendesaal Bremen (since 2009, fka Radio Bremen Sendesaal) in Bremen, Bremen, Germany (from 2014-12-16 until 2014-12-18)
recording of:
Sonata no. 2 for Cello and Piano in F major, op. 99: IV. Allegro molto (from 2014-12-16 until 2014-12-18)
composer:
Johannes Brahms (German composer) (in 1886)
part of:
Sonata for Piano and Cello no. 2 in F major, op. 99 (Cello Sonata no. 2 in F major, op. 99)
Johannes Brahms4:14
4▼CD: Symphony no. 5
#TitleArtistRatingLength
1Symphony no. 5 in B-flat major, WAB 105: I. Adagio - Allegro
engineer:
Dave Harries (engineer)
producer:
Michael Ponder
orchestra:
Royal Scottish National Orchestra (from 1996-04-19 until 1996-04-20)
conductor:
Georg Tintner (Austrian composer and conductor) (from 1996-04-19 until 1996-04-20)
recorded at:
Henry Wood Hall (old [R]SNO Centre, Glasgow) in Glasgow, Scotland, United Kingdom (from 1996-04-19 until 1996-04-20)
recording of:
Symphony no. 5 in B-flat major, WAB 105 "Tragische": I. Introduction (Adagio) - Allegro. (1878 version, ed. Nowak, 1951) (from 1996-04-19 until 1996-04-20)
composer:
Anton Bruckner (Austrian composer) (in 1876)
part of:
Symphony no. 5 in B-flat major, WAB 105 "Tragische" (1878 version, ed. Nowak, 1951)
Anton Bruckner20:20
2Symphony no. 5 in B-flat major, WAB 105: II. Adagio
engineer:
Dave Harries (engineer)
producer:
Michael Ponder
orchestra:
Royal Scottish National Orchestra (from 1996-04-19 until 1996-04-20)
conductor:
Georg Tintner (Austrian composer and conductor) (from 1996-04-19 until 1996-04-20)
recorded at:
Henry Wood Hall (old [R]SNO Centre, Glasgow) in Glasgow, Scotland, United Kingdom (from 1996-04-19 until 1996-04-20)
recording of:
Symphony no. 5 in B-flat major, WAB 105 "Tragische": II. Adagio. Sehr langsam. (1878 version, ed. Nowak, 1951) (from 1996-04-19 until 1996-04-20)
composer:
Anton Bruckner (Austrian composer) (in 1876)
part of:
Symphony no. 5 in B-flat major, WAB 105 "Tragische" (1878 version, ed. Nowak, 1951)
Anton Bruckner16:24
3Symphony no. 5 in B-flat major, WAB 105: III. Scherzo: Molto vivace
engineer:
Dave Harries (engineer)
producer:
Michael Ponder
orchestra:
Royal Scottish National Orchestra (from 1996-04-19 until 1996-04-20)
conductor:
Georg Tintner (Austrian composer and conductor) (from 1996-04-19 until 1996-04-20)
recorded at:
Henry Wood Hall (old [R]SNO Centre, Glasgow) in Glasgow, Scotland, United Kingdom (from 1996-04-19 until 1996-04-20)
recording of:
Symphony no. 5 in B-flat major, WAB 105 "Tragische": III. Scherzo. Molto vivace (1878 version, ed. Nowak, 1951) (from 1996-04-19 until 1996-04-20)
composer:
Anton Bruckner (Austrian composer) (in 1876)
part of:
Symphony no. 5 in B-flat major, WAB 105 "Tragische" (1878 version, ed. Nowak, 1951)
Anton Bruckner14:11
4Symphony no. 5 in B-flat major, WAB 105: IV. Finale: Adagio - Allegro moderato
engineer:
Dave Harries (engineer)
producer:
Michael Ponder
orchestra:
Royal Scottish National Orchestra (from 1996-04-19 until 1996-04-20)
conductor:
Georg Tintner (Austrian composer and conductor) (from 1996-04-19 until 1996-04-20)
recorded at:
Henry Wood Hall (old [R]SNO Centre, Glasgow) in Glasgow, Scotland, United Kingdom (from 1996-04-19 until 1996-04-20)
recording of:
Symphony no. 5 in B-flat major, WAB 105 "Tragische": IV. Finale: Adagio - Allegro moderato. (1878 version, ed. Nowak, 1951) (from 1996-04-19 until 1996-04-20)
composer:
Anton Bruckner (Austrian composer) (in 1876)
part of:
Symphony no. 5 in B-flat major, WAB 105 "Tragische" (1878 version, ed. Nowak, 1951)
Anton Bruckner25:50
5▼CD: Piano Concertos Nos. 1 and 2
#TitleArtistRatingLength
1Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso
producer:
Martin Sauer (engineer/producer) (in 1990-11)
piano:
İdil Biret (pianist) (from 1990-11-03 until 1990-11-10)
orchestra:
Štátna filharmónia Košice (Slovak State Philharmonic Orchestra, Košice) (from 1990-11-03 until 1990-11-10)
conductor:
Róbert Stankovský (from 1990-11-03 until 1990-11-10)
recorded at:
Dom umenia (House of Arts) in Košice, Košický kraj (Košice Region), Slovakia (from 1990-11-03 until 1990-11-10)
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: I. Allegro maestoso (from 1990-11-03 until 1990-11-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830-04 until 1830-09)
part of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
Fryderyk Chopin21:28
2Piano Concerto no. 1 in E minor, op. 11: II. Romanza: Larghetto
producer:
Martin Sauer (engineer/producer) (in 1990-11)
piano:
İdil Biret (pianist) (from 1990-11-03 until 1990-11-10)
orchestra:
Slovak State Symphony Orchestra (Slovak State Philharmonic Orchestra, Košice) (from 1990-11-03 until 1990-11-10)
conductor:
Róbert Stankovský (from 1990-11-03 until 1990-11-10)
recorded at:
Dom umenia (House of Arts) in Košice, Košický kraj (Košice Region), Slovakia (from 1990-11-03 until 1990-11-10)
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto (from 1990-11-03 until 1990-11-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830-04 until 1830-09)
part of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
Fryderyk Chopin11:40
3Piano Concerto no. 1 in E minor, op. 11: III. Rondo: Vivace
producer:
Martin Sauer (engineer/producer) (in 1990-11)
piano:
İdil Biret (pianist) (from 1990-11-03 until 1990-11-10)
orchestra:
Štátna filharmónia Košice (Slovak State Philharmonic Orchestra, Košice) (from 1990-11-03 until 1990-11-10)
conductor:
Róbert Stankovský (from 1990-11-03 until 1990-11-10)
recorded at:
Dom umenia (House of Arts) in Košice, Košický kraj (Košice Region), Slovakia (from 1990-11-03 until 1990-11-10)
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: III. Rondo. Vivace (from 1990-11-03 until 1990-11-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830-04 until 1830-09)
part of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
Fryderyk Chopin10:25
4Piano Concerto no. 2 in F minor, op. 21: I. Maestoso
producer:
Martin Sauer (engineer/producer) (in 1990-11)
piano:
İdil Biret (pianist) (from 1990-11-03 until 1990-11-10)
orchestra:
Slovak State Philharmonice Orchestra (Kosice) (Slovak State Philharmonic Orchestra, Košice) (from 1990-11-03 until 1990-11-10)
conductor:
Róbert Stankovský (from 1990-11-03 until 1990-11-10)
recorded at:
Dom umenia (House of Arts) in Košice, Košický kraj (Košice Region), Slovakia (from 1990-11-03 until 1990-11-10)
recording of:
Concerto for Piano and Orchestra no. 2 in F minor, op. 21: I. Maestoso (from 1990-11-03 until 1990-11-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1829 until 1830)
part of:
Concerto for Piano and Orchestra no. 2 in F minor, op. 21
Fryderyk Chopin14:13
5Piano Concerto no. 2 in F minor, op. 21: II. Larghetto
producer:
Martin Sauer (engineer/producer) (in 1990-11)
piano:
İdil Biret (pianist) (from 1990-11-03 until 1990-11-10)
orchestra:
Slovak State Philharmonice Orchestra (Kosice) (Slovak State Philharmonic Orchestra, Košice) (from 1990-11-03 until 1990-11-10)
conductor:
Róbert Stankovský (from 1990-11-03 until 1990-11-10)
recorded at:
Dom umenia (House of Arts) in Košice, Košický kraj (Košice Region), Slovakia (from 1990-11-03 until 1990-11-10)
recording of:
Concerto for Piano and Orchestra no. 2 in F minor, op. 21: II. Larghetto (from 1990-11-03 until 1990-11-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1829 until 1830)
part of:
Concerto for Piano and Orchestra no. 2 in F minor, op. 21
Fryderyk Chopin9:24
6Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace
producer:
Martin Sauer (engineer/producer) (in 1990-11)
piano:
İdil Biret (pianist) (from 1990-11-03 until 1990-11-10)
orchestra:
Slovak State Philharmonice Orchestra (Kosice) (Slovak State Philharmonic Orchestra, Košice) (from 1990-11-03 until 1990-11-10)
conductor:
Róbert Stankovský (from 1990-11-03 until 1990-11-10)
recorded at:
Dom umenia (House of Arts) in Košice, Košický kraj (Košice Region), Slovakia (from 1990-11-03 until 1990-11-10)
recording of:
Concerto for Piano and Orchestra no. 2 in F minor, op. 21: III. Allegro vivace (from 1990-11-03 until 1990-11-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1829 until 1830)
part of:
Concerto for Piano and Orchestra no. 2 in F minor, op. 21
Fryderyk Chopin8:29
6▼CD: Rodeo / Dance Panels / El Salón México / Danzón Cubano
#TitleArtistRatingLength
1Rodeo (Complete Ballet): I. Buckaroo Holiday
engineer:
Matt Pons
producer:
Blanton Alspaugh (Producer)
mixer:
Mark Donahue (engineer)
orchestra:
Detroit Symphony Orchestra (from 2012-11-09 until 2012-11-11)
conductor:
Leonard Slatkin (conductor) (from 2012-11-09 until 2012-11-11)
recorded at:
Max M. Fisher Music Center: Orchestra Hall in Detroit, Michigan, United States (from 2012-11-09 until 2012-11-11)
recording of:
Rodeo: Buckaroo Holiday (from 2012-11-09 until 2012-11-11)
composer:
Aaron Copland (composer) (in 1942)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Rodeo (Rodeo: Ballet in one act)
Aaron Copland7:53
2Rodeo (Complete Ballet): II. Corral Nocturne - III. Ranch House Party
engineer:
Matt Pons
producer:
Blanton Alspaugh (Producer)
mixer:
Mark Donahue (engineer)
orchestra:
Detroit Symphony Orchestra (from 2012-11-09 until 2012-11-11)
conductor:
Leonard Slatkin (conductor) (from 2012-11-09 until 2012-11-11)
recorded at:
Max M. Fisher Music Center: Orchestra Hall in Detroit, Michigan, United States (from 2012-11-09 until 2012-11-11)
recording of:
Rodeo: Corral Nocturne (from 2012-11-09 until 2012-11-11)
composer:
Aaron Copland (composer) (in 1942)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Rodeo (Rodeo: Ballet in one act)
recording of:
Rodeo: Ranch House Party (from 2012-11-09 until 2012-11-11)
composer:
Aaron Copland (composer) (in 1942)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Rodeo (Rodeo: Ballet in one act)
Aaron Copland7:06
3Rodeo (Complete Ballet): IV. Saturday Night Waltz
engineer:
Matt Pons
producer:
Blanton Alspaugh (Producer)
mixer:
Mark Donahue (engineer)
orchestra:
Detroit Symphony Orchestra (from 2012-11-09 until 2012-11-11)
conductor:
Leonard Slatkin (conductor) (from 2012-11-09 until 2012-11-11)
recorded at:
Max M. Fisher Music Center: Orchestra Hall in Detroit, Michigan, United States (from 2012-11-09 until 2012-11-11)
recording of:
Rodeo: Saturday Night Waltz (from 2012-11-09 until 2012-11-11)
composer:
Aaron Copland (composer) (in 1942)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Rodeo (Rodeo: Ballet in one act)
Aaron Copland5:01
4Rodeo (Complete Ballet): V. Hoe Down
engineer:
Matt Pons
producer:
Blanton Alspaugh (Producer)
mixer:
Mark Donahue (engineer)
orchestra:
Detroit Symphony Orchestra (from 2012-11-09 until 2012-11-11)
conductor:
Leonard Slatkin (conductor) (from 2012-11-09 until 2012-11-11)
recorded at:
Max M. Fisher Music Center: Orchestra Hall in Detroit, Michigan, United States (from 2012-11-09 until 2012-11-11)
recording of:
Rodeo: Hoe-Down (from 2012-11-09 until 2012-11-11)
composer:
Aaron Copland (composer) (in 1942)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Rodeo (Rodeo: Ballet in one act)
Aaron Copland4:52
5Dance Panels: I. Introduction: Moderato (Tempo di valzer) - Espressivo un poco rubato
engineer:
Matt Pons
producer:
Blanton Alspaugh (Producer)
mixer:
Mark Donahue (engineer)
orchestra:
Detroit Symphony Orchestra (from 2012-11-09 until 2012-11-11)
conductor:
Leonard Slatkin (conductor) (from 2012-11-09 until 2012-11-11)
recorded at:
Max M. Fisher Music Center: Orchestra Hall in Detroit, Michigan, United States (from 2012-11-09 until 2012-11-11)
recording of:
Dance Panels: I. Introduction: Moderato (Tempo di valzer) - Espressivo un poco rubato (from 2012-11-09 until 2012-11-11)
composer:
Aaron Copland (composer) (in 1959)
revised by:
Aaron Copland (composer) (in 1962)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Dance Panels (ballet, rev. 1962)
Aaron Copland3:42
6Dance Panels: II. Allegretto con tenerezza (Un poco rubato)
engineer:
Matt Pons
producer:
Blanton Alspaugh (Producer)
mixer:
Mark Donahue (engineer)
orchestra:
Detroit Symphony Orchestra (from 2012-10-12 until 2012-10-14)
conductor:
Leonard Slatkin (conductor) (from 2012-10-12 until 2012-10-14)
recorded at:
Max M. Fisher Music Center: Orchestra Hall in Detroit, Michigan, United States (from 2012-10-12 until 2012-10-14)
recording of:
Dance Panels: II. Allegretto con tenerezza (Un poco rubato) (from 2012-10-12 until 2012-10-14)
composer:
Aaron Copland (composer) (in 1959)
revised by:
Aaron Copland (composer) (in 1962)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Dance Panels (ballet, rev. 1962)
Aaron Copland4:21
7Dance Panels: III. Scherzando - Moderato
engineer:
Matt Pons
producer:
Blanton Alspaugh (Producer)
mixer:
Mark Donahue (engineer)
orchestra:
Detroit Symphony Orchestra (from 2012-10-12 until 2012-10-14)
conductor:
Leonard Slatkin (conductor) (from 2012-10-12 until 2012-10-14)
recorded at:
Max M. Fisher Music Center: Orchestra Hall in Detroit, Michigan, United States (from 2012-10-12 until 2012-10-14)
recording of:
Dance Panels: III. Scherzando - Moderato (from 2012-10-12 until 2012-10-14)
composer:
Aaron Copland (composer) (in 1959)
revised by:
Aaron Copland (composer) (in 1962)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Dance Panels (ballet, rev. 1962)
Aaron Copland4:02
8Dance Panels: IV. Pas de trois: Lento
engineer:
Matt Pons
producer:
Blanton Alspaugh (Producer)
mixer:
Mark Donahue (engineer)
orchestra:
Detroit Symphony Orchestra (from 2012-10-12 until 2012-10-14)
conductor:
Leonard Slatkin (conductor) (from 2012-10-12 until 2012-10-14)
recorded at:
Max M. Fisher Music Center: Orchestra Hall in Detroit, Michigan, United States (from 2012-10-12 until 2012-10-14)
recording of:
Dance Panels: IV. Pas de trois: Lento (from 2012-10-12 until 2012-10-14)
composer:
Aaron Copland (composer) (in 1959)
revised by:
Aaron Copland (composer) (in 1962)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Dance Panels (ballet, rev. 1962)
Aaron Copland4:10
9Dance Panels: V. Con brio
engineer:
Matt Pons
producer:
Blanton Alspaugh (Producer)
mixer:
Mark Donahue (engineer)
orchestra:
Detroit Symphony Orchestra (from 2012-10-12 until 2012-10-14)
conductor:
Leonard Slatkin (conductor) (from 2012-10-12 until 2012-10-14)
recorded at:
Max M. Fisher Music Center: Orchestra Hall in Detroit, Michigan, United States (from 2012-10-12 until 2012-10-14)
recording of:
Dance Panels: V. Con brio (from 2012-10-12 until 2012-10-14)
composer:
Aaron Copland (composer) (in 1959)
revised by:
Aaron Copland (composer) (in 1962)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Dance Panels (ballet, rev. 1962)
Aaron Copland3:36
10Dance Panels: VI. Con moto
engineer:
Matt Pons
producer:
Blanton Alspaugh (Producer)
mixer:
Mark Donahue (engineer)
orchestra:
Detroit Symphony Orchestra (from 2012-10-12 until 2012-10-14)
conductor:
Leonard Slatkin (conductor) (from 2012-10-12 until 2012-10-14)
recorded at:
Max M. Fisher Music Center: Orchestra Hall in Detroit, Michigan, United States (from 2012-10-12 until 2012-10-14)
recording of:
Dance Panels: VI. Con moto (from 2012-10-12 until 2012-10-14)
composer:
Aaron Copland (composer) (in 1959)
revised by:
Aaron Copland (composer) (in 1962)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Dance Panels (ballet, rev. 1962)
Aaron Copland1:33
11Dance Panels: VII. Molto ritmico - Coda - Come prima - Moderato
engineer:
Matt Pons
producer:
Blanton Alspaugh (Producer)
mixer:
Mark Donahue (engineer)
orchestra:
Detroit Symphony Orchestra (from 2012-10-12 until 2012-10-14)
conductor:
Leonard Slatkin (conductor) (from 2012-10-12 until 2012-10-14)
recorded at:
Max M. Fisher Music Center: Orchestra Hall in Detroit, Michigan, United States (from 2012-10-12 until 2012-10-14)
recording of:
Dance Panels: VII. Molto ritmico - Coda - Come prima - Moderato (from 2012-10-12 until 2012-10-14)
composer:
Aaron Copland (composer) (in 1959)
revised by:
Aaron Copland (composer) (in 1962)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Dance Panels (ballet, rev. 1962)
Aaron Copland4:56
12El Salón México
engineer:
Matt Pons
producer:
Blanton Alspaugh (Producer)
mixer:
Mark Donahue (engineer)
orchestra:
Detroit Symphony Orchestra (from 2012-10-12 until 2012-10-14)
conductor:
Leonard Slatkin (conductor) (from 2012-10-12 until 2012-10-14)
recorded at:
Max M. Fisher Music Center: Orchestra Hall in Detroit, Michigan, United States (from 2012-10-12 until 2012-10-14)
recording of:
El Salón México (from 2012-10-12 until 2012-10-14)
premiered in:
Ciudad de México (Mexico City), Mexico (on 1937-08-27)
composer:
Aaron Copland (composer) (from 1932 until 1936)
premiered by:
Carlos Chávez (Mexican composer/conductor) (on 1937-08-27) and Orquesta Sinfónica Nacional de México (National Symphony Orchestra of Mexico) (on 1937-08-27)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
Aaron Copland11:52
13Danzón Cubano
engineer:
Matt Pons
producer:
Blanton Alspaugh (Producer)
mixer:
Mark Donahue (engineer)
orchestra:
Detroit Symphony Orchestra (from 2012-10-12 until 2012-10-14)
conductor:
Leonard Slatkin (conductor) (from 2012-10-12 until 2012-10-14)
recorded at:
Max M. Fisher Music Center: Orchestra Hall in Detroit, Michigan, United States (from 2012-10-12 until 2012-10-14)
recording of:
Danzón Cubano (for orchestra) (from 2012-10-12 until 2012-10-14)
premiered in:
Baltimore, Maryland, United States (on 1946-02-17)
orchestrator:
Aaron Copland (composer) (in 1946)
composer:
Aaron Copland (composer) (in 1942)
premiered by:
Baltimore Symphony Orchestra (on 1946-02-17) and Reginald Stewart (trombone) (on 1946-02-17)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
orchestration of:
Danzón Cubano (for two pianos)
Aaron Copland7:07
7▼CD: Metropolis Symphony
#TitleArtistRatingLength
1Metropolis Symphony: I. Lex
orchestra:
Nashville Symphony Orchestra (from 2008-11-20 until 2008-11-22)
conductor:
Giancarlo Guerrero (conductor) (from 2008-11-20 until 2008-11-22)
recorded at:
Schermerhorn Symphony Center in Nashville, Tennessee, United States (from 2008-11-20 until 2008-11-22)
recording of:
Metropolis Symphony: I. Lex (from 2008-11-20 until 2008-11-22)
composer:
Michael Daugherty (American composer) (from 1988 until 1993)
part of:
Metropolis Symphony
Michael Daugherty10:05
2Metropolis Symphony: II. Krypton
orchestra:
Nashville Symphony Orchestra (from 2008-11-20 until 2008-11-22)
conductor:
Giancarlo Guerrero (conductor) (from 2008-11-20 until 2008-11-22)
recorded at:
Schermerhorn Symphony Center in Nashville, Tennessee, United States (from 2008-11-20 until 2008-11-22)
recording of:
Metropolis Symphony: II. Krypton (from 2008-11-20 until 2008-11-22)
composer:
Michael Daugherty (American composer) (from 1988 until 1993)
part of:
Metropolis Symphony
Michael Daugherty6:49
3Metropolis Symphony: III. MXYZPTLK
orchestra:
Nashville Symphony Orchestra (from 2008-11-20 until 2008-11-22)
conductor:
Giancarlo Guerrero (conductor) (from 2008-11-20 until 2008-11-22)
recorded at:
Schermerhorn Symphony Center in Nashville, Tennessee, United States (from 2008-11-20 until 2008-11-22)
recording of:
Metropolis Symphony: III. MXYZPTLK (from 2008-11-20 until 2008-11-22)
composer:
Michael Daugherty (American composer) (from 1988 until 1993)
part of:
Metropolis Symphony
Michael Daugherty7:02
4Metropolis Symphony: IV. Oh, Lois!
orchestra:
Nashville Symphony Orchestra (from 2008-11-20 until 2008-11-22)
conductor:
Giancarlo Guerrero (conductor) (from 2008-11-20 until 2008-11-22)
recorded at:
Schermerhorn Symphony Center in Nashville, Tennessee, United States (from 2008-11-20 until 2008-11-22)
recording of:
Metropolis Symphony: IV. Oh, Lois! (from 2008-11-20 until 2008-11-22)
composer:
Michael Daugherty (American composer) (from 1988 until 1993)
part of:
Metropolis Symphony
Michael Daugherty5:07
5Metropolis Symphony: V. Red Cape Tango
orchestra:
Nashville Symphony Orchestra (from 2008-11-20 until 2008-11-22)
conductor:
Giancarlo Guerrero (conductor) (from 2008-11-20 until 2008-11-22)
recorded at:
Schermerhorn Symphony Center in Nashville, Tennessee, United States (from 2008-11-20 until 2008-11-22)
recording of:
Metropolis Symphony: V. Red Cape Tango (from 2008-11-20 until 2008-11-22)
composer:
Michael Daugherty (American composer) (from 1988 until 1993)
is based on:
Dies Irae (plainchant)
part of:
Metropolis Symphony
Michael Daugherty13:47
6Deus ex Machina: I. Fast Forward (Di andata veloce)
solo piano:
Terrence Wilson (pianist) (from 2007-05-31 until 2007-06-02)
orchestra:
Nashville Symphony Orchestra (from 2007-05-31 until 2007-06-02)
conductor:
Giancarlo Guerrero (conductor) (from 2007-05-31 until 2007-06-02)
recorded at:
Schermerhorn Symphony Center in Nashville, Tennessee, United States (from 2007-05-31 until 2007-06-02)
recording of:
Deus ex Machina: I. Fast Forward (Di andata veloce) (from 2007-05-31 until 2007-06-02)
composer:
Michael Daugherty (American composer) (in 2007)
part of:
Deus ex Machina
Michael Daugherty7:24
7Deus ex Machina: II. Train of Tears
solo piano:
Terrence Wilson (pianist) (from 2007-05-31 until 2007-06-02)
orchestra:
Nashville Symphony Orchestra (from 2007-05-31 until 2007-06-02)
conductor:
Giancarlo Guerrero (conductor) (from 2007-05-31 until 2007-06-02)
recorded at:
Schermerhorn Symphony Center in Nashville, Tennessee, United States (from 2007-05-31 until 2007-06-02)
recording of:
Deus ex Machina: II. Train of Tears (from 2007-05-31 until 2007-06-02)
composer:
Michael Daugherty (American composer) (in 2007)
part of:
Deus ex Machina
Michael Daugherty14:21
8Deus ex Machina: III. Night Steam
solo piano:
Terrence Wilson (pianist) (from 2007-05-31 until 2007-06-02)
orchestra:
Nashville Symphony Orchestra (from 2007-05-31 until 2007-06-02)
conductor:
Giancarlo Guerrero (conductor) (from 2007-05-31 until 2007-06-02)
recorded at:
Schermerhorn Symphony Center in Nashville, Tennessee, United States (from 2007-05-31 until 2007-06-02)
recording of:
Deus ex Machina: III. Night Steam (from 2007-05-31 until 2007-06-02)
composer:
Michael Daugherty (American composer) (in 2007)
part of:
Deus ex Machina
Michael Daugherty11:17
8▶CD: 24 Préludes
9▶CD: Piano Trios 1: Nos. 3 and 4 "Dumky"
10▶CD: Symphony No. 9 “From the New World” / Symphonic Variations
11▶CD: Cello Concertos
12▶CD: Marches: Pomp and Circumstance / Polonia / Caractacus
13▶CD: Symphony No. 3 "Il'ya Muromets"
14▶CD: Symphony No. 3 / Three Olden Style Pieces
15▶CD: Peer Gynt Suites / Six Orchestral Songs
16▶CD: Water Music / Music for the Royal Fireworks
17▶CD: String Quartets Op. 76: No. 4 "Sunrise" / No. 5 / No. 6
18▶CD: Piano Concertos Nos. 1 and 2 / Totentanz
19▶CD: Flute Concertos Nos. 1 and 2 / Concerto for Flute and Harp
20▶CD: Nordic Violin Favourites
21▶CD: Études-tableaux, Op. 39 / Moments musicaux
22▶CD: The Snow Maiden / Sadko / Mlada / Le Coq d'or
23▶CD: Rodrigo: Concierto de Aranjuez / Villa-Lobos: Guitar Concerto / Castelnuovo-Tedesco: Guitar Concerto No. 1
24▶CD: The Barber of Seville (Highlights)
25▶CD: Music for Violin and Orchestra 2: Fantasies on Carmen and Roméo et Juliette
26▶CD: Stabat Mater / Veni Creator / Litany to the Virgin Mary
27▶CD: Spem in alium / Missa Salve intemerata
28▶CD: Manfred Symphony / The Voyevoda
29▶CD: Violin Concerto / Souvenir d'un lieu cher / Sérénade mélancolique
30▶CD: The Four Seasons / Concerto alla rustica

Credits

Release group

includes:24 Préludes by Claude Debussy (French composer), Peter Breiner (pianist, conductor, composer); Royal Scottish National Orchestra, Jun Märkl
Cello Concertos by Dvořák (Antonín Dvořák, composer), Elgar (Edward Elgar, composer); Maria Kliegel (cellist), Royal Philharmonic Orchestra, Michael Halász (conductor)
Cello Sonatas and Songs by Johannes Brahms (German composer); Gabriel Schwabe (cellist), Nicholas Rimmer (pianist)
Complete Orchestral Works, Volume 8: Orchestral Overtures (Suites) nos. 1-4 by Johann Sebastian Bach (German Baroque period composer & musician); Cologne Chamber Orchestra, Helmut Müller‐Brühl (conductor), Karl Kaiser (flautist)
Complete Piano Music, Volume 14: Piano Concertos nos. 1 and 2 by Frédéric Chopin (composer); Slovak State Philharmonic Orchestra (Košice) (Slovak State Philharmonic Orchestra, Košice), Róbert Stankovský, İdil Biret (pianist)
Études-tableaux, op. 39 / Moments musicaux by Rachmaninov (Sergei Rachmaninoff, Russian composer); Boris Giltburg (Israeli pianist)
Flute Concertos Nos. 1 and 2 / Concerto for Flute, Harp and Orchestra by Wolfgang Amadeus Mozart (classical composer); Swedish Chamber Orchestra, Patrick Gallois (flutist), Fabrice Pierre (harpist and conductor)
Il barbiere di Siviglia by Gioachino Rossini (composer); Roberto Servile (baritone), Sonia Ganassi (mezzo-soprano), Ramón Vargas (tenor), Failoni Chamber Orchestra, Hungarian Radio Chorus (Hungarian Radio and Television Chorus), Will Humburg (conductor)
Manfred Symphony / The Voyevoda by Tchaikovsky (Pyotr Ilyich Tchaikovsky, Russian romantic composer); Royal Liverpool Philharmonic Orchestra, Vasily Petrenko (conductor)
Marches: Pomp and Circumstance / Polonia / Caractacus by Edward Elgar (composer); New Zealand Symphony Orchestra, James Judd (conductor)
Metropolis Symphony by Michael Daugherty (American composer); Nashville Symphony, Giancarlo Guerrero (conductor)
Music for Violin and Orchestra 2: Fantasies on Carmen and Roméo et Juliette by Sarasate (violinist and composer); Tianwa Yang (violinist), Orquesta Sinfónica de Navarra (Navarre Symphony Orchestra), Ernest Martínez Izquierdo
Nordic Violin Favourites by Henning Kraggerud (violinist/violist/composer), Dalasinfoniettan, Bjarte Engeset (conductor)
Peer Gynt Suites / Six Orchestral Songs by Edvard Grieg (composer); Inger Dam-Jensen, Palle Knudsen (baritone), Malmö Symfony Orchestra (Malmö Symphony Orchestra), Bjarte Engeset (conductor)
Piano Sonatas, Volume 1: Moonlight / Pathétique / Appassionata by Ludwig van Beethoven (German composer); Jenő Jandó (pianist)
Piano Trios 1: Nos. 3 and 4 "Dumky" by Dvořák (Antonín Dvořák, composer); Tempest Trio (classical piano trio)
Rodrigo: Concierto de Aranjuez / Villa-Lobos: Guitar Concerto / Castelnuovo-Tedesco: Guitar Concerto no. 1 by Rodrigo (Joaquín Rodrigo, Spanish composer and virtuoso pianist), Villa-Lobos (Brazilian composer, conductor, cellist and classical guitarist), Castelnuovo‐Tedesco (Italian composer); Northern Chamber Orchestra, Nicholas Ward (British conductor), Norbert Kraft (classical guitarist and producer)
Spem in alium / Missa Salve intemerata by Thomas Tallis (composer); Oxford Camerata (English chamber choir), Jeremy Summerly (conductor)
String Quartets, op. 76: No. 4 "Sunrise" / No. 5 / No. 6 by Joseph Haydn (composer); Kodály Quartet
Symphony no. 3 "Il'ya Muromets" by Reinhold Moritsevich Glière (Reinhold Glière, Russian composer); Buffalo Philharmonic Orchestra, JoAnn Falletta (American conductor)
Symphony no. 3 / 3 Olden Style Pieces by Górecki (Henryk Mikolaj Gorecki, Polish composer); Zofia Kilanowicz (Polish soprano), Polish National Radio Symphony Orchestra (revived in 1945 in Katowice), Antoni Wit (conductor)
Symphony no. 5 by Bruckner (Austrian composer); Royal Scottish National Orchestra, Georg Tintner (Austrian composer and conductor)
Symphony no. 9 “From the New World” / Symphonic Variations by Dvořák (Antonín Dvořák, composer); Baltimore Symphony Orchestra, Marin Alsop (conductor)
The Four Seasons / Concerto alla rustica by Vivaldi (Antonio Vivaldi, Italian baroque composer and violinist); Takako Nishizaki (violinist), Capella Istropolitana, Stephen Gunzenhauser (conductor)
Water Music / Music for the Royal Fireworks by Handel (George Frideric Handel, German‐British baroque composer); Aradia Ensemble, Kevin Mallon (conductor)