In Good Company

~ Release by Various Artists (see all versions of this release, 4 available)

Annotation

℗ & © «2005 Hollywood Records, Inc.»
℗ «This Compilation»

Countries where available (Spotify + Deezer)

(As of 2020-03-18).

  • Northern America: 🇨🇦 Canada (ca) 🇲🇽 Mexico (mx) 🇺🇸 United States (us)
  • Eastern Asia: 🇭🇰 Hong Kong (hk) 🇹🇼 Taiwan (tw)
  • South-Eastern Asia: 🇮🇩 Indonesia (id) 🇲🇾 Malaysia (my) 🇵🇭 Philippines (ph) 🇸🇬 Singapore (sg) 🇹🇭 Thailand (th)
  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz)
Annotation last modified on 2020-03-18 13:45 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Glass, Concrete & Stone
recording of:
Glass, Concrete & Stone
lyricist and composer:
David Byrne (Talking Heads)
David Byrne4:15
2Sister Surround
recording of:
Sister Surround
writer:
Mattias Bärjed, Karl Ake Gustagsson, Martin Hederos, Torbjörn Lundberg, Ian Person and Fredrik Sandsten (Swedish drummer)
The Soundtrack of Our Lives53:37
3Naked as We Came
recording of:
Naked as We Came
lyricist and composer:
Sam Beam
Iron & Wine2:33
4Chain of Fools
recorded in:
New York, New York, United States
recording engineer and mixer:
Tom Dowd
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-06-23)
drums (drum set):
Roger Hawkins (on 1967-06-23)
electric piano:
Spooner Oldham (on 1967-06-23)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-06-23) and Joe South (on 1967-06-23)
piano:
Aretha Franklin (on 1967-06-23)
choir vocals:
Carolyn Franklin (on 1967-06-23), Erma Franklin (on 1967-06-23), Ellie Greenwich (on 1967-06-23) and The Sweet Inspirations (on 1967-06-23)
vocals:
Aretha Franklin (on 1967-06-23)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-06-23)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 249) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 306)
recording of:
Chain of Fools (on 1967-06-23)
lyricist and composer:
Don Covay
publisher:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music (publisher), Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
adaptation of:
Verlga norih
Aretha Franklin4.252:47
5Sunset Soon Forgotten
recording of:
Sunset Soon Forgotten
lyricist and composer:
Sam Beam
Iron & Wine3:20
6The Chase (score)
recording of:
The Chase
composer:
Stephen Trask (American score composer)
Stephen Trask1:31
7Bésame mucho
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
piano:
Diana Krall (in 2001)
vocals:
Diana Krall (in 2001)
orchestra:
Los Angeles Session Orchestra (in 2001)
conductor:
Claus Ogerman (in 2001)
arranger:
Claus Ogerman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 2001-06-03 until 2001-06-04)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 2001-06-05 until 2001-06-07)
cover recording of:
Bésame mucho (Kiss Me Much, Bésame, bésame mucho como si fuera esta noche la última vez) (in 2001)
lyricist and composer:
Consuelo Velázquez (in 1940)
publisher:
Peer International Corporation (BMI)
Diana Krall6:40
8Ten Years Ahead
recording of:
Ten Years Ahead
writer:
Mattias Bärjed, Martin Hederos and Fredrik Sandsten (Swedish drummer)
The Soundtrack of Our Lives2:53
9The Arrival (score)
recording of:
The Arrival
composer:
Stephen Trask (American score composer)
Stephen Trask1:40
10Reelin’ In the Years
assistant engineer:
Tim Weston (in 1972-08)
engineer:
Roger Nichols (US mastering, recording engineer and producer) (in 1972-08)
producer:
Gary Katz (in 1972-08)
drums (drum set):
Jim Hodder (in 1972-08)
electric bass guitar:
Walter Becker (in 1972-08)
electric guitar:
Jeff “Skunk” Baxter (in 1972-08) and Denny Dias (in 1972-08)
piano and lead vocals:
Donald Fagen (in 1972-08)
solo electric guitar:
Elliott Randall (in 1972-08)
background vocals:
Donald Fagen (in 1972-08) and David Palmer (early Steely Dan vocalist) (in 1972-08)
phonographic copyright (℗) by:
ABC Records, Inc (in 1972), ABC/Dunhill Records (Owned by Geffen Records/Universal Music) (in 1972), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1972) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1972)
engineered at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (in 1972-08)
recording of:
Reelin’ In the Years (in 1972-08)
writer:
Walter Becker and Donald Fagen
publisher:
Ampar Music Corp., Anchor Music Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., Minder Music Ltd., Red Giant Music, Inc., Universal/MCA Music Ltd. (not for release label use!) and Wingate Music Corp.
Steely Dan4.654:37
11Solsbury Hill
additional recording engineer:
Jim Frank, Keith Grant (classical recording engineer), Dave Harris (Recording engineer at Morgan Studios, London), Rod O’Brien, Robert Hrycyna and Robert Stasiak
recording engineer:
Brian Christian
programming:
Larry Fast (American synthesizer player and composer)
producer:
Bob Ezrin
acoustic guitar and pedal steel guitar:
Steve Hunter (rock guitarist)
banjo and classical guitar:
Robert Fripp
bass and tuba:
Tony Levin (US rock bassist/Chapman Stick)
bones and percussion:
Jimmy Maelen (percussion)
drums (drum set):
Allan Schwartzberg
electric guitar and guitar:
Robert Fripp and Steve Hunter (rock guitarist)
flute and recorder:
Peter Gabriel (formerly of Genesis)
keyboard:
Jozef Chirowski and Peter Gabriel (formerly of Genesis)
synthesizer:
Larry Fast (American synthesizer player and composer)
vocals:
Peter Gabriel (formerly of Genesis)
phonographic copyright (℗) by:
Charisma Records (in 1977) and Peter Gabriel Ltd. (UK record and music publishing company associated with Peter Gabriel) (in 1977)
additionally recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom and Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recorded at and mixed at:
Sound Stage (Nimbus 9 Studios) in Toronto, Ontario, Canada
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 472)
recording of:
Solsbury Hill
lyricist and composer:
Peter Gabriel (formerly of Genesis)
publisher:
Ear Pieces, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Virgin Music Publishing Australia Pty Ltd, Hit & Run Music, Intersong Music, Pentagon Lipservices Real World and Real World Music, Ltd.
Peter Gabriel4.54:22
12The Trapeze Swinger
recording of:
The Trapeze Swinger
lyricist and composer:
Sam Beam
Iron & Wine3.49:32
13Accidentals (score)
recording of:
Accidentals
composer:
Stephen Trask (American score composer)
Stephen Trask2:40
14I’m Psyched (score)
recording of:
I'm Psyched
composer:
Stephen Trask (American score composer)
Stephen Trask2:50