Ultimate Hits: Rock and Roll Never Forgets

~ Release by Bob Seger & the Silver Bullet Band (see all versions of this release, 7 available)

Tracklist

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1▼Digital Media
#TitleRatingLength
1Old Time Rock and Roll
engineer:
Greg Hamm (US engineer)
producer:
The Muscle Shoals Rhythm Section and Bob Seger
mixer:
John Arrias (engineer), Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
bass:
David Hood
drums (drum set) and percussion:
Roger Hawkins
guitar:
Ken Bell and Howie McDonald
piano:
Randy McCormick (session musician and songwriter)
saxophone:
Alto Reed
background vocals:
Stanley Carter, George Jackson (US soul songwriter/vocalist) and James Lavell Easley (Blues harmonica player)
vocals:
Bob Seger
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978) and Hideout Records & Distributors, Inc. (in 1978)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States
recording of:
Old Time Rock & Roll
writer:
George Jackson (US soul songwriter/vocalist) and Thomas Jones, III (Songwriter)
publisher:
Muscle Shoals Sound Publishing, Peermusic (UK) Limited and Peermusic III, Ltd. (BMI)
part of:
Risky Business (film soundtrack)
4.53:15
2Hollywood Nights
engineer:
John Arrias (engineer)
producer:
Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
mixer:
John Arrias (engineer), Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
bass:
Chris Campbell (US bassist for Bob Seger & the Silver Bullet Band)
drums (drum set) and percussion:
David Teegarden
guitar:
Bob Seger
organ and piano:
Bill Payne
background vocals:
Julia Waters, Luther Waters, Maxine Waters and Oren Waters
vocals:
Bob Seger
phonographic copyright (℗) by:
Hideout Records & Distributors, Inc. (in 1978)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 99)
recording of:
Hollywood Nights
lyricist and composer:
Bob Seger
publisher:
Hideout Records/Distribtrs Inc (Gear Publishing Div) and Gear Publishing Co (in 1978)
4.355:04
3Night Moves
engineer:
Brian Christian
producer:
Jack Richardson and Bob Seger
mixer:
Jim Bruzzese
acoustic guitar:
Bob Seger
bass guitar:
Chris Campbell (US bassist for Bob Seger & the Silver Bullet Band)
drums (drum set):
Charlie Allen Martin
guitar:
Drew Abbott and Joe Miquelon
organ and piano:
Doug Riley
saxophone:
Alto Reed
vocals:
Bob Seger
phonographic copyright (℗) by:
Hideout Records & Distributors, Inc. (in 1976)
recorded at:
Nimbus Nine Studios in Toronto, Ontario, Canada
mixed at:
Pampa Studios in Warren, Michigan, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 290) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 301)
recording of:
Night Moves
lyricist and composer:
Bob Seger
publisher:
Gear Publishing Co (in 1976)
4.155:26
4Mainstreet
engineer:
Jerry Masters (US bassist & engineer, in The Hombres) and Steve Melton (engineer)
producer:
M. S. R. S. and Bob Seger
mixer:
Jim Bruzzese
bass guitar:
David Hood
drums (drum set):
Roger Hawkins
guitar:
Pete Carr (US guitarist) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
organ and piano:
Barry Beckett
vocals:
Bob Seger
phonographic copyright (℗) by:
Hideout Records & Distributors, Inc. (in 1976)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States
mixed at:
Pampa Studios in Warren, Michigan, United States
recording of:
Mainstreet
lyricist and composer:
Bob Seger
publisher:
Gear Publishing Co (in 1976)
43:44
5Roll Me Away
engineer:
Shelly Yakus
producer:
Jimmy Iovine
mixer:
Greg Edward, Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
bass:
Chris Campbell (US bassist for Bob Seger & the Silver Bullet Band)
drums (drum set):
Russ Kunkel (session drummer)
guitar:
Waddy Wachtel
organ:
Craig Frost
percussion:
Bobbye Hall
piano:
Roy Bittan
synthesizer:
Michael Boddicker
vocals:
Bob Seger
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982) and Hideout Records & Distributors, Inc. (in 1982)
recorded at:
Studio 55 in Los Angeles, California, United States
mixed at:
Rumbo Recorders in Canoga Park, Los Angeles, California, United States
recording of:
Roll Me Away
lyricist and composer:
Bob Seger
publisher:
Hideout Records/Distribtrs Inc (Gear Publishing Div) and Gear Publishing Co (in 1982)
3.654:40
6Turn the Page (live at Cobo Hall, Detriot/1975)
engineer and mixer:
Jim Bruzzese
producer:
Punch Andrews (Ed Andrews, Bob Seger's Manager) and Bob Seger
bass:
Chris Campbell (US bassist for Bob Seger & the Silver Bullet Band) (from 1975-09-04 until 1975-09-05)
drums (drum set):
Charlie Allen Martin (from 1975-09-04 until 1975-09-05)
electric piano:
Bob Seger (from 1975-09-04 until 1975-09-05)
guitar:
Drew Abbott (from 1975-09-04 until 1975-09-05)
mellotron:
Robyn Robbins (from 1975-09-04 until 1975-09-05)
saxophone:
Alto Reed (from 1975-09-04 until 1975-09-05)
vocals:
Bob Seger (from 1975-09-04 until 1975-09-05)
phonographic copyright (℗) by:
Hideout Records & Distributors, Inc. (in 1976)
recorded at:
Cobo Arena in Detroit, Michigan, United States (from 1975-09-04 until 1975-09-05) and Cobo Hall in Detroit, Michigan, United States (from 1975-09-04 until 1975-09-05)
mixed at:
Pamper Recording Studio in Warren, Michigan, United States
live recording of:
Turn the Page (from 1975-09-04 until 1975-09-05)
lyricist:
Bob Seger
composer:
Bob Seger (in 1972)
publisher:
Gear Publishing and Gear Publishing Co (in 1973)
45:07
7Her Strut
recording engineer, producer and mixer:
Bill Szymczyk
bass guitar:
Chris Campbell (US bassist for Bob Seger & the Silver Bullet Band)
drums (drum set) and percussion:
David Teegarden
guitar:
Drew Abbott
saxophone:
Alto Reed
solo guitar and lead vocals:
Bob Seger
phonographic copyright (℗) by:
Hideout Records & Distributors, Inc. (in 1980)
recorded at and mixed at:
Bayshore Recording Studios in Coconut Grove, Miami, Florida, United States
recording of:
Her Strut
lyricist and composer:
Bob Seger
publisher:
Hideout Records/Distribtrs Inc (Gear Publishing Div) and Gear Publishing Co (in 1980)
43:53
8Still the Same
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 52)
recording of:
Still the Same
lyricist and composer:
Bob Seger
publisher:
Hideout Records/Distribtrs Inc (Gear Publishing Div) (ended) and Gear Publishing Co. (in 1977)
3:24
9You’ll Accomp’ny Me
recording engineer and engineer:
John Arrias (engineer)
producer:
Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
mixer:
John Arrias (engineer), Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
acoustic guitar and lead vocals:
Bob Seger
bass and bass guitar:
Chris Campbell (US bassist for Bob Seger & the Silver Bullet Band)
drums (drum set) and drums (drum set) and percussion:
David Teegarden
guest organ, piano and synthesizer, organ, piano and synthesizer:
Bill Payne
guest percussion and percussion:
Sam Clayton
guitar:
Drew Abbott and Bob Seger
saxophone:
Alto Reed
background vocals and guest background vocals:
Ginger Blake, Laura Creamer and Linda Dillard
vocals:
Bob Seger
phonographic copyright (℗) by:
Hideout Records & Distributors, Inc. (in 1980)
recorded at:
Criteria Studios in Miami, Florida, United States
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
recording of:
You’ll Accomp’ny Me
lyricist and composer:
Bob Seger
publisher:
Hideout Records/Distribtrs Inc (Gear Publishing Div) and Gear Publishing Co (in 1979)
4.54:00
10We’ve Got Tonight
producer:
The Muscle Shoals Rhythm Section and Bob Seger
recording of:
We’ve Got Tonite
lyricist and composer:
Bob Seger
publisher:
Hideout Records & Distributors, Inc., 大洋音楽 (Taiyō Music) and Gear Publishing Co (in 1976)
3:41
11Like a Rock
assistant engineer:
David Axelbaum and Bob Castle
engineer:
Shelly Yakus
co-producer:
David Cole (American recording engineer and producer)
producer:
Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
mixer:
David Cole (American recording engineer and producer), Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
acoustic guitar:
Dawayne Bailey
bass:
Chris Campbell (US bassist for Bob Seger & the Silver Bullet Band)
drums (drum set):
Russ Kunkel (session drummer)
organ:
Craig Frost
piano:
Bill Payne
slide guitar:
Rick Vito
background vocals:
Izora Armstead, Douglas Kibble and Martha Wash
vocals:
Bob Seger
phonographic copyright (℗) by:
Hideout Records & Distributors, Inc. (in 1986)
recorded at and engineered at:
Criteria Studios in Miami, Florida, United States
recording of:
Like a Rock
lyricist and composer:
Bob Seger
publisher:
Gear Publishing Co (in 1985)
live recording of:
Like a Rock
lyricist and composer:
Bob Seger
publisher:
Gear Publishing Co (in 1985)
55:57
12Fire Lake
recording engineer:
Steve Melton (engineer)
producer:
The Muscle Shoals Rhythm Section and Bob Seger
mixer:
Bill Szymczyk
bass guitar:
David Hood
drums (drum set) and percussion:
Roger Hawkins
guitar:
Pete Carr (US guitarist) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
organ:
Randy McCormick (session musician and songwriter)
piano:
Barry Beckett
guest background vocals:
Glenn Frey (US musician/singer/songwriter, member of the Eagles), Don Henley and Timothy B. Schmit
lead vocals:
Bob Seger
phonographic copyright (℗) by:
Hideout Records & Distributors, Inc. (in 1980)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States
mixed at:
Bayshore Recording Studios in Coconut Grove, Miami, Florida, United States
recording of:
Fire Lake
lyricist and composer:
Bob Seger
publisher:
Hideout Records/Distribtrs Inc (Gear Publishing Div) and Gear Publishing Co (in 1979)
3.653:33
13Tryin’ to Live My Life Without You (live at Boston Garden, MA/1980)
recording engineer:
Dave Hewitt (on 1980-10-06)
producer:
Punch (Ed Andrews, Bob Seger's Manager) and Bob Seger
mixer:
Bill Szymczyk
alto saxophone and tenor saxophone:
Alto Reed (on 1980-10-06)
phonographic copyright (℗) by:
Hideout Records & Distributors, Inc. (in 1981)
recorded at:
Boston Garden (1928–1995) in West End, Boston, Massachusetts, United States (on 1980-10-06)
mixed at:
Bayshore Recording Studios in Coconut Grove, Miami, Florida, United States
live cover recording of:
Tryin’ to Live My Life Without You (on 1980-10-06)
lyricist and composer:
Eugene Williams
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Happy Hooker Music, Inc.
live recording of:
Tryin’ to Live My Life Without You
lyricist and composer:
Eugene Williams
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Happy Hooker Music, Inc.
4:08
2▼Digital Media
#TitleArtistRatingLength
1Rock and Roll Never Forgets
engineer and mixer:
Jim Bruzzese
producer:
Punch Andrews (Ed Andrews, Bob Seger's Manager) and Bob Seger
bass guitar:
Chris Campbell (US bassist for Bob Seger & the Silver Bullet Band)
drums (drum set):
Charlie Allen Martin
guitar:
Drew Abbott
organ and piano:
Robyn Robbins
saxophone:
Alto Reed
phonographic copyright (℗) by:
Hideout Records & Distributors, Inc. (in 1976)
recorded at and mixed at:
Pampa Studios in Warren, Michigan, United States
recording of:
Rock and Roll Never Forgets
lyricist and composer:
Bob Seger
publisher:
Gear Publishing Co
Bob Seger & the Silver Bullet Band4.353:53
2Against the Wind
recording engineer, engineer, producer and mixer:
Bill Szymczyk
acoustic guitar, guitar and lead vocals:
Bob Seger
bass and bass guitar:
Chris Campbell (US bassist for Bob Seger & the Silver Bullet Band)
drums (drum set) and drums (drum set) and percussion:
David Teegarden
electric guitar and solo guitar:
Drew Abbott
guest organ, organ, piano and solo piano:
Paul Harris (American keyboardist/pianist session player)
saxophone:
Alto Reed
background vocals:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) and Bob Seger
guest background vocals:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
vocals:
Bob Seger
phonographic copyright (℗) by:
Hideout Records & Distributors, Inc. (in 1980)
recorded at and mixed at:
Bayshore Recording Studios in Coconut Grove, Miami, Florida, United States
recording of:
Against the Wind
lyricist and composer:
Bob Seger
publisher:
Hideout Records/Distribtrs Inc (Gear Publishing Div) and Gear Publishing Co (in 1980)
Bob Seger & the Silver Bullet Band3.255:34
3Ramblin’ Gamblin’ Man
recording of:
Ramblin’ Gamblin’ Man
lyricist and composer:
Bob Seger
publisher:
Gear Publishing Co
The Bob Seger System2:25
4The Fire Down Below
engineer and mixer:
Jim Bruzzese
producer:
Punch Andrews (Ed Andrews, Bob Seger's Manager) and Bob Seger
bass guitar:
Chris Campbell (US bassist for Bob Seger & the Silver Bullet Band)
drums (drum set):
Charlie Allen Martin
guitar:
Drew Abbott
organ and piano:
Robyn Robbins
saxophone:
Alto Reed
phonographic copyright (℗) by:
Hideout Records & Distributors, Inc. (in 1976)
recorded at and mixed at:
Pampa Studios in Warren, Michigan, United States
recording of:
The Fire Down Below
lyricist and composer:
Bob Seger
publisher:
Gear Publishing Co and Warner Chappell Ltd.
Bob Seger & the Silver Bullet Band44:27
5Travelin’ Man (live at Cobo Hall, Detroit, Michigan/1975)
engineer and mixer:
Jim Bruzzese
producer:
Punch Andrews (Ed Andrews, Bob Seger's Manager) and Bob Seger
phonographic copyright (℗) by:
Hideout Records & Distributors, Inc. (in 1976)
recorded at:
Cobo Hall in Detroit, Michigan, United States (from 1975-09-04 until 1975-09-05)
mixed at:
Pamper Recording Studio in Warren, Michigan, United States
live recording of:
Travelin’ Man (Bob Seger song) (from 1975-09-04 until 1975-09-05)
lyricist and composer:
Bob Seger
publisher:
Gear Publishing Co
Bob Seger & the Silver Bullet Band4:40
6Beautiful Loser (live at Cobo Hall, Detroit, Michigan/1975)
live recording of:
Beautiful Loser (from 1975-09-04 until 1975-09-05)
lyricist and composer:
Bob Seger
publisher:
Gear Publishing Co
Bob Seger & the Silver Bullet Band3:43
7Shakedown
producer:
Harold Faltermeyer and Keith Forsey (drummer, producer and songwriter)
performer:
Bob Seger
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
recording of:
Shakedown
writer:
Harold Faltermeyer, Keith Forsey (drummer, producer and songwriter) and Bob Seger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Gear Publishing Co and Kilauea Music
part of:
The 60th Academy Award for Best Original Song (number: 2)
Bob Seger & the Silver Bullet Band2.754:02
8Shame on the Moon
engineer:
Shelly Yakus
producer:
Jimmy Iovine
mixer:
Greg Edward, Jimmy Iovine and Punch (Ed Andrews, Bob Seger's Manager)
bass:
Chris Campbell (US bassist for Bob Seger & the Silver Bullet Band)
drums (drum set):
Russ Kunkel (session drummer)
guitar:
Drew Abbott and Waddy Wachtel
organ:
Craig Frost
percussion:
Bobbye Hall
piano:
Bill Payne
background vocals:
Laura Creamer, Glenn Frey (US musician/singer/songwriter, member of the Eagles), Shaun Murphy, Bob Seger and Joan Sliwin
guest background vocals:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) and Don Henley
vocals:
Bob Seger
phonographic copyright (℗) by:
Hideout Records & Distributors, Inc. (in 1982)
additionally recorded at:
The Hit Factory in Manhattan, New York, New York, United States
recorded at:
Studio 55 in Los Angeles, California, United States
mixed at:
Rumbo Recorders in Canoga Park, Los Angeles, California, United States
cover recording of:
Shame on the Moon
lyricist and composer:
Rodney Crowell
publisher:
Coolwell Music (in 1981) and Granite Music Corporation (in 1981)
Bob Seger & the Silver Bullet Band44:55
9Katmandu
recording of:
Katmandu
lyricist and composer:
Bob Seger
publisher:
Gear Publishing Co
Bob Seger & the Silver Bullet Band5:00
10Little Drummer Boy
cover recording of:
Carol of the Drum (aka “The Little Drummer Boy”)
lyricist and composer:
Katherine K. Davis (Katherine Kennicott Davis) (in 1941)
additional composer:
Henry Onorati (in 1958) and Harry Simeone (in 1958)
publisher:
EMI Mills Music (ASCAP-affiliated), International Korwin Corp., Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Belwin-Mills Publishing Corp. (in 1955) and Mills Music, Inc. (in 1964)
is based on:
Trad. (traditional Czech carol, became “Carol of the Drums”)
Bob Seger & the Silver Bullet Band3:32
11Wait for Me
recording engineer and engineer:
David Cole (American recording engineer and producer)
assistant engineer:
Bryan Graban and Leslie Richter
producer:
Bob Seger
mixer:
David Cole (American recording engineer and producer) and Bob Seger
acoustic guitar:
JT Corenflos and Bob Seger
bass:
Glenn Worf
drums (drum set):
Steve Brewster (Nashville session drummer)
electric guitar:
Brent Rowan
piano:
Billy Payne
solo electric guitar and synthesizer [Synth Strings]:
Bob Seger
background vocals:
Bernie Barlow, Laura Creamer and Shaun Murphy
recorded at:
Ocean Way Nashville in Nashville, Tennessee, United States
recording of:
Wait for Me
lyricist and composer:
Bob Seger
publisher:
Gear Publishing Co (in 2004)
Bob Seger3:43
12Hey, Hey, Hey, Hey (Going Back to Birmingham)
cover recording of:
Hey‐Hey‐Hey‐Hey! (Going Back to Birmingham)
lyricist and composer:
Richard Wayne Penniman (in 1956-05)
writer:
Little Richard
publisher:
ATV Music Ltd., Blackwood Music Inc. (1953-02-07–1987-12-30) and Sony/ATV Music Publishing (UK) Ltd.
Bob Seger & the Silver Bullet Band2:07
13Downtown Train
cover recording of:
Downtown Train
lyricist and composer:
Tom Waits
Bob Seger & the Silver Bullet Band4:00

Credits

Release

phonographic copyright (℗) by:Capitol Records (imprint of Capitol Records, Inc.) (in 2011)
purchase for download:https://itunes.apple.com/us/album/id1246886896 [info]
stream for free:https://open.spotify.com/album/5HLuIHrmhJ64gTWAFgNj9Z [info]