The Album Collection

~ Release by Plácido Domingo (see all versions of this release, 1 available)

Tracklist

| |
1▼CD: Romantic Arias (Debut)
#TitleArtistRatingLength
1Giulio Cesare: “Svegliatevi ne core“
tenor vocals [Sesto]:
Plácido Domingo (tenor)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto I, Scena IV, 5. Aria “Svegliatevi nel core” (Sesto)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto I
Georg Friedrich Händel45:26
2Don Giovanni: “Il mio tesoro”
tenor vocals [Don Ottavio]:
Plácido Domingo (tenor)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart34:26
3Il duca d'Alba: “Inosservato penetrava - Angelo casto e bel”
tenor vocals [Marcello]:
Plácido Domingo (tenor)
recording of:
Il duca d'Alba: Atto IV. "Inosservato, penetrava in questo sacro recesso" ... "Angelo casto e bel" (Marcello)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Charles Duveyrier and Eugène Scribe
translator:
Angelo Zanardini
part of:
Il duca d'Alba
Gaetano Donizetti47:39
4La Juive : « Rachel, quand du Seigneur »
tenor vocals [Eleazar]:
Plácido Domingo (tenor)
recording of:
La Juive : Acte IV. « Rachel, quand du Seigneur » (Éléazar)
composer:
Fromental Halévy (French composer)
librettist:
Eugène Scribe
part of:
La Juive: Acte IV
Jacques Fromental Halévy46:11
5Luisa Miller: “Oh! Fede negar potessi - Quando le sere al placido”
tenor vocals:
Plácido Domingo (tenor)
recording of:
Luisa Miller: Atto II. “Oh! fede negar potessi” / “Quando le sere al placido” (Rodolfo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi35:12
6Lohengrin: „In fernem Land”
tenor vocals:
Plácido Domingo (tenor)
recording of:
Excerpt from Lohengrin, WWV 75: Akt III, Scene III. “In fernem Land, unnahbar euren Schritten” (Gralserzählung)
composer:
Richard Wagner (composer) (from 1846 until 1848)
librettist:
Richard Wagner (composer)
part of:
Lohengrin, WWV 75: Akt III, Scene III. “Heil, König Heinrich!”
Richard Wagner35:46
7Simon Boccanegra: “O inferno! - Sento avvampar”
tenor vocals:
Plácido Domingo (tenor)
recording of:
Simon Boccanegra: Atto II. "O inferno! Amelia qui!" (Gabriele)
composer:
Giuseppe Verdi (Italian opera composer) (in 1857)
librettist:
Francesco Maria Piave (in 1857)
part of:
Simon Boccanegra: Atto II
recording of:
Simon Boccanegra: Atto II. “Sento avvampar nell’anima” (Gabriele)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Simon Boccanegra: Atto II
Giuseppe Verdi5:21
8Eugene Onegin: “Kudá, kudá vy udalilis” (Lensky's Aria)
tenor vocals:
Plácido Domingo (tenor)
recording of:
Евгений Онегин, op. 24: Действие II, картина 2, no. 17. Ария Ленского "Куда, куда, куда вы удалились" (Eugene Onegin: Act II, Scene 2, no. 17. Lensky's aria "Where have you gone, O golden days of my spring?", Lensky's Aria "Kuda, kuda, kuda vy udalilis")
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Евгений Онегин, op. 24: Действие второе (Eugene Onegin, op. 24: Act II)
Peter Tschaikowsky9:11
9Le Villi: “Torna ai felici dì“
tenor vocals:
Plácido Domingo (tenor)
recording of:
Le Villi: Atto II. Scene dramatica, romanza "Torna ai felici di" (Roberto)
lyricist:
Ferdinando Fontana
composer:
Giacomo Puccini (Italian composer)
part of:
Le Villi: Atto II
Giacomo Puccini5:35
10Iris: “Apri la tua finestra!“
tenor vocals:
Plácido Domingo (tenor)
recording of:
Iris: Atto I. “Apri la tua finestra“ (Osaka, Kyoto, Dhia, Iris)
composer:
Pietro Mascagni (composer & conductor)
librettist:
Luigi Illica
part of:
Iris: Atto I
Pietro Mascagni2:40
11Werther : « Pourquoi me réveiller ? »
tenor vocals:
Plácido Domingo (tenor)
recording of:
Werther : Acte III. « Toute mon âme est là ! » – « Pourquoi me réveiller ? » (Werther)
composer:
Jules Massenet (French Romantic composer)
librettist:
Édouard Blau (Librettist), Georges Hartmann (librettist) and Paul Milliet (Librettist)
part of:
Werther : Acte III (Charlotte et Werther)
Jules Massenet3:00
2▼CD: Great Operatic Duets (with Milnes)
#TitleArtistRatingLength
1La Bohème: “In un coupé? - O Mimì, tu più non torni“
baritone vocals:
Sherrill Milnes (baritone)
tenor vocals:
Plácido Domingo (tenor)
recording of:
La bohème: Atto IV. no. 21. “O Mimì, tu più non torni” (Rodolfo, Marcello)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
Giacomo Puccini4:30
2La forza del destino: “Solenne in quest'ora“
baritone vocals:
Sherrill Milnes (baritone)
tenor vocals:
Plácido Domingo (tenor)
recording of:
La forza del destino: Atto III, scena 1. “Solenne in quest’ora” (Alvaro, Don Carlo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
Giuseppe Verdi4:26
3I Vespri Siciliani: “Sogno o son desto? - Quando al mio sen per te parlava“
baritone vocals:
Sherrill Milnes (baritone)
tenor vocals:
Plácido Domingo (tenor)
recording of:
I vespri siciliani: Atto III. “Quando al mio sen per te parlava” (Arrigo, Monforte)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
I vespri siciliani: Atto III
Giuseppe Verdi11:52
4Don Carlo: “È lui! desso! l'Infante! - Dio, che nell'alma infondere“
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone)
tenor vocals [Carlo]:
Plácido Domingo (tenor)
recording of:
Don Carlo: Atto I, scena 1. N°3 “È lui! desso! l’infante!” … “Questo arcano dal Re non fu sorpreso ancora?” (Rodrigo, Carlo, Coro, un frate)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
recording of:
Don Carlo: Atto I, scena 1. N°4 “Dio, che nell’alma infondere amor …” (Carlo, Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi6:21
5Les Pêcheurs de perles : « Au fond du temple saint »
baritone vocals:
Sherrill Milnes (baritone)
tenor vocals:
Plácido Domingo (tenor)
recording of:
Les Pêcheurs de perles : Acte I. No. 2 Duo « Au fond du temple saint » (Zurga, Nadir)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet5:37
6Otello: “Ah! mille vite - Sì, pel ciel marmoreo giuro!”
baritone vocals [Iago]:
Sherrill Milnes (baritone)
tenor vocals [Otello]:
Plácido Domingo (tenor)
recording of:
Otello: Atto II. “Si, pel ciel marmoreo giuro!” (Otello, Iago)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi3:28
7La forza del destino: “Invano, Alvaro, ti celasti al mondo”
baritone vocals:
Sherrill Milnes (baritone)
tenor vocals:
Plácido Domingo (tenor)
recording of:
La forza del destino: Atto IV, scena 1. “Invano, Alvaro ti celasti al mondo” … “Col sangue sol cancellasi l'infamia” (Alvaro, Don Carlo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto IV
Giuseppe Verdi9:25
8La Gioconda: “Enzo Grimaldo, principe di Santafior”
baritone vocals:
Sherrill Milnes (baritone)
tenor vocals:
Plácido Domingo (tenor)
recording of:
La Gioconda: Atto I. “Enzo Grimaldo, Principe di Santafior, che pensi?” (Enzo, Barnaba)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto I. La bocca dei Leoni
Amilcare Ponchielli6:25
3▼CD: Domingo Sings Caruso
#TitleArtistRatingLength
1Pagliacci: “Recitar! Mentre preso - Vesti la giubba”
engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) and London Symphony Orchestra
conductor:
Nello Santi (conductor)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972)
recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo54:15
2L'elisir d'amore: “Una furtiva lagrima”
engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
London Symphony Orchestra
conductor:
Nello Santi (conductor)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti55:01
3La bohème: “Musetta! O gioia della mia dimora - Testa adorata”
engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
London Symphony Orchestra
conductor:
Nello Santi (conductor)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972)
recording of:
La bohème: Atto III. “Ecco, ho finito” / “Musetta! O gioia della mia dimora!” / “Testa adorata” (Marcello, Musette)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
La bohème: Atto III (Leoncavallo)
Ruggero Leoncavallo43:34
4Manon : « Je suis seul! - Ah! Fuyez, douce image »
engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
London Symphony Orchestra
conductor:
Nello Santi (conductor)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972)
recording of:
Manon: Acte III, Scène II. “Je suis seul !… Ah, fuyez, douce image” (des Grieux)
composer:
Jules Massenet (French Romantic composer) (in 1884)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon: Acte III
Jules Massenet44:59
5L'arlesiana: Lamento di Federico “È la solita storia”
engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
London Symphony Orchestra
conductor:
Nello Santi (conductor)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972)
recording of:
L’arlesiana: Atto II. “È la solita storia del pastore” (Lamento di Federico)
composer:
Francesco Cilea (composer) (in 1897)
librettist:
Leopoldo Marenco (librettist)
publisher:
Casa Musicale Sonzogno di Piero Ostali, Milano
part of:
L’arlesiana: Atto II
Francesco Cilea44:52
6Martha: “M'apparì”
engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
London Symphony Orchestra
conductor:
Nello Santi (conductor)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972)
recording of:
Martha: Atto III. “M’apparì tutt’amor” (Lionel)
composer:
Friedrich von Flotow (composer) (in 1849)
librettist:
Friedrich Wilhelm Riese
translated version of:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
Friedrich von Flotow43:51
7La fanciulla del West: “Ch'ella mi creda libero e lontano“
engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
London Symphony Orchestra
conductor:
Nello Santi (conductor)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972)
recording of:
La fanciulla del West: Atto III. “Ch’ella mi creda libero e lontano” (Johnson, Rance)
composer:
Giacomo Puccini (Italian composer) (in 1910)
librettist:
Guelfo Civinini (Italian librettist) and Carlo Zangarini
part of:
La fanciulla del West: Atto III
Giacomo Puccini42:32
8Rigoletto: “La donna è mobile“
engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
tenor vocals [Duca]:
Plácido Domingo (tenor)
orchestra:
London Symphony Orchestra
conductor:
Nello Santi (conductor)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi42:18
9Le Cid : « Ah ! Tout est bien fini ! - Ô Souverain, ô Juge, ô Père »
engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
London Symphony Orchestra
conductor:
Nello Santi (conductor)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972)
recording of:
Le Cid : Acte III, scène 3. « Ah ! tout est bien fini » ... No. 13 Prière « Ô souverain, ô juge, ô père » (Rodrigue, Saint Jacques, voix du ciel)
composer:
Jules Massenet (French Romantic composer)
part of:
Le Cid : Acte III
part of:
Le Cid : Acte III
Jules Massenet45:13
10L'africana: “Mi batte il cor - O Paradiso - Deh! ch'io ritorni”
engineer:
Anthony Salvatore (engineer)
producer:
Richard Mohr (producer)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
London Symphony Orchestra
conductor:
Nello Santi (conductor)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972)
recording of:
L’africana: Atto IV, Scena III. "Deh! ch’io ritorni"
composer:
Giacomo Meyerbeer (composer)
librettist:
Eugène Scribe
recording of:
L’africana: Atto IV. “Mi batte il cor” … “O Paradiso”
composer:
Giacomo Meyerbeer (composer)
librettist:
Eugène Scribe
translated version of:
L'Africaine: Acte IV. "Pays merveilleux" ... "Ô Paradis"
Giacomo Meyerbeer37:42
4▼CD: La voce d'oro
#TitleArtistRatingLength
1Cavalleria rusticana: Intanto, amici, qua - Viva il vino spumeggiante (Brindisi)
choir vocals:
The John Alldis Choir (in 1972)
mezzo-soprano vocals:
Georgetta Psarsos (mezzo-soprano) (in 1972)
tenor vocals:
Plácido Domingo (tenor) (in 1972)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972)
conductor:
Nello Santi (conductor) (in 1972)
recording of:
Cavalleria rusticana: Brindisi “Intanto amici, qua … Viva il vino spumeggiante” (Turridu, Lola, coro) (in 1972)
composer:
Pietro Mascagni (composer & conductor)
librettist:
Guido Menasci (Italian librettist, 19th-20th c.) and Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
Pietro Mascagni3:04
2Faust: Quel trouble inconnu - Salut, demeure chaste et pure
tenor vocals:
Plácido Domingo (tenor) (in 1972)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972)
conductor:
Nello Santi (conductor) (in 1972)
recording of:
Faust : Acte III. « Quel trouble inconnu me pénètre ! » … No. 12 Cavatine « Salut ! demeure chaste et pure » (Faust) (in 1972)
composer:
Charles Gounod (French composer) (in 1859)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Faust : Acte III
Charles Gounod5:42
3Rigoletto: Questa o quella
tenor vocals:
Plácido Domingo (tenor) (in 1972)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972)
conductor:
Nello Santi (conductor) (in 1972)
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer) (from 1850 until 1851-03-11)
librettist:
Francesco Maria Piave (from 1850 until 1851-03-11)
part of:
Rigoletto: Atto I
Giuseppe Verdi1:53
4La forza del destino: La vita è inferno - O tu che in seno agli angeli
solo clarinet:
John McCaw (clarinetist) (in 1972)
tenor vocals:
Plácido Domingo (tenor) (in 1972)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972)
conductor:
Nello Santi (conductor) (in 1972)
recording of:
La forza del destino: Atto III, scena 1. “La vita è inferno all'infelice" (Alvaro) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
recording of:
La forza del destino: Atto III, scena 1. “O tu che in seno agli angeli” (Alvaro) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
Giuseppe Verdi10:08
5Adriana Lecouvreur: L'anima ho stanca
tenor vocals:
Plácido Domingo (tenor) (in 1972)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972)
conductor:
Nello Santi (conductor) (in 1972)
recording of:
Adriana Lecouvreur: Atto II. “L’anima ho stanca” (Maurizio) (in 1972)
composer:
Francesco Cilea (composer) (in 1902)
librettist:
Arturo Colautti (in 1902)
part of:
Adriana Lecouvreur: Atto II
Francesco Cilea1:50
6Turandot: Non piangere, Liù
tenor vocals:
Plácido Domingo (tenor) (in 1972)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972)
conductor:
Nello Santi (conductor) (in 1972)
recording of:
Turandot: Atto I. “Non piangere, Liù” (Calaf, Liù, Timur) (in 1972)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini2:27
7La fanciulla del West: Una parola sola - Or son sei mesi
tenor vocals:
Plácido Domingo (tenor) (in 1972)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972)
conductor:
Nello Santi (conductor) (in 1972)
recording of:
La fanciulla del West: Atto II. “Vieni fuori!…” … “Or son sei mesi che mio padre morì…” (Minnie, Johnson) (in 1972)
composer:
Giacomo Puccini (Italian composer)
librettist:
Guelfo Civinini (Italian librettist) and Carlo Zangarini
part of:
La fanciulla del West: Atto II
Giacomo Puccini3:58
8Gianni Schicchi: Avete torto! - Firenze è come un albero fiorito
tenor vocals:
Plácido Domingo (tenor) (in 1972)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972)
conductor:
Nello Santi (conductor) (in 1972)
recording of:
Gianni Schicchi: Aria “Avete torto!” (Rinuccio) (in 1972)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
part of:
Gianni Schicchi
recording of:
Gianni Schicchi: Aria “Firenze è come un albero fiorito” (Rinuccio) (in 1972)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
part of:
Gianni Schicchi
Giacomo Puccini3:16
9Les Pêcheurs de perles: À cette voix quel trouble - Je crois entendre encore
tenor vocals:
Plácido Domingo (tenor) (in 1972)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972)
conductor:
Nello Santi (conductor) (in 1972)
recording of:
Les Pêcheurs de perles : Acte I. No. 4 Récit « À cette voix quel trouble » (Nadir) (in 1972)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
recording of:
Les Pêcheurs de perles : Acte I. No. 4 Romance « Je crois entendre encore » (Nadir) (in 1972)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet5:33
10Un ballo in maschera: Di' tu se fedele il flutto m'aspetta
bass vocals:
Brian Etheridge (operatic bass) (in 1972) and Franklyn Whiteley (operatic bass) (in 1972)
choir vocals:
The John Alldis Choir (in 1972)
soprano vocals:
Wendy Eathorne (soprano) (in 1972)
tenor vocals:
Plácido Domingo (tenor) (in 1972)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972)
conductor:
Nello Santi (conductor) (in 1972)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 9b Canzone “Di’ tu se fedele il flutto m’aspetta” (Riccardo, Coro) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer) (in 1859)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi3:10
11Roméo et Juliette: L'amour! L'amour! - Ah! Lève-toi, soleil
tenor vocals:
Plácido Domingo (tenor) (in 1972)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972)
conductor:
Nello Santi (conductor) (in 1972)
recording of:
Roméo et Juliette : Acte II. No. 7 Cavatine « L’amour ! l’amour ! » … « Ah ! lève‐toi, soleil ! » (Roméo) (in 1972)
composer:
Charles Gounod (French composer) (in 1867)
librettist:
Jules Barbier and Michel Carré (librettist)
publisher:
Choudens
part of:
Roméo et Juliette: Acte II
Charles Gounod4:16
5▼CD: Domingo Conducts Milnes! Milnes Conducts Domingo!
#TitleArtistRatingLength
1Carmen: Vivat! Vitat le torero! - Votre toast, je peux vous le rendre
baritone vocals:
Sherrill Milnes (baritone)
choir vocals:
The John Alldis Choir
contralto vocals:
Jean Temperley (contralto)
mezzo-soprano vocals:
Sarah Walker (British mezzosoprano)
soprano vocals:
Doreen Price (soprano)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972)
conductor:
Plácido Domingo (tenor)
chorus master:
John Alldis (chorusmaster and conductor)
recording of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet5:55
2Carmen: La fleur que tu m'avais jetée (Flower Song)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972)
conductor:
Sherrill Milnes (baritone)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song)
composer:
Georges Bizet (French composer) (in 1875)
librettist:
Ludovic Halévy (French librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet4:07
3Hérodiade: Ce breuvage pourrait - Vision fugitive
baritone vocals:
Sherrill Milnes (baritone)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972)
conductor:
Plácido Domingo (tenor)
recording of:
Hérodiade : Acte II, tableau 1, scène 5. « Ce breuvage pourrait me donner un tel rêve ! » … « Vision fugitive » (Hérode)
composer:
Jules Massenet (French Romantic composer) (in 1881)
librettist:
Georges Hartmann (librettist) (in 1881) and Paul Milliet (Librettist) (in 1881)
part of:
Hérodiade: Acte II
Jules Massenet4:13
4Mefistofele: Giunto sul passo estremo
tenor vocals:
Plácido Domingo (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972)
conductor:
Sherrill Milnes (baritone)
recording of:
Mefistofele: Epilogo. "Giunto sul passo estremo" (Faust, Mefistofele)
composer and librettist:
Arrigo Boito (librettist, composer)
part of:
Mefistofele: Epilogo
Arrigo Boito2:44
5Faust: Ô sainte medaille - Avant de quitter ces lieux
baritone vocals:
Sherrill Milnes (baritone)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972)
conductor:
Plácido Domingo (tenor)
recording of:
Faust : Acte II. « Avant de quitter ces lieux » … « Allons, amis » (Valentin, Wagner, Chœur) (Valentin’s Aria)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte II
recording of:
Faust : Acte II. No. 6 Scène et récit « Ô sainte médaille » (Valentin, Wagner, Siébel, Chœur)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte II
Charles Gounod4:25
6Andrea Chénier: Come un bel dì di maggio
tenor vocals:
Plácido Domingo (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972)
conductor:
Sherrill Milnes (baritone)
recording of:
Andrea Chénier: Atto IV. “Come un bel dì di maggio” (Chénier)
composer:
Umberto Giordano (Italian opera composer) (in 1896)
librettist:
Luigi Illica (in 1896)
part of:
Andrea Chénier: Atto IV
Umberto Giordano3:16
7Andrea Chénier: Nemico della patria
baritone vocals:
Sherrill Milnes (baritone)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972)
conductor:
Plácido Domingo (tenor)
recording of:
Andrea Chénier: Atto III. “Nemico della patria?” … “Or io rinnego il santo grido!” (Gérard, L'Incredibile)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto III
Umberto Giordano4:56
8Rigoletto: Ella mi fu rapita! - Parmi veder la lagrime
tenor vocals:
Plácido Domingo (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972)
conductor:
Sherrill Milnes (baritone)
recording of:
Rigoletto: Atto II: “Ella mi fu rapita!” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
recording of:
Rigoletto: Atto II. "Parmi veder le lagrime" (Duca)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto II
Giuseppe Verdi5:17
9Cavalleria rusticana: Il cavallo scalpita
baritone vocals:
Sherrill Milnes (baritone)
choir vocals:
The John Alldis Choir
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972)
conductor:
Plácido Domingo (tenor)
chorus master:
John Alldis (chorusmaster and conductor)
recording of:
Cavalleria rusticana: “Il cavallo scalpita” (Alfio, Coro)
composer:
Pietro Mascagni (composer & conductor)
librettist:
Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
Pietro Mascagni2:57
10La Traviata: Lunge, da lei - De' miei bollenti spiriti
tenor vocals:
Plácido Domingo (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972)
conductor:
Sherrill Milnes (baritone)
recording of:
La traviata: Atto II, scena 1. “De’ miei bollenti spiriti” (Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
recording of:
La traviata: Atto II, scena 1. “Lunge da lei” (Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi3:49
6▼CD: Verdi & Puccini Duets
#TitleArtistRatingLength
1Otello: Già nella notte densa
soprano vocals:
Leontyne Price (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
London Symphony Orchestra
conductor:
Nello Santi (conductor)
recording of:
Otello: Atto I, scena 3. “Già nella notte densa” (Otello, Desdemona)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Giuseppe Verdi11:09
2Un ballo in maschera: Teco io sto
soprano vocals:
Leontyne Price (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
London Symphony Orchestra
conductor:
Nello Santi (conductor)
recording of:
Un ballo in maschera: Atto II. Nº 13a. Scena "Teco io sto - Gran Dio!" (Riccardo, Amelia)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi9:23
3Manon Lescaut: Oh, sarò la più bella! - Tu, tu, amore?
soprano vocals:
Leontyne Price (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
London Symphony Orchestra
conductor:
Nello Santi (conductor)
recording of:
Manon Lescaut: Atto II. “Oh, sarò la più bella … Tu, tu amore?” (Manon, Des Grieux)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto II
Giacomo Puccini9:54
4Madama Butterfly: Bimba, Bimba, non piangere (Love Duet)
soprano vocals:
Leontyne Price (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
London Symphony Orchestra
conductor:
Nello Santi (conductor)
recording of:
Madama Butterfly: Atto I. “Bimba, bimba, non piangere” (Pinkerton, coro, Butterfly, Suzuki)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini16:07
7▼CD: Romantic Opera Duets
#TitleArtistRatingLength
1Manon: Toi! Vous! - Oui, c'est moi, moi!
producer:
David Mottley (producer)
soprano vocals:
Renata Scotto (operatic soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Kurt Herbert Adler (conductor)
recording of:
Manon: Acte III, Scène II. “Toi ! Vous !… Oui ! Je fus cruelle et coupable !” (Manon, des Grieux)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon: Acte III
Jules Massenet8:56
2Roméo et Juliette: Va, ne t'ai pardonné - Nuit d'hyménée
producer:
David Mottley (producer)
soprano vocals:
Renata Scotto (operatic soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Kurt Herbert Adler (conductor)
recording of:
Roméo et Juliette : Acte IV. No. 14 Duo « Va! je t'ai pardonné » … « Nuit d'hyménée » (Roméo, Juliette)
composer:
Charles Gounod (French composer) (from 1865 until 1866)
librettist:
Jules Barbier and Michel Carré (librettist)
publisher:
Choudens
part of:
Roméo et Juliette : Acte IV
part of:
Roméo et Juliette : Acte IV
Charles Gounod15:39
3Fedora: È lui! È lui! Andate!
producer:
David Mottley (producer)
soprano vocals:
Renata Scotto (operatic soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Kurt Herbert Adler (conductor)
recording of:
Fedora: Atto II. Duettino “È lui! È lui!” (Fedora, Loris)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Arturo Colautti
part of:
Fedora: Atto II
Umberto Giordano15:46
4I Rantzau: Giorgio si batte
producer:
David Mottley (producer)
soprano vocals:
Renata Scotto (operatic soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Kurt Herbert Adler (conductor)
recording of:
I Rantzau: Act IV, Scene III. Duettino "Giorgio si batte" (Luisa, Georgia)
composer:
Pietro Mascagni (composer & conductor)
librettist:
G. Menesci (Italian librettist "I Rantzau") and Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
I Rantzau: Act IV
Pietro Mascagni9:34
8▼CD: Great Love Duets
#TitleArtistRatingLength
1Otello: Già nella notte densa
soprano vocals:
Katia Ricciarelli (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Gianandrea Gavazzeni (conductor) (in 1972)
recording of:
Otello: Atto I, scena 3. “Già nella notte densa” (Otello, Desdemona)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Giuseppe Verdi10:24
2Madame Butterfly: Viene la sera - Bimba degli occhi pieni di malia
soprano vocals:
Katia Ricciarelli (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Gianandrea Gavazzeni (conductor) (in 1972)
recording of:
Madama Butterfly: Atto I. “Bimba dagli occhi pieni di malìa” (Butterfly, Pinkerton)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
recording of:
Madama Butterfly: Atto I. “Viene la sera” (Pinkerton, Butterfly, Suzuki)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini13:57
3Un ballo in maschera: Teco io sto
soprano vocals [Amelia]:
Katia Ricciarelli (soprano)
tenor vocals [Riccardo]:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Gianandrea Gavazzeni (conductor) (in 1972)
recording of:
Un ballo in maschera: Atto II. Nº 13a. Scena "Teco io sto - Gran Dio!" (Riccardo, Amelia)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi8:19
4Francesca da Rimini: Benvenuto, signore mio cognato
soprano vocals:
Katia Ricciarelli (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Gianandrea Gavazzeni (conductor) (in 1972)
recording of:
Francesca da Rimini: Act 3: Benvenuto, signore mio cognato
composer:
Riccardo Zandonai
part of:
Francesca da Rimini, op. 4
Francesco Zandonai17:17
9▼CD: Canciones Mexicanas - Popular Mexican Songs
#TitleArtistRatingLength
1Adoro
tenor vocals:
Plácido Domingo (tenor)
recording of:
Adoro
lyricist and composer:
Armando Manzanero
Armando Manzanero3:25
2Un viejo amor
tenor vocals:
Plácido Domingo (tenor)
recording of:
Un viejo amor
writer:
Alfonso Esparza Oteo (Mexican songwriter, musician) and Adolfo Fernández Bustamante (Mexican musician, movies)
Alfonso Esparza Oteo & Adolfo Fernández3:02
3Serenata tapatía
tenor vocals:
Plácido Domingo (tenor)
recording of:
Serenata tapatía
writer:
Ernesto Cortázar (Ernesto Cortázar Hernández, 1897-1953) and Manuel Esperón
Manuel Esperón & Ernesto Cortázar2:23
4Adios, Mariquita linda
tenor vocals:
Plácido Domingo (tenor)
recording of:
Adiós mariquita linda
lyricist and composer:
Marcos Augusto Jiménez Sotelo (Mexican composer, musician)
Marcos Jiménez2:45
5La negra noche
tenor vocals:
Plácido Domingo (tenor)
recording of:
La negra noche (Black Night)
lyricist and composer:
Lauro Donato Uranga (Mexican musician, composer)
Lauro Uranga2:27
6Las mañanitas a la Virgen
tenor vocals:
Plácido Domingo (tenor)
recording of:
Las mañanitas a la virgen
writer:
[traditional] (special purpose artist)
[traditional]3:22
7El triste
tenor vocals:
Plácido Domingo (tenor)
recording of:
El triste
lyricist and composer:
Roberto Cantoral Garcia
publisher:
Promotora Hispano Americana DE
Roberto Cantoral4:09
8Rayando el sol
tenor vocals:
Plácido Domingo (tenor)
recording of:
Rayando el sol
writer:
Fher (Lead singer of Maná) and Alex González
[traditional]3:37
9Noche plateada
tenor vocals:
Plácido Domingo (tenor)
recording of:
Noche plateada
writer:
Ernesto Cortázar (Ernesto Cortázar Hernández, 1897-1953) and Manuel Esperón
Manuel Esperón & Ernesto Cortázar2:36
10China
tenor vocals:
Plácido Domingo (tenor)
recording of:
China
lyricist and composer:
Mario Talavera (Mexican musician, tenor, composer)
Mario Talavera3:29
11Maria Bonita
tenor vocals:
Plácido Domingo (tenor)
recording of:
María bonita
lyricist, writer and composer:
Agustín Lara
Agustín Lara3:12
10▼CD: Always in My Heart - Siempre en mi corazón
#TitleArtistRatingLength
1Siboney
producer:
Milton Okun
solo tenor vocals:
Plácido Domingo (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lee Holdridge
arranger:
Lee Holdridge
recording of:
Siboney (original Spanish version)
lyricist and composer:
Ernesto Lecuona (in 1929)
publisher:
EMI Feist Catalog Inc., EMI Music Publishing France and EMI Songs España S.R.L.
Ernesto Lecuona3:39
2Noche azul
producer:
Milton Okun
solo tenor vocals:
Plácido Domingo (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lee Holdridge
arranger:
Lee Holdridge
recording of:
Noche azul
lyricist and composer:
Ernesto Lecuona
Ernesto Lecuona2:53
3Andalucía
producer:
Milton Okun
solo tenor vocals:
Plácido Domingo (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lee Holdridge
arranger:
Lee Holdridge
recording of:
Andalucía
lyricist:
Emilio de Torre
composer:
Ernesto Lecuona
Ernesto Lecuona2:51
4Bonus: Por eso te quiero
Ernesto Lecuona2:55
5Siempre en mi corazón
producer:
Milton Okun
solo tenor vocals:
Plácido Domingo (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lee Holdridge
arranger:
Lee Holdridge
recording of:
Siempre en mi corazón (Always in My Heart)
lyricist and composer:
Ernesto Lecuona
Ernesto Lecuona3:32
6Maria la O
producer:
Milton Okun
solo tenor vocals:
Plácido Domingo (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lee Holdridge
arranger:
Alf Clausen
recording of:
Maria la O (Cuban zarzuela, not to be confused with the copla Maria de la O)
lyricist and composer:
Ernesto Lecuona Casado
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), EMI Music Publishing Spain, S.A. (Not a label, use for publishing rights only.) and Lawrence Wright Music Co., Ltd.
Ernesto Lecuona3:29
7Canto Karabali
producer:
Milton Okun
solo tenor vocals:
Plácido Domingo (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lee Holdridge
arranger:
Lee Holdridge
recording of:
Canto karabali
lyricist and composer:
Ernesto Lecuona
Ernesto Lecuona3:16
8Juventud
producer:
Milton Okun
solo tenor vocals:
Plácido Domingo (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lee Holdridge
arranger:
Lee Holdridge
recording of:
Juventud
lyricist and composer:
Ernesto Lecuona
Ernesto Lecuona2:43
9Malagueña
producer:
Milton Okun
solo tenor vocals:
Plácido Domingo (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lee Holdridge
arranger:
Lee Holdridge
recording of:
Malagueña from Andalucia Suite (original Spanish vocal version)
lyricist and composer:
Ernesto Lecuona
arrangement of:
Andalucía (Suite española): VI. Malagueña (for solo piano)
Ernesto Lecuona3:26
10Damisela encantadora
producer:
Milton Okun
solo tenor vocals:
Plácido Domingo (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lee Holdridge
arranger:
Alf Clausen
recording of:
Damisela encantadora
lyricist and composer:
Ernesto Lecuona
Ernesto Lecuona3:32
11La comparsa
producer:
Milton Okun
solo tenor vocals:
Plácido Domingo (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lee Holdridge
arranger:
Alf Clausen
recording of:
La comparsa
lyricist and composer:
Ernesto Lecuona
Ernesto Lecuona3:35
11▶CD: Zarzuela Arias & Duets
12▶CD: The Unknown Puccini Songs

Credits

Release

ASIN:DE: B001DD0HPQ [info]