Songs

~ Release by Choir of Clare College, Cambridge with Michael Chance (see all versions of this release, 1 available)

Annotation

includes a booklet with the English Song texts

Annotation last modified on 2023-03-02 13:41 UTC.

Tracklist

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1▼CD
#	Title	Artist	Rating	Length
1	Te Deum and Jubilate Deo for St. Cecilia's Day, Z. 232: Te Deum engineer and producer: Tim Handley (engineer/editor/producer) and Nicholas Parker (classical violinist, producer, engineer) instruments: Baroque Brass of London choir vocals: Clare College Choir conductor: Timothy Brown (English classical choral conductor) recording of: Te Deum and Jubilate Deo in D, Z. 232: Te Deum composer: Henry Purcell (Baroque composer) part of: Te Deum and Jubilate Deo, for St. Cecilia's Day, Z. 232	Purcell		11:36
2	Te Deum and Jubilate Deo for St. Cecilia's Day, Z. 232: Jubilate Deo engineer and producer: Tim Handley (engineer/editor/producer) and Nicholas Parker (classical violinist, producer, engineer) instruments: Baroque Brass of London choir vocals: Clare College Choir conductor: Timothy Brown (English classical choral conductor) recording of: Te Deum and Jubilate Deo in D, Z. 232: Jubilate Deo composer: Henry Purcell (Baroque composer) part of: Te Deum and Jubilate Deo, for St. Cecilia's Day, Z. 232	Purcell		7:20
3	My Beloved Spake, Z. 28 engineer and producer: Tim Handley (engineer/editor/producer) and Nicholas Parker (classical violinist, producer, engineer) instruments: Baroque Brass of London choir vocals: Clare College Choir conductor: Timothy Brown (English classical choral conductor) recording of: My beloved spake, Z. 28 composer: Henry Purcell (Baroque composer) part of: Henry Purcell: An Analytical Catalogue of His Music (number: Z. 28)	Purcell		9:32
4	O God, Thou Art My God, Z. 35 engineer and producer: Tim Handley (engineer/editor/producer) and Nicholas Parker (classical violinist, producer, engineer) instruments: Baroque Brass of London choir vocals: Clare College Choir conductor: Timothy Brown (English classical choral conductor) recording of: O God, thou art my God, Z. 35 composer: Henry Purcell (Baroque composer) part of: Henry Purcell: An Analytical Catalogue of His Music (number: Z. 35)	Purcell		3:24
5	Lord, How Long Wilt Thou Be Angry?, Z. 25 engineer and producer: Tim Handley (engineer/editor/producer) and Nicholas Parker (classical violinist, producer, engineer) instruments: Baroque Brass of London choir vocals: Clare College Choir conductor: Timothy Brown (English classical choral conductor) recording of: Lord, how long wilt thou be angry, Z. 25 composer: Henry Purcell (Baroque composer) part of: Henry Purcell: An Analytical Catalogue of His Music (number: Z. 25)	Purcell		3:18
6	Remember Not, Lord, Our Offences, Z. 50 engineer and producer: Tim Handley (engineer/editor/producer) and Nicholas Parker (classical violinist, producer, engineer) instruments: Baroque Brass of London choir vocals: Clare College Choir conductor: Timothy Brown (English classical choral conductor) recording of: Remember not, Lord, our offences, Z. 50 composer: Henry Purcell (Baroque composer) part of: Henry Purcell: An Analytical Catalogue of His Music (number: Z. 50)	Purcell		2:56
7	Hear My Prayer, o Lord, Z. 15 engineer and producer: Tim Handley (engineer/editor/producer) and Nicholas Parker (classical violinist, producer, engineer) instruments: Baroque Brass of London choir vocals: Clare College Choir conductor: Timothy Brown (English classical choral conductor) recording of: Hear My Prayer, O Lord, Z. 15 lyricist: [anonymous] (special purpose artist) composer: Henry Purcell (Baroque composer) part of: Henry Purcell: An Analytical Catalogue of His Music (number: Z. 15)	Purcell		2:04
8	Music for the Funeral of Queen Mary, Z. 860: Funeral March I engineer and producer: Tim Handley (engineer/editor/producer) and Nicholas Parker (classical violinist, producer, engineer) instruments: Baroque Brass of London choir vocals: Clare College Choir conductor: Timothy Brown (English classical choral conductor) recording of: Funeral Music on the Death of Queen Mary: I. March, Z. 860 composer: Henry Purcell (Baroque composer) part of: Music for the Funeral of Queen Mary, Z. 860	Purcell		2:06
9	Music for the Funeral of Queen Mary, Z. 860: Man That Is Born of a Woman engineer and producer: Tim Handley (engineer/editor/producer) and Nicholas Parker (classical violinist, producer, engineer) instruments: Baroque Brass of London choir vocals: Clare College Choir conductor: Timothy Brown (English classical choral conductor) recording of: Funeral Music on the Death of Queen Mary: II. Anthem, Z. 27 “Man that is born of a woman" composer: Henry Purcell (Baroque composer) part of: Henry Purcell: An Analytical Catalogue of His Music (number: Z. 27) part of: Music for the Funeral of Queen Mary, Z. 860	Purcell		2:22
10	Music for the Funeral of Queen Mary, Z. 860: In the Midst of Life engineer and producer: Tim Handley (engineer/editor/producer) and Nicholas Parker (classical violinist, producer, engineer) instruments: Baroque Brass of London choir vocals: Clare College Choir conductor: Timothy Brown (English classical choral conductor) recording of: Funeral Music on the Death of Queen Mary: IV. In the midst of life, Z. 17 composer: Henry Purcell (Baroque composer) part of: Henry Purcell: An Analytical Catalogue of His Music (number: Z. 17) part of: Music for the Funeral of Queen Mary, Z. 860	Purcell		3:40
11	Music for the Funeral of Queen Mary, Z. 860: Canzona engineer and producer: Tim Handley (engineer/editor/producer) and Nicholas Parker (classical violinist, producer, engineer) instruments: Baroque Brass of London choir vocals: Clare College Choir conductor: Timothy Brown (English classical choral conductor) recording of: Funeral Music on the Death of Queen Mary: III. Canzona, Z. 860 composer: Henry Purcell (Baroque composer) part of: Music for the Funeral of Queen Mary, Z. 860 recording of: Funeral Music on the Death of Queen Mary: V. Canzona, Z. 860 composer: Henry Purcell (Baroque composer) part of: Music for the Funeral of Queen Mary, Z. 860	Purcell		2:24
12	Music for the Funeral of Queen Mary, Z. 860: Thou Knowest, Lord engineer and producer: Tim Handley (engineer/editor/producer) and Nicholas Parker (classical violinist, producer, engineer) instruments: Baroque Brass of London choir vocals: Clare College Choir conductor: Timothy Brown (English classical choral conductor) recording of: Funeral Music on the Death of Queen Mary: VI. Anthem, Z. 58b "Thou knowest, Lord" composer: Henry Purcell (Baroque composer) part of: Henry Purcell: An Analytical Catalogue of His Music (number: Z. 58b) part of: Music for the Funeral of Queen Mary, Z. 860	Purcell		2:52
13	Music for the Funeral of Queen Mary, Z. 860: Funeral March Ii engineer and producer: Tim Handley (engineer/editor/producer) and Nicholas Parker (classical violinist, producer, engineer) instruments: Baroque Brass of London choir vocals: Clare College Choir conductor: Timothy Brown (English classical choral conductor) recording of: Funeral Music on the Death of Queen Mary: VII. March, Z. 860 composer: Henry Purcell (Baroque composer) part of: Music for the Funeral of Queen Mary, Z. 860	Purcell		1:18

2▼CD
#	Title	Artist	Rating	Length
1	Strike the Viol archlute: Nigel North (English lute player) harpsichord: Maggie Cole (harpsichordist) viola da gamba: Richard Boothby (viol and cello player) countertenor vocals: Michael Chance (British countertenor) recording of: Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: V. Strike the viol lyricist and librettist: Nahum Tate composer: Henry Purcell (Baroque composer) (in 1694) part of: Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323	Purcell		2:27
2	The Queen's Epicedium archlute: Nigel North (English lute player) harpsichord: Maggie Cole (harpsichordist) viola da gamba: Richard Boothby (viol and cello player) countertenor vocals: Michael Chance (British countertenor) recording of: The Queen's Epicedium, Z. 383 "Incassum Lesbia, incassum rogas" lyricist: George Herbert (Church poet) composer: Henry Purcell (Baroque composer) (in 1695) part of: Henry Purcell: An Analytical Catalogue of His Music (number: Z. 383)	Purcell		8:22
3	Here the Deities Approve archlute: Nigel North (English lute player) harpsichord: Maggie Cole (harpsichordist) viola da gamba: Richard Boothby (viol and cello player) countertenor vocals: Michael Chance (British countertenor) recording of: Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: Here the deities approve / While joys celestial composer: Henry Purcell (Baroque composer) part of: Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339	Purcell		3:01
4	O Solitude archlute: Nigel North (English lute player) harpsichord: Maggie Cole (harpsichordist) viola da gamba: Richard Boothby (viol and cello player) countertenor vocals: Michael Chance (British countertenor) recording of: O Solitude, Z. 406 lyricist: Katherine Philips (17th century poet) composer: Henry Purcell (Baroque composer) (from 1684 until 1685) part of: Henry Purcell: An Analytical Catalogue of His Music (number: Z. 406) is based on: O Solitude	Purcell		5:34
5	Sweeter Than Roses archlute: Nigel North (English lute player) harpsichord: Maggie Cole (harpsichordist) viola da gamba: Richard Boothby (viol and cello player) countertenor vocals: Michael Chance (British countertenor) recording of: Pausanias, the Betrayer of his Country, Z. 585: I. "Sweeter than roses" composer: Henry Purcell (Baroque composer) part of: Pausanias, the Betrayer of his Country, Z. 585	Purcell		3:21
6	Music for a While archlute: Nigel North (English lute player) harpsichord: Maggie Cole (harpsichordist) viola da gamba: Richard Boothby (viol and cello player) countertenor vocals: Michael Chance (British countertenor) recording of: Oedipus, King of Thebes, Z. 583: II. "Music for a While" lyricist: John Dryden (English poet) composer: Henry Purcell (Baroque composer) part of: Oedipus, King of Thebes, Z. 583	Purcell		4:06
7	If Music Be the Food of Love archlute: Nigel North (English lute player) harpsichord: Maggie Cole (harpsichordist) viola da gamba: Richard Boothby (viol and cello player) countertenor vocals: Michael Chance (British countertenor) recording of: If Music Be the Food of Love, Z. 379 lyricist: Col. Henry Heveningham composer: Henry Purcell (Baroque composer) (in 1692) part of: Henry Purcell: An Analytical Catalogue of His Music (number: Z. 379)	Purcell		2:07
8	In the Black Dismal Dungeon of Despair instruments: Florilegium recording of: In the black dismal dungeon of despair, Z. 190 composer: Henry Purcell (Baroque composer) part of: Henry Purcell: An Analytical Catalogue of His Music (number: Z. 190)	Purcell		4:10
9	An Evening Hymn instruments: Florilegium recording of: An Evening Hymn, Z. 193 "Now that the sun hath veiled his light" lyricist: Dr. William Fuller composer: Henry Purcell (Baroque composer) part of: Henry Purcell: An Analytical Catalogue of His Music (number: Z. 193)	Purcell		4:36
10	Chaconny in G minor instruments: Florilegium recording of: Chacony in G minor for 2 violins, viola and continuo, Z. 730 composer: Henry Purcell (Baroque composer) part of: Henry Purcell: An Analytical Catalogue of His Music (number: Z. 730)	Purcell		4:40
11	Dioclesian: First Music instruments: Florilegium recording of: The Prophetess, or The History of Dioclesian, Z. 627: 1. First musick composer: Henry Purcell (Baroque composer) librettist: Thomas Betterton (English actor and theatre manager; librettist of The Fairy‐Queen) part of: The Prophetess, or The History of Dioclesian, Z. 627	Purcell		2:18
12	Dioclesian: Overture instruments: Florilegium recording of: The Prophetess, or The History of Dioclesian, Z. 627: 3. Ouverture composer: Henry Purcell (Baroque composer) part of: The Prophetess, or The History of Dioclesian, Z. 627	Purcell		4:28
13	Dioclesian: 1st Act Tune instruments: Florilegium recording of: The Prophetess, or The History of Dioclesian, Z. 627: 2. Second musick composer: Henry Purcell (Baroque composer) part of: The Prophetess, or The History of Dioclesian, Z. 627	Purcell		1:15
14	Dioclesian: Dance of the Furies instruments: Florilegium recording of: The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Dance of the furies composer: Henry Purcell (Baroque composer) part of: The Prophetess, or The History of Dioclesian, Z. 627: Act 2	Purcell		3:35
15	Dioclesian: Second Act Tune instruments: Florilegium recording of: The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Second act tune composer: Henry Purcell (Baroque composer) part of: The Prophetess, or The History of Dioclesian, Z. 627: Act 2	Purcell		1:30
16	Dioclesian: Two in Once Upon a Ground instruments: Florilegium recording of: The Prophetess, or The History of Dioclesian, Z. 627: Act 3. Two in one upon a Ground, Chaconne for flutes composer: Henry Purcell (Baroque composer) librettist: Thomas Betterton (English actor and theatre manager; librettist of The Fairy‐Queen) part of: The Prophetess, or The History of Dioclesian, Z. 627: Act 3	Purcell		2:41
17	Dioclesian: The Chair Dance instruments: Florilegium recording of: The Prophetess, or The History of Dioclesian, Z. 627: Act 3. The Chair Dance composer: Henry Purcell (Baroque composer) part of: The Prophetess, or The History of Dioclesian, Z. 627: Act 3	Purcell		1:16
18	Dioclesian: Third Act Tune instruments: Florilegium recording of: The Prophetess, or The History of Dioclesian, Z. 627: Act 3. Third act tune composer: Henry Purcell (Baroque composer) part of: The Prophetess, or The History of Dioclesian, Z. 627: Act 3	Purcell		0:46
19	Dioclesian: Butterfly Dance instruments: Florilegium recording of: The Prophetess, or The History of Dioclesian, Z. 627: Act 4. Dance – Butterfly Dance composer: Henry Purcell (Baroque composer) part of: The Prophetess, or The History of Dioclesian, Z. 627: Act 4	Purcell		2:21
20	Dioclesian: Country Dance in Act 5 instruments: Florilegium recording of: The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Country Dance composer: Henry Purcell (Baroque composer) part of: The Prophetess, or The History of Dioclesian, Z. 627: Act 5	Purcell		1:33
21	Dioclesian: Dance of the Bacchanals instruments: Florilegium recording of: The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Dance of Bacchanals composer: Henry Purcell (Baroque composer) part of: The Prophetess, or The History of Dioclesian, Z. 627: Act 5	Purcell		1:28
22	Dioclesian: Still I'm Wishing instruments: Florilegium recording of: The Prophetess, or The History of Dioclesian, Z. 627: "Still I'm wishing" composer: Henry Purcell (Baroque composer) part of: The Prophetess, or The History of Dioclesian, Z. 627: Act 5	Purcell		1:55
23	Dioclesian: Canaries instruments: Florilegium recording of: The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Canaries composer: Henry Purcell (Baroque composer) part of: The Prophetess, or The History of Dioclesian, Z. 627: Act 5	Purcell		0:47
24	Dioclesian: Dance instruments: Florilegium recording of: The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Dance composer: Henry Purcell (Baroque composer) part of: The Prophetess, or The History of Dioclesian, Z. 627: Act 5	Purcell		1:27
25	Dioclesian: Dance instruments: Florilegium recording of: The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Dance (2) composer: Henry Purcell (Baroque composer) part of: The Prophetess, or The History of Dioclesian, Z. 627: Act 5	Purcell		0:53
26	Timon of Athens: Curtain Tune instruments: Florilegium recording of: Timon of Athens, Z. 632: 14. Curtain Tune on a Ground composer: Henry Purcell (Baroque composer) part of: Timon of Athens (semi-opera)	Purcell		2:13

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Discogs:	https://www.discogs.com/release/1053642 [info]
ASIN:	DE: B0000U200S [info]

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Discogs:	https://www.discogs.com/master/581578 [info]

Funeral Music For Queen Mary / Sacred Music / Dioclesian / Songs

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