The Complete Atlantic Albums

~ Release by Solomon Burke (see all versions of this release, 1 available)

Tracklist

1Digital Media
#TitleRatingLength
1Down in the Valley
recorded in:
New York, New York, United States (on 1962-04-04)
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1962-04-04)
bass:
Al Lucas (Canadian jazz bassist) (on 1962-04-04)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1962-04-04) and Panama Francis (US swing jazz drummer) (on 1962-04-04)
guitar:
Bob Bushnell (on 1962-04-04), Jimmy Spruill (on 1962-04-04), Charles Macey (on 1962-04-04) and Bucky Pizzarelli (on 1962-04-04)
organ:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-04-04)
piano:
Alfred Williams (piano) (on 1962-04-04)
tenor saxophone:
King Curtis (saxophonist) (on 1962-04-04) and Buddy Lucas (Tenor saxophonist / vocalist / harmonica player) (on 1962-04-04)
trumpet:
Dud Bascomb (Sr., jazz trumpeter) (on 1962-04-04) and Lammar Wright (on 1962-04-04)
vocals:
Solomon Burke (on 1962-04-04) and unidentified female choir ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1962-04-04)
conductor:
Teacho Wiltshire (on 1962-04-04)
arranger:
Teacho Wiltshire
recording of:
Down in the Valley
composer:
Bert Russell Berns, Solomon Burke, Babe Chivian and Joe Martin (songwriter)
2:34
2Just Out of Reach (of My Two Empty Arms)2:51
3How Many Times
recorded in:
New York, New York, United States (on 1960-12-13)
alto saxophone:
Leon Cohen (woodwind player) (on 1960-12-13)
bass:
Wendell Marshall (on 1960-12-13)
drums (drum set):
Ted Sommer (on 1960-12-13)
guitar:
George Barnes (on 1960-12-13), Billy Bauer (US cool jazz guitarist) (on 1960-12-13) and Allen Hanlon (jazz guitarist) (on 1960-12-13)
organ:
Bert Keyes (piano, soul/funk producer/writer) (on 1960-12-13)
piano:
Moe Wechsler (on 1960-12-13)
vibraphone:
Phil Kraus (on 1960-12-13)
background vocals:
Elise Bretton (on 1960-12-13), Charles Cassey (on 1960-12-13), Lillian Clark (on 1960-12-13), Jerry Duane (on 1960-12-13), Marcia Patterson (on 1960-12-13), Alan Sokoloff (on 1960-12-13) and Mike Stewart (late 1950s R&B choir/background vocalist) (on 1960-12-13)
vocals:
Solomon Burke (on 1960-12-13)
conductor:
Ray Ellis (US producer, arranger and conductor) (on 1960-12-13)
arranger:
Ray Ellis (US producer, arranger and conductor)
2:19
4Baby (I Wanna Be Loved)
recorded in:
New York, New York, United States (on 1962-04-04)
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1962-04-04)
bass:
Al Lucas (Canadian jazz bassist) (on 1962-04-04)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1962-04-04) and Panama Francis (US swing jazz drummer) (on 1962-04-04)
guitar:
Bob Bushnell (on 1962-04-04), Jimmy Spruill (on 1962-04-04), Charles Macey (on 1962-04-04) and Bucky Pizzarelli (on 1962-04-04)
organ:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-04-04)
piano:
Alfred Williams (piano) (on 1962-04-04)
tenor saxophone:
King Curtis (saxophonist) (on 1962-04-04) and Buddy Lucas (Tenor saxophonist / vocalist / harmonica player) (on 1962-04-04)
trumpet:
Dud Bascomb (Sr., jazz trumpeter) (on 1962-04-04) and Lammar Wright (on 1962-04-04)
vocals:
Solomon Burke (on 1962-04-04) and unidentified female choir ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1962-04-04)
conductor:
Teacho Wiltshire (on 1962-04-04)
arranger:
Teacho Wiltshire
2:00
5Gotta Travel On
recorded in:
New York, New York, United States (on 1962-04-04)
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1962-04-04)
bass:
Al Lucas (Canadian jazz bassist) (on 1962-04-04)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1962-04-04) and Panama Francis (US swing jazz drummer) (on 1962-04-04)
guitar:
Bob Bushnell (on 1962-04-04), Jimmy Spruill (on 1962-04-04), Charles Macey (on 1962-04-04) and Bucky Pizzarelli (on 1962-04-04)
organ:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-04-04)
piano:
Alfred Williams (piano) (on 1962-04-04)
tenor saxophone:
King Curtis (saxophonist) (on 1962-04-04) and Buddy Lucas (Tenor saxophonist / vocalist / harmonica player) (on 1962-04-04)
trumpet:
Dud Bascomb (Sr., jazz trumpeter) (on 1962-04-04) and Lammar Wright (on 1962-04-04)
vocals:
Solomon Burke (on 1962-04-04) and unidentified female choir ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1962-04-04)
conductor:
Teacho Wiltshire (on 1962-04-04)
arranger:
Teacho Wiltshire
2:13
6Looking for My Baby
recorded in:
New York, New York, United States (on 1962-04-04)
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1962-04-04)
bass:
Al Lucas (Canadian jazz bassist) (on 1962-04-04)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1962-04-04) and Panama Francis (US swing jazz drummer) (on 1962-04-04)
guitar:
Bob Bushnell (on 1962-04-04), Jimmy Spruill (on 1962-04-04), Charles Macey (on 1962-04-04) and Bucky Pizzarelli (on 1962-04-04)
organ:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-04-04)
piano:
Alfred Williams (piano) (on 1962-04-04)
tenor saxophone:
King Curtis (saxophonist) (on 1962-04-04) and Buddy Lucas (Tenor saxophonist / vocalist / harmonica player) (on 1962-04-04)
trumpet:
Dud Bascomb (Sr., jazz trumpeter) (on 1962-04-04) and Lammar Wright (on 1962-04-04)
vocals:
Solomon Burke (on 1962-04-04) and unidentified female choir ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1962-04-04)
conductor:
Teacho Wiltshire (on 1962-04-04)
arranger:
Teacho Wiltshire
2:22
7I'm Hanging Up My Heart for You
recorded in:
New York, New York, United States (on 1962-04-04)
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1962-04-04)
bass:
Al Lucas (Canadian jazz bassist) (on 1962-04-04)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1962-04-04) and Panama Francis (US swing jazz drummer) (on 1962-04-04)
guitar:
Bob Bushnell (on 1962-04-04), Jimmy Spruill (on 1962-04-04), Charles Macey (on 1962-04-04) and Bucky Pizzarelli (on 1962-04-04)
organ:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-04-04)
piano:
Alfred Williams (piano) (on 1962-04-04)
tenor saxophone:
King Curtis (saxophonist) (on 1962-04-04) and Buddy Lucas (Tenor saxophonist / vocalist / harmonica player) (on 1962-04-04)
trumpet:
Dud Bascomb (Sr., jazz trumpeter) (on 1962-04-04) and Lammar Wright (on 1962-04-04)
vocals:
Solomon Burke (on 1962-04-04) and unidentified female choir ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1962-04-04)
conductor:
Teacho Wiltshire (on 1962-04-04)
arranger:
Teacho Wiltshire
recording of:
Hanging Up My Heart for You
writer:
John Berry (songwriter from the 50s-60s) and Don Covay
3:05
8Cry to Me
recorded in:
New York, New York, United States (on 1961-12-06)
engineer:
Tom Dowd and Phil Iehle
producer:
Bert Berns and Jerry Wexler
alto saxophone:
Leon Cohen (woodwind player) (on 1961-12-06)
double bass [bass]:
Art Davis (US jazz double bassist) (on 1961-12-06)
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (on 1961-12-06)
guitar:
Don Arnone (on 1961-12-06), Everett Barksdale (on 1961-12-06), Al Caiola (on 1961-12-06) and Bucky Pizzarelli (on 1961-12-06)
organ:
Robert Mosely (US rhythm & blues singer/songwriter) (on 1961-12-06)
piano:
Hank Jones (piano) (on 1961-12-06)
tenor saxophone:
Jesse Powell (US jazz saxophonist) (on 1961-12-06)
vibraphone [vibes]:
Phil Kraus (on 1961-12-06)
background vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1961-12-06)
vocals:
Solomon Burke (on 1961-12-06)
conductor:
Klaus Ogerman (on 1961-12-06)
arranger:
Klaus Ogerman
recording of:
Cry to Me
lyricist and composer:
Bert Russell
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sloopy II Music, Sony/ATV Songs LLC and Unichappell Music, Inc.
3.252:31
9I Almost Lost My Mind
recorded in:
New York, New York, United States (on 1961-12-06)
alto saxophone:
Leon Cohen (woodwind player) (on 1961-12-06)
bass:
Art Davis (US jazz double bassist) (on 1961-12-06)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1961-12-06) and Ted Sommer (on 1961-12-06)
guitar:
Don Arnone (on 1961-12-06), Everett Barksdale (on 1961-12-06), Al Caiola (on 1961-12-06) and Bucky Pizzarelli (on 1961-12-06)
organ:
Bob Mosley (organ) (on 1961-12-06)
piano:
Hank Jones (piano) (on 1961-12-06)
tenor saxophone:
Jesse Powell (US jazz saxophonist) (on 1961-12-06)
vibraphone:
Phil Kraus (on 1961-12-06)
background vocals:
William Eaton (vocals) (on 1961-12-06), Noah Hopkins (on 1961-12-06), Richard Kraus (vocals) (on 1961-12-06), Howard Roberts (background vocals) (on 1961-12-06), Earl Rogers (American tenor) (on 1961-12-06), Sherman Sneed (on 1961-12-06) and David Vogel (on 1961-12-06)
vocals:
Solomon Burke (on 1961-12-06)
conductor:
Claus Ogerman (on 1961-12-06)
arranger:
Claus Ogerman
cover recording of:
I Almost Lost My Mind
lyricist and composer:
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist)
publisher:
Hill and Range (publisher) and St. Louis Music Corp.
2:17
10A Tear Fell
recorded in:
New York, New York, United States (on 1961-12-06)
alto saxophone:
Leon Cohen (woodwind player) (on 1961-12-06)
bass:
Art Davis (US jazz double bassist) (on 1961-12-06)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1961-12-06) and Ted Sommer (on 1961-12-06)
guitar:
Don Arnone (on 1961-12-06), Everett Barksdale (on 1961-12-06), Al Caiola (on 1961-12-06) and Bucky Pizzarelli (on 1961-12-06)
organ:
Bob Mosley (organ) (on 1961-12-06)
piano:
Hank Jones (piano) (on 1961-12-06)
tenor saxophone:
Jesse Powell (US jazz saxophonist) (on 1961-12-06)
vibraphone:
Phil Kraus (on 1961-12-06)
background vocals:
William Eaton (vocals) (on 1961-12-06), Noah Hopkins (on 1961-12-06), Richard Kraus (vocals) (on 1961-12-06), Howard Roberts (background vocals) (on 1961-12-06), Earl Rogers (American tenor) (on 1961-12-06), Sherman Sneed (on 1961-12-06) and David Vogel (on 1961-12-06)
vocals:
Solomon Burke (on 1961-12-06)
conductor:
Claus Ogerman (on 1961-12-06)
arranger:
Claus Ogerman
cover recording of:
A Tear Fell (1956 song)
writer:
Dorian Burton (New York-based singer, songwriter and producer) and Eugene Randolph
2:43
11Be Bop Grandma
recorded in:
New York, New York, United States (on 1959-11-06)
vocals:
Solomon Burke (on 1959-11-06)
recording of:
Be Bop Grandma
composer:
Dolores Burke and Solomon Burke
2:16
12Keep the Magic Working
recorded in:
New York, New York, United States (on 1960-12-13)
alto saxophone:
Leon Cohen (woodwind player) (on 1960-12-13)
bass:
Wendell Marshall (on 1960-12-13)
drums (drum set):
Ted Sommer (on 1960-12-13)
guitar:
George Barnes (on 1960-12-13), Billy Bauer (US cool jazz guitarist) (on 1960-12-13) and Allen Hanlon (jazz guitarist) (on 1960-12-13)
organ:
Bert Keyes (piano, soul/funk producer/writer) (on 1960-12-13)
piano:
Moe Wechsler (on 1960-12-13)
vibraphone:
Phil Kraus (on 1960-12-13)
background vocals:
Elise Bretton (on 1960-12-13), Charles Cassey (on 1960-12-13), Lillian Clark (on 1960-12-13), Jerry Duane (on 1960-12-13), Marcia Patterson (on 1960-12-13), Alan Sokoloff (on 1960-12-13) and Mike Stewart (late 1950s R&B choir/background vocalist) (on 1960-12-13)
vocals:
Solomon Burke (on 1960-12-13)
conductor:
Ray Ellis (US producer, arranger and conductor) (on 1960-12-13)
arranger:
Ray Ellis (US producer, arranger and conductor)
2:08
13If You Need Me
recorded in:
New York, New York, United States (on 1963-03-15)
engineer:
Tom Dowd and Phil Iehle
producer:
Bert Berns and Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1963-03-15)
bass [electric bass]:
Russ Saunders (jazz bass player) (on 1963-03-15)
drums (drum set):
Bobby Donaldson (on 1963-03-15)
guitar:
George Barnes (on 1963-03-15) and Bob Bushnell (on 1963-03-15)
piano:
Artie Butler (on 1963-03-15)
tambourine:
Phil Kraus (on 1963-03-15)
tenor saxophone:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (on 1963-03-15) and Ben Smith (US saxophonist Benjamin J. Smith) (on 1963-03-15)
trumpet:
Marky Markowitz (on 1963-03-15) and Ernie Royal (on 1963-03-15)
choir vocals:
unidentified female choir ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1963-03-15)
vocals:
Solomon Burke (on 1963-03-15)
conductor:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1963-03-15)
arranger:
Garry Sherman (mid-20th century composer, arranger & conductor)
cover recording of:
If You Need Me (on 1963-03-15)
writer:
Robert Bateman (R&B singer/songwriter/record producer), Wilson Pickett and Sonny Sanders
publisher:
Belinda (ended), Cotillion Music Inc. (BMI) and Lupine Music
2:36
14Words
producer:
Bert Russell Berns
vocals:
Solomon Burke
recording of:
Words
writer:
Solomon Burke
2:28
15Stupidity
producer:
Bert Russell Berns
vocals:
Solomon Burke
recording of:
Stupidity
writer:
Solomon Burke
publisher:
Warner Chappell Music (publisher as Warner/Chappell Music)
1:56
16Go on Back to Him2:56
17I Said I Was Sorry
producer:
Bert Russell Berns
vocals:
Solomon Burke
cover recording of:
I Said I Was Sorry
writer:
Joy Byers
2:28
18It's All Right2:31
19Home in Your Heart
producer:
Bert Russell Berns and Jerry Wexler
vocals:
Solomon Burke
recording of:
Home in Your Heart
writer:
Otis Blackwell (American pianist, singer and songwriter) and Winfield Scott
publisher:
Unichappell Music, Inc.
2:06
20I Really Don't Want to Know
producer:
Bert Russell Berns
vocals:
Solomon Burke
cover recording of:
I Really Don’t Want to Know
lyricist:
Howard Barnes (US songwriter) (in 1953)
composer:
Don Robertson (“Happy Whistler” songwriter) (in 1953)
publisher:
Anne-Rachel Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Don Robertson Music Corp.
3:33
21You Can Make It If You Try
producer:
Bert Russell Berns
vocals:
Solomon Burke
cover recording of:
You Can Make It If You Try
lyricist and composer:
Ted Jarrett
publisher:
John Stedman Music Publishing
2:28
22Send Me Some Loving2:24
23This Little Ring2:35
24Tonight My Heart She Is Crying2:18
25Goodbye Baby (Baby Goodbye)3:15
26Won't You Give Him (One More Chance)
recorded in:
New York, New York, United States (on 1963-08-16)
engineer:
Tom Dowd and Phil Iehle
producer:
Bert Russell Berns
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1963-08-16)
bass [electric bass]:
Russ Saunders (jazz bass player) (on 1963-08-16)
drums (drum set):
Bobby Donaldson (on 1963-08-16)
guitar:
George Barnes (on 1963-08-16), Bob Bushnell (on 1963-08-16) and Billy Butler (jazz guitarist) (on 1963-08-16)
piano:
Artie Butler (on 1963-08-16)
tenor saxophone:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (on 1963-08-16) and Ben Smith (US saxophonist Benjamin J. Smith) (on 1963-08-16)
trumpet:
Marky Markowitz (on 1963-08-16) and Robert Scott (trumpet) (on 1963-08-16)
choir vocals:
unidentified female choir ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1963-08-16)
vocals:
Solomon Burke (on 1963-08-16)
conductor:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1963-08-16)
arranger:
Garry Sherman (mid-20th century composer, arranger & conductor)
cover recording of:
(Won’t You Give Him) One More Chance
writer:
Winfield Scott
2:33
27Hard, Ain't It Hard
recorded in:
New York, New York, United States (on 1963-03-15)
engineer:
Tom Dowd and Phil Iehle
producer:
Bert Russell Berns
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1963-03-15)
bass [electric bass]:
Russ Saunders (jazz bass player) (on 1963-03-15)
drums (drum set):
Bobby Donaldson (on 1963-03-15)
guitar:
George Barnes (on 1963-03-15) and Bob Bushnell (on 1963-03-15)
piano:
Artie Butler (on 1963-03-15)
tambourine:
Phil Kraus (on 1963-03-15)
tenor saxophone:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (on 1963-03-15) and Ben Smith (US saxophonist Benjamin J. Smith) (on 1963-03-15)
trumpet:
Marky Markowitz (on 1963-03-15) and Ernie Royal (on 1963-03-15)
choir vocals:
unidentified female choir ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1963-03-15)
vocals:
Solomon Burke (on 1963-03-15)
conductor:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1963-03-15)
arranger:
Garry Sherman (mid-20th century composer, arranger & conductor)
cover recording of:
Hard, Ain't It Hard (on 1963-03-15)
lyricist and composer:
Woody Guthrie (American singer-songwriter)
2:49
28Can't Nobody Love You
recorded in:
New York, New York, United States (on 1963-03-15)
engineer:
Tom Dowd and Phil Iehle
producer:
Bert Russell Berns
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1963-03-15)
bass [electric bass]:
Russ Saunders (jazz bass player) (on 1963-03-15)
drums (drum set):
Bobby Donaldson (on 1963-03-15)
guitar:
George Barnes (on 1963-03-15) and Bob Bushnell (on 1963-03-15)
piano:
Artie Butler (on 1963-03-15)
tambourine:
Phil Kraus (on 1963-03-15)
tenor saxophone:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (on 1963-03-15) and Ben Smith (US saxophonist Benjamin J. Smith) (on 1963-03-15)
trumpet:
Marky Markowitz (on 1963-03-15) and Ernie Royal (on 1963-03-15)
choir vocals:
unidentified female choir ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1963-03-15)
vocals:
Solomon Burke (on 1963-03-15)
conductor:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1963-03-15)
arranger:
Garry Sherman (mid-20th century composer, arranger & conductor)
cover recording of:
Can’t Nobody Love You
writer:
Jimmy Mitchell (US Soul vocalist, songwriter, ofter associated with Trio Music)
publisher:
Trio Music Co., Inc.
2:34
29You're Good for Me
recording of:
You’re Good for Me
lyricist:
Don Covay
writer:
Horace Ott
3:04
30You Can't Love 'em All
recorded in:
New York, New York, United States (on 1963-03-15)
engineer:
Tom Dowd and Phil Iehle
producer:
Bert Russell Berns
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1963-03-15)
bass [electric bass]:
Russ Saunders (jazz bass player) (on 1963-03-15)
drums (drum set):
Bobby Donaldson (on 1963-03-15)
guitar:
George Barnes (on 1963-03-15) and Bob Bushnell (on 1963-03-15)
piano:
Artie Butler (on 1963-03-15)
tambourine:
Phil Kraus (on 1963-03-15)
tenor saxophone:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (on 1963-03-15) and Ben Smith (US saxophonist Benjamin J. Smith) (on 1963-03-15)
trumpet:
Marky Markowitz (on 1963-03-15) and Ernie Royal (on 1963-03-15)
choir vocals:
unidentified female choir ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1963-03-15)
vocals:
Solomon Burke (on 1963-03-15)
conductor:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1963-03-15)
arranger:
Garry Sherman (mid-20th century composer, arranger & conductor)
recording of:
You Can't Love Them All (on 1963-03-15)
writer:
Bert Russell, Ahmet Ertegun (US American Songwriter, producer), Jerry Leiber and Mike Stoller
2:46
31Someone to Love Me
recorded in:
New York, New York, United States (on 1963-12-12)
engineer:
Tom Dowd and Phil Iehle
producer:
Bert Russell Berns
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1963-12-12)
bass [electric bass]:
Russ Saunders (jazz bass player) (on 1963-12-12)
bass trombone:
Tony Studd (on 1963-12-12)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1963-12-12)
guitar:
Bill Suyker (on 1963-12-12), Bob Bushnell (on 1963-12-12) and Al Shackman (on 1963-12-12)
piano:
Paul Griffin (American pianist, session musician) (on 1963-12-12)
tenor saxophone:
Charles de Angelis (on 1963-12-12)
trumpet:
Lammar Wright (on 1963-12-12)
background vocals:
Estelle Brown (on 1963-12-12), Cissy Houston (on 1963-12-12), Sylvia Shemwell (on 1963-12-12) and Dee Dee Warwick (on 1963-12-12)
vocals:
Solomon Burke (on 1963-12-12)
conductor:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1963-12-12)
arranger:
Garry Sherman (mid-20th century composer, arranger & conductor)
recording of:
Someone to Love Me
writer:
Solomon Burke
3:05
32Beautiful Brown Eyes
recorded in:
New York, New York, United States (on 1963-08-16)
engineer:
Tom Dowd and Phil Iehle
producer:
Bert Russell Berns
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1963-08-16)
bass [electric bass]:
Russ Saunders (jazz bass player) (on 1963-08-16)
drums (drum set):
Bobby Donaldson (on 1963-08-16)
guitar:
George Barnes (on 1963-08-16), Bob Bushnell (on 1963-08-16) and Billy Butler (jazz guitarist) (on 1963-08-16)
piano:
Artie Butler (on 1963-08-16)
tenor saxophone:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (on 1963-08-16) and Ben Smith (US saxophonist Benjamin J. Smith) (on 1963-08-16)
trumpet:
Marky Markowitz (on 1963-08-16) and Robert Scott (trumpet) (on 1963-08-16)
choir vocals:
unidentified female choir ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1963-08-16)
vocals:
Solomon Burke (on 1963-08-16)
conductor:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1963-08-16)
arranger:
Garry Sherman (mid-20th century composer, arranger & conductor)
recording of:
Beautiful Brown Eyes
writer:
Bert Russell Berns and Solomon Burke
3:44
33He'll Have to Go
recorded in:
New York, New York, United States (on 1963-12-12)
engineer:
Tom Dowd and Phil Iehle
producer:
Bert Russell Berns
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1963-12-12)
bass [electric bass]:
Russ Saunders (jazz bass player) (on 1963-12-12)
bass trombone:
Tony Studd (on 1963-12-12)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1963-12-12)
guitar:
Bill Suyker (on 1963-12-12), Bob Bushnell (on 1963-12-12) and Al Shackman (on 1963-12-12)
piano:
Paul Griffin (American pianist, session musician) (on 1963-12-12)
tenor saxophone:
Charles de Angelis (on 1963-12-12)
trumpet:
Lammar Wright (on 1963-12-12)
background vocals:
Estelle Brown (on 1963-12-12), Cissy Houston (on 1963-12-12), Sylvia Shemwell (on 1963-12-12) and Dee Dee Warwick (on 1963-12-12)
vocals:
Solomon Burke (on 1963-12-12)
conductor:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1963-12-12)
arranger:
Garry Sherman (mid-20th century composer, arranger & conductor)
cover recording of:
He’ll Have to Go (on 1963-12-12)
writer:
Audrey Allison and Joe Allison
publisher:
Campbell Connelly & Co. Ltd., Central Songs and Central Songs, Inc.
3:19
34It's Been a Change2:18
35Take Me Just as I Am
producer:
Chips Moman and Dan Penn (songwriter, soul singer)
cover recording of:
(Take Me) Just as I Am
writer:
Spooner Oldham and Dan Penn (songwriter, soul singer)
publisher:
Warner Chappell Music Ltd. (1996–2019)
3:03
36Time Is a Thief
cover recording of:
Time Is a Thief
writer:
Mickey Newbury (American songwriter)
2:46
37Keep a Light in the Window3:25
38Baby, Come on Home
producer:
Bert Berns
cover recording of:
Baby, Come On Home
writer:
Bert Russell Berns
3:16
39Detroit City
producer:
Jerry Wexler
cover recording of:
Detroit City
writer:
Danny Dill and Mel Tillis
2:47
40Someone Is Watching2:53
41Party People
producer:
Jerry Wexler
recording of:
Party People
writer:
Don Covay
2:38
42When She Touches Me (Nothing Else Matters)
cover recording of:
When She Touches Me (Nothing Else Matters)
lyricist and composer:
Carolyn Varga (Songwriter)
2:42
43Woman, How Do You Make Me Love You Like I Do2:49
44It's Just a Matter of Time
cover recording of:
It’s Just a Matter of Time
writer:
Belford C. Hendricks, Brook Benton and Clyde Otis (American songwriter and record producer)
publisher:
Alley Music Corp., Carlin Music Corporation, Eden Music, Inc., The Clyde Otis Music Group, Inc. (publisher; do NOT use as release label) and Trio Music Co., Inc.
2:57
45Presents for Christmas
recording of:
Presents for Christmas
lyricist and composer:
Solomon Burke
3:13
46I Wish I Knew (How It Would Feel to Be Free)
recorded in:
Memphis, Tennessee, United States (in 1968)
engineer and producer:
Tom Dowd
vocals:
Solomon Burke (in 1968)
conductor:
Arif Mardin (in 1968)
arranger:
Arif Mardin
cover recording of:
I Wish I Knew How It Would Feel to Be Free (in 1968)
writer:
Billy Taylor (jazz/bop pianist) and Richard Lamb
publisher:
Duane Music Inc. and Westminster Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
recording of:
I Wish I Knew How It Would Feel to Be Free
writer:
Billy Taylor (jazz/bop pianist) and Richard Lamb
publisher:
Duane Music Inc. and Westminster Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
2:53
47Get Out of My Life Woman
recorded in:
Memphis, Tennessee, United States (in 1968)
engineer and producer:
Tom Dowd
vocals:
Solomon Burke (in 1968)
conductor:
Arif Mardin (in 1968)
arranger:
Arif Mardin
cover recording of:
Get Out of My Life, Woman (in 1968)
lyricist and composer:
Allen Toussaint
publisher:
Ardmore and Beechwood Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
3:22
48Meet Me in Church
recorded in:
Memphis, Tennessee, United States (in 1968)
engineer and producer:
Tom Dowd
vocals:
Solomon Burke (in 1968)
conductor:
Arif Mardin (in 1968)
arranger:
Arif Mardin
cover recording of:
Meet Me in Church
writer:
Joe Tex (American southern soul musician)
recording of:
Meet Me in Church
writer:
Joe Tex (American southern soul musician)
3:35
49By the Time I Get to Phoenix
recorded in:
Memphis, Tennessee, United States (in 1968)
engineer and producer:
Tom Dowd
vocals:
Solomon Burke (in 1968)
conductor:
Arif Mardin (in 1968)
arranger:
Arif Mardin
cover recording of:
By the Time I Get to Phoenix (in 1968)
lyricist and composer:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Charles Koppelman Music, Jonathan Three Music Co. and Martin Bandier Music
2:58
50Then You Can Tell Me Goodbye
cover recording of:
Then You Can Tell Me Goodbye
lyricist and composer:
John D. Loudermilk
publisher:
Acuff Rose (BMI), Loudermilk Music and Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
3:04
51What'd I Say
recorded in:
Memphis, Tennessee, United States (in 1968)
engineer and producer:
Tom Dowd
vocals:
Solomon Burke (in 1968)
conductor:
Arif Mardin (in 1968)
arranger:
Arif Mardin
cover recording of:
What’d I Say (in 1968)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
4:49
52Since I Met You Baby
engineer and producer:
Tom Dowd
vocals:
Solomon Burke (on 1968-03-15)
conductor:
Arif Mardin (on 1968-03-15)
arranger:
Arif Mardin
recorded at:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, United States (on 1968-03-15)
cover recording of:
Since I Met You Baby (in 1968)
lyricist and composer:
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist)
publisher:
BMG Platinum Songs, Bonuswise Ltd. and Unichappell Music, Inc.
3:46
53Save It
recorded in:
Memphis, Tennessee, United States (in 1968)
engineer and producer:
Tom Dowd
vocals:
Solomon Burke (in 1968)
conductor:
Arif Mardin (in 1968)
arranger:
Arif Mardin
recording of:
Save It
writer:
Don Bryant (R&B singer/songwriter)
2:24
54Shame on Me
recorded in:
Memphis, Tennessee, United States (in 1968)
engineer and producer:
Tom Dowd
vocals:
Solomon Burke (in 1968)
conductor:
Arif Mardin (in 1968)
arranger:
Arif Mardin
recording of:
Shame On Me (in 1968)
writer:
Don Bryant (R&B singer/songwriter) and Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
3:33
55Why, Why, Why
cover recording of:
Why, Why, Why
writer:
James Woodie Alexander
2:26

Credits

Release

ASIN:US: B07YX33XL3 [info]