Händel's Messiah (English Chamber Orchestra)

~ Release by Georg Friedrich Händel (see all versions of this release, 1 available)

Tracklist

1▼Medium
#TitleRatingLength
1Sinfonia
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
3:08
2Comfort Ye
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
solo tenor vocals and tenor vocals:
Alexander Young (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part I, no. 2. Recitativo “Comfort Ye” (Tenor) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
3:48
3Ev'ry Valley
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
solo tenor vocals and tenor vocals:
Alexander Young (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
4:00
4For Unto Us
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
4:14
5Pifa
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
3:46
6And Suddenly
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
solo soprano vocals and soprano vocals:
Margaret Price (soprano) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
0:20
7Glory to God
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
1:40
8He Was Despised
5:02
9Rejoice Greatly
5:06
10Surely He Hath Borne
1:51
11The Lord Gave the Word
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
1:10
12Why Do the Nations
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
bass vocals and solo bass vocals:
Justino Díaz (operatic bass) (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
3:01
13Hallelujah
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
bass vocals:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale (in 1970-07)
contralto vocals:
Yvonne Minton (mezzo-soprano)
soprano vocals:
Margaret Price (soprano)
tenor vocals:
Alexander Young (tenor)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
3:37
14I Know That My Redeemer Liveth
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
solo soprano vocals and soprano vocals:
Margaret Price (soprano) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
7:20
15Worthy Is the Lamb
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
bass vocals:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale (in 1970-07)
contralto vocals:
Yvonne Minton (mezzo-soprano)
soprano vocals:
Margaret Price (soprano)
tenor vocals:
Alexander Young (tenor)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
6:42