Lara Croft: Tomb Raider – The Cradle of Life (Original Motion Picture Score) (Deluxe Edition)

~ Release by Alan Silvestri (see all versions of this release, 4 available)

Tracklist

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1CD: Disc One
#TitleRatingLength
1Opening
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Richard Lancaster and Sam O'Kell (engineer, Abbey Road Studios)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (US score composer)
assistant editor:
Jacqueline Tager (editor)
editor:
Kenneth Karman
orchestra:
Sinfonia of London Orchestra and Chorus (John Wilson’s session orchestra)
orchestrator:
Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Opening
composer:
Alan Silvestri (US score composer)
1:41
2Jet Ski - Meet Lara
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Richard Lancaster and Sam O'Kell (engineer, Abbey Road Studios)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (US score composer)
assistant editor:
Jacqueline Tager (editor)
editor:
Kenneth Karman
orchestra:
Sinfonia of London Orchestra and Chorus (John Wilson’s session orchestra)
orchestrator:
Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Jet Ski - Meet Lara
composer:
Alan Silvestri (US score composer)
4:10
3The Luna Temple
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Richard Lancaster and Sam O'Kell (engineer, Abbey Road Studios)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (US score composer)
assistant editor:
Jacqueline Tager (editor)
editor:
Kenneth Karman
orchestra:
Sinfonia of London Orchestra and Chorus (John Wilson’s session orchestra)
orchestrator:
Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
The Luna Temple
composer:
Alan Silvestri (US score composer)
7:45
4Shark Attack
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Richard Lancaster and Sam O'Kell (engineer, Abbey Road Studios)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (US score composer)
assistant editor:
Jacqueline Tager (editor)
editor:
Kenneth Karman
orchestra:
Sinfonia of London Orchestra and Chorus (John Wilson’s session orchestra)
orchestrator:
Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Shark Attack
composer:
Alan Silvestri (US score composer)
3:20
5Traitor Dying
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Richard Lancaster and Sam O'Kell (engineer, Abbey Road Studios)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (US score composer)
assistant editor:
Jacqueline Tager (editor)
editor:
Kenneth Karman
orchestra:
Sinfonia of London Orchestra and Chorus (John Wilson’s session orchestra)
orchestrator:
Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Traitor Dying
composer:
Alan Silvestri (US score composer)
3:41
6"I Need Terry Sheridan"
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Richard Lancaster and Sam O'Kell (engineer, Abbey Road Studios)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (US score composer)
assistant editor:
Jacqueline Tager (editor)
editor:
Kenneth Karman
orchestra:
Sinfonia of London Orchestra and Chorus (John Wilson’s session orchestra)
orchestrator:
Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
"I Need Terry Sheridan"
composer:
Alan Silvestri (US score composer)
5:41
7Kill Me - Leaving Prison
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Richard Lancaster and Sam O'Kell (engineer, Abbey Road Studios)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (US score composer)
assistant editor:
Jacqueline Tager (editor)
editor:
Kenneth Karman
orchestra:
Sinfonia of London Orchestra and Chorus (John Wilson’s session orchestra)
orchestrator:
Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Kill Me - Leaving Prison
composer:
Alan Silvestri (US score composer)
1:34
8Arrival in China
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Richard Lancaster and Sam O'Kell (engineer, Abbey Road Studios)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (US score composer)
assistant editor:
Jacqueline Tager (editor)
editor:
Kenneth Karman
orchestra:
Sinfonia of London Orchestra and Chorus (John Wilson’s session orchestra)
orchestrator:
Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Arrival in China
composer:
Alan Silvestri (US score composer)
1:48
9Shay Ling - Tilt Your Head Back
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Richard Lancaster and Sam O'Kell (engineer, Abbey Road Studios)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (US score composer)
assistant editor:
Jacqueline Tager (editor)
editor:
Kenneth Karman
orchestra:
Sinfonia of London Orchestra and Chorus (John Wilson’s session orchestra)
orchestrator:
Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Shay Ling - Tilt Your Head Back
composer:
Alan Silvestri (US score composer)
3:04
10Captured by the Shay Ling
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Richard Lancaster and Sam O'Kell (engineer, Abbey Road Studios)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (US score composer)
assistant editor:
Jacqueline Tager (editor)
editor:
Kenneth Karman
orchestra:
Sinfonia of London Orchestra and Chorus (John Wilson’s session orchestra)
orchestrator:
Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Captured by the Shay Ling
composer:
Alan Silvestri (US score composer)
6:01
11Escape From Chen
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Richard Lancaster and Sam O'Kell (engineer, Abbey Road Studios)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (US score composer)
assistant editor:
Jacqueline Tager (editor)
editor:
Kenneth Karman
orchestra:
Sinfonia of London Orchestra and Chorus (John Wilson’s session orchestra)
orchestrator:
Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Escape From Chen
composer:
Alan Silvestri (US score composer)
4:21
12To Shanghai - Flower Pagoda Battle Part 2
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Richard Lancaster and Sam O'Kell (engineer, Abbey Road Studios)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (US score composer)
assistant editor:
Jacqueline Tager (editor)
editor:
Kenneth Karman
orchestra:
Sinfonia of London Orchestra and Chorus (John Wilson’s session orchestra)
orchestrator:
Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
To Shanghai - Flower Pagoda Battle Part 2
composer:
Alan Silvestri (US score composer)
3:01
2CD: Disc Two
#TitleRatingLength
1Flower Pagoda Battle
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Richard Lancaster and Sam O'Kell (engineer, Abbey Road Studios)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (US score composer)
assistant editor:
Jacqueline Tager (editor)
editor:
Kenneth Karman
orchestra:
Sinfonia of London Orchestra and Chorus (John Wilson’s session orchestra)
orchestrator:
Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Flower Pagoda Battle
composer:
Alan Silvestri (US score composer)
5:43
2She Escaped - Break In
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Richard Lancaster and Sam O'Kell (engineer, Abbey Road Studios)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (US score composer)
assistant editor:
Jacqueline Tager (editor)
editor:
Kenneth Karman
orchestra:
Sinfonia of London Orchestra and Chorus (John Wilson’s session orchestra)
orchestrator:
Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
She Escaped - Break In
composer:
Alan Silvestri (US score composer)
5:24
3Shoot Her Between the Eyes
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Richard Lancaster and Sam O'Kell (engineer, Abbey Road Studios)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (US score composer)
assistant editor:
Jacqueline Tager (editor)
editor:
Kenneth Karman
orchestra:
Sinfonia of London Orchestra and Chorus (John Wilson’s session orchestra)
orchestrator:
Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Shoot Her Between The Eyes
composer:
Alan Silvestri (US score composer)
4:43
4Skydive Getaway
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Richard Lancaster and Sam O'Kell (engineer, Abbey Road Studios)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (US score composer)
assistant editor:
Jacqueline Tager (editor)
editor:
Kenneth Karman
orchestra:
Sinfonia of London Orchestra and Chorus (John Wilson’s session orchestra)
orchestrator:
Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Skydive Getaway
composer:
Alan Silvestri (US score composer)
2:13
5Skydiving Sequence
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Richard Lancaster and Sam O'Kell (engineer, Abbey Road Studios)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (US score composer)
assistant editor:
Jacqueline Tager (editor)
editor:
Kenneth Karman
orchestra:
Sinfonia of London Orchestra and Chorus (John Wilson’s session orchestra)
orchestrator:
Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Skydiving Sequence
composer:
Alan Silvestri (US score composer)
1:52
6Why Didn't You Kill Reiss
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Richard Lancaster and Sam O'Kell (engineer, Abbey Road Studios)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (US score composer)
assistant editor:
Jacqueline Tager (editor)
editor:
Kenneth Karman
orchestra:
Sinfonia of London Orchestra and Chorus (John Wilson’s session orchestra)
orchestrator:
Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Why Didn't You Kill Reiss
composer:
Alan Silvestri (US score composer)
4:46
7Orb Transmission
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Richard Lancaster and Sam O'Kell (engineer, Abbey Road Studios)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (US score composer)
assistant editor:
Jacqueline Tager (editor)
editor:
Kenneth Karman
orchestra:
Sinfonia of London Orchestra and Chorus (John Wilson’s session orchestra)
orchestrator:
Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Orb Transmission
composer:
Alan Silvestri (US score composer)
1:44
8Journey to the Cradle of Life
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Richard Lancaster and Sam O'Kell (engineer, Abbey Road Studios)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (US score composer)
assistant editor:
Jacqueline Tager (editor)
editor:
Kenneth Karman
orchestra:
Sinfonia of London Orchestra and Chorus (John Wilson’s session orchestra)
orchestrator:
Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Journey To The Cradle Of Life
composer:
Alan Silvestri (US score composer)
6:24
9Tribal Journey
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Richard Lancaster and Sam O'Kell (engineer, Abbey Road Studios)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (US score composer)
assistant editor:
Jacqueline Tager (editor)
editor:
Kenneth Karman
orchestra:
Sinfonia of London Orchestra and Chorus (John Wilson’s session orchestra)
orchestrator:
Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Tribal Journey
composer:
Alan Silvestri (US score composer)
1:35
10The Cradle of Life
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Richard Lancaster and Sam O'Kell (engineer, Abbey Road Studios)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (US score composer)
assistant editor:
Jacqueline Tager (editor)
editor:
Kenneth Karman
orchestra:
Sinfonia of London Orchestra and Chorus (John Wilson’s session orchestra)
orchestrator:
Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
The Cradle Of Life
composer:
Alan Silvestri (US score composer)
6:35
11Pandora's Box
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Richard Lancaster and Sam O'Kell (engineer, Abbey Road Studios)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (US score composer)
assistant editor:
Jacqueline Tager (editor)
editor:
Kenneth Karman
orchestra:
Sinfonia of London Orchestra and Chorus (John Wilson’s session orchestra)
orchestrator:
Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Pandora's Box
composer:
Alan Silvestri (US score composer)
5:26
12"Not Meant to Be Found"
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Richard Lancaster and Sam O'Kell (engineer, Abbey Road Studios)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (US score composer)
assistant editor:
Jacqueline Tager (editor)
editor:
Kenneth Karman
orchestra:
Sinfonia of London Orchestra and Chorus (John Wilson’s session orchestra)
orchestrator:
Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
"Not Meant To Be Found"
composer:
Alan Silvestri (US score composer)
0:45
13Lara Croft - Tomb Raider
recording engineer and mixer:
Dennis Sands (American sound engineer)
assistant engineer:
Richard Lancaster and Sam O'Kell (engineer, Abbey Road Studios)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (US score composer)
assistant editor:
Jacqueline Tager (editor)
editor:
Kenneth Karman
orchestra:
Sinfonia of London Orchestra and Chorus (John Wilson’s session orchestra)
orchestrator:
Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Lara Croft - Tomb Raider
composer:
Alan Silvestri (US score composer)
0:53