Just Yesterday

~ Release by Al Stewart (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1The Elf
2:31
2Bedsitter Images
engineer:
Michael Claydon
producer:
Roy Guest
guitar:
Al Stewart (UK folk singer/songwriter) (in 1967)
vocals:
Al Stewart (UK folk singer/songwriter) (in 1967)
conductor:
Alexander Faris (conductor) (in 1967)
arranger:
Alexander Faris (conductor)
recording of:
Bedsitter Images (in 1967)
lyricist and composer:
Al Stewart (UK folk singer/songwriter)
3:21
3Samuel, Oh How You've Changed
engineer:
Michael Claydon
producer:
Roy Guest
guitar:
Al Stewart (UK folk singer/songwriter) (in 1967)
vocals:
Al Stewart (UK folk singer/songwriter) (in 1967)
conductor:
Alexander Faris (conductor) (in 1967)
arranger:
Alexander Faris (conductor)
recording of:
Samuel, Oh How You've Changed (in 1967)
lyricist and composer:
Al Stewart (UK folk singer/songwriter)
4:01
4You Should Have Listened to Al
engineer:
Ron Pender and John Wood (UK producer)
co-producer:
Al Stewart (UK folk singer/songwriter) and John Wood (UK producer)
producer:
Roy Guest
bass guitar:
Brian Brocklehurst (bass player), Ashley Hutchings and Brian Odgers
drums (drum set):
Harvey Burns and Martyn Francis
guitar:
Marvyn Prestwyck (UK folk rock singer/songwriter/guitarist), Simon Breckenridge (singer, multi-instrumentalist and producer from England) and Al Stewart (UK folk singer/songwriter)
organ:
Steve Gray (British pianist, composer and arranger) and Phil Phillips (British keyboardist)
vocals:
Al Stewart (UK folk singer/songwriter) (in 1969)
arranger:
Al Stewart (UK folk singer/songwriter)
recording of:
You Should Have Listened to Al (in 1969)
lyricist and composer:
Al Stewart (UK folk singer/songwriter)
3:01
5In Brooklyn
engineer:
Ron Pender and John Wood (UK producer)
co-producer:
Al Stewart (UK folk singer/songwriter) and John Wood (UK producer)
producer:
Roy Guest
bass guitar:
Brian Brocklehurst (bass player), Ashley Hutchings and Brian Odgers
drums (drum set):
Harvey Burns and Martyn Francis
guitar:
Marvyn Prestwyck (UK folk rock singer/songwriter/guitarist), Simon Breckenridge (singer, multi-instrumentalist and producer from England) and Al Stewart (UK folk singer/songwriter)
organ:
Steve Gray (British pianist, composer and arranger) and Phil Phillips (British keyboardist)
vocals:
Al Stewart (UK folk singer/songwriter) (in 1969)
arranger:
Al Stewart (UK folk singer/songwriter)
recording of:
In Brooklyn (in 1969)
lyricist and composer:
Al Stewart (UK folk singer/songwriter)
3:42
6Clifton in the Rain
recording of:
Clifton in the Rain
lyricist and composer:
Al Stewart (UK folk singer/songwriter)
2:43
7Electric Los Angeles Sunset
engineer:
Jerry Boys
producer:
Roy Guest
vocals:
Al Stewart (UK folk singer/songwriter) (in 1970)
recorded at:
Sound Techniques in Chelsea, Kensington and Chelsea, London (Greater London), England, United Kingdom (in 1970)
recording of:
Electric Los Angeles Sunset (in 1970)
lyricist and composer:
Al Stewart (UK folk singer/songwriter)
53:48
8Manuscript
engineer:
Jerry Boys
producer:
Roy Guest
vocals:
Al Stewart (UK folk singer/songwriter) (in 1970)
recorded at:
Sound Techniques in Chelsea, Kensington and Chelsea, London (Greater London), England, United Kingdom (in 1970)
recording of:
Manuscript (in 1970)
lyricist and composer:
Al Stewart (UK folk singer/songwriter)
4:47
9A Small Fruit Song
engineer:
Jerry Boys
producer:
Roy Guest
vocals:
Al Stewart (UK folk singer/songwriter) (in 1970)
recorded at:
Sound Techniques in Chelsea, Kensington and Chelsea, London (Greater London), England, United Kingdom (in 1970)
recording of:
A Small Fruit Song (in 1970)
lyricist and composer:
Al Stewart (UK folk singer/songwriter)
2:01
10You Don't Even Know Me
recording of:
You Don’t Even Know Me
writer:
Al Stewart (UK folk singer/songwriter)
4:00
11I'm Falling
4:30
12Soho (Needless to Say)
engineer:
Mike Stone (producer and engineer, 1960s–80s)
producer:
John Anthony (British producer and record executive)
phonographic copyright (℗) by:
GRT Corporation (aka General Recorded Tape Corp.) (in 1974)
produced at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
recording of:
Soho (Needless to Say)
lyricist and composer:
Al Stewart (UK folk singer/songwriter)
publisher:
Gwyneth Music Ltd. (in 1973)
3:56
13Old Admirals
engineer:
Mike Stone (producer and engineer, 1960s–80s)
producer:
John Anthony (British producer and record executive)
phonographic copyright (℗) by:
GRT Corporation (aka General Recorded Tape Corp.) (in 1974)
produced at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
recording of:
Old Admirals
lyricist and composer:
Al Stewart (UK folk singer/songwriter)
publisher:
Gwyneth Music Ltd. (in 1973)
5:57
14Roads to Moscow
8:01
15Nostradamus/The World Goes to Riyadh (live)
13:08
2▼CD
#TitleRatingLength
1Carol
engineer:
Peter James (sound engineer) and Alan Parsons (of The Alan Parsons Project)
producer:
Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
recording of:
Carol (Al Stewart song)
lyricist and composer:
Al Stewart (UK folk singer/songwriter)
publisher:
Dick James Music (renamed Universal/Dick James Music Ltd. since 1999‐07‐30)
4:22
2Apple Cider Re‐constitution
engineer:
Peter James (sound engineer) and Alan Parsons (of The Alan Parsons Project)
producer:
Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
recording of:
Apple Cider Re‐constitution
lyricist and composer:
Al Stewart (UK folk singer/songwriter)
publisher:
Dick James Music (renamed Universal/Dick James Music Ltd. since 1999‐07‐30)
35:18
3The Dark and Rolling Sea
5:20
4Modern Times
engineer:
Peter James (sound engineer) and Alan Parsons (of The Alan Parsons Project)
producer:
Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
recording of:
Modern Times
writer:
Dave Mudge and Al Stewart (UK folk singer/songwriter)
publisher:
Dick James Music (renamed Universal/Dick James Music Ltd. since 1999‐07‐30)
8:23
5On the Border
producer:
Alan Parsons (of The Alan Parsons Project)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Davlen Sound Studios in North Hollywood, Los Angeles, California, United States
recording of:
On the Border
lyricist and composer:
Al Stewart (UK folk singer/songwriter)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30)
43:21
6Sand in Your Shoes
producer:
Alan Parsons (of The Alan Parsons Project)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Davlen Sound Studios in North Hollywood, Los Angeles, California, United States
recording of:
Sand in Your Shoes
lyricist and composer:
Al Stewart (UK folk singer/songwriter)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30)
53:04
7Lord Grenville
producer:
Alan Parsons (of The Alan Parsons Project)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Davlen Sound Studios in North Hollywood, Los Angeles, California, United States
recording of:
Lord Grenville
lyricist and composer:
Al Stewart (UK folk singer/songwriter)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30)
3.55:02
8Flying Sorcery
producer:
Alan Parsons (of The Alan Parsons Project)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Davlen Sound Studios in North Hollywood, Los Angeles, California, United States
recording of:
Flying Sorcery
lyricist and composer:
Al Stewart (UK folk singer/songwriter)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30)
54:23
9Year of the Cat
producer:
Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
Al Stewart (UK folk singer/songwriter) (in 1976)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
mixed at:
Davlen Sound Studios in North Hollywood, Los Angeles, California, United States
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 13)
recording of:
Year of the Cat
writer:
Al Stewart (UK folk singer/songwriter) and Peter Wood (UK keyboardist/pianist)
publisher:
Carlin Music Corporation, Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Songs (publisher), Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
4.36:41
10Almost Lucy
producer:
Alan Parsons (of The Alan Parsons Project)
solo guitar [lead]:
Tim Renwick
recorded at:
Davlen Sound Studios in North Hollywood, Los Angeles, California, United States
recording of:
Almost Lucy
lyricist and composer:
Al Stewart (UK folk singer/songwriter)
publisher:
DJM Music (in 1978) and Frabjous Music (in 1978)
3:43
11Life in Dark Water
producer:
Alan Parsons (of The Alan Parsons Project)
solo guitar [lead]:
Tim Renwick
recorded at:
Davlen Sound Studios in North Hollywood, Los Angeles, California, United States
recording of:
Life in Dark Water
lyricist and composer:
Al Stewart (UK folk singer/songwriter)
publisher:
DJM Music (in 1978) and Frabjous Music (in 1978)
5:51
12Timeless Skies
producer:
Alan Parsons (of The Alan Parsons Project)
recorded at:
Davlen Sound Studios in North Hollywood, Los Angeles, California, United States
recording of:
Timeless Skies
lyricist and composer:
Al Stewart (UK folk singer/songwriter)
publisher:
DJM Music (in 1978) and Frabjous Music (in 1978)
3:36
13Time Passages
producer:
Alan Parsons (of The Alan Parsons Project)
solo guitar [lead]:
Peter White (smooth jazz/jazz fusion guitarist)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1978)
recorded at:
Davlen Sound Studios in North Hollywood, Los Angeles, California, United States
recording of:
Time Passages
writer:
Al Stewart (UK folk singer/songwriter) and Peter White (smooth jazz/jazz fusion guitarist)
publisher:
Approximate Music, PolyGram Music Publishing, Universal–Songs of PolyGram International, Inc., DJM Music (in 1978) and Frabjous Music (in 1978)
6:40
14End of the Day
producer:
Alan Parsons (of The Alan Parsons Project)
solo guitar [lead]:
Peter White (smooth jazz/jazz fusion guitarist)
recorded at:
Davlen Sound Studios in North Hollywood, Los Angeles, California, United States
recording of:
End of the Day
writer:
Al Stewart (UK folk singer/songwriter) and Peter White (smooth jazz/jazz fusion guitarist)
publisher:
DJM Music (in 1978) and Frabjous Music (in 1978)
3:12
3▼CD
#TitleRatingLength
1Running Man
recording engineer:
Chris Desmond
producer:
Chris Desmond and Al Stewart (UK folk singer/songwriter)
recorded at:
Davlen Sound Studios in North Hollywood, Los Angeles, California, United States (in 1980)
recording of:
Running Man (in 1980)
lyricist:
Al Stewart (UK folk singer/songwriter)
composer:
Al Stewart (UK folk singer/songwriter) and Peter White (smooth jazz/jazz fusion guitarist)
publisher:
Approximate Music (in 1980), Frabjous Music (in 1980) and Lobsterr Music (in 1980)
5:09
2Merlin's Time
recording engineer:
Chris Desmond
producer:
Chris Desmond and Al Stewart (UK folk singer/songwriter)
recorded at:
Davlen Sound Studios in North Hollywood, Los Angeles, California, United States (in 1980)
recording of:
Merlin’s Time (in 1980)
lyricist:
Al Stewart (UK folk singer/songwriter)
composer:
Al Stewart (UK folk singer/songwriter) and Peter White (smooth jazz/jazz fusion guitarist)
publisher:
Approximate Music (in 1980), Frabjous Music (in 1980) and Lobsterr Music (in 1980)
2:45
3If It Doesn't Come Naturally Leave It (live)
4:27
4Optical Illusion
recording engineer:
Chris Desmond
producer:
Chris Desmond and Al Stewart (UK folk singer/songwriter)
recorded at:
Davlen Sound Studios in North Hollywood, Los Angeles, California, United States (in 1980)
recording of:
Optical Illusion (in 1980)
lyricist and composer:
Al Stewart (UK folk singer/songwriter)
publisher:
Approximate Music (in 1980) and Frabjous Music (in 1980)
3:29
5Rumours of War
5:29
6Accident on Third Street
3:33
7Last Days of the Century
6:09
8Red Toupee
3:38
9Where Are They Now
5:57
10Antarctica
4:08
11Helen and Cassandra
4:46
12Fields of France (live)
4:08
13Genie on a Table Top
additional recording engineer:
Peter Doell
assistant recording engineer:
Rolly Ladd and Colin Mitchell
recording engineer and mixer:
Ross Hogarth
assistant engineer:
Richard Landers (engineer) and Brett Swain
producer:
Ross Hogarth and Peter White (smooth jazz/jazz fusion guitarist)
accordion and guitar [guitars]:
Peter White (smooth jazz/jazz fusion guitarist)
bass:
Tim Landers (bassist)
drums (drum set):
Denny Fongheiser
Hammond organ and piano:
Peter Wood (UK keyboardist/pianist)
mandolin:
Ross Hogarth
percussion:
Luis Conte (percussionist) and Ross Hogarth
slide guitar:
Todd Sharp
solo 12 string guitar [electric 12-string guitar]:
Edward "Tree" Moore (guitarist & producer)
background vocals:
Robin Lamble and Neal Morse (US prog rock singer, musician and composer)
additionally recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States, Clearlake Audio in Los Angeles, California, United States and Rockett Plant in Burbank, California, United States
recorded at and mixed at:
O'Henry Studios in Burbank, California, United States
recording of:
Genie on a Table Top
lyricist and composer:
Al Stewart (UK folk singer/songwriter)
3:50
14Charlotte Corday
additional recording engineer:
Peter Doell
assistant recording engineer:
Rolly Ladd and Colin Mitchell
recording engineer and mixer:
Ross Hogarth
assistant engineer:
Richard Landers (engineer) and Brett Swain
producer:
Ross Hogarth and Peter White (smooth jazz/jazz fusion guitarist)
accordion and keyboard:
Peter White (smooth jazz/jazz fusion guitarist)
bass:
Tim Landers (bassist)
cello:
Alan Matthews (cellist)
drums (drum set) and percussion:
Denny Fongheiser
guitar [guitars]:
Ross Hogarth and Peter White (smooth jazz/jazz fusion guitarist)
mandolin:
Ross Hogarth
piano:
Peter Wood (UK keyboardist/pianist)
additionally recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States, Clearlake Audio in Los Angeles, California, United States and Rockett Plant in Burbank, California, United States
recorded at and mixed at:
O'Henry Studios in Burbank, California, United States
recording of:
Charlotte Corday
lyricist and composer:
Tori Amos and Al Stewart (UK folk singer/songwriter)
3:50
15Trains
additional recording engineer:
Peter Doell
assistant recording engineer:
Rolly Ladd and Colin Mitchell
recording engineer and mixer:
Ross Hogarth
assistant engineer:
Richard Landers (engineer) and Brett Swain
producer:
Ross Hogarth and Peter White (smooth jazz/jazz fusion guitarist)
accordion, guitar [guitars] and solo acoustic guitar:
Peter White (smooth jazz/jazz fusion guitarist)
bass:
Tim Landers (bassist)
drums (drum set):
Denny Fongheiser
mandolin:
Ross Hogarth
percussion:
Denny Fongheiser and Ross Hogarth
piano:
Peter Wood (UK keyboardist/pianist)
viola:
Daryl S.
violin:
Charlie Bisharat (US violinist) and Daryl S.
additionally recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States, Clearlake Audio in Los Angeles, California, United States and Rockett Plant in Burbank, California, United States
recorded at and mixed at:
O'Henry Studios in Burbank, California, United States
recording of:
Trains
lyricist and composer:
Al Stewart (UK folk singer/songwriter)
8:17
4▼CD
#TitleRatingLength
1Night Train to Munich
recording engineer:
Grant Headley (engineer), Laurence Juber, Robin Lamble and Joe Schiff
producer:
Laurence Juber
acoustic bass guitar:
Tim Landers (bassist) (from 1994-11 until 1995-03)
guitar [rhythm & lead guitar]:
Laurence Juber (from 1994-11 until 1995-03)
guitar [rhythm guitar]:
Al Stewart (UK folk singer/songwriter) (from 1994-11 until 1995-03)
violin:
Bobby Bruce (from 1994-11 until 1995-03)
vocals:
Al Stewart (UK folk singer/songwriter) (from 1994-11 until 1995-03)
arranger:
Laurence Juber
recorded at:
The Sign of the Scorpion in California, United States (from 1994-11 until 1995-03)
mixed at:
King Sound Studios in Los Angeles, California, United States
recording of:
Night Train to Munich (in 1995)
lyricist and composer:
Al Stewart (UK folk singer/songwriter)
4:28
2A League of Notions
recording engineer:
Grant Headley (engineer), Laurence Juber, Robin Lamble and Joe Schiff
producer:
Laurence Juber
bass [six string bass] and guitar [finger style & lead guitar]:
Laurence Juber (from 1994-11 until 1995-03)
drums (drum set):
Bruce Gary (from 1994-11 until 1995-03)
guitar [finger style guitar]:
Al Stewart (UK folk singer/songwriter) (from 1994-11 until 1995-03)
shakers and wood block:
Steve Forman (US percussionist) (from 1994-11 until 1995-03)
vocals:
Al Stewart (UK folk singer/songwriter) (from 1994-11 until 1995-03)
arranger:
Laurence Juber
recorded at:
The Sign of the Scorpion in California, United States (from 1994-11 until 1995-03)
mixed at:
King Sound Studios in Los Angeles, California, United States
recording of:
A League of Notions (in 1995)
lyricist and composer:
Al Stewart (UK folk singer/songwriter)
4:19
3Marion the Chatelaine
recording engineer:
Grant Headley (engineer), Laurence Juber, Robin Lamble and Joe Schiff
producer:
Laurence Juber
guitar:
Laurence Juber (from 1994-11 until 1995-03) and Al Stewart (UK folk singer/songwriter) (from 1994-11 until 1995-03)
vocals:
Al Stewart (UK folk singer/songwriter) (from 1994-11 until 1995-03)
arranger:
Laurence Juber
recorded at:
The Sign of the Scorpion in California, United States (from 1994-11 until 1995-03)
mixed at:
King Sound Studios in Los Angeles, California, United States
recording of:
Marion the Châtelaine (in 1995)
lyricist and composer:
Al Stewart (UK folk singer/songwriter)
3:42
4Joe the Georgian
recording engineer:
Grant Headley (engineer), Laurence Juber, Robin Lamble and Joe Schiff
producer:
Laurence Juber
12 string guitar, acoustic guitar and mandolin:
Laurence Juber (from 1994-11 until 1995-03)
accordion:
Suzie Katayama (from 1994-11 until 1995-03)
bass:
James Hutchinson (from 1994-11 until 1995-03)
drums (drum set):
Jim Keltner (from 1994-11 until 1995-03)
piano:
Herman Beeftink (from 1994-11 until 1995-03)
tambourine:
Steve Forman (US percussionist) (from 1994-11 until 1995-03)
vocals:
Al Stewart (UK folk singer/songwriter) (from 1994-11 until 1995-03)
arranger:
Laurence Juber
recorded at:
The Sign of the Scorpion in California, United States (from 1994-11 until 1995-03)
mixed at:
King Sound Studios in Los Angeles, California, United States
recording of:
Joe the Georgian (in 1995)
lyricist and composer:
Al Stewart (UK folk singer/songwriter)
3:32
5Laughing Into 1939
recording engineer:
Grant Headley (engineer), Laurence Juber, Robin Lamble and Joe Schiff
producer:
Laurence Juber
cello:
Suzie Katayama (from 1994-11 until 1995-03)
classical guitar [nylon string guitar] and steel-string acoustic guitar:
Laurence Juber (from 1994-11 until 1995-03)
drums (drum set):
Jim Keltner (from 1994-11 until 1995-03)
fretless bass:
James Hutchinson (from 1994-11 until 1995-03)
percussion:
Steve Forman (US percussionist) (from 1994-11 until 1995-03)
synthesizer [synth strings]:
Andrew Powell (known for contributions to Alan Parsons Project) (from 1994-11 until 1995-03)
vocals:
Al Stewart (UK folk singer/songwriter) (from 1994-11 until 1995-03)
synthesizer [synth strings] arranger:
Andrew Powell (known for contributions to Alan Parsons Project)
arranger:
Laurence Juber
recorded at:
The Sign of the Scorpion in California, United States (from 1994-11 until 1995-03)
mixed at:
King Sound Studios in Los Angeles, California, United States
recording of:
Laughing Into 1939 (in 1995)
lyricist and composer:
Al Stewart (UK folk singer/songwriter)
4:16
6House of Clocks
2:59
7Waiting for Margaux
4:35
8Turning It Into Water
4:35
9Down in the Cellar
3:09
10Mr Lear
vocals:
Al Stewart (UK folk singer/songwriter) (from 2004-01 until 2005-01)
recording of:
Mr. Lear (from 2004-01 until 2005-01)
lyricist and composer:
Al Stewart (UK folk singer/songwriter)
3:02
11Somewhere in England 1915
vocals:
Al Stewart (UK folk singer/songwriter) (from 2004-01 until 2005-01)
recording of:
Somewhere in England 1915 (from 2004-01 until 2005-01)
lyricist and composer:
Al Stewart (UK folk singer/songwriter)
6:57
12Katherine of Oregon
vocals:
Al Stewart (UK folk singer/songwriter) (from 2004-01 until 2005-01)
recording of:
Katherine of Oregon (from 2004-01 until 2005-01)
lyricist and composer:
Al Stewart (UK folk singer/songwriter)
3:08
13Soho (Needless to Say) (alternate version)
4:01
14The Coldest Winter in Memory
5:49
15Terminal Eyes
engineer:
Mike Stone (producer and engineer, 1960s–80s)
producer:
John Anthony (British producer and record executive)
phonographic copyright (℗) by:
GRT Corporation (aka General Recorded Tape Corp.) (in 1974)
produced at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
recording of:
Terminal Eyes
lyricist and composer:
Al Stewart (UK folk singer/songwriter)
publisher:
Gwyneth Music Ltd. (in 1973)
3:23
16Denise at 16
engineer:
Michael Claydon
producer:
Roy Guest
guitar:
Al Stewart (UK folk singer/songwriter) (in 1967)
vocals:
Al Stewart (UK folk singer/songwriter) (in 1967)
conductor:
Alexander Faris (conductor) (in 1967)
arranger:
Alexander Faris (conductor)
recording of:
Denise at 16 (in 1967)
lyricist and composer:
Al Stewart (UK folk singer/songwriter)
3:18
5▼CD
#TitleRatingLength
1On the Border
?:??
2Sirens of Titan
?:??
3Time Passages
?:??
4Roads to Moscow
?:??
5Life in Dark Water
?:??
6Valentina Way
?:??
7Year of the Cat
phonographic copyright (℗) by:
Al Stewart (UK folk singer/songwriter) (in 1976)
recording of:
Year of the Cat
writer:
Al Stewart (UK folk singer/songwriter) and Peter Wood (UK keyboardist/pianist)
publisher:
Carlin Music Corporation, Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Songs (publisher), Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
?:??
8Pink Panther Theme
?:??
9Song on the Radio
?:??