Cantatas, BWV 100–102

~ Release by Johann Sebastian Bach; Bach‐Collegium Stuttgart, Helmuth Rilling (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Kantate, BWV 100 “Was Gott tut, das ist wohlgetan”: I. Choral “Was Gott tut, das ist wohlgetan”
choir vocals:
Gächinger Kantorei Stuttgart (from 1983-10 until 1984-03)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (from 1983-10 until 1984-03)
conductor:
Helmuth Rilling (conductor) (from 1983-10 until 1984-03)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-10 until 1984-03)
mixed at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany
recording of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": I. Choral "Was Gott tut, das ist wohlgetan" (from 1983-10 until 1984-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
part of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach4:33
2Kantate, BWV 100 “Was Gott tut, das ist wohlgetan”: II. Duetto (Alt, Tenor) “Was Gott tut, das ist wohlgetan”
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano) (from 1983-10 until 1984-03)
tenor vocals:
Adalbert Kraus (tenor) (from 1983-10 until 1984-03)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (from 1983-10 until 1984-03)
conductor:
Helmuth Rilling (conductor) (from 1983-10 until 1984-03)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-10 until 1984-03)
mixed at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany
recording of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": II. Duetto (Alt, Tenor) "Was Gott tut, das ist wohlgetan" (from 1983-10 until 1984-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
part of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach3:41
3Kantate, BWV 100 “Was Gott tut, das ist wohlgetan”: III. Aria (Sopran) “Was Gott tut, das ist wohlgetan”
soprano vocals:
Arleen Augér (soprano) (from 1983-10 until 1984-03)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (from 1983-10 until 1984-03)
conductor:
Helmuth Rilling (conductor) (from 1983-10 until 1984-03)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-10 until 1984-03)
mixed at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany
recording of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": III. Aria (Sopran) "Was Gott tut, das ist wohlgetan" (from 1983-10 until 1984-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
part of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach4:23
4Kantate, BWV 100 “Was Gott tut, das ist wohlgetan”: IV. Aria (Bass) “Was Gott tut, das ist wohlgetan”
bass vocals:
Philippe Huttenlocher (baritone) (from 1983-10 until 1984-03)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (from 1983-10 until 1984-03)
conductor:
Helmuth Rilling (conductor) (from 1983-10 until 1984-03)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-10 until 1984-03)
mixed at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany
recording of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": IV. Aria (Bass) "Was Gott tut, das ist wohlgetan" (from 1983-10 until 1984-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
part of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach3:30
5Kantate, BWV 100 “Was Gott tut, das ist wohlgetan”: V. Aria (Alt) “Was Gott tut, das ist wohlgetan”
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano) (from 1983-10 until 1984-03)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (from 1983-10 until 1984-03)
conductor:
Helmuth Rilling (conductor) (from 1983-10 until 1984-03)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-10 until 1984-03)
mixed at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany
recording of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": V. Aria (Alt) "Was Gott tut, das ist wohlgetan" (from 1983-10 until 1984-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
part of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach3:48
6Kantate, BWV 100 “Was Gott tut, das ist wohlgetan”: VI. Choral “Was Gott tut, das ist wohlgetan”
choir vocals:
Gächinger Kantorei Stuttgart (from 1983-10 until 1984-03)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (from 1983-10 until 1984-03)
conductor:
Helmuth Rilling (conductor) (from 1983-10 until 1984-03)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-10 until 1984-03)
mixed at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany
recording of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": VI. Choral "Was Gott tut, das ist wohlgetan" (from 1983-10 until 1984-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
part of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach2:21
7Kantate, BWV 101 “Nimm von uns, Herr, du treuer Gott”: I. Coro “Nimm von uns, Herr, du treuer Gott”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott": I. Coro "Nimm von uns, Herr, du treuer Gott" (from 1979-10 until 1979-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott"
Johann Sebastian Bach6:22
8Kantate, BWV 101 “Nimm von uns, Herr, du treuer Gott”: II. Aria (Tenor) “Handle nicht nach deinen Rechten”
vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott": II. Aria (Tenor) "Handle nicht nach deinen Rechten" (from 1979-10 until 1979-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott"
Johann Sebastian Bach3:00
9Kantate, BWV 101 “Nimm von uns, Herr, du treuer Gott”: III. Recitativo (Sopran) “Ach! Herr Gott, durch die Treue dein”
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott": III. Recitativo (Sopran) "Ach! Herr Gott, durch die Treue dein" (from 1979-10 until 1979-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott"
Johann Sebastian Bach2:32
10Kantate, BWV 101 “Nimm von uns, Herr, du treuer Gott”: IV. Aria (Bass) “Warum willst du so zornig sein”
bass vocals:
John Bröcheler (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott": IV. Aria (Bass) "Warum willst du so zornig sein" (from 1979-10 until 1979-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott"
Johann Sebastian Bach3:34
11Kantate, BWV 101 “Nimm von uns, Herr, du treuer Gott”: V. Recitativo (Tenor) “Die Sünd hat uns verderbet sehr”
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott": V. Recitativo (Tenor) "Die Sünd hat uns verderbet sehr" (from 1979-10 until 1979-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott"
Johann Sebastian Bach2:19
12Kantate, BWV 101 “Nimm von uns, Herr, du treuer Gott”: VI. Aria (Sopran, Alt) “Gedenk an Jesu bittern Tod”
alto vocals:
Helen Watts (contralto)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott": VI. Aria (Sopran, Alt) "Gedenk an Jesu bittern Tod" (from 1979-10 until 1979-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott"
Johann Sebastian Bach5:24
13Kantate, BWV 101 “Nimm von uns, Herr, du treuer Gott”: VII. Choral “Leit uns mit deiner rechten Hand”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott": VII. Choral "Leit uns mit deiner rechten Hand" (from 1979-10 until 1979-11)
lyricist:
Martin Moller (german poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 318)
part of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott"
Johann Sebastian Bach0:51
14Kantate, BWV 102 “Herr, deine Augen sehen nach dem Glauben”: I. Coro “Herr, deine Augen sehen nach dem Glauben”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": I. Coro "Herr, deine Augen sehen nach dem Glauben" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach7:43
15Kantate, BWV 102 “Herr, deine Augen sehen nach dem Glauben”: II. Recitativo (Bass) “Wo ist das Ebenbild, das Gott uns eingepräget”
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": II. Recitativo (Bass) "Wo ist das Ebenbild, das Gott uns eingepräget" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach1:06
16Kantate, BWV 102 “Herr, deine Augen sehen nach dem Glauben”: III. Aria (Alt) “Weh der Seele, die den Schaden”
alto vocals:
Eva Randová (mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": III. Aria (Alt) "Weh der Seele, die den Schaden" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach5:00
17Kantate, BWV 102 “Herr, deine Augen sehen nach dem Glauben”: IV. Arioso (Bass) “Verachtest du den Reichtum deiner Gnad”
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": IV. Arioso (Bass) "Verachtest du den Reichtum deiner Gnad" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach3:19
18Kantate, BWV 102 “Herr, deine Augen sehen nach dem Glauben”: V. Aria (Tenor) “Erschrecke doch, du allzu sichre Seele”
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": V. Aria (Tenor) "Erschrecke doch, du allzu sichre Seele" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
revision of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": V. Aria (Tenor) "Erschrecke doch, du allzu sichre Seele" (for tenor, flauto traverso and continuo)
Johann Sebastian Bach3:22
19Kantate, BWV 102 “Herr, deine Augen sehen nach dem Glauben”: VI. Recitativo (Alt) “Beim Warten ist Gefahr”
alto vocals:
Eva Randová (mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": VI. Recitativo (Alt) "Beim Warten ist Gefahr" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach1:18
20Kantate, BWV 102 “Herr, deine Augen sehen nach dem Glauben”: VII. Choral “Heute lebst du, heut bekehre dich”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": VII. Choral "Heute lebst du, heut bekehre dich" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Heermann (in 1630)
part of:
Breitkopf 389 Choralgesänge (number: 320)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach1:48

Credits

Release group

part of:Die kompletten Werke von Johann Sebastian Bach (Hänssler Classic) (number: 32) (order: 32)