Just the Hits: Rock

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Somebody to Love (Remastered 2011)
engineer:
Mike Stone (producer and engineer, 1960s–80s)
producer:
Queen (UK rock group)
bass and bass guitar:
John Deacon (from 1976-07 until 1976-11)
drums (drum set):
Roger Taylor (Queen drummer) (from 1976-07 until 1976-11)
guitar:
Brian May (Queen guitarist) (from 1976-07 until 1976-11)
background vocals and lead vocals:
Freddie Mercury (from 1976-07 until 1976-11)
choir vocals [gospel choir]:
Brian May (Queen guitarist) (from 1976-07 until 1976-11), Freddie Mercury (from 1976-07 until 1976-11) and Roger Taylor (Queen drummer) (from 1976-07 until 1976-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1976), Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1976) and Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1976, in 2011)
recorded at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom (from 1976-07 until 1976-11), The Manor in Oxfordshire, England, United Kingdom (from 1976-07 until 1976-11) and Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1976-07 until 1976-11)
recording of:
Somebody to Love (Queen song) (from 1976-07 until 1976-11)
lyricist, writer and composer:
Freddie Mercury
publisher:
Beechwood Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated) and Queen Music Ltd.
included in:
We Will Rock You (Queen musical)
included in:
We Will Rock You (German version of the Queen musical)
Queen4.354:57
2The Boys Are Back in Town
assistant recording engineer:
Neil Hornby
engineer:
Will Reid-Dick
producer:
John Alcock (producer)
acoustic guitar and bass guitar and lead vocals:
Phil Lynott
drums (drum set):
Brian Downey (Thin Lizzy drummer)
guitar:
Scott Gorham (Thin Lizzy guitarist) and Brian Robertson (Thin Lizzy & Motörhead)
vocals:
Brian Robertson (Thin Lizzy & Motörhead)
phonographic copyright (℗) by:
Mercury Records Limited (not for release label use!) (in 1976)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 272) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 499)
recording of:
The Boys Are Back in Town
lyricist and composer:
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and PolyGram Music Publishing (in 1989)
Thin Lizzy4.354:28
3Sweet Home Alabama
miscellaneous support:
Ronnie Van Zant
engineer and producer:
Al Kooper
drums (drum set):
Bob Burns (Lynyrd Skynyrd drummer) (in 1973-07)
electric bass guitar:
Leon Wilkeson (in 1973-07)
electric guitar:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) and Gary Rossington (in 1973-07)
keyboard:
Billy Powell (in 1973-07)
background vocals:
Merry Clayton (in 1973-07) and Clydie King (in 1973-07)
lead vocals:
Ronnie Van Zant (in 1973-07)
phonographic copyright (℗) by:
Geffen Records (in 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974) and Universal Music (plain logo: “Universal Music”) (in 1974)
produced for:
Sounds of the South Productions
recorded at:
Studio One (Doraville, GA) in Doraville, Georgia, United States (in 1973-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 398)
recording of:
Sweet Home Alabama (in 1973-07)
miscellaneous support:
Ronnie Van Zant
writer:
Ed King (US guitarist, bassist & songwriter), Gary Rossington and Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH and Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.154:46
4Joker and the Thief (edit)
recording of:
Joker & the Thief
writer:
Myles Heskett, Chris Ross (Australian bassist/keyboardist for Wolfmother & The Slew) and Andrew Stockdale
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Universal Music Publishing (use ONLY if no country‐specific information is available)
Wolfmother33:31
5Are You Gonna Go My Way
additional engineer:
David Domanich
assistant engineer:
Greg DiGesu
engineer and mixer:
Henry Hirsch
producer:
Lenny Kravitz
acoustic guitar and electric guitar:
Craig Ross (guitarist) (in 1998-12)
bass:
Lenny Kravitz (in 1998-01) and Tony Breit (in 1998-12)
drums (drum set), drums (drum set) [junkanoo] and background vocals and lead vocals:
Lenny Kravitz (in 1998-12)
synthesizer [arp string ensemble]:
Henry Hirsch (in 1998-12)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1993) and Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1993)
recording of:
Are You Gonna Go My Way (in 1998-12)
lyricist:
Lenny Kravitz
composer:
Henry Hirsch, Lenny Kravitz and Craig Ross (guitarist)
publisher:
BMG Gold Songs, EMI Music Publishing Scandinavia AB, Miss Bessie Music, Shukat Arrow Hafer Weber & Herbsman, LLP, Warner/Chappell Music Scandinavia AB, Wigged Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Lenny Kravitz3.93:32
6Hard Act to Follow
recording engineer and mixer:
Mike Plotnikoff (in 2004-06)
programming and editor:
Paul DeCarli
additional engineer:
Eric Miller (engineer)
producer:
Howard Benson (in 2004-06)
keyboard:
Paul DeCarli (in 2004-06)
phonographic copyright (℗) by:
Universal Music Australia (see annotation before using) (in 2004)
additionally recorded at:
Sparky Dark Studio in Calabasas, California, United States
recorded at and mixed at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States (in 2004-06)
produced at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States (in 2004-06)
recording of:
Hard Act to Follow (in 2004-06)
writer:
Pat Davern, Joe Hansen, Kristian Hopes and Phil Jamieson (Australian musician)
publisher:
EMI Publishing
Grinspoon33:28
7The Boys Light Up (2002 Digital Remaster)
engineer:
Ross Cockle
producer:
David Briggs (producer, guitarist of Little River Band)
drums (drum set):
Bill McDonough (from 1981-03 until 1981-04)
guitar and slide guitar:
Simon Binks (from 1981-03 until 1981-04)
harmonica:
James Reyne (from 1981-03 until 1981-04)
keyboard:
Peter Jones (Australian pianist/composer) (from 1981-03 until 1981-04), Mal Logan (from 1981-03 until 1981-04), Keith McKay (from 1981-03 until 1981-04) and Eddie Rayner (New Zealand keyboardist, singer, songwriter & producer) (from 1981-03 until 1981-04)
percussion:
Bill McDonough (from 1981-03 until 1981-04) and Derek Pellicci (from 1981-03 until 1981-04)
saxophone:
Bill Harrower (from 1981-03 until 1981-04)
vocals:
Bill McDonough (from 1981-03 until 1981-04), James Reyne (from 1981-03 until 1981-04), Brad Robinson (from 1981-03 until 1981-04), Mal Stainton (from 1981-03 until 1981-04) and Paul Williams (bassist in 'Australian Crawl') (from 1981-03 until 1981-04)
phonographic copyright (℗) by:
EMI Music Australia Pty. Limited (not for release label use!) and EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 2002)
recorded at:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australia (from 1981-03 until 1981-04)
mixed at:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australia
recording of:
Boys Light Up (from 1981-03 until 1981-04)
writer:
James Reyne
publisher:
Warner/Chappell Music Ltd. (1996–2019)
recording of:
The Boys Light Up (from 1981-03 until 1981-04)
writer:
James Reyne
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner/Chappell Pty. Ltd.
Australian Crawl34:41
8Whatever You Want
assistant engineer:
Freek Feenstra
engineer:
John Eden (producer) and Barry Hammond
producer:
Status Quo (UK boogie rock band) and Pip Williams (producer)
mixer:
Simon Sullivan
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1979), Mercury Records Ltd. (London) (for copyrights use only) (in 1979), Mercury Records Ltd. (UK) (in 1979), Phonogram Ltd. (not for release label use!) (in 1979) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1979)
produced for:
Handle Records Ltd.
recorded at:
Phonogram Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
music videos:
Whatever You Want by Status Quo (UK boogie rock band)
recording of:
Whatever You Want
written in:
Jersey
writer:
Andy Bown and Rick Parfitt (UK guitarist for Status Quo)
publisher:
Birchwood Music Ltd., Eaton Music Limited, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), S.Q. Publishing Eaton and Shawbury Music Ltd. (publisher)
Status Quo44:03
9Dreadlock Holiday
engineer:
Keith Bessey, Eric Stewart and Tony Spath
producer:
Graham Gouldman and Eric Stewart
mixer:
Eric Stewart
agogô, congas, cowbell, marimba, timbales and triangle:
Paul Burgess (UK rock drummer)
bass guitar, cabasa and background vocals and lead vocals:
Graham Gouldman
drums (drum set) and tambourine:
Stuart Tosh
electric guitar:
Rick Fenn and Graham Gouldman
electric piano and maracas:
Eric Stewart
organ:
Rick Fenn and Eric Stewart
synthesizer [Yamaha Cs80]:
Duncan Mackay (UK keyboardist/synthesizerist)
background vocals:
Rick Fenn, Eric Stewart and Stuart Tosh
arranger:
10cc
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1978) and Phonogram Ltd. (not for release label use!) (in 1978)
recorded at and mixed at:
Strawberry Studios South in Dorking, Surrey, England, United Kingdom
music videos:
Dreadlock Holiday by 10cc
recording of:
Dreadlock Holiday
writer:
Graham Gouldman and Eric Stewart
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Man-Ken Music Ltd.
10cc4.654:29
10I Touch Myself
assistant engineer:
Chris Albert (US engineer) and Vince Caro (engineer, music editor, producer)
producer:
Divinyls (Australian rock band), Howard Shore (Canadian score composer) and David Tickle
phonographic copyright (℗) by:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989, in 1990) and Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (in 1990)
recorded at:
BMG Recording Studios in Theater District, New York, New York, United States
remixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 326)
recording of:
I Touch Myself
lyricist and composer:
Christina Amphlett, Mark McEntee, Tom Kelly (songwriter) and William Steinberg
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. and Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16)
Divinyls3.53:47
11Streets of Your TownThe Go‐Betweens3:38
12Jack & Diane
assistant engineer:
Brad Gilderman, Dennis Hetzendorfer and Al Stegmeyer
engineer:
Don Gehman, Mark Stebbeds and George Tutko (engineer, producer)
producer:
Don Gehman and John Cougar Mellencamp
bass guitar:
George “Chocolate” Perry (bassist aka "Chocolate")
drums (drum set):
Kenny Aronoff
guitar:
Larry Crane and Mike Wanchic
lead vocals:
John Cougar
phonographic copyright (℗) by:
John Mellencamp (in 1982, in 2005)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 59) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 285)
recording of:
Jack & Diane
lyricist and composer:
John Mellencamp
publisher:
EMI Full Keel Music and EMI Music Publishing Australia Pty Ltd (not for release label use!)
John Mellencamp44:15
13Bohemian Like You
producer:
David Sardy (American score composer) and Courtney Taylor‐Taylor
mixer:
David Sardy (American score composer)
bass and keyboard:
Zia McCabe
drums (drum set) and background vocals:
Brent DeBoer
guest organ:
Erik Gavriluk
guitar:
Peter Holmström and Courtney Taylor‐Taylor
slide guitar:
Troy Stewart
vocals:
Courtney Taylor‐Taylor
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
music videos:
Bohemian Like You by The Dandy Warhols
part of:
Indie 88: Top 500 Indie Rock Songs (number: 449)
recording of:
Bohemian Like You
lyricist and composer:
Courtney Taylor‐Taylor
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Dandy Warhols Music (BMI)
The Dandy Warhols4.153:34
14Mustang Sally
background vocals:
Angeline Ball, Maria Doyle Kennedy and Bronagh Gallagher (Irish singer and actress)
vocals:
Andrew Strong (Irish singer)
phonographic copyright (℗) by:
Geffen Records (in 1991) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1991)
cover recording of:
Mustang Sally
lyricist and composer:
Sir Mack Rice
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
The Commitments4.54:02
15Everybody Wants to Rule the World
engineer:
David Bascombe
producer:
Chris Hughes (producer, aka “Merrick”)
mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar:
Curt Smith (in 1984)
drums (drum set):
Manny Elias (in 1984)
guitar and solo guitar:
Neil Taylor (guitarist) (in 1984)
keyboard:
Ian Stanley (in 1984)
background vocals:
Roland Orzabal (UK musician, songwriter and producer) (in 1984)
lead vocals:
Curt Smith
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1985, in 2014) and Phonogram Ltd. (not for release label use!) (in 1985)
music videos:
Everybody Wants to Rule the World by Tears for Fears
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 28) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
writer:
Christopher Merrick Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) and Ian Stanley
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Virgin Music (Publishers) Ltd.
sub-publisher:
フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Tears for Fears3.94:09
16Lonesome Loser (2002 Remaster)
recording of:
Lonesome Loser
lyricist and composer:
David Briggs (producer, guitarist of Little River Band)
publisher:
American Tumbleweed Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. and Wheatley Music Pty Ltd.
Little River Band3:53
17Don’t Dream It’s Over
recording engineer:
Tchad Blake and Dennis Kirk
assistant engineer:
Glen Holguin (engineer)
producer:
Mitchell Froom
mixer:
Michael Frondelli
bass:
Nick Seymour
congas, mbira [kalimba] and shakers:
Jorge Bermudez
drums (drum set):
Paul Hester (Australian drummer for Crowded House/Split Enz)
electric guitar [Gibson Les Paul Goldtop] and lead vocals:
Neil Finn
electric guitar [Tom Anderson “S” Style]:
Tim Pierce (US session guitarist)
keyboard and organ:
Mitchell Froom
background vocals:
Noel Crombie, Jim Gilstrap, Andy Milton and Joe Satriani
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States and Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, United States
mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
Don’t Dream It’s Over
lyricist and composer:
Neil Finn
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing and Roundhead Music (Neil Finn)
part of:
APRA Top 100 New Zealand Songs of All Time (number: 2)
Crowded House3.93:56
18Chelsea Dagger
engineer:
Todd Burke and Tony Hoffer
producer and mixer:
Tony Hoffer
recording of:
Chelsea Dagger
composer:
The Fratellis (Scottish rock band)
The Fratellis4.153:36
19Boys Don’t Cry
engineer:
Mike Hedges (UK producer/recording engineer)
producer and mixer:
Chris Parry
bass guitar:
Michael Dempsey
drums (drum set):
Lol Tolhurst
guitar and lead vocals:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
phonographic copyright (℗) by:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
music videos:
Boys Don’t Cry by The Cure
part of:
Indie 88: Top 500 Indie Rock Songs (number: 242)
recording of:
Boys Don’t Cry (in 1979)
lyricist:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
writer and composer:
Michael Dempsey, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) and Lol Tolhurst
publisher:
APB Music Co.
The Cure4.552:42
20Is This How You Feel?
recording of:
Is This How You Feel?
writer:
Gideon Bensen, Thomas Champion, Luke Davison, Isabella Manfredi and Jack Moffitt (Australian guitarist for the Preatures)
The Preatures33:35
2CD
#TitleArtistRatingLength
1Rock and Roll All Nite
remix of:
Rock and Roll All Nite by KISS (US rock band)
recording of:
Rock and Roll All Nite
writer:
Gene Simmons (KISS bassist and vocalist) and Paul Stanley (KISS frontman)
publisher:
KISS Songs Inc. (ended), Café Americana Inc., Hori Productions America Inc. and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-publisher:
大洋音楽 (Taiyō Music)
written at:
Continental Hyatt House in West Hollywood, California, United States
KISS4.52:58
2One Way or Another
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 298)
recording of:
One Way or Another (from 1978-06 until 1978-07)
writer:
Nigel Harrison and Deborah Harry
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. and Rare Blue Music Inc (in 1978)
Blondie4.153:33
3Rebel Yell
engineer:
Michael Frondelli
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Dave Wittman
bass guitar:
Steve Webster (Canadian bassist, producer, composer, arranger & orchestrator) (in 1983)
bass, guitar and keyboard:
Steve Stevens (US guitarist and songwriter) (in 1983)
drums (drum set):
Thommy Price (in 1983)
keyboard:
Judi Dozier (in 1983)
lead vocals:
Billy Idol (English rock singer‐songwriter) (in 1983)
arranger:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1983), Chrysalis Records, Inc. (not for release label use!) (in 1983, in 1999) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1986)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (in 1983)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
music videos:
Rebel Yell by Billy Idol (English rock singer‐songwriter)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 79)
recording of:
Rebel Yell (in 1983)
lyricist and composer:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
publisher:
BMG Monarch, Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. (1929–2019) and WC Music Corp.
Billy Idol4.554:47
4Bad to the Bone
engineer:
Paul Mufson and John Nagy
assistant producer:
Ken Irwin and John Nagy
producer:
Terry Manning (US recording engineer) and The Delaware Destroyers (George Thorogood & the Destroyers)
mixer:
Ken Irwin, Paul Mufson, John Nagy, George Thorogood and Terry Manning (US recording engineer) (in 1992)
bass:
Bill Blough (from 1981 until 1982)
drums (drum set):
Jeff Simon (from 1981 until 1982)
guitar and lead vocals:
George Thorogood (from 1981 until 1982)
keyboard:
Ian Stewart (piano/keyboard, Rolling Stones member) (from 1981 until 1982)
piano:
Ian Stewart (piano/keyboard, Rolling Stones member)
saxophone:
Hank Carter (Hank "Hurricane" Carter) (from 1981 until 1982)
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1989)
recorded at:
Dimension Sound in Jamaica Plain, Boston, Massachusetts, United States (from 1981 until 1982)
mixed at:
The Mixing Lab in Newton, Massachusetts, United States
recording of:
Bad to the Bone (from 1981 until 1982)
lyricist and composer:
George Thorogood
publisher:
Del Sound Music
George Thorogood & the Destroyers4.24:50
5If It Makes You Happy
assistant recording engineer:
Ron Black, S. “Husky” Höskulds, Cappy Japngie and John Paterno
recording engineer:
Tchad Blake, Blair Lamb, Bob Salcedo and Trina Shoemaker
producer:
Sheryl Crow (American singer-songwriter and musician)
mixer:
Tchad Blake
drums (drum set):
Michael Urbano
electric bass guitar [bass]:
Dan Rothchild
guitar [guitars]:
Jeff Trott
keyboard:
Sheryl Crow (American singer-songwriter and musician)
vocals:
Sheryl Crow (American singer-songwriter and musician)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1996)
recording of:
If It Makes You Happy
writer:
Sheryl Crow (American singer-songwriter and musician) and Jeff Trott
publisher:
Ole Media Management LP II, Reservoir One America, Old Crow Music (Sheryl Crow’s publishing label) (in 1996), Trottsky Music (in 1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1996)
live recording of:
If It Makes You Happy
writer:
Sheryl Crow (American singer-songwriter and musician) and Jeff Trott
publisher:
Ole Media Management LP II, Reservoir One America, Old Crow Music (Sheryl Crow’s publishing label) (in 1996), Trottsky Music (in 1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1996)
Sheryl Crow3.955:24
6Lightning Crashes
engineer:
Lou Giordano (Boston engineer)
executive producer:
Gary Kurfirst
producer:
Jerry Harrison (Talking Heads & producer) and Live (US alt rock band)
mixer:
Tom Lord‐Alge
bass:
Patrick Dahlheimer
drums (drum set):
Chad Gracey
electric guitar [lead]:
Chad Taylor (US guitarist for Live)
electric guitar [rhythm]:
Ed Kowalczyk
vocals:
Ed Kowalczyk
phonographic copyright (℗) by:
Radioactive Records (US rock) (in 1994) and Radioactive Records, J.V. (in 1994)
recorded at:
Pachyderm Recording Studio in Cannon Falls, Minnesota, United States
mixed at:
Music Head Recording in Lake Geneva, Wisconsin, United States
part of:
Indie 88: Top 500 Indie Rock Songs (number: 476)
recording of:
Lightning Crashes
lyricist:
Ed Kowalczyk
composer:
Patrick Dahlheimer, Chad Gracey, Ed Kowalczyk and Chad Taylor (US guitarist for Live)
publisher:
Universal Music Publishing MGB Australia
Lïve45:27
7Higher Ground
additional engineer:
Michael Beinhorn
engineer:
Garth Richardson (Canadian music producer and engineer)
producer:
Michael Beinhorn
mixer:
Dave Jerden and Garth Richardson (Canadian music producer and engineer)
bass:
Flea (US bassist)
drums (drum set):
Chad Smith (drummer from Red Hot Chili Peppers)
guitar:
John Frusciante
background vocals:
Sir Babs, Vicki Calhoun, Aklia Chinn, Bruno Deron, Joel Virgel Viergel, Iris Parker, Julie Ritter, Randy Ruff, Gretchen Seager, Jack Sherman, Laura Spinosa, Kristen Vigard, WAG (Various Artists, add compilations to this artist) and Merrill Ward
lead vocals:
Anthony Kiedis
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1989), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1989)
produced for:
Demolition Sound
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
cover recording of:
Higher Ground
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, Inc., EMI Music Publishing (do not use as a release label!), Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Stein & Van Stock, Inc.
Red Hot Chili Peppers3.953:24
8Mr. Brightside
recording engineer:
Jeff Saltzman (music attorney and record producer)
producer:
Jeff Saltzman (music attorney and record producer) and The Killers (American rock band)
mixer:
Mark Needham
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2004) and Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2017)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 4), NME: Greatest “Indie” Anthems Ever: 2007 (number: 33), Offizielle deutsche Charts – Single-Jahrescharts 2025 (number: 51), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 90) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 378)
recording of:
Mr. Brightside
writer:
Brandon Flowers and Dave Keuning
publisher:
The Killers Publishing and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Killers4.33:45
9Town Called Malice
producer:
The Jam (late 70s/early 80s UK punk/mod revival band) and Peter Wilson (UK Producer)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1982)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (in 1981-12)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 151)
recording of:
Town Called Malice
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. and Universal Music Publishing MGB Australia
The Jam4.82:56
10Black Betty
phonographic copyright (℗) by:
Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (in 2004)
music videos:
Black Betty by Spiderbait
cover recording of:
Black Betty
lyricist and composer:
[traditional] (special purpose artist) and Huddie William Ledbetter
publisher:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (from 1977 to present) and TRO (publisher) (from 1977 to present)
Spiderbait4.153:28
11White Noise
additional engineer:
Stewart Lerman and Ted Young (engineer)
assistant engineer:
Scott Altizio (engineer) and James Frazee
engineer:
John Agnello (engineer & producer)
producer:
John Agnello (engineer & producer) and The Living End (Australian punk band)
additional mixer:
Billy Bowers (US engineer)
assistant mixer:
Kory Aaron and DP Samuels (engineer)
mixer:
Brendan O’Brien (engineer)
phonographic copyright (℗) by:
Dew Process (in 2008) and Universal Music Australia (see annotation before using) (in 2008)
recorded at:
Water Music Studios in Hoboken, New Jersey, United States
mixed at:
Silent Sound Studios in Atlanta, Georgia, United States
part of:
triple j's Hottest 100 of 2008 (16th edition of Australian annual music poll) (number: 23)
recording of:
White Noise
writer:
Chris Cheney (The Living End frontman)
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
The Living End33:44
12Zombie
assistant engineer and assistant producer:
Julie Gardiner (engineer)
engineer and producer:
Stephen Street (famous producer, songwriter)
acoustic guitar and electric guitar:
Noel Hogan and Dolores O’Riordan
bass guitar:
Mike Hogan (bassist for The Cranberries)
drums (drum set) and percussion:
Fergal Lawler
keyboard and lead vocals:
Dolores O’Riordan
background vocals:
Noel Hogan
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label), Island Records, Inc. (US, Island holding) (in 1994), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1994) and Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2002)
recorded at:
The Manor in Oxfordshire, England, United Kingdom (from 1993-11 until 1994-08) and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1993-11 until 1994-08)
mixed at:
The Manor in Oxfordshire, England, United Kingdom and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 1994) and Indie 88: Top 500 Indie Rock Songs (number: 234)
recording of:
Zombie
lyricist and composer:
Dolores O’Riordan
publisher:
Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017) and Universal–Songs of PolyGram International, Inc.
The Cranberries4.355:08
13You Do Something to Me
producer:
Brendan Lynch (London producer) and Paul Weller (English singer‐songwriter and musician)
mixer:
Brendan Lynch (London producer)
bass guitar:
Yolanda Charles
drums (drum set):
Steve White (Style Council drummer)
guitar, other instruments [novatron], piano and lead vocals:
Paul Weller (English singer‐songwriter and musician)
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1995)
recorded at:
The Manor in Oxfordshire, England, United Kingdom and Finsbury Park in Haringey, London (Greater London), England, United Kingdom (on 1996-06-09)
recording of:
You Do Something to Me
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., Solid Bond Productions Ltd. and Stylist Music Ltd.
Paul Weller43:39
14Gimme Some Lovin’ (1992 Remaster)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1992)
recording of:
Gimme Some Lovin’
writer:
Spencer Davis, Muff Winwood (bass player, songwriter, producer) and Steve Winwood
publisher:
Kobalt Music Publishing Ltd. (UK), Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996), Yamaha Music EH(CM) and Island Music Ltd. (from 1966 to ????)
The Spencer Davis Group2:56
15All Right Now
engineer:
Roy Thomas Baker (producer)
additional producer:
John Kelly (producer)
producer:
Free (60s/70s UK blues rock group)
bass:
Andy Fraser (English bassist, member of Free) (in 1970)
drums (drum set):
Simon Kirke (in 1970)
electric bass guitar and piano:
Andy Fraser (English bassist, member of Free)
guitar:
Paul Kossoff (in 1970)
lead vocals:
Paul Rodgers (in 1970)
vocals:
Paul Rodgers
phonographic copyright (℗) by:
Free (60s/70s UK blues rock group) (in 1970)
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1970) and Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970)
recorded at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (in 1970) and Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (in 1970)
music videos:
All Right Now by Free (60s/70s UK blues rock group)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 27)
recording of:
All Right Now (in 1970)
writer:
Andy Fraser (English bassist, member of Free) and Paul Rodgers
publisher:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
Free4.155:34
16Copperhead Road
recording engineer and mixer:
Joe Hardy (US producer, engineer and musician, notably associated with ZZ Top among others)
producer:
Tony Brown (US producer, pianist and keyboardist) and Steve Earle (US folk/rock singer/songwriter)
recording of:
Copperhead Road
anthem of:
Tennessee, United States
lyricist and composer:
Steve Earle (US folk/rock singer/songwriter)
Steve Earle4.24:31
17Bring Me Some Water (album version)
recording of:
Bring Me Some Water
lyricist and composer:
Melissa Etheridge
publisher:
Rondor Music (London) Ltd.
Melissa Etheridge4.653:54
18Unskinny Bop (1996 Remaster)
additional engineer:
Ken Lomas
engineer and mixer:
Mike Fraser (Canadian record producer, engineer and mixer)
co-producer:
Mike Fraser (Canadian record producer, engineer and mixer)
producer:
Bruce Fairbairn
bass guitar:
Bobby Dall
drums (drum set):
Rikki Rockett
guitar:
C.C. DeVille
lead vocals:
Bret Michaels
performer:
Poison (US glam metal band)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990, in 2006)
recording of:
Unskinny Bop
writer:
Bobby Dall, C.C. DeVille, Bret Michaels and Rikki Rockett
publisher:
Cyanide Publishing
Poison4.253:49
19American Pie
engineer:
Tom Flye
acoustic guitar and banjo:
Don McLean (on 1971-05-26)
bass:
Bob Rothstein (on 1971-05-26)
drums (drum set) and percussion:
Roy Markowitz (on 1971-05-26)
electric guitar:
David Spinozza (on 1971-05-26)
electric piano:
Ray Colcord (on 1971-05-26)
marimba and vibraphone:
Mike Mainieri (on 1971-05-26)
piano:
Paul Griffin (American pianist, session musician) (on 1971-05-26)
choir vocals:
West 44th Street Rhythm and Noise Choir (on 1971-05-26)
vocals:
Bob Rothstein (on 1971-05-26) and Don McLean (on 1971-05-26)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1971), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1971) and United Artists Records (for bootlegs and counterfeit) (in 1971)
partial recording of:
American Pie (on 1971-05-26)
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd and Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean54:08

Credits

Release

manufactured in:Australia
distributed by and marketed by:Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22)
copyrighted (©) by:Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (in 2018)
Discogs:https://www.discogs.com/release/14624275 [info]

Release group

part of:Just the Hits (Australian compilation series) (number: Rock) (order: 5)