Haydn, Beethoven, Brahms: Choral Music (1972-1976)

~ Release by Herbert von Karajan (see all versions of this release, 1 available)

Tracklist

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1▼CD: Haydn: Die Jahreszeiten - beginning
#TitleArtistRatingLength
1Die Jahreszeiten: Der Frühling. “Seht, wie der strenge Winter flieht” (Simon/Lukas/Hanne)
producer:
Michel Glotz
bass vocals [Simon]:
Walter Berry (bass‐baritone) (from 1972-11-20 until 1972-11-24)
soprano vocals [Hanne]:
Gundula Janowitz (soprano) (from 1972-11-20 until 1972-11-24)
tenor vocals [Lukas]:
Werner Hollweg (tenor) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Frühling: I. Einleitung: Largo. Vivace und Rezitativ: "Seht, wie der strenge Winter flieht!" (Simon, Lukas, Hanne) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Frühling
Joseph Haydn6:13
2Die Jahreszeiten: Der Frühling. “Komm, holder Lenz!” (Chorus)
producer:
Michel Glotz
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Frühling: II. Chor des Landvolkes: Allegretto: "Komm, holder Lenz!" (Chor) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Frühling
Joseph Haydn3:44
3Die Jahreszeiten: Der Frühling. “Vom Widder strahlet jetzt” (Simon)
producer:
Michel Glotz
bass vocals [Simon]:
Walter Berry (bass‐baritone) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Frühling: III. Rezitativ: "Vom Widder strahlet jetzt" (Simon) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Frühling
Joseph Haydn0:28
4Die Jahreszeiten: Der Frühling. “Schon eilet froh der Ackersmann” (Simon)
producer:
Michel Glotz
bass vocals [Simon]:
Walter Berry (bass‐baritone) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Frühling: IV. Aria: Allegretto: "Schon eilet froh der Ackermann" (Simon) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Frühling
Joseph Haydn3:29
5Die Jahreszeiten: Der Frühling. “Der Landmann hat sein Werk vollbracht” (Lukas)
producer:
Michel Glotz
tenor vocals [Lukas]:
Werner Hollweg (tenor) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Frühling: V. Rezitativ: "Der Landmann hat sein Werk vollbracht" (Lukas) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Frühling
Joseph Haydn0:34
6Die Jahreszeiten: Der Frühling. “Sei nun gnädig” (Lukas/Chorus/Simon/Hanne)
producer:
Michel Glotz
bass vocals [Simon]:
Walter Berry (bass‐baritone) (from 1972-11-20 until 1972-11-24)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (from 1972-11-20 until 1972-11-24)
soprano vocals [Hanne]:
Gundula Janowitz (soprano) (from 1972-11-20 until 1972-11-24)
tenor vocals [Lukas]:
Werner Hollweg (tenor) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Frühling: VI. Bittgesang: Terzett mit Chor: poco Adagio: "Sei uns gnädig, milder Himmel!" (Lukas, Chor, Simon, Hanne) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Frühling
Joseph Haydn6:30
7Die Jahreszeiten: Der Frühling. “Erhört ist unser Flehn” (Hanne)
producer:
Michel Glotz
soprano vocals [Hanne]:
Gundula Janowitz (soprano) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Frühling: VII. Rezitativ: "Erhört ist unser Flehn!" (Hanne) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Frühling
Joseph Haydn1:22
8Die Jahreszeiten: Der Frühling. “O wie lieblich ist der Anblick” (Hanne/Lukas/Chorus/Simon)
producer:
Michel Glotz
bass vocals [Simon]:
Walter Berry (bass‐baritone) (from 1972-11-20 until 1972-11-24)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (from 1972-11-20 until 1972-11-24)
soprano vocals [Hanne]:
Gundula Janowitz (soprano) (from 1972-11-20 until 1972-11-24)
tenor vocals [Lukas]:
Werner Hollweg (tenor) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Frühling: VIII. Freudenlied: Andante: "Oh, wie lieblich ist der Anblick" (Hanne, Lukas, Chor, Simon) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Frühling
Joseph Haydn6:42
9Die Jahreszeiten: Der Frühling. “Ewiger, mächtiger, gütiger Gott” (Chorus)
producer:
Michel Glotz
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, HobXXI/3: Der Frühling: IX. Chor. "Ewiger, mächtiger, gütiger Gott!" (Chor) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Frühling
Joseph Haydn6:11
10Die Jahreszeiten: Der Sommer. “Im grouen Schleier rückt heron” (Lukas/Simon)
producer:
Michel Glotz
bass vocals [Simon]:
Walter Berry (bass‐baritone) (from 1972-11-20 until 1972-11-24)
tenor vocals [Lukas]:
Werner Hollweg (tenor) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Sommer: IX. Einleitung und Rezitativ: Adagio: "In grauem Schleier rückt heran" (Lukas, Simon) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Sommer
Joseph Haydn4:58
11Die Jahreszeiten: Der Sommer. “Der muntre Hirt vesammelt nun” (Simon)
producer:
Michel Glotz
bass vocals [Simon]:
Walter Berry (bass‐baritone) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Sommer: X. Aria: "Der munt're Hirt versammelt nun" (Simon), Rezitativ: "Die Morgenröte bricht hervor" (Hanne) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Sommer
Joseph Haydn3:13
12Die Jahreszeiten: Der Sommer. “Sie streigt herauf, die Sonne” (Hanne/Lukas/Simon/Chorus)
producer:
Michel Glotz
bass vocals [Simon]:
Walter Berry (bass‐baritone) (from 1972-11-20 until 1972-11-24)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (from 1972-11-20 until 1972-11-24)
soprano vocals [Hanne]:
Gundula Janowitz (soprano) (from 1972-11-20 until 1972-11-24)
tenor vocals [Lukas]:
Werner Hollweg (tenor) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Sommer: XI. Terzett mit Chor: Largo. Allegro: "Sie steigt herauf, die Sonne" (Hanne, Lukas, Simon, Chor) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Sommer
Joseph Haydn5:03
13Die Jahreszeiten: Der Sommer. “Nun regt und bewegt sich alles umher” (Simon)
producer:
Michel Glotz
bass vocals [Simon]:
Walter Berry (bass‐baritone) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Sommer: XII. (a) Rezitativ: "Nun regt und bewegt sich alles umher" (Simon, Lukas) / (b) Rezitativ. "Die Mittagssonne brennet jetzt" (Lukas) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Sommer
Joseph Haydn0:38
14Die Jahreszeiten: Der Sommer. “Die Mittagssonne brennet jetzt” (Lukas)
producer:
Michel Glotz
tenor vocals [Lukas]:
Werner Hollweg (tenor) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Sommer: XIIb. Rezitativ. "Die Mittagssonne brennet jetzt" (Lukas) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten, Der Sommer: XII. (a) Rezitativ: "Nun regt und bewegt sich alles umher" (Simon, Lukas) / (b) Rezitativ. "Die Mittagssonne brennet jetzt" (Lukas)
Joseph Haydn1:28
15Die Jahreszeiten: Der Sommer. “Dem Druck erlieget die Natur” (Lukas)
producer:
Michel Glotz
tenor vocals [Lukas]:
Werner Hollweg (tenor) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Sommer: XIII. Cavatina: Largo: "Dem Druck erlieget die Natur" (Lukas) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Sommer
Joseph Haydn4:16
16Die Jahreszeiten: Der Sommer. “Willkommen jetzt, o dunkler Hain” (Hanne)
producer:
Michel Glotz
soprano vocals [Hanne]:
Gundula Janowitz (soprano) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Sommer: XIV. Rezitativ: poco Adagio: "Willkommen jetzt, o dunkler Hain" (Hanne) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Sommer
Joseph Haydn5:09
17Die Jahreszeiten: Der Sommer. “Welche Labung für die Sinne” (Hanne)
producer:
Michel Glotz
soprano vocals [Hanne]:
Gundula Janowitz (soprano) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Sommer: XV. Aria. Adagio. Allegro assai: "Welche Labung für die Sinne!" (Hanne) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Sommer
Joseph Haydn6:35
18Die Jahreszeiten: Der Sommer. “O seht! Es steiget in der schwülen Luft” (Simon/Lukas/Hanne)
producer:
Michel Glotz
bass vocals [Simon]:
Walter Berry (bass‐baritone) (from 1972-11-20 until 1972-11-24)
soprano vocals [Hanne]:
Gundula Janowitz (soprano) (from 1972-11-20 until 1972-11-24)
tenor vocals [Lukas]:
Werner Hollweg (tenor) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Sommer: XVI. Rezitativ: "O seht! Es steiget in der schwülen Luft" (Simon, Lukas, Hanne) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Sommer
Joseph Haydn2:54
19Die Jahreszeiten: Der Sommer. “Ach, das Ungewitter naht” (Chorus)
producer:
Michel Glotz
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Sommer: XVII. Chor: Allegro assai: "Ach, das Ungewitter naht!" (Chor) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Sommer
Joseph Haydn4:37
20Die Jahreszeiten: Der Sommer. “Die düstern Wolken trennen sich” (Lukas/Hanne/Simon/Chorus)
producer:
Michel Glotz
bass vocals [Simon]:
Walter Berry (bass‐baritone) (from 1972-11-20 until 1972-11-24)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (from 1972-11-20 until 1972-11-24)
soprano vocals [Hanne]:
Gundula Janowitz (soprano) (from 1972-11-20 until 1972-11-24)
tenor vocals [Lukas]:
Werner Hollweg (tenor) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Sommer: XVIII. Terzett mit Chor: Allegretto: "Die düst'ren Wolken trennen sich" (Lukas, Hanne, Simon, Chor) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Sommer
Joseph Haydn5:01
2▼CD: Haydn: Die Jahreszeiten - conclusion
#TitleArtistRatingLength
1Die Jahreszeiten: Der Herbst. Introduction
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Herbst: XIX. Einleitung: Allegretto und Rezitativ: "Was durch seine Blüte" (Hanne, Lukas, Simon) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Herbst
Joseph Haydn1:56
2Die Jahreszeiten: Der Herbst. “Was durch seine Blüte” (Hanne/Lukas/Simon)
producer:
Michel Glotz
bass vocals [Simon]:
Walter Berry (bass‐baritone) (from 1972-11-20 until 1972-11-24)
soprano vocals [Hanne]:
Gundula Janowitz (soprano) (from 1972-11-20 until 1972-11-24)
tenor vocals [Lukas]:
Werner Hollweg (tenor) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Herbst: XIX. Einleitung: Allegretto und Rezitativ: "Was durch seine Blüte" (Hanne, Lukas, Simon) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Herbst
Joseph Haydn1:10
3Die Jahreszeiten: Der Herbst. “So lohnet die Natur” (Simon/Hanne/Lukas/Chorus)
producer:
Michel Glotz
bass vocals [Simon]:
Walter Berry (bass‐baritone) (from 1972-11-20 until 1972-11-24)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (from 1972-11-20 until 1972-11-24)
soprano vocals [Hanne]:
Gundula Janowitz (soprano) (from 1972-11-20 until 1972-11-24)
tenor vocals [Lukas]:
Werner Hollweg (tenor) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Herbst: XX. Terzett mit Chor: Allegretto: "So lohnet die Natur den Fleiß" (Simon, Hanne, Lukas, Chor) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Herbst
Joseph Haydn7:12
4Die Jahreszeiten: Der Herbst. “Seht, wie zum Haselbusche dort” (Hanne/Simon/Lukas)
producer:
Michel Glotz
bass vocals [Simon]:
Walter Berry (bass‐baritone) (from 1972-11-20 until 1972-11-24)
soprano vocals [Hanne]:
Gundula Janowitz (soprano) (from 1972-11-20 until 1972-11-24)
tenor vocals [Lukas]:
Werner Hollweg (tenor) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Herbst: XXI. Rezitativ: "Seht, wie zum Haselbusche dort" (Hanne, Simon, Lukas) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Herbst
Joseph Haydn1:02
5Die Jahreszeiten: Der Herbst. “Ihr Schönen aus der Stadt, kommet her!” (Lukas/Hanne)
producer:
Michel Glotz
soprano vocals [Hanne]:
Gundula Janowitz (soprano) (from 1972-11-20 until 1972-11-24)
tenor vocals [Lukas]:
Werner Hollweg (tenor) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Herbst: XXII. Duett: Allegretto: "Ihr Schönen aus der Stadt, kommt her" (Lukas, Hanne) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Herbst
Joseph Haydn9:08
6Die Jahreszeiten: Der Herbst. “Nun zeiget das enblößte Feld” (Simon)
producer:
Michel Glotz
bass vocals [Simon]:
Walter Berry (bass‐baritone) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Herbst: XXIII. Rezitativ: "Nun zeiget das entblößte Feld" (Simon) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Herbst
Joseph Haydn1:03
7Die Jahreszeiten: Der Herbst. “Seht auf die breiten Wiesen hin!” (Simon)
producer:
Michel Glotz
bass vocals [Simon]:
Walter Berry (bass‐baritone) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Herbst: XXIV. Aria: Allegro: "Seht auf die breiten Wiesen hin!" (Simon) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Herbst
Joseph Haydn3:20
8Die Jahreszeiten: Der Herbst. “Hier treibt ein dichter Kreis” (Lukas)
producer:
Michel Glotz
tenor vocals [Lukas]:
Werner Hollweg (tenor) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Herbst: XXV. Rezitativ: Allegro: "Hier treibt ein dichter Kreis" (Lukas) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Herbst
Joseph Haydn0:41
9Die Jahreszeiten: Der Herbst. “Hört das laute Getön” (Chorus)
producer:
Michel Glotz
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Herbst: XXVI. Chor der Landleute und Jäger: Vivace: "Hört! hört das laute Getön" (Chor) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Herbst
Joseph Haydn4:01
10Die Jahreszeiten: Der Herbst. “Am Rebenstocke blinket jetzt” (Hanne/Simon/Lukas)
producer:
Michel Glotz
bass vocals [Simon]:
Walter Berry (bass‐baritone) (from 1972-11-20 until 1972-11-24)
soprano vocals [Hanne]:
Gundula Janowitz (soprano) (from 1972-11-20 until 1972-11-24)
tenor vocals [Lukas]:
Werner Hollweg (tenor) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Herbst: XXVII. Rezitativ: "Am Rebenstocke blinket jetzt" (Hanne, Simon, Lukas) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Herbst
Joseph Haydn1:06
11Die Jahreszeiten: Der Herbst. “Juchhe, juchhe! Der Wein ist da!” (Chorus)
producer:
Michel Glotz
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Herbst: XXVIII. Chor: Allegro molto: "Juhe! Juhe! Der Wein ist da" (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Herbst
Joseph Haydn7:36
12Die Jahreszeiten: Der Winter. Introduction
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Winter: XXIX. Einleitung: Adagio ma non troppo und Rezitativ: "Nun senket sich das blasse Jahr" (Simon, Hanne) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Winter
Joseph Haydn3:42
13Die Jahreszeiten: Der Winter. “Nun senket sich das blasse Jahr” (Simon/Hanne)
producer:
Michel Glotz
bass vocals [Simon]:
Walter Berry (bass‐baritone) (from 1972-11-20 until 1972-11-24)
soprano vocals [Hanne]:
Gundula Janowitz (soprano) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Winter: XXIX. Einleitung: Adagio ma non troppo und Rezitativ: "Nun senket sich das blasse Jahr" (Simon, Hanne) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Winter
Joseph Haydn3:13
14Die Jahreszeiten: Der Winter. “Licht und Leben sind geschwächet” (Hanne)
producer:
Michel Glotz
soprano vocals [Hanne]:
Gundula Janowitz (soprano) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Winter: XXX. Cavatina: Largo: "Licht und Leben sind geschwächet" (Hanne) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Winter
Joseph Haydn2:38
15Die Jahreszeiten: Der Winter. “Gefesselt steht der breite See” (Lukas)
producer:
Michel Glotz
tenor vocals [Lukas]:
Werner Hollweg (tenor) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Winter: XXXI. Rezitativ: "Gefesselt steht der breite See" (Lukas) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Winter
Joseph Haydn2:12
16Die Jahreszeiten: Der Winter. “Hier steht der Wandrer nun” (Lukas)
producer:
Michel Glotz
tenor vocals [Lukas]:
Werner Hollweg (tenor) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Winter: XXXII. Aria: Presto: "Hier steht der Wand'rer nun" (Lukas) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Winter
Joseph Haydn3:59
17Die Jahreszeiten: Der Winter. “So wie er naht, schallt in sein Ohr” (Lukas/Hanne/Simon)
producer:
Michel Glotz
bass vocals [Simon]:
Walter Berry (bass‐baritone) (from 1972-11-20 until 1972-11-24)
soprano vocals [Hanne]:
Gundula Janowitz (soprano) (from 1972-11-20 until 1972-11-24)
tenor vocals [Lukas]:
Werner Hollweg (tenor) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Winter: XXXIII. Rezitativ: "Sowie er naht" (Lukas, Hanne, Simon) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Winter
Joseph Haydn1:16
18Die Jahreszeiten: Der Winter. “Knurre, schnurre, knurre” (Chorus/Hanne)
producer:
Michel Glotz
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (from 1972-11-20 until 1972-11-24)
soprano vocals [Hanne]:
Gundula Janowitz (soprano) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Winter: XXXIV. Lied mit Chor: Allegro: "Knurre, schnurre, knurre" (Chor, Hanne) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Winter
Joseph Haydn2:57
19Die Jahreszeiten: Der Winter. “Abgesponnen ist der Flachs” (Lukas)
producer:
Michel Glotz
tenor vocals [Lukas]:
Werner Hollweg (tenor) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Winter: XXXV. Rezitativ: "Abgesponnen ist der Flachs" (Lukas) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Winter
Joseph Haydn0:24
20Die Jahreszeiten: Der Winter. “Ein Mädchen, das auf Ehre hielt” (Hanne/Chorus)
producer:
Michel Glotz
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (from 1972-11-20 until 1972-11-24)
soprano vocals [Hanne]:
Gundula Janowitz (soprano) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Winter: XXXVI. Lied mit Chor: Moderato: "Ein Mädchen, das auf Ehre hielt" (Hanne, Chor) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Winter
Joseph Haydn3:30
21Die Jahreszeiten: Der Winter. “Vom dürren Osten dringt ein scharfer Eishauch” (Simon)
producer:
Michel Glotz
bass vocals [Simon]:
Walter Berry (bass‐baritone) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Winter: XXXVII. Rezitativ: "Vom dürren Osten dringt" (Simon) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Winter
Joseph Haydn0:50
22Die Jahreszeiten: Der Winter. “Erblicke hier, betörter Mensch” (Simon)
producer:
Michel Glotz
bass vocals [Simon]:
Walter Berry (bass‐baritone) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Winter: XXXVIII. Aria: Largo und Rezitativ: "Erblicke hier, betörter Mensch" (Simon) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Winter
Joseph Haydn2:17
23Die Jahreszeiten: Der Winter. “Wo sind sie nun, die hoh'n Entwürfe” (Simon)
producer:
Michel Glotz
bass vocals [Simon]:
Walter Berry (bass‐baritone) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, HobXXI/3: Der Winter: Rezitativ. "Wo sind nun, die hoh'n Entwrle" (Simon) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
Joseph Haydn2:30
24Die Jahreszeiten: Der Winter. “Dann bricht der große Morgen an!” (Simon/Lukas/Hanne/Chorus)
producer:
Michel Glotz
bass vocals [Simon]:
Walter Berry (bass‐baritone) (from 1972-11-20 until 1972-11-24)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (from 1972-11-20 until 1972-11-24)
soprano vocals [Hanne]:
Gundula Janowitz (soprano) (from 1972-11-20 until 1972-11-24)
tenor vocals [Lukas]:
Werner Hollweg (tenor) (from 1972-11-20 until 1972-11-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-11-20 until 1972-11-24)
conductor:
Herbert von Karajan (conductor) (from 1972-11-20 until 1972-11-24)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-11-20 until 1972-11-24)
recording of:
Die Jahreszeiten, Der Winter: XXXIX. Terzett und Doppelchor: Allegro moderato: "Dann bricht der große Morgen an" (Simon, Lukas, Hanne, Chor) (from 1972-11-20 until 1972-11-24)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Winter
Joseph Haydn6:13
3▼CD: Beethoven: Missa solemnis - beginning (1976)
#TitleArtistRatingLength
1Missa solemnis, op. 123: Kyrie
producer:
Michel Glotz
bass vocals:
José van Dam (Belgian operatic bass-baritone) (from 1974-09-23 until 1974-09-28)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1974-09-23 until 1974-09-28)
mezzo-soprano vocals:
Agnes Baltsa (mezzo-soprano) (from 1974-09-23 until 1974-09-28)
soprano vocals:
Gundula Janowitz (soprano) (from 1974-09-23 until 1974-09-28)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1974-09-23 until 1974-09-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1974-09-23 until 1974-09-28)
conductor:
Herbert von Karajan (conductor) (from 1974-09-23 until 1974-09-28)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1974-09-23 until 1974-09-28)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1974-09-23 until 1974-09-28)
recording of:
Missa Solemnis D‐Dur, op. 123: I. Kyrie (from 1974-09-23 until 1974-09-28)
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D‐Dur, op. 123
Ludwig van Beethoven10:49
2Missa solemnis, op. 123: Gloria. Gloria in excelsis Deo
producer:
Michel Glotz
bass vocals:
José van Dam (Belgian operatic bass-baritone) (from 1974-09-23 until 1974-09-28)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1974-09-23 until 1974-09-28)
mezzo-soprano vocals:
Agnes Baltsa (mezzo-soprano) (from 1974-09-23 until 1974-09-28)
soprano vocals:
Gundula Janowitz (soprano) (from 1974-09-23 until 1974-09-28)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1974-09-23 until 1974-09-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1974-09-23 until 1974-09-28)
conductor:
Herbert von Karajan (conductor) (from 1974-09-23 until 1974-09-28)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1974-09-23 until 1974-09-28)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1974-09-23 until 1974-09-28)
partial recording of:
Missa Solemnis D‐Dur, op. 123: II. Gloria (from 1974-09-23 until 1974-09-28)
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D‐Dur, op. 123
Ludwig van Beethoven4:47
3Missa solemnis, op. 123: Gloria. Qui tollis
producer:
Michel Glotz
bass vocals:
José van Dam (Belgian operatic bass-baritone) (from 1974-09-23 until 1974-09-28)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1974-09-23 until 1974-09-28)
mezzo-soprano vocals:
Agnes Baltsa (mezzo-soprano) (from 1974-09-23 until 1974-09-28)
soprano vocals:
Gundula Janowitz (soprano) (from 1974-09-23 until 1974-09-28)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1974-09-23 until 1974-09-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1974-09-23 until 1974-09-28)
conductor:
Herbert von Karajan (conductor) (from 1974-09-23 until 1974-09-28)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1974-09-23 until 1974-09-28)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1974-09-23 until 1974-09-28)
partial recording of:
Missa Solemnis D‐Dur, op. 123: II. Gloria (from 1974-09-23 until 1974-09-28)
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D‐Dur, op. 123
Ludwig van Beethoven5:40
4Missa solemnis, op. 123: Gloria. Quoniam tu solus Sanctus
producer:
Michel Glotz
bass vocals:
José van Dam (Belgian operatic bass-baritone) (from 1974-09-23 until 1974-09-28)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1974-09-23 until 1974-09-28)
mezzo-soprano vocals:
Agnes Baltsa (mezzo-soprano) (from 1974-09-23 until 1974-09-28)
soprano vocals:
Gundula Janowitz (soprano) (from 1974-09-23 until 1974-09-28)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1974-09-23 until 1974-09-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1974-09-23 until 1974-09-28)
conductor:
Herbert von Karajan (conductor) (from 1974-09-23 until 1974-09-28)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1974-09-23 until 1974-09-28)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1974-09-23 until 1974-09-28)
partial recording of:
Missa Solemnis D‐Dur, op. 123: II. Gloria (from 1974-09-23 until 1974-09-28)
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D‐Dur, op. 123
Ludwig van Beethoven7:09
5Missa solemnis, op. 123: Credo. Credo in unum Deum
producer:
Michel Glotz
bass vocals:
José van Dam (Belgian operatic bass-baritone) (from 1974-09-23 until 1974-09-28)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1974-09-23 until 1974-09-28)
mezzo-soprano vocals:
Agnes Baltsa (mezzo-soprano) (from 1974-09-23 until 1974-09-28)
soprano vocals:
Gundula Janowitz (soprano) (from 1974-09-23 until 1974-09-28)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1974-09-23 until 1974-09-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1974-09-23 until 1974-09-28)
conductor:
Herbert von Karajan (conductor) (from 1974-09-23 until 1974-09-28)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1974-09-23 until 1974-09-28)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1974-09-23 until 1974-09-28)
partial recording of:
Missa Solemnis D‐Dur, op. 123: III. Credo (from 1974-09-23 until 1974-09-28)
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D‐Dur, op. 123
Ludwig van Beethoven4:51
6Missa solemnis, op. 123: Credo. Et incarnatus est
producer:
Michel Glotz
bass vocals:
José van Dam (Belgian operatic bass-baritone) (from 1974-09-23 until 1974-09-28)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1974-09-23 until 1974-09-28)
mezzo-soprano vocals:
Agnes Baltsa (mezzo-soprano) (from 1974-09-23 until 1974-09-28)
soprano vocals:
Gundula Janowitz (soprano) (from 1974-09-23 until 1974-09-28)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1974-09-23 until 1974-09-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1974-09-23 until 1974-09-28)
conductor:
Herbert von Karajan (conductor) (from 1974-09-23 until 1974-09-28)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1974-09-23 until 1974-09-28)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1974-09-23 until 1974-09-28)
partial recording of:
Missa Solemnis D‐Dur, op. 123: III. Credo (from 1974-09-23 until 1974-09-28)
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D‐Dur, op. 123
Ludwig van Beethoven6:11
7Missa solemnis, op. 123: Credo. Et resurrexit
producer:
Michel Glotz
bass vocals:
José van Dam (Belgian operatic bass-baritone) (from 1974-09-23 until 1974-09-28)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1974-09-23 until 1974-09-28)
mezzo-soprano vocals:
Agnes Baltsa (mezzo-soprano) (from 1974-09-23 until 1974-09-28)
soprano vocals:
Gundula Janowitz (soprano) (from 1974-09-23 until 1974-09-28)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1974-09-23 until 1974-09-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1974-09-23 until 1974-09-28)
conductor:
Herbert von Karajan (conductor) (from 1974-09-23 until 1974-09-28)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1974-09-23 until 1974-09-28)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1974-09-23 until 1974-09-28)
partial recording of:
Missa Solemnis D‐Dur, op. 123: III. Credo (from 1974-09-23 until 1974-09-28)
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D‐Dur, op. 123
Ludwig van Beethoven11:19
4▼CD: Beethoven: Missa solemnis - conclusion (1976)
#TitleArtistRatingLength
1Missa solemnis, op. 123: Sanctus. Sanctus
producer:
Michel Glotz
bass vocals:
José van Dam (Belgian operatic bass-baritone) (from 1974-09-23 until 1974-09-28)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1974-09-23 until 1974-09-28)
mezzo-soprano vocals:
Agnes Baltsa (mezzo-soprano) (from 1974-09-23 until 1974-09-28)
soprano vocals:
Gundula Janowitz (soprano) (from 1974-09-23 until 1974-09-28)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1974-09-23 until 1974-09-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1974-09-23 until 1974-09-28)
conductor:
Herbert von Karajan (conductor) (from 1974-09-23 until 1974-09-28)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1974-09-23 until 1974-09-28)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1974-09-23 until 1974-09-28)
partial recording of:
Missa Solemnis D‐Dur, op. 123: IV. Sanctus (from 1974-09-23 until 1974-09-28)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D‐Dur, op. 123
Ludwig van Beethoven3:46
2Missa solemnis, op. 123: Sanctus. Praeludium - Benedictus
producer:
Michel Glotz
solo violin:
Thomas Brandis (violinist) (from 1974-09-23 until 1974-09-28)
bass vocals:
José van Dam (Belgian operatic bass-baritone) (from 1974-09-23 until 1974-09-28)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1974-09-23 until 1974-09-28)
mezzo-soprano vocals:
Agnes Baltsa (mezzo-soprano) (from 1974-09-23 until 1974-09-28)
soprano vocals:
Gundula Janowitz (soprano) (from 1974-09-23 until 1974-09-28)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1974-09-23 until 1974-09-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1974-09-23 until 1974-09-28)
conductor:
Herbert von Karajan (conductor) (from 1974-09-23 until 1974-09-28)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1974-09-23 until 1974-09-28)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1974-09-23 until 1974-09-28)
partial recording of:
Missa Solemnis D‐Dur, op. 123: IV. Sanctus (from 1974-09-23 until 1974-09-28)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D‐Dur, op. 123
Ludwig van Beethoven13:44
3Missa solemnis, op. 123: Agnus Dei
producer:
Michel Glotz
bass vocals:
José van Dam (Belgian operatic bass-baritone) (from 1974-09-23 until 1974-09-28)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1974-09-23 until 1974-09-28)
mezzo-soprano vocals:
Agnes Baltsa (mezzo-soprano) (from 1974-09-23 until 1974-09-28)
soprano vocals:
Gundula Janowitz (soprano) (from 1974-09-23 until 1974-09-28)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1974-09-23 until 1974-09-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1974-09-23 until 1974-09-28)
conductor:
Herbert von Karajan (conductor) (from 1974-09-23 until 1974-09-28)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1974-09-23 until 1974-09-28)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1974-09-23 until 1974-09-28)
partial recording of:
Missa Solemnis D‐Dur, op. 123: V. Agnus Dei (from 1974-09-23 until 1974-09-28)
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D‐Dur, op. 123
Ludwig van Beethoven7:07
4Missa solemnis, op. 123: Dona nobis pacem
producer:
Michel Glotz
bass vocals:
José van Dam (Belgian operatic bass-baritone) (from 1974-09-23 until 1974-09-28)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1974-09-23 until 1974-09-28)
mezzo-soprano vocals:
Agnes Baltsa (mezzo-soprano) (from 1974-09-23 until 1974-09-28)
soprano vocals:
Gundula Janowitz (soprano) (from 1974-09-23 until 1974-09-28)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1974-09-23 until 1974-09-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1974-09-23 until 1974-09-28)
conductor:
Herbert von Karajan (conductor) (from 1974-09-23 until 1974-09-28)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1974-09-23 until 1974-09-28)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1974-09-23 until 1974-09-28)
partial recording of:
Missa Solemnis D‐Dur, op. 123: V. Agnus Dei (from 1974-09-23 until 1974-09-28)
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D‐Dur, op. 123
Ludwig van Beethoven9:22
5▼CD: Brahms: Ein deutsches Requiem (1976)
#TitleArtistRatingLength
1Ein deutsches Requiem, op. 45: I. Selig sind, die da Leid tragen
recorded in:
Berlin, Germany (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
producer:
Michel Glotz
choir vocals:
Singverein der Gesellschaft der Musikfreunde (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
conductor:
Herbert von Karajan (conductor) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
balance engineer:
David Bell (engineer) and Wolfgang Gülich (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen” (Chor) (from 1976-09-26 until 1976-10-18)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms11:13
2Ein deutsches Requiem, op. 45: II. Denn alles Fleisch, es ist wie Gras
recorded in:
Berlin, Germany (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
producer:
Michel Glotz
choir vocals:
Singverein der Gesellschaft der Musikfreunde (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
conductor:
Herbert von Karajan (conductor) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
balance engineer:
David Bell (engineer) and Wolfgang Gülich (engineer)
recording of:
Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras” (Chor) (from 1976-09-26 until 1976-10-18)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms14:49
3Ein deutsches Requiem, op. 45: III. Herr, lehre doch mich
recorded in:
Berlin, Germany (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
producer:
Michel Glotz
choir vocals:
Singverein der Gesellschaft der Musikfreunde (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
solo bass vocals:
José van Dam (Belgian operatic bass-baritone) (on 1976-09-26)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
conductor:
Herbert von Karajan (conductor) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
balance engineer:
David Bell (engineer) and Wolfgang Gülich (engineer)
recording of:
Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich” (Chor, Bariton) (from 1976-09-26 until 1976-10-18)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms11:15
4Ein deutsches Requiem, op. 45: IV. Wie lieblich sind deine Wohnungen
recorded in:
Berlin, Germany (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
producer:
Michel Glotz
choir vocals:
Singverein der Gesellschaft der Musikfreunde (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
conductor:
Herbert von Karajan (conductor) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
balance engineer:
David Bell (engineer) and Wolfgang Gülich (engineer)
recording of:
Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind Deine Wohnungen” (Chor) (from 1976-09-26 until 1976-10-18)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms5:32
5Ein deutsches Requiem, op. 45: V. Ihr habt nun Traurigkeit
recorded in:
Berlin, Germany (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
producer:
Michel Glotz
choir vocals:
Wiener Singverein (on 1976-09-26) and Singverein der Gesellschaft der Musikfreunde (on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
soprano vocals:
Anna Tomowa‐Sintow (soprano) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
conductor:
Herbert von Karajan (conductor) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
balance engineer:
David Bell (engineer) and Wolfgang Gülich (engineer)
recording of:
Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit” (Chor, Sopran) (from 1976-09-26 until 1976-10-18)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms7:53
6Ein deutsches Requiem, op. 45: VI. Denn wir haben hier keine bleibende Statt
recorded in:
Berlin, Germany (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
producer:
Michel Glotz
bass vocals:
José van Dam (Belgian operatic bass-baritone) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
conductor:
Herbert von Karajan (conductor) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
balance engineer:
David Bell (engineer) and Wolfgang Gülich (engineer)
recording of:
Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt” (Chor, Bariton) (from 1976-09-26 until 1976-10-18)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms13:11
7Ein deutsches Requiem, op. 45: VII. Selig sind die Toten
recorded in:
Berlin, Germany (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
producer:
Michel Glotz
choir vocals:
Singverein der Gesellschaft der Musikfreunde (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
conductor:
Herbert von Karajan (conductor) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
chorus master:
Helmuth Froschauer (conductor and chorus master) (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
balance engineer:
David Bell (engineer) and Wolfgang Gülich (engineer)
recording of:
Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten” (Chor) (from 1976-09-26 until 1976-10-18)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms11:29