The Jazz Singers

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1West End Blues
Eva Taylor3:13
2In the House Blues
Bessie Smith3:03
32:19 Blues
recording of:
2.19 Blues
writer:
Mamie Desdume
Louis Armstrong2:55
4I Left My Baby
Jimmy Rushing3:13
5’Tain’t Nobody’s Business If I Do
alto saxophone:
George Dorsey (on 1949-08-17) and Rudy Powell (on 1949-08-17)
baritone saxophone:
Sol Moore (on 1949-08-17)
double bass:
George Duvivier (on 1949-08-17)
drums (drum set):
Shadow Wilson (on 1949-08-17)
guitar:
Mundell Lowe (on 1949-08-17)
piano:
Horace Henderson (on 1949-08-17)
tenor saxophone:
Joe Thomas (US jazz tenor saxophone player) (on 1949-08-17) and Lester Young (saxophonist) (on 1949-08-17)
trombone:
George Matthews (trombone) (on 1949-08-17) and Dicky Wells (on 1949-08-17)
trumpet:
Emmett Berry (on 1949-08-17), Buck Clayton (on 1949-08-17) and Jimmy Nottingham (on 1949-08-17)
vocals:
Billie Holiday (on 1949-08-17)
conductor:
Buster Harding (on 1949-08-17)
recorded at:
Decca Studios (New York) in New York, New York, United States
cover recording of:
T’ain’t Nobody’s Bizness If I Do (on 1949-08-17)
lyricist:
Porter Grainger
composer:
Porter Grainger and Everett Robbins
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
part of:
American Splendor
recording of:
T’ain’t Nobody’s Bizness If I Do (on 1949-08-17)
lyricist:
Porter Grainger
composer:
Porter Grainger and Everett Robbins
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
part of:
American Splendor
recording of:
Ain't Nobody's Business
writer:
William York
Billie Holiday3:22
6Blues With Helen
Helen Humes4:11
7I Won’t Be Here Long
Hot Lips Page2:43
8Jelly, Jelly
cover recording of:
Jelly, Jelly
writer:
Billy Eckstine and Earl Hines (jazz pianist and bandleader)
Billy Eckstine3:29
9Lotus Blossom
Julia Lee3:20
10Goin’ to Kansas City
recorded at:
The Renaissance Club in Hollywood, Los Angeles, California, United States (on 1959-12-04)
cover recording of:
Kansas City (aka “K.C. Loving”)
lyricist:
Jerry Leiber (in 1952)
composer:
Mike Stoller (in 1952)
publisher:
EMI Music Ltd., Jerry Leiber Music, Mike Stoller Music (ASCAP), Peter Maurice Music Co. Ltd. and Sony/ATV Songs LLC
Jimmy Witherspoon3:15
11Goin’ to Chicago
Joe Williams; Lambert, Hendricks & Ross4:13
12She’s Got to Go
Ernie Andrews4:05
13Never Make Your Move Too Soon
Ernestine Anderson3:30
14D.B. Blues
Lorez Alexandria2:59
15Come On In My Kitchen
Cassandra Wilson5:00
16Nobody’s Fault but Mine
recorded in:
Dallas, Texas, United States (on 1927-12-03)
guitar:
Blind Willie Johnson (on 1927-12-03)
vocals:
Blind Willie Johnson (on 1927-12-03)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
It’s Nobody’s Fault but Mine (Blind Willie Johnson song) (on 1927-12-03)
lyricist, composer and arranger:
Blind Willie Johnson
previously attributed to:
[traditional] (special purpose artist)
Blind Willie Johnson53:12
17One Day
Angelic Gospel Singers; Dixie Hummingbirds2:16
18I’m Going to Live the Life I Sing About in My Song
recording of:
I’m Going to Live the Life I Sing About in My Song
lyricist and composer:
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”)
Mahalia Jackson2:41
19Gimme a Pigfoot
Bessie Smith3:31
20Doctor Jazz
Jelly Roll Morton3:24
21Shakin’ the African
Don Redman2:41
22It Don’t Mean a Thing (If It Ain’t Got That Swing)
Ivie Anderson3:10
2▼CD
#TitleArtistRatingLength
1The Man From Harlem
double bass:
Al Morgan (jazz double-bassist) (on 1932-11-30)
drums (drum set):
Leroy Maxey (jazz drummer) (on 1932-11-30)
guitar:
Morris White (jazz guitarist) (on 1932-11-30)
piano:
Benny Payne (jazz pianist and vocalist) (on 1932-11-30)
reeds:
Eddie Barefield (on 1932-11-30) and Arville Harris (on 1932-11-30)
saxophone:
Andrew Brown (jazz saxophonist) (on 1932-11-30)
trombone:
DePriest Wheeler (on 1932-11-30) and Harry White (jazz trombonist) (on 1932-11-30)
trumpet:
Doc Cheatham (on 1932-11-30), Edwin Swayze (on 1932-11-30) and Lammar Wright (on 1932-11-30)
woodwind:
Walter Thomas (on 1932-11-30)
vocals:
Cab Calloway (on 1932-11-30)
recording of:
The Man From Harlem (on 1932-11-30)
writer:
Will Hudson
Cab Calloway3:09
2Let Me Off Uptown
Anita O’Day3:05
3Saturday Night Fish Fry
Pearl Bailey; Moms Mabley2:55
4Hogwash
Louis Jordan3:00
5Good Rockin’ Tonight
Wynonie Harris2:53
6All of Me
cover recording of:
All of Me
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic and 日音 Synch事業部 (NICHION, INC. Synch Division)
Louis Armstrong2:58
7Top Hat, White Tie, and Tails
recording of:
Top Hat, White Tie and Tails (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
part of:
Top Hat (1935 film)
Louis Armstrong4:11
8I Can’t Give You Anything but Love
Ethel Waters3:10
9I Can’t Give You Anything but Love
recording of:
I Can’t Give You Anything but Love, Baby
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Billie Holiday3:29
10These Foolish Things
Billie Holiday3:19
11Me, Myself, and I
recording of:
Me, Myself and I
lyricist:
Allan Roberts (songwriter) and Alvin S. Kaufman
composer:
Irving Gordon (US songwriter)
Billie Holiday2:38
12Lover, Come Back to Me
recording of:
Lover, Come Back to Me (from "The New Moon")
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
Mildred Bailey3:12
13Don’t Get Around Much Anymore
Al Hibbler3:05
14You’re Driving Me Crazy
Joe Turner4:15
15Don’t Be That Way
recorded in:
Los Angeles, California, United States (on 1957-08-13)
double bass:
Ray Brown (jazz bassist) (on 1957-08-13)
drums (drum set):
Louie Bellson (on 1957-08-13)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-13)
trumpet:
Louis Armstrong (on 1957-08-13)
vocals:
Louis Armstrong (on 1957-08-13) and Ella Fitzgerald (American jazz singer) (on 1957-08-13)
cover recording of:
Don’t Be That Way (on 1957-08-13)
lyricist:
Mitchell Parish
composer:
Benny Goodman (clarinetist and bandleader) and Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation and The Songwriters Guild
part of:
New York, New York (1977 musical film soundtrack)
Ella Fitzgerald; Louis Armstrong5:02
16Night and Day
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Frank Sinatra4:00
17Some of These Days
Jimmy Rushing4:49
18Wrap Your Troubles in Dreams
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1960-10-19)
vocals:
Sarah Vaughan
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1960-10-19)
cover recording of:
Wrap Your Troubles in Dreams (on 1960-10-19)
lyricist:
Ted Koehler (in 1931) and Billy Moll (songwriter) (in 1931)
composer:
Harry Barris (in 1931)
publisher:
Campbell Connelly & Co. Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. and Ted Koehler Music Co.
Sarah Vaughan2:33
19I Get a Kick Out of You
baritone saxophone:
Cecil Payne (on 1955-03-15)
bass:
Keter Betts (on 1955-03-15)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1955-03-15)
guitar:
Barry Galbraith (on 1955-03-15)
piano:
Wynton Kelly (on 1955-03-15)
tenor saxophone:
Paul Quinichette (on 1955-03-15)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1955-03-15)
trumpet:
Clark Terry (American swing trumpeter) (on 1955-03-15)
lead vocals:
Dinah Washington (on 1955-03-15)
vocals:
Dinah Washington (in 1955)
arranger:
Quincy Jones (on 1955-03-15)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1955-03-15)
cover recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
Dinah Washington6:20
20There’s a Small Hotel
Joe Williams2:18
21Just You, Just Me
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1956-09-14)
double bass:
Charlie Harris (jazz bassist) (on 1956-09-14)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1956-09-14)
guitar:
John Collins (US jazz guitarist) (on 1956-09-14)
piano:
Nat King Cole (on 1956-09-14)
vocals:
Nat King Cole (on 1956-09-14)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09) and Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-09-14)
cover recording of:
Just You, Just Me (on 1956-09-14)
lyricist:
Raymond Klages (in 1929)
composer:
Jesse Greer (in 1929)
publisher:
EMI United Partnership Ltd., Robbins Music (publishing company owned by EMI Music Publishing Ltd.) and Robbins Music Corporation
part of:
New York, New York (1977 musical film soundtrack)
recording of:
Just You, Just Me
lyricist:
Raymond Klages (in 1929)
composer:
Jesse Greer (in 1929)
publisher:
EMI United Partnership Ltd., Robbins Music (publishing company owned by EMI Music Publishing Ltd.) and Robbins Music Corporation
part of:
New York, New York (1977 musical film soundtrack)
Nat “King” Cole3:01
3▼CD
#TitleArtistRatingLength
1Give Me the Simple Life
vocals:
Dakota Staton (from 1957-02-28 until 1957-03-02)
conductor:
Van Alexander (aka Al Feldman) (from 1957-02-28 until 1957-03-02)
arranger:
Van Alexander (aka Al Feldman)
cover recording of:
Give Me the Simple Life (from 1957-02-28 until 1957-03-02)
lyricist:
Harry Ruby
writer:
Rube Bloom (American songwriter, pianist and vocalist) and Harry Ruby
composer:
Rube Bloom (American songwriter, pianist and vocalist)
publisher:
WC Music Corp.
Dakota Staton2:16
2Love Me or Leave Me
bass guitar and percussion:
Lisle Atkinson (on 1965-10-01)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (on 1965-10-01)
flute and guitar:
Rudy Stevenson (on 1965-10-01)
harmonica:
Al Schackman (on 1965-10-01)
piano:
Nina Simone (on 1965-10-01)
cover recording of:
Love Me or Leave Me (on 1965-10-01)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
Nina Simone44:07
3You Are My Sunshine
recording engineer:
Tom Dowd (on 1967-06-20) and Arif Mardin (on 1967-06-20)
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-06-20)
bass:
Tommy Cogbill (on 1967-06-20)
drums (drum set):
Roger Hawkins (on 1967-06-20)
electric guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-06-20) and Joe South (on 1967-06-20)
organ:
Spooner Oldham (on 1967-06-20)
piano and lead vocals:
Aretha Franklin (on 1967-06-20)
background vocals:
Aretha Franklin (on 1967-06-20), Carolyn Franklin (on 1967-06-20) and Erma Franklin (on 1967-06-20)
arranger:
Tom Dowd and Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-06-20)
cover recording of:
You Are My Sunshine (on 1967-06-20)
anthem of:
Louisiana, United States
writer:
Jimmie Davis (American politician, singer and songwriter) and Charles Mitchell (1940s songwriter)
publisher:
Peer International (BMI) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (on 1940-01-30)
Aretha Franklin4:21
4What’s Going On
recording of:
What’s Going On
lyricist and composer:
Renaldo Benson, Al Cleveland (songwriter 1930-1996) and Marvin Gaye
publisher:
EMI Songs Australia, FCG Music, Jobete Music Co., Inc., MG III Music, NMG Music, Sony/ATV Music Publishing Ltd. and Stone Agate Music Corp.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Marvin Gaye3:54
5I’m Gonna Lock My Heart
cover recording of:
I’m Gonna Lock My Heart (and Throw Away the Key)
composer:
Jimmy Eaton (songwriter) and Terry Shand (jazz pianist/composer)
Etta Jones3:17
6Yesterdays
recording of:
Yesterdays
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
Billie Holiday3:26
7Strange Fruit
recording of:
Strange Fruit
lyricist and composer:
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Bitter Fruit
Billie Holiday3:09
8You’ve Changed
recording of:
You’ve Changed
lyricist:
Bill Carey (US songwriter)
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Peer International (BMI; Peer Int'l or Peer-International) and Southern Music Publishing Company
Billie Holiday3:21
9Someone to Watch Over Me
recorded in:
New York, New York, United States (on 1950-09-12)
producer:
Milt Gabler
piano:
Ellis Larkins
vocals:
Ella Fitzgerald (American jazz singer) (on 1950-09-12)
cover recording of:
Someone to Watch Over Me (Oh, Kay!) (on 1950-09-12)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
Ella Fitzgerald3:16
10Until the Real Thing Comes Along
recorded in:
New York, New York, United States (on 1954-03-29)
producer:
Milt Gabler
piano:
Ellis Larkins (on 1954-03-29)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1954-03-29)
vocals:
Ella Fitzgerald (American jazz singer) (on 1954-03-29)
cover recording of:
Until the Real Thing Comes Along (on 1954-03-29)
lyricist and composer:
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner and Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) and WB Music Corp. (1929–2019)
Ella Fitzgerald2:59
11Until the Real Thing Comes Along
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1936-08-01)
drums (drum set):
Slick Jones (on 1936-08-01)
guitar:
Al Casey (US jazz/soul guitarist) (on 1936-08-01)
piano:
Fats Waller (on 1936-08-01)
reeds:
Gene Sedric (on 1936-08-01)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1936-08-01)
vocals:
Fats Waller (on 1936-08-01)
recording of:
Until the Real Thing Comes Along (on 1936-08-01)
lyricist and composer:
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner and Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) and WB Music Corp. (1929–2019)
Fats Waller3:26
12You Don’t Know What Love Is
cover recording of:
You Don’t Know What Love Is
lyricist and composer:
Gene de Paul and Don Raye
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Dinah Washington4:03
13For All We Know
recording of:
For All We Know (1934 song)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1934)
composer:
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (Carlin) (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
June Christy2:49
14Angel Eyes
cover recording of:
Angel Eyes (1946 jazz standard)
lyricist:
Earl Brent (in 1946)
composer:
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music), Onyx Music Corporation and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Chris Connor3:44
15In the Still of the Night
Billy Eckstine3:43
16Save Your Love for Me
cover recording of:
Save Your Love for Me
lyricist:
Buddy Johnson
composer:
Woodrow Buddy Johnson
publisher:
Embassy Music Corporation and Lou Levy Music Co.
Nancy Wilson2:45
17Travelin’ Light
Shirley Horn2:48
18Prelude to a Kiss
cover recording of:
Prelude to a Kiss
lyricist:
Irving Gordon (US songwriter) (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
Sarah Vaughan2:47
19My Little Brown Book
Gloria Lynne2:32
20Lush Life
recording engineer:
Rudy van Gelder (on 1963-03-07)
producer:
Bob Thiele (producer & songwriter)
double bass:
Jimmy Garrison (on 1963-03-07)
drums (drum set):
Elvin Jones (jazz drummer) (on 1963-03-07)
piano:
McCoy Tyner (jazz pianist) (on 1963-03-07)
tenor saxophone:
John Coltrane (on 1963-03-07)
vocals:
Johnny Hartman (jazz singer) (on 1963-03-07)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1963-03-07)
cover recording of:
Lush Life (on 1963-03-07)
lyricist and composer:
Billy Strayhorn (from 1933 until 1938)
publisher:
Billy Strayhorn Songs, Inc., Campbell Connelly & Co. Ltd., Chrysalis One Music, Reservoir Media Music, ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) and Tempo Music, Inc. (Duke Ellington’s music publishing company) (from 1949 to present)
part of:
The Real Book (compilation of jazz standards, Volume I)
Johnny Hartman5:29
21I Got It Bad (and That Ain’t Good)
recording engineer and engineer:
Andy Richardson (engineer)
producer:
Nesuhi Ertegun
bass:
Joe Comfort (on 1968-06-26)
drums (drum set):
John Collins (drums) (on 1968-06-26)
French horn:
Vincent DeRosa (on 1968-06-26)
guitar:
Francois Vaz (on 1968-06-26)
percussion:
Larry Bunker (on 1968-06-26)
piano:
Norman Simmons (on 1968-06-26)
saxophone:
Gene Cipriano (on 1968-06-26)
strings:
unidentified 16 strings ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1968-06-26)
vocals:
Carmen McRae (on 1968-06-26)
conductor:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1968-06-26)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975) and Shorty Rogers (trumpet)
concertmaster:
Lou Raderman (on 1968-06-26)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1968-06-26)
recording of:
I Got It Bad (and That Ain’t Good) (on 1968-06-26)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
Carmen McRae3:27
4▼CD
#TitleArtistRatingLength
1This Is Always
recording engineer:
Bill Schwartau (in 1964-04)
producer:
Alan Douglas (American record producer)
double bass [bass]:
Bob Cranshaw (in 1964-04)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1964-04)
piano:
Harold Mabern (American jazz pianist) (in 1964-04)
vocals:
Betty Carter (in 1964-04)
recorded at:
Sound Makers in New York, New York, United States (in 1964-04)
recording of:
This Is Always (in 1964-04)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
WB Music Corp. (1929–2019)
Betty Carter3:13
2All of Me
Jimmy Scott3:00
3What Are You Doing the Rest of Your Life?
Earl Coleman5:50
4You’re My Thrill
cover recording of:
You’re My Thrill
lyricist:
Sidney Clare
composer:
Jay Gorney
publisher:
Bourne Co. (not for release label use, this is a music publisher), Gorney Music Publisher, Next Decade Entertainment, Productions et Éditions Cinématographiques Françaises, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Helen Merrill3:19
5Could I Be the One?
Al Green4:12
6Jazz Me Blues
Lucille Hegamin2:36
7The Mooche
Baby Cox3:15
8Parker’s Mood
King Pleasure3:02
9Lullaby of Birdland
recorded in:
New York, New York, United States (on 1954-12-16)
double bass:
Joe Benjamin (US jazz bassist) (on 1954-12-16)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-12-16)
flute:
Herbie Mann (on 1954-12-16)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1954-12-16)
saxophone and tenor saxophone:
Paul Quinichette (on 1954-12-16)
trumpet:
Clifford Brown (trumpet) (on 1954-12-16)
lead vocals:
Sarah Vaughan
vocals:
Sarah Vaughan (on 1954-12-16)
conductor:
Ernie Wilkins (on 1954-12-16)
arranger:
Ernie Wilkins
cover recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard) (on 1954-12-16)
lyricist:
B. Y. Forster (pseudonym of George David Weiss)
writer:
George David Weiss
composer:
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited and Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Sarah Vaughan4:02
10Down for Double
Mel Tormé2:34
11Jumpin’ at the Woodside
Lambert, Hendricks & Ross3:20
12Left Alone
producer:
Nat Hentoff
bass clarinet:
Eric Dolphy (on 1961-02-22)
double bass:
Art Davis (US jazz double bassist) (on 1961-02-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1961-02-22)
piano:
Mal Waldron (American jazz pianist) (on 1961-02-22)
tenor saxophone:
Coleman Hawkins (on 1961-02-22)
trombone:
Julian Priester (on 1961-02-22)
trumpet:
Booker Little (on 1961-02-22)
vocals:
Abbey Lincoln (on 1961-02-22)
arranger:
Julian Priester
recorded at:
Nola Penthouse Sound Studios (Nola's Penthouse, NYC) in New York, New York, United States (on 1961-02-22)
cover recording of:
Left Alone (on 1961-02-22)
lyricist:
Billie Holiday
composer:
Mal Waldron (American jazz pianist)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Abbey Lincoln6:48
13Stolen Moments
recording of:
Stolen Moments (adaptation w/ English lyrics by Mark Murphy)
lyricist:
Mark Murphy (US jazz singer)
composer:
Oliver Nelson (saxophone, arranger, composer)
version of:
Stolen Moments (original instrumental version)
Mark Murphy5:46
14Worry Now Later
Jeanne Lee1:29
15Get It Straight
Carmen McRae3:58
16’Round Midnight
Bobby McFerrin5:36
17Doodlin’
Dee Dee Bridgewater6:11
18Improvised Scat Song
Jelly Roll Morton1:49
19Hotter Than That
recorded in:
Chicago, Illinois, United States (on 1927-12-13)
banjo:
Johnny St. Cyr (on 1927-12-13)
clarinet:
Johnny Dodds (on 1927-12-13)
cornet:
Louis Armstrong (on 1927-12-13)
guitar:
Lonnie Johnson (American blues and jazz musician) (on 1927-12-13)
piano:
Lil Armstrong (on 1927-12-13)
trombone:
Kid Ory (on 1927-12-13)
vocals:
Louis Armstrong (on 1927-12-13)
recording of:
Hotter Than That (on 1927-12-13)
composer:
Lil Hardin Armstrong
Louis Armstrong2:59
5▶CD

Credits

Release group

Wikidata:Q7743048 [info]