Complete 1956-1962 Studio Albums

~ Release by Bill Evans Trio (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1I Love You
recording engineer:
Jack Higgins (recording engineer) (from 1956-09-18 until 1956-09-27)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass [bass]:
Teddy Kotick (from 1956-09-18 until 1956-09-27)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1956-09-18 until 1956-09-27)
piano:
Bill Evans (pianist) (from 1956-09-18 until 1956-09-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1956-09-18 until 1956-09-27)
instrumental recording of:
I Love You (Mexican Hayride musical) (from 1956-09-18 until 1956-09-27)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
3:57
2Five
recording engineer:
Jack Higgins (recording engineer) (from 1956-09-18 until 1956-09-27)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass [bass]:
Teddy Kotick (from 1956-09-18 until 1956-09-27)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1956-09-18 until 1956-09-27)
piano:
Bill Evans (pianist) (from 1956-09-18 until 1956-09-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1956-09-18 until 1956-09-27)
recording of:
Five (from 1956-09-18 until 1956-09-27)
composer:
Bill Evans (pianist)
publisher:
Folkways Music Publishers Inc., TRO-Acorn Music and TRO-Folkways Music Publishers, Inc.
4:04
3Conception
recording engineer:
Jack Higgins (recording engineer) (from 1956-09-18 until 1956-09-27)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass [bass]:
Teddy Kotick (from 1956-09-18 until 1956-09-27)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1956-09-18 until 1956-09-27)
piano:
Bill Evans (pianist) (from 1956-09-18 until 1956-09-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1956-09-18 until 1956-09-27)
recording of:
Conception (from 1956-09-18 until 1956-09-27)
composer:
George Shearing (British jazz pianist)
4:49
4Easy Living
recording engineer:
Jack Higgins (recording engineer) (from 1956-09-18 until 1956-09-27)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass [bass]:
Teddy Kotick (from 1956-09-18 until 1956-09-27)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1956-09-18 until 1956-09-27)
piano:
Bill Evans (pianist) (from 1956-09-18 until 1956-09-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1956-09-18 until 1956-09-27)
instrumental recording of:
Easy Living (from 1956-09-18 until 1956-09-27)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
writer:
Ralph Rainger (in 1937) and Leo Robin (US composer, lyricist & songwriter) (in 1937)
composer:
Ralph Rainger and Leo Robin (US composer, lyricist & songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1937, in 1964)
3:55
5Displacement
recording engineer:
Jack Higgins (recording engineer) (from 1956-09-18 until 1956-09-27)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass [bass]:
Teddy Kotick (from 1956-09-18 until 1956-09-27)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1956-09-18 until 1956-09-27)
piano:
Bill Evans (pianist) (from 1956-09-18 until 1956-09-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1956-09-18 until 1956-09-27)
recording of:
Displacement (from 1956-09-18 until 1956-09-27)
writer:
Bill Evans (pianist)
2:38
6Speak Low
recording engineer:
Jack Higgins (recording engineer) (from 1956-09-18 until 1956-09-27)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass [bass]:
Teddy Kotick (from 1956-09-18 until 1956-09-27)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1956-09-18 until 1956-09-27)
piano:
Bill Evans (pianist) (from 1956-09-18 until 1956-09-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1956-09-18 until 1956-09-27)
instrumental recording of:
Speak Low (One Touch of Venus) (from 1956-09-18 until 1956-09-27)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
publisher:
Chappell & Co.
part of:
One Touch of Venus (1943 musical)
5:12
7Our Delight
recording engineer:
Jack Higgins (recording engineer) (from 1956-09-18 until 1956-09-27)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass [bass]:
Teddy Kotick (from 1956-09-18 until 1956-09-27)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1956-09-18 until 1956-09-27)
piano:
Bill Evans (pianist) (from 1956-09-18 until 1956-09-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1956-09-18 until 1956-09-27)
recording of:
Our Delight (from 1956-09-18 until 1956-09-27)
composer:
Tadd Dameron
4:44
8No Cover, No Minimum
recorded in:
New York, New York, United States (from 1956-09-18 until 1956-09-27)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass [bass]:
Teddy Kotick (from 1956-09-18 until 1956-09-27)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (from 1956-09-18 until 1956-09-27)
piano:
Bill Evans (pianist) (from 1956-09-18 until 1956-09-27)
recording of:
No Cover, No Minimum (from 1956-09-18 until 1956-09-27)
composer:
Bill Evans (pianist)
7:34
9I Got It Bad and That Ain’t Good
recorded in:
New York, New York, United States (from 1956-09-18 until 1956-09-27)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer, Jr. and Orrin Keepnews
piano:
Bill Evans (pianist) (from 1956-09-18 until 1956-09-27)
instrumental recording of:
I Got It Bad (and That Ain’t Good) (from 1956-09-18 until 1956-09-27)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
1:40
10Waltz for Debby
recorded in:
New York, New York, United States (from 1956-09-18 until 1956-09-27)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer, Jr. and Orrin Keepnews
piano:
Bill Evans (pianist) (from 1956-09-18 until 1956-09-27)
recording of:
Waltz for Debby (instrumental) (from 1956-09-18 until 1956-09-27)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music Publishers Inc. and Kensington Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
1:21
11My Romance
recording engineer:
Jack Higgins (recording engineer) (from 1956-09-18 until 1956-09-27)
producer:
Bill Grauer, Jr. and Orrin Keepnews
piano:
Bill Evans (pianist) (from 1956-09-18 until 1956-09-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1956-09-18 until 1956-09-27)
instrumental recording of:
My Romance (from 1956-09-18 until 1956-09-27)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
publisher:
Chappell & Co., Inc. (USA), Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Jumbo
1:59
12Minority
recorded in:
New York, New York, United States (on 1958-12-15)
recording engineer:
Jack Higgins (recording engineer) (on 1958-12-15)
producer:
Orrin Keepnews
bass and double bass:
Sam Jones (US jazz bassist) (on 1958-12-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-12-15)
piano:
Bill Evans (pianist) (on 1958-12-15)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1975)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
cover recording of:
Minority (on 1958-12-15)
composer:
Gigi Gryce
publisher:
Jacogg Publications and Twenty-Eighth Street Music
55:26
13Young and Foolish
recording engineer:
Jack Higgins (recording engineer) (on 1958-12-15)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass and double bass:
Sam Jones (US jazz bassist) (on 1958-12-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-12-15)
piano:
Bill Evans (pianist) (on 1958-12-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
instrumental cover recording of:
Young and Foolish (on 1958-12-15)
lyricist:
Arnold Horwitt
composer:
Albert Hague
publisher:
Chappell & Co. and Chappell Music (UK)
55:57
14Lucky to Be Me
recording engineer:
Jack Higgins (recording engineer) (on 1958-12-15)
producer:
Orrin Keepnews
piano:
Bill Evans (pianist) (on 1958-12-15)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1975)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
instrumental cover recording of:
On the Town: Lucky to Be Me (on 1958-12-15)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Jalni Publications Inc., The Leonard Bernstein Music Publishing Co., LLC, Universal Music Publishing AB (Sweden), Warner Bros. (holding: file NO releases) and Warner Bros. Music (publisher; do NOT use as release label)
part of:
On the Town
3:43
15Night and Day
recording engineer:
Jack Higgins (recording engineer) (on 1958-12-15)
producer:
Orrin Keepnews
double bass:
Sam Jones (US jazz bassist) (on 1958-12-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-12-15)
piano:
Bill Evans (pianist) (on 1958-12-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
instrumental cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1958-12-15)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
57:38
16Epilogue
recording engineer:
Jack Higgins (recording engineer) (on 1958-12-15)
producer:
Orrin Keepnews
piano:
Bill Evans (pianist) (on 1958-12-15)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1975)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
recording of:
Epilogue (on 1958-12-15)
composer:
Bill Evans (pianist)
publisher:
Folkways Music and TRO-Acorn Music
0:39
2▼CD
#TitleRatingLength
1Tenderly
recording engineer:
Jack Higgins (recording engineer) (on 1958-12-15)
producer:
Orrin Keepnews
double bass:
Sam Jones (US jazz bassist) (on 1958-12-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-12-15)
piano:
Bill Evans (pianist) (on 1958-12-15)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1975)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
instrumental cover recording of:
Tenderly (on 1958-12-15)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
3:36
2Peace Piece
recording engineer:
Jack Higgins (recording engineer) (on 1958-12-15)
producer:
Orrin Keepnews
piano:
Bill Evans (pianist) (on 1958-12-15)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1975)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-12-15)
recording of:
Peace Piece (on 1958-12-15)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music and TRO-Acorn Music
4.56:46
3What Is There to Say?
recording engineer:
Jack Higgins (recording engineer) (on 1958-12-15)
producer:
Orrin Keepnews
double bass:
Sam Jones (US jazz bassist) (on 1958-12-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-12-15)
piano:
Bill Evans (pianist) (on 1958-12-15)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1975)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
instrumental cover recording of:
What Is There to Say? (on 1958-12-15)
lyricist:
Yip Harburg
composer:
Vernon Duke
publisher:
BMG Songs, Next Decade Entertainment and T.B. Harms Co.
54:57
4Oleo
recording engineer:
Jack Higgins (recording engineer) (on 1958-12-15)
producer:
Orrin Keepnews
double bass:
Sam Jones (US jazz bassist) (on 1958-12-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-12-15)
piano:
Bill Evans (pianist) (on 1958-12-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
cover recording of:
Oleo (on 1958-12-15)
composer:
Sonny Rollins (American saxophonist)
publisher:
Jazz Horn Music Corporation, Prestige Music (US drum & bass) and Sony/ATV Songs (SOCAN)
44:11
5Epilogue
recording engineer:
Jack Higgins (recording engineer) (on 1958-12-15)
producer:
Orrin Keepnews
piano:
Bill Evans (pianist) (on 1958-12-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-12-15)
recording of:
Epilogue (on 1958-12-15)
composer:
Bill Evans (pianist)
publisher:
Folkways Music and TRO-Acorn Music
0:44
6Come Rain or Come Shine
recording engineer:
Jack Higgins (recording engineer) (on 1959-12-28)
producer:
Orrin Keepnews
double bass [bass]:
Scott LaFaro (on 1959-12-28)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1959-12-28)
piano:
Bill Evans (pianist) (on 1959-12-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-12-28)
instrumental recording of:
Come Rain or Come Shine (on 1959-12-28)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
3:26
7Autumn Leaves
recording engineer:
Jack Higgins (recording engineer) (on 1959-12-28)
producer:
Orrin Keepnews
double bass [bass]:
Scott LaFaro (on 1959-12-28)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1959-12-28)
piano:
Bill Evans (pianist) (on 1959-12-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-12-28)
instrumental recording of:
Autumn Leaves (jazz standard, english lyrics) (on 1959-12-28)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
6:03
8Witchcraft
recording engineer:
Jack Higgins (recording engineer) (on 1959-12-28)
producer:
Orrin Keepnews
double bass [bass]:
Scott LaFaro (on 1959-12-28)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1959-12-28)
piano:
Bill Evans (pianist) (on 1959-12-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-12-28)
instrumental recording of:
Witchcraft (on 1959-12-28)
lyricist:
Carolyn Leigh
composer:
Cy Coleman
publisher:
Morley Music Co. Inc., Notable Music, Sony/ATV Songs LLC and WB Music Corp. (1929–2019)
4:40
9When I Fall in Love
recording engineer:
Jack Higgins (recording engineer) (on 1959-12-28)
producer:
Orrin Keepnews
double bass [bass]:
Scott LaFaro (on 1959-12-28)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1959-12-28)
piano:
Bill Evans (pianist) (on 1959-12-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-12-28)
instrumental cover recording of:
When I Fall in Love (on 1959-12-28)
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:59
10Peri’s Scope
recording engineer:
Jack Higgins (recording engineer) (on 1959-12-28)
producer:
Orrin Keepnews
double bass [bass]:
Scott LaFaro (on 1959-12-28)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1959-12-28)
piano:
Bill Evans (pianist) (on 1959-12-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-12-28)
recording of:
Peri's Scope (on 1959-12-28)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp. and TRO-Folkways Music Publishers, Inc.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:18
11What Is This Thing Called Love?
recording engineer:
Jack Higgins (recording engineer) (on 1959-12-28)
producer:
Orrin Keepnews
bass, double bass and double bass [bass]:
Scott LaFaro (on 1959-12-28)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1959-12-28)
piano:
Bill Evans (pianist) (on 1959-12-28)
performer:
Bill Evans (pianist) (on 1959-12-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-12-28)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1959-12-28)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
instrumental cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1959-12-28)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
4:39
12Spring Is Here
recording engineer:
Jack Higgins (recording engineer) (on 1959-12-28)
producer:
Orrin Keepnews
double bass [bass]:
Scott LaFaro (on 1959-12-28)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1959-12-28)
piano:
Bill Evans (pianist) (on 1959-12-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-12-28)
instrumental recording of:
Spring Is Here (on 1959-12-28)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
5:11
13Some Day My Prince Will Come
recording engineer:
Jack Higgins (recording engineer) (on 1959-12-28)
producer:
Orrin Keepnews
double bass [bass]:
Scott LaFaro (on 1959-12-28)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1959-12-28)
piano:
Bill Evans (pianist) (on 1959-12-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-12-28)
instrumental recording of:
Someday My Prince Will Come (on 1959-12-28)
lyricist:
Larry Morey (American lyricist, 1905–1971)
composer:
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) (in 1937)
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
4:59
14Blue in Green
recording engineer:
Jack Higgins (recording engineer) (on 1959-12-28)
producer:
Orrin Keepnews
double bass [bass]:
Scott LaFaro (on 1959-12-28)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1959-12-28)
piano:
Bill Evans (pianist) (on 1959-12-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-12-28)
recording of:
Blue in Green (on 1959-12-28)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Bill Evans (pianist)
publisher:
Jazz Horn Music, Musical Frontiers Pub. Co. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
5:28
15Israel
double bass:
Scott LaFaro (on 1961-02-02)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1961-02-02)
piano:
Bill Evans (pianist) (on 1961-02-02)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-02-02)
recording of:
Israel (Miles Davis/John Carisi's song) (on 1961-02-02)
composer:
John Carisi (American trumpeter and composer)
publisher:
Beechwood Music
6:13
16Haunted Heart
instrumental recording of:
Haunted Heart
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
3:27
3▼CD
#TitleRatingLength
1Beautiful Love
double bass:
Scott LaFaro (on 1961-02-02)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1961-02-02)
piano:
Bill Evans (pianist) (on 1961-02-02)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-02-02)
instrumental recording of:
Beautiful Love (Jazz Standard) (on 1961-02-02)
lyricist:
Haven Gillespie
composer:
Egbert Van Alstyne, Wayne King and Victor Young (American composer, arranger, violinist & conductor)
publisher:
Movie Tone Music and Sam Fox Publishing Co. (London) Ltd.
5:08
2Elsa
double bass:
Scott LaFaro (on 1961-02-02)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1961-02-02)
piano:
Bill Evans (pianist) (on 1961-02-02)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-02-02)
recording of:
Elsa (on 1961-02-02)
composer:
Earl Zindars
publisher:
Zindars Music and Zindars Publishing
5:14
3Nardis
double bass:
Scott LaFaro (on 1961-02-02)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer)
piano:
Bill Evans (pianist) (on 1961-02-02)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-02-02)
cover recording of:
Nardis (on 1961-02-02)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music, Jazz Horn Music Corporation, Musical Frontiers and Sony/ATV Music Publishing (UK) Ltd.
5:53
4How Deep Is the Ocean?
double bass:
Scott LaFaro (on 1961-02-02)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1961-02-02)
piano:
Bill Evans (pianist) (on 1961-02-02)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-02-02)
instrumental recording of:
How Deep Is the Ocean? (on 1961-02-02)
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:36
5I Wish I Knew
double bass:
Scott LaFaro (on 1961-02-02)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1961-02-02)
piano:
Bill Evans (pianist) (on 1961-02-02)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-02-02)
instrumental recording of:
I Wish I Knew (on 1961-02-02)
lyricist:
Mack Gordon
composer:
Mack Gordon and Harry Warren (US composer and lyricist)
publisher:
WB Music Corp. (1929–2019)
4:42
6Sweet and Lovely
double bass:
Scott LaFaro (on 1961-02-02)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1961-02-02)
piano:
Bill Evans (pianist) (on 1961-02-02)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-02-02)
instrumental recording of:
Sweet and Lovely (on 1961-02-02)
lyricist:
Harry Tobias
composer:
Gus Arnheim and Charles N. Daniels
publisher:
Harry Tobias Music, Keith Prowse Music, Redwood Music, Sony/ATV Tunes LLC (ASCAP), Anne-Rachel Music Corp. (in 1931), Chappell & Co. (in 1931), Quartet Music Inc. (in 1931) and Range Road Music Inc. (in 1931)
5:55
7The Boy Next Door
instrumental recording of:
The Boy Next Door (from “Meet Me in St. Louis”)
writer:
Ralph Blane and Hugh Martin
publisher:
Bill-Bob Publ. Company, EMI Feist Catalog Inc., Harms, Inc., Leo Feist, Inc. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Meet Me in St. Louis (1944 film)
5:09
8How My Heart Sings
recording engineer:
Bill Schwartau (on 1962-05-17)
producer:
Orrin Keepnews
double bass [bass]:
Chuck Israels (on 1962-05-17)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1962-05-17)
piano:
Bill Evans (pianist) (on 1962-05-17)
recorded at:
Sound Makers in New York, New York, United States (on 1962-05-17)
cover recording of:
How My Heart Sings (on 1962-05-17)
composer:
Earl Zindars (in 1962)
publisher:
Zindars Publishing
5:01
9Summertime
recording engineer:
Bill Schwartau (on 1962-05-17)
producer:
Orrin Keepnews (on 1962-05-17)
double bass [bass]:
Chuck Israels (on 1962-05-17)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1962-05-17)
piano:
Bill Evans (pianist) (on 1962-05-17)
recorded at:
Sound Makers in New York, New York, United States (on 1962-05-17)
instrumental cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1962-05-17)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
6:02
10If You Could See Me Now
instrumental recording of:
If You Could See Me Now (jazz standard)
lyricist:
Carl Sigman (in 1946)
composer:
Tadd Dameron (in 1946)
publisher:
EMI Full Keel Music, EMI Robbins Catalog Inc. (ASCAP), Music Sales Corporation (American copyright holder in both popular and classical music) and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
4:32
11Walking Up
recording engineer:
Bill Schwartau (on 1962-05-29)
producer:
Orrin Keepnews (on 1962-05-29)
double bass [bass]:
Chuck Israels (on 1962-05-29)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1962-05-29)
piano:
Bill Evans (pianist) (on 1962-05-29)
recorded at:
Sound Makers in New York, New York, United States (on 1962-05-29)
recording of:
Walkin' Up (on 1962-05-29)
composer:
Bill Evans (pianist)
publisher:
Acorn Music (label in Berkeley, CA founded by hammered dulcimer player Tony Elman), Folkways Music Publishers Inc. and TRO-Acorn Music
4:58
12Very Early
recorded in:
New York, New York, United States (on 1962-05-29)
double bass [bass]:
Chuck Israels (on 1962-05-29)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1962-05-29)
piano:
Bill Evans (pianist) (on 1962-05-29)
recording of:
Very Early (on 1962-05-29)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music, Folkways Music Publishers Inc. and TRO-Acorn Music
5:09
13Show-Type Tune
recording engineer:
Bill Schwartau (on 1962-05-29)
producer:
Orrin Keepnews (on 1962-05-29)
double bass [bass]:
Chuck Israels
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1962-05-29)
piano:
Bill Evans (pianist) (on 1962-05-29)
recorded at:
Sound Makers in New York, New York, United States (on 1962-05-29)
recording of:
Show-Type Tune (on 1962-05-29)
composer:
Bill Evans (pianist)
publisher:
TRO-Acorn Music
4:26
14Re: Person I Knew
recording engineer:
Bill Schwartau (on 1962-05-29)
double bass [bass]:
Chuck Israels (on 1962-05-29)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1962-05-29)
piano:
Bill Evans (pianist) (on 1962-05-29)
recorded at:
Sound Makers in New York, New York, United States (on 1962-05-29)
recording of:
Re: Person I Knew (on 1962-05-29)
composer:
Bill Evans (pianist)
publisher:
Folkways Music, Kensington Music Ltd. and TRO-Acorn Music
5:48
1534 Skidoo
recording engineer:
Bill Schwartau (on 1962-05-29)
producer:
Orrin Keepnews (on 1962-05-29)
double bass [bass]:
Chuck Israels (on 1962-05-29)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1962-05-29)
piano:
Bill Evans (pianist) (on 1962-05-29)
recorded at:
Sound Makers in New York, New York, United States (on 1962-05-29)
recording of:
34 Skidoo (on 1962-05-29)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Kensington Music Ltd. and TRO-Acorn Music
6:22
4▼CD
#TitleRatingLength
1Polka Dots and Moonbeams
recording engineer:
Bill Schwartau (on 1962-06-02)
double bass [bass]:
Chuck Israels (on 1962-06-02, on 1962-06-05)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1962-06-02, on 1962-06-05)
piano:
Bill Evans (pianist) (on 1962-06-02, on 1962-06-05)
recorded at:
Sound Makers in New York, New York, United States (on 1962-06-02)
instrumental recording of:
Polka Dots and Moonbeams (on 1962-06-02)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher and Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
instrumental recording of:
Polka Dots and Moonbeams (on 1962-06-05)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher and Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
5:04
2I Should Care
recording engineer:
Bill Schwartau (on 1962-06-05)
producer:
Orrin Keepnews
double bass [bass]:
Chuck Israels (on 1962-06-05)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1962-06-05)
piano:
Bill Evans (pianist) (on 1962-06-05)
recorded at:
Sound Makers in New York, New York, United States (on 1962-06-05)
instrumental cover recording of:
I Should Care (on 1962-06-05)
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
4:58
3I Fall in Love Too Easily
recording engineer:
Bill Schwartau (on 1962-06-02)
bass and double bass [bass]:
Chuck Israels (on 1962-06-02)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1962-06-02)
piano:
Bill Evans (pianist) (on 1962-06-02)
recorded at:
Sound Makers in New York, New York, United States (on 1962-06-02)
instrumental recording of:
I Fall in Love Too Easily (on 1962-06-02)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
AF Encore Fund LLC, Applause and Encore Music, EMI Feist Catalog Inc., EMI United Partnership Ltd. and Leo Feist, Inc.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 2)
2:45
4Ev’rything I Love
recording engineer:
Bill Schwartau (on 1962-06-05)
producer:
Orrin Keepnews (on 1962-06-05)
double bass [bass]:
Chuck Israels
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1962-06-05)
piano:
Bill Evans (pianist) (on 1962-06-05)
recorded at:
Sound Makers in New York, New York, United States (on 1962-06-05)
instrumental cover recording of:
Everything I Love (Let’s Face It! musical) (on 1962-06-05)
lyricist and composer:
Cole Porter (composer) (in 1941)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
4:15
5In Love in Vain
recorded in:
New York, New York, United States (on 1962-06-02)
recording engineer:
Bill Schwartau (on 1962-06-02)
bass:
Chuck Israels (on 1962-06-02)
double bass [bass]:
Chuck Israels (on 1962-06-02, on 1962-06-05)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1962-06-02, on 1962-06-05)
piano:
Bill Evans (pianist) (on 1962-06-02, on 1962-06-05)
recorded at:
Sound Makers in New York, New York, United States (on 1962-06-02)
instrumental cover recording of:
In Love in Vain (on 1962-06-02)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Jerome Kern
instrumental recording of:
In Love in Vain (on 1962-06-05)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Jerome Kern
5:03
6Stairway to the Stars
recording engineer:
Bill Schwartau (on 1962-06-02)
bass:
Chuck Israels (on 1962-06-02)
double bass [bass]:
Chuck Israels (on 1962-06-02, on 1962-06-05)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1962-06-02, on 1962-06-05)
piano:
Bill Evans (pianist) (on 1962-06-02, on 1962-06-05)
recorded at:
Sound Makers in New York, New York, United States (on 1962-06-02)
instrumental cover recording of:
Stairway to the Stars (on 1962-06-02)
lyricist:
Mitchell Parish
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI United Partnership Ltd. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
instrumental recording of:
Stairway to the Stars (on 1962-06-05)
lyricist:
Mitchell Parish
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI United Partnership Ltd. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
4:53
7In Your Own Sweet Way
recording of:
In Your Own Sweet Way (original instrumental composition)
composer:
Dave Brubeck (in 1952)
publisher:
Derry Music
7:01
8It Might as Well Be Spring
recording engineer:
Bill Schwartau (on 1962-06-02)
bass:
Chuck Israels (on 1962-06-02)
double bass [bass]:
Chuck Israels (on 1962-06-02, on 1962-06-05)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1962-06-02, on 1962-06-05)
piano:
Bill Evans (pianist) (on 1962-06-02, on 1962-06-05)
recorded at:
Sound Makers in New York, New York, United States (on 1962-06-02)
instrumental cover recording of:
It Might as Well Be Spring (State Fair) (on 1962-06-02)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
instrumental recording of:
It Might as Well Be Spring (State Fair) (on 1962-06-05)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
6:07
9The Washington Twist
instrumental recording of:
The Washington Twist
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Music and Irving Berlin Music Company
6:29
10Danny Boy
instrumental recording of:
Danny Boy
publisher:
Alfred Music (publisher of sheet music for music education)
lyricist:
Frederick Edward Weatherly (from 1910 until 1913)
composer:
[traditional] (special purpose artist)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label) and Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
sub-publisher:
Public Music AB
is based on:
Londonderry Air
3:44
11Let’s Go Back to the Waltz
instrumental recording of:
Let’s Go Back to the Waltz
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Music and Irving Berlin Music Company
4:34
12With a Song in My Heart
instrumental recording of:
With a Song in My Heart
lyricist:
Lorenz Hart (in 1929)
composer:
Richard Rodgers (composer) (in 1929)
publisher:
Chappell Music Ltd., Harms, Inc., Imagen Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
9:15
13Goodbye
5:14
14I Believe in You
instrumental recording of:
I Believe in You (How to Succeed in Business Without Really Trying)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
5:51