The Decca Years

~ Release by Claudio Abbado (see all versions of this release, 1 available)

Tracklist

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1▼CD: Ludwig van Beethoven
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1Symphony No. 7 in A major, op. 92: I. Poco sostenuto - Vivace
engineer and balance engineer:
Gordon Parry (engineer)
producer:
Ray Minshull (record producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1966-04-27 until 1966-04-29)
conductor:
Claudio Abbado (conductor) (from 1966-04-27 until 1966-04-29)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-04-27 until 1966-04-29)
recording of:
Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace (from 1966-04-27 until 1966-04-29)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven13:15
2Symphony No. 7 in A major, op. 92: II. Allegretto
engineer and balance engineer:
Gordon Parry (engineer)
producer:
Ray Minshull (record producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1966-04-27 until 1966-04-29)
conductor:
Claudio Abbado (conductor) (from 1966-04-27 until 1966-04-29)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-04-27 until 1966-04-29)
recording of:
Symphony no. 7 in A major, op. 92: II. Allegretto (from 1966-04-27 until 1966-04-29)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven9:53
3Symphony No. 7 in A major, op. 92: III. Presto - Assai meno presto
engineer and balance engineer:
Gordon Parry (engineer)
producer:
Ray Minshull (record producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1966-04-27 until 1966-04-29)
conductor:
Claudio Abbado (conductor) (from 1966-04-27 until 1966-04-29)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-04-27 until 1966-04-29)
recording of:
Symphony no. 7 in A major, op. 92: III. Presto (from 1966-04-27 until 1966-04-29)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven10:07
4Symphony No. 7 in A major, op. 92: IV. Allegro con brio
engineer and balance engineer:
Gordon Parry (engineer)
producer:
Ray Minshull (record producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1966-04-27 until 1966-04-29)
conductor:
Claudio Abbado (conductor) (from 1966-04-27 until 1966-04-29)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-04-27 until 1966-04-29)
recording of:
Symphony no. 7 in A major, op. 92: IV. Allegro con brio (from 1966-04-27 until 1966-04-29)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven9:12
5Overture to "The Creatures of Prometheus", op. 43: Adagio - Allegro molto con brio
engineer and balance engineer:
Gordon Parry (engineer)
producer:
Ray Minshull (record producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1966-04-27 until 1966-04-29)
conductor:
Claudio Abbado (conductor) (from 1966-04-27 until 1966-04-29)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1966-04-27 until 1966-04-29)
recording of:
Die Geschöpfe des Prometheus, op. 43: Ouverture (from 1966-04-27 until 1966-04-29)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1801)
part of:
The Creatures of Prometheus, op. 43 (The Creatures of Prometheus, Op. 43)
Ludwig van Beethoven5:17
6Symphony No. 8 in F major, op. 93: I. Allegro vivace e con brio
producer:
David Harvey (producer) and Colin Moorfoot (engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1968-11-17)
conductor:
Claudio Abbado (conductor) (on 1968-11-17)
balance engineer:
Colin Moorfoot (engineer) (on 1968-11-17)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (on 1968-11-17)
recording of:
Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio (on 1968-11-17)
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven9:02
7Symphony No. 8 in F major, op. 93: II. Allegretto scherzando
producer:
David Harvey (producer) and Colin Moorfoot (engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1968-11-17)
conductor:
Claudio Abbado (conductor) (on 1968-11-17)
balance engineer:
Colin Moorfoot (engineer) (on 1968-11-17)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (on 1968-11-17)
recording of:
Symphony no. 8 in F major, op. 93: II. Allegretto scherzando (on 1968-11-17)
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven4:09
8Symphony No. 8 in F major, op. 93: III. Tempo di menuetto
producer:
David Harvey (producer) and Colin Moorfoot (engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1968-11-17)
conductor:
Claudio Abbado (conductor) (on 1968-11-17)
balance engineer:
Colin Moorfoot (engineer) (on 1968-11-17)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (on 1968-11-17)
recording of:
Symphony no. 8 in F major, op. 93: III. Tempo di menuetto (on 1968-11-17)
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven4:50
9Symphony No. 8 in F major, op. 93: IV. Allegro vivace
producer:
David Harvey (producer) and Colin Moorfoot (engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1968-11-17)
conductor:
Claudio Abbado (conductor) (on 1968-11-17)
balance engineer:
Colin Moorfoot (engineer) (on 1968-11-17)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (on 1968-11-17)
recording of:
Symphony no. 8 in F major, op. 93: IV. Allegro vivace (on 1968-11-17)
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven7:36
2▼CD: Johannes Brahms
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1Rinaldo, op. 50: I. Zu dem Strande, zu der Barke!
recording engineer:
Gordon Parry (engineer) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-06-20 until 1968-06-24)
tenor vocals [Rinaldo]:
James King (tenor) (from 1968-06-20 until 1968-06-24)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-06-20 until 1968-06-24)
conductor:
Claudio Abbado (conductor) (from 1968-06-20 until 1968-06-24)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-06-20 until 1968-06-24)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-06-20 until 1968-06-24)
recording of:
Rinaldo, op. 50: I. Allegro "Zu dem Strande! Zu der Barke!" (from 1968-06-20 until 1968-06-24)
lyricist:
Johann Wolfgang von Goethe
composer:
Johannes Brahms (German composer)
part of:
Rinaldo, op. 50
partial recording of:
Rinaldo, op. 50: II. "O laßt mich einen Augenblick noch hier!" (from 1968-06-20 until 1968-06-24)
lyricist:
Johann Wolfgang von Goethe
composer:
Johannes Brahms (German composer)
part of:
Rinaldo, op. 50
Johannes Brahms6:19
2Rinaldo, op. 50: II. Stell her der goldnen Tage Paradiese noch einmal.
recording engineer:
Gordon Parry (engineer) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-06-20 until 1968-06-24)
tenor vocals [Rinaldo]:
James King (tenor) (from 1968-06-20 until 1968-06-24)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-06-20 until 1968-06-24)
conductor:
Claudio Abbado (conductor) (from 1968-06-20 until 1968-06-24)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-06-20 until 1968-06-24)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-06-20 until 1968-06-24)
recording of:
Rinaldo, op. 50: III. Poco adagio "Stelle her der goldnen Tage" (from 1968-06-20 until 1968-06-24)
lyricist:
Johann Wolfgang von Goethe
composer:
Johannes Brahms (German composer)
part of:
Rinaldo, op. 50
partial recording of:
Rinaldo, op. 50: IV. Moderato "Sachte kommt! und kommt verbunden" (from 1968-06-20 until 1968-06-24)
lyricist:
Johann Wolfgang von Goethe
composer:
Johannes Brahms (German composer)
part of:
Rinaldo, op. 50
Johannes Brahms11:01
3Rinaldo, op. 50: III. Nein! nicht länger ist zu säumen.
recording engineer:
Gordon Parry (engineer) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-06-20 until 1968-06-24)
tenor vocals [Rinaldo]:
James King (tenor) (from 1968-06-20 until 1968-06-24)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-06-20 until 1968-06-24)
conductor:
Claudio Abbado (conductor) (from 1968-06-20 until 1968-06-24)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-06-20 until 1968-06-24)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-06-20 until 1968-06-24)
recording of:
Rinaldo, op. 50: V. Allegro "Aber Alles verkündet" - Allegro non troppo "Nein! nicht länger ist zu säumen!" (from 1968-06-20 until 1968-06-24)
lyricist:
Johann Wolfgang von Goethe
composer:
Johannes Brahms (German composer)
part of:
Rinaldo, op. 50
partial recording of:
Rinaldo, op. 50: VI. Poco sostenuto "Weh, was seh' ich, welch ein Bild!" (from 1968-06-20 until 1968-06-24)
lyricist:
Johann Wolfgang von Goethe
composer:
Johannes Brahms (German composer)
part of:
Rinaldo, op. 50
Johannes Brahms4:25
4Rinaldo, op. 50: IV. Zurück nur, zurück.
recording engineer:
Gordon Parry (engineer) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-06-20 until 1968-06-24)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-06-20 until 1968-06-24)
conductor:
Claudio Abbado (conductor) (from 1968-06-20 until 1968-06-24)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-06-20 until 1968-06-24)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-06-20 until 1968-06-24)
recording of:
Rinaldo, op. 50: VII. Allegretto non troppo "Zurück nur! zurücke" (from 1968-06-20 until 1968-06-24)
lyricist:
Johann Wolfgang von Goethe
composer:
Johannes Brahms (German composer)
part of:
Rinaldo, op. 50
Johannes Brahms2:32
5Rinaldo, op. 50: V. Zum zweitenmale seh' ich die Holde.
recording engineer:
Gordon Parry (engineer) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-06-20 until 1968-06-24)
tenor vocals [Rinaldo]:
James King (tenor) (from 1968-06-20 until 1968-06-24)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-06-20 until 1968-06-24)
conductor:
Claudio Abbado (conductor) (from 1968-06-20 until 1968-06-24)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-06-20 until 1968-06-24)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-06-20 until 1968-06-24)
recording of:
Rinaldo, op. 50: VIII. Andante con moto e poco agitato "Zum zweiten Male seh' ich erscheinen" (from 1968-06-20 until 1968-06-24)
lyricist:
Johann Wolfgang von Goethe
composer:
Johannes Brahms (German composer)
part of:
Rinaldo, op. 50
Johannes Brahms2:51
6Rinaldo, op. 50: VI. Und umgewandelt seh' ich die Holde.
recording engineer:
Gordon Parry (engineer) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-06-20 until 1968-06-24)
tenor vocals [Rinaldo]:
James King (tenor) (from 1968-06-20 until 1968-06-24)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-06-20 until 1968-06-24)
conductor:
Claudio Abbado (conductor) (from 1968-06-20 until 1968-06-24)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-06-20 until 1968-06-24)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-06-20 until 1968-06-24)
recording of:
Rinaldo, op. 50: IX. Allegro con fuoco "Und umgewandelt seh' ich die Holde" (from 1968-06-20 until 1968-06-24)
lyricist:
Johann Wolfgang von Goethe
composer:
Johannes Brahms (German composer)
part of:
Rinaldo, op. 50
partial recording of:
Rinaldo, op. 50: X. Andante "Schon sind sie erhöret" (from 1968-06-20 until 1968-06-24)
lyricist:
Johann Wolfgang von Goethe
composer:
Johannes Brahms (German composer)
part of:
Rinaldo, op. 50
Johannes Brahms5:55
7Rinaldo, op. 50: VII. Segel schwellen.
recording engineer:
Gordon Parry (engineer) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-06-20 until 1968-06-24)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-06-20 until 1968-06-24)
conductor:
Claudio Abbado (conductor) (from 1968-06-20 until 1968-06-24)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-06-20 until 1968-06-24)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-06-20 until 1968-06-24)
recording of:
Rinaldo, op. 50: XI. Final Chorus. Allegro "Segel schwellen" (from 1968-06-20 until 1968-06-24)
lyricist:
Johann Wolfgang von Goethe
composer:
Johannes Brahms (German composer)
part of:
Rinaldo, op. 50
partial recording of:
Rinaldo, op. 50: XII. Un poco tranquillo "Das erfrischet" (from 1968-06-20 until 1968-06-24)
lyricist:
Johann Wolfgang von Goethe
composer:
Johannes Brahms (German composer)
part of:
Rinaldo, op. 50
Johannes Brahms6:51
8Schicksalslied, op. 54
recording engineer:
Gordon Parry (engineer) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-06-20 until 1968-06-24)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-06-20 until 1968-06-24)
conductor:
Claudio Abbado (conductor) (from 1968-06-20 until 1968-06-24)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-06-20 until 1968-06-24)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-06-20 until 1968-06-24)
recording of:
Schicksalslied, op. 54 (from 1968-06-20 until 1968-06-24)
lyricist:
Friedrich Hölderlin
composer:
Johannes Brahms (German composer) (from 1868 until 1871)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 54)
Johannes Brahms12:05
3▼CD: Anton Bruckner
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1Symphony No. 1 in C minor (Linz version, 1866): I. Allegro molto moderato
producer:
John Mordler (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1969-11-30 until 1969-12-02)
conductor:
Claudio Abbado (conductor) (from 1969-11-30 until 1969-12-02)
balance engineer:
Colin Moorfoot (engineer) (from 1969-11-30 until 1969-12-02)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1969-11-30 until 1969-12-02)
recording of:
Symphony no. 1 in C-minor, WAB 101: I. Allegro (1877 Linz version, ed Haas 1935) (from 1969-11-20 until 1969-12-02)
composer:
Anton Bruckner (Austrian composer) (in 1877)
part of:
Symphony no. 1 in C-minor, WAB 101 (1877 Linz version, ed Haas 1935)
Anton Bruckner11:52
2Symphony No. 1 in C minor (Linz version, 1866): II. Adagio
producer:
John Mordler (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1969-11-30 until 1969-12-02)
conductor:
Claudio Abbado (conductor) (from 1969-11-30 until 1969-12-02)
balance engineer:
Colin Moorfoot (engineer) (from 1969-11-30 until 1969-12-02)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1969-11-30 until 1969-12-02)
recording of:
Symphony no. 1 in C-minor, WAB 101: II. Adagio (1877 Linz version, ed Haas 1935) (from 1969-11-20 until 1969-12-02)
composer:
Anton Bruckner (Austrian composer) (in 1877)
part of:
Symphony no. 1 in C-minor, WAB 101 (1877 Linz version, ed Haas 1935)
Anton Bruckner12:40
3Symphony No. 1 in C minor (Linz version, 1866): III. Scherzo
producer:
John Mordler (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1969-11-30 until 1969-12-02)
conductor:
Claudio Abbado (conductor) (from 1969-11-30 until 1969-12)
balance engineer:
Colin Moorfoot (engineer) (from 1969-11-30 until 1969-12-02)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1969-11-30 until 1969-12-02)
recording of:
Symphony no. 1 in C minor, WAB 101: III. Scherzo: Lebhaft - Trio: Langsam (1877 Linz version, ed Haas 1935) (from 1969-11-20 until 1969-12-02)
composer:
Anton Bruckner (Austrian composer) (in 1877)
part of:
Symphony no. 1 in C-minor, WAB 101 (1877 Linz version, ed Haas 1935)
Anton Bruckner8:55
4Symphony No. 1 in C minor (Linz version, 1866): VI. Finale: Bewegt, feurig
producer:
John Mordler (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1969-11-30 until 1969-12-02)
conductor:
Claudio Abbado (conductor) (from 1969-11-30 until 1969-12-02)
balance engineer:
Colin Moorfoot (engineer) (from 1969-11-30 until 1969-12-02)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1969-11-30 until 1969-12-02)
recording of:
Symphony no. 1 in C-minor, WAB 101: IV. Finale: Bewegt und feurig (1877 Linz version, ed Haas 1935) (from 1969-11-20 until 1969-12-02)
composer:
Anton Bruckner (Austrian composer) (in 1877)
part of:
Symphony no. 1 in C-minor, WAB 101 (1877 Linz version, ed Haas 1935)
Anton Bruckner12:53
4▼CD: Felix Mendelssohn
#TitleArtistRatingLength
1Symphony No. 3 in A minor "Scottish": I. Andante con moto - Allegro un poco agitato
producer:
John Mordler (producer)
orchestra:
London Symphony Orchestra (in 1968-02)
conductor:
Claudio Abbado (conductor) (in 1968-02)
balance engineer:
Kenneth Wilkinson (engineer) (in 1968-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-02-05 until 1968-02-13)
recording of:
Symphony no. 3 in A minor, op. 56 “Scottish”: I. Andante con moto – Allegro un poco agitato (in 1968-02)
composer:
Felix Mendelssohn (composer) (from 1841 until 1842)
part of:
Symphony no. 3 in A minor, op. 56 “Scottish”
Felix Mendelssohn12:42
2Symphony No. 3 in A minor "Scottish": II. Scherzo: Vivace non troppo
producer:
John Mordler (producer)
orchestra:
London Symphony Orchestra (in 1968-02)
conductor:
Claudio Abbado (conductor) (in 1968-02)
balance engineer:
Kenneth Wilkinson (engineer) (in 1968-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-02-05 until 1968-02-13)
recording of:
Symphony no. 3 in A minor, op. 56 “Scottish”: II. Vivace non troppo (in 1968-02)
composer:
Felix Mendelssohn (composer) (from 1841 until 1842)
part of:
Symphony no. 3 in A minor, op. 56 “Scottish”
Felix Mendelssohn4:15
3Symphony No. 3 in A minor "Scottish": III. Adagio
producer:
John Mordler (producer)
orchestra:
London Symphony Orchestra (in 1968-02)
conductor:
Claudio Abbado (conductor) (in 1968-02)
balance engineer:
Kenneth Wilkinson (engineer) (in 1968-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-02-05 until 1968-02-13)
recording of:
Symphony no. 3 in A minor, op. 56 “Scottish”: III. Adagio (in 1968-02)
composer:
Felix Mendelssohn (composer) (from 1841 until 1842)
part of:
Symphony no. 3 in A minor, op. 56 “Scottish”
Felix Mendelssohn10:11
4Symphony No. 3 in A minor "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai
producer:
John Mordler (producer)
orchestra:
London Symphony Orchestra (in 1968-02)
conductor:
Claudio Abbado (conductor) (in 1968-02)
balance engineer:
Kenneth Wilkinson (engineer) (in 1968-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-02-05 until 1968-02-13)
recording of:
Symphony no. 3 in A minor, op. 56 “Scottish”: IV. Allegro vivacissimo – Allegro maestoso assai (in 1968-02)
composer:
Felix Mendelssohn (composer) (from 1841 until 1842)
part of:
Symphony no. 3 in A minor, op. 56 “Scottish”
Felix Mendelssohn9:24
5Symphony No. 4 in A major "Italian": I. Allegro vivace
producer:
John Mordler (producer)
orchestra:
London Symphony Orchestra (in 1968-02)
conductor:
Claudio Abbado (conductor) (in 1968-02)
balance engineer:
Kenneth Wilkinson (engineer) (in 1968-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-02-05 until 1968-02-13)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace (in 1968-02)
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
part of:
Symphony no. 4 in A major, op. 90 “Italian” (1834 revision, uncommon)
Felix Mendelssohn10:29
6Symphony No. 4 in A major "Italian": II. Andante con moto
producer:
John Mordler (producer)
orchestra:
London Symphony Orchestra (in 1968-02)
conductor:
Claudio Abbado (conductor) (in 1968-02)
balance engineer:
Kenneth Wilkinson (engineer) (in 1968-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-02-05 until 1968-02-13)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto (in 1968-02)
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn6:58
7Symphony No. 4 in A major "Italian": III. Con moto moderato
producer:
John Mordler (producer)
orchestra:
London Symphony Orchestra (in 1968-02)
conductor:
Claudio Abbado (conductor) (in 1968-02)
balance engineer:
Kenneth Wilkinson (engineer) (in 1968-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-02-05 until 1968-02-13)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: III. Con moto moderato (in 1968-02)
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn6:38
8Symphony No. 4 in A major "Italian": IV. Saltarello: Presto
producer:
John Mordler (producer)
orchestra:
London Symphony Orchestra (in 1968-02)
conductor:
Claudio Abbado (conductor) (in 1968-02)
balance engineer:
Kenneth Wilkinson (engineer) (in 1968-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-02-05 until 1968-02-13)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto (in 1968-02)
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn5:44
5▼CD: Sergey Prokofiev
#TitleArtistRatingLength
1Symphony No. 1 in D major, op. 25 "Classical": I. Allegro
producer:
James Mallinson (producer)
orchestra:
London Symphony Orchestra (in 1969-10)
conductor:
Claudio Abbado (conductor) (in 1969-10)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
London Opera Centre (1963-1977) in London (Greater London), England, United Kingdom (in 1969-10)
recording of:
Symphony no. 1 in D major, op. 25 “Classical”: I. Allegro (in 1969-10)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1917)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 1 in D major, op. 25 “Classical”
Сергей Сергеевич Прокофьев3:50
2Symphony No. 1 in D major, op. 25 "Classical": II. Larghetto
producer:
James Mallinson (producer)
orchestra:
London Symphony Orchestra (in 1969-10)
conductor:
Claudio Abbado (conductor) (in 1969-10)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
London Opera Centre (1963-1977) in London (Greater London), England, United Kingdom (in 1969-10)
recording of:
Symphony no. 1 in D major, op. 25 “Classical”: II. Larghetto (in 1969-10)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1917)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 1 in D major, op. 25 “Classical”
Сергей Сергеевич Прокофьев4:10
3Symphony No. 1 in D major, op. 25 "Classical": III. Gavotta: Non troppo allegro
producer:
James Mallinson (producer)
orchestra:
London Symphony Orchestra (in 1969-10)
conductor:
Claudio Abbado (conductor) (in 1969-10)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
London Opera Centre (1963-1977) in London (Greater London), England, United Kingdom (in 1969-10)
recording of:
Symphony no. 1 in D major, op. 25 “Classical”: III. Gavotta. Non troppo allegro (in 1969-10)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1917)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 1 in D major, op. 25 “Classical”
Сергей Сергеевич Прокофьев1:30
4Symphony No. 1 in D major, op. 25 "Classical": IV. Finale: Molto vivace
producer:
James Mallinson (producer)
orchestra:
London Symphony Orchestra (in 1969-10)
conductor:
Claudio Abbado (conductor) (in 1969-10)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
London Opera Centre (1963-1977) in London (Greater London), England, United Kingdom (in 1969-10)
recording of:
Symphony no. 1 in D major, op. 25 “Classical”: IV. Finale. Molto vivace (in 1969-10)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1917)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 1 in D major, op. 25 “Classical”
Сергей Сергеевич Прокофьев4:15
5Symphony No. 3 in C minor, op. 44 ": I. Moderato
producer:
James Mallinson (producer)
orchestra:
London Symphony Orchestra (in 1969-10)
conductor:
Claudio Abbado (conductor) (in 1969-10)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
London Opera Centre (1963-1977) in London (Greater London), England, United Kingdom (in 1969-10)
recording of:
Symphony no. 3 in C minor, op. 44: I. Moderato (in 1969-10)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1928)
part of:
Symphony no. 3 in C minor, op. 44
Сергей Сергеевич Прокофьев13:16
6Symphony No. 3 in C minor, op. 44 ": II. Andante
producer:
James Mallinson (producer)
orchestra:
London Symphony Orchestra (in 1969-10)
conductor:
Claudio Abbado (conductor) (in 1969-10)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
London Opera Centre (1963-1977) in London (Greater London), England, United Kingdom (in 1969-10)
recording of:
Symphony no. 3 in C minor, op. 44: II. Andante (in 1969-10)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1928)
part of:
Symphony no. 3 in C minor, op. 44
Сергей Сергеевич Прокофьев7:18
7Symphony No. 3 in C minor, op. 44 ": III. Allegro agitato
producer:
James Mallinson (producer)
orchestra:
London Symphony Orchestra (in 1969-10)
conductor:
Claudio Abbado (conductor) (in 1969-10)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
London Opera Centre (1963-1977) in London (Greater London), England, United Kingdom (in 1969-10)
recording of:
Symphony no. 3 in C minor, op. 44: III. Allegro agitato (in 1969-10)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1928)
part of:
Symphony no. 3 in C minor, op. 44
Сергей Сергеевич Прокофьев7:39
8Symphony No. 3 in C minor, op. 44 ": VI. Andante mosso - Allegro agitato
producer:
James Mallinson (producer)
orchestra:
London Symphony Orchestra (in 1969-10)
conductor:
Claudio Abbado (conductor) (in 1969-10)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
London Opera Centre (1963-1977) in London (Greater London), England, United Kingdom (in 1969-10)
recording of:
Symphony no. 3 in C minor, op. 44: IV. Andante mosso - Allegro moderato (in 1969-10)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1928)
part of:
Symphony no. 3 in C minor, op. 44
Сергей Сергеевич Прокофьев6:13
9Suite from "Chout", op. 21b: I. The buffoon and his wife
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-02-11 until 1966-02-12)
conductor:
Claudio Abbado (conductor) (from 1966-02-11 until 1966-02-12)
balance engineer:
Kenneth Wilkinson (engineer) (from 1966-02-11 until 1966-02-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-02-11 until 1966-02-12)
recording of:
Chout (The Buffoon) Suite, op. 21b (excerpts): I. The Buffoon and His Wife (from 1966-02-11 until 1966-02-12)
part of:
Chout (The Buffoon) Suite, op. 21b (excerpts)
Сергей Сергеевич Прокофьев3:17
10Suite from "Chout", op. 21b: II. Dance of the wives
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-02-11 until 1966-02-12)
conductor:
Claudio Abbado (conductor) (from 1966-02-11 until 1966-02-12)
balance engineer:
Kenneth Wilkinson (engineer) (from 1966-02-11 until 1966-02-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-02-11 until 1966-02-12)
recording of:
Chout (The Buffoon) Suite, op. 21b (excerpts): II. Dance of the Wives (from 1966-02-11 until 1966-02-12)
part of:
Chout (The Buffoon) Suite, op. 21b (excerpts)
Сергей Сергеевич Прокофьев3:43
11Suite from "Chout", op. 21b: III. The buffoons kill their wives
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (in 1966-02)
conductor:
Claudio Abbado (conductor) (from 1966-02-11 until 1966-02-12)
balance engineer:
Kenneth Wilkinson (engineer) (from 1966-02-11 until 1966-02-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-02-11 until 1966-02-12)
recording of:
Chout (The Buffoon) Suite, op. 21b (excerpts): III. The Buffoons Kill Their Wives (Fugue) (from 1966-02-11 until 1966-02-12)
part of:
Chout (The Buffoon) Suite, op. 21b (excerpts)
Сергей Сергеевич Прокофьев2:22
12Suite from "Chout", op. 21b: IV. Dance of the buffoons' daughters
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-02-11 until 1966-02-12)
conductor:
Claudio Abbado (conductor) (from 1966-02-11 until 1966-02-12)
balance engineer:
Kenneth Wilkinson (engineer) (in 1966-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-02-11 until 1966-02-12)
recording of:
Chout (The Buffoon) Suite, op. 21b (excerpts): IV. Dance of the Buffoons' Daughters (from 1966-02-11 until 1966-02-12)
part of:
Chout (The Buffoon) Suite, op. 21b (excerpts)
Сергей Сергеевич Прокофьев2:27
13Suite from "Chout", op. 21b: V. In the merchant's bedroom
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-02-11 until 1966-02-12)
conductor:
Claudio Abbado (conductor) (from 1966-02-11 until 1966-02-12)
balance engineer:
Kenneth Wilkinson (engineer) (from 1966-02-11 until 1966-02-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-02-11 until 1966-02-12)
recording of:
Chout (The Buffoon) Suite, op. 21b (excerpts): V. In the Merchant's Bedroom (from 1966-02-11 until 1966-02-12)
part of:
Chout (The Buffoon) Suite, op. 21b (excerpts)
Сергей Сергеевич Прокофьев2:09
14Suite from "Chout", op. 21b: VI. The young wife becomes a goat
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-02-11 until 1966-02-12)
conductor:
Claudio Abbado (conductor) (from 1966-02-11 until 1966-02-12)
balance engineer:
Kenneth Wilkinson (engineer) (from 1966-02-11 until 1966-02-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-02-11 until 1966-02-12)
recording of:
Chout (The Buffoon) Suite, op. 21b (excerpts): VI. The Young Woman Becomes a Goat (from 1966-02-11 until 1966-02-12)
part of:
Chout (The Buffoon) Suite, op. 21b (excerpts)
Сергей Сергеевич Прокофьев2:41
15Suite from "Chout", op. 21b: VII. The burial of the goat
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-02-11 until 1966-02-12)
conductor:
Claudio Abbado (conductor) (from 1966-02-11 until 1966-02-12)
balance engineer:
Kenneth Wilkinson (engineer) (from 1966-02-11 until 1966-02-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-02-11 until 1966-02-12)
recording of:
Chout (The Buffoon) Suite, op. 21b (excerpts): VII. The Burial of the Goat (from 1966-02-11 until 1966-02-12)
part of:
Chout (The Buffoon) Suite, op. 21b (excerpts)
Сергей Сергеевич Прокофьев3:18
16Suite from "Chout", op. 21b: VIII. Quarrel between the buffoon and the merchant
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-02-11 until 1966-02-12)
conductor:
Claudio Abbado (conductor) (from 1966-02-11 until 1966-02-12)
balance engineer:
Kenneth Wilkinson (engineer) (from 1966-02-11 until 1966-02-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-02-11 until 1966-02-12)
recording of:
Chout (The Buffoon) Suite, op. 21b (excerpts): VIII. The Buffoon and the Merchant Quarrel (from 1966-02-11 until 1966-02-12)
part of:
Chout (The Buffoon) Suite, op. 21b (excerpts)
Сергей Сергеевич Прокофьев1:33
17Suite from "Chout", op. 21b: IX. Final dance
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-02-11 until 1966-02-12)
conductor:
Claudio Abbado (conductor) (from 1966-02-11 until 1966-02-12)
balance engineer:
Kenneth Wilkinson (engineer) (from 1966-02-11 until 1966-02-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-02-11 until 1966-02-12)
recording of:
Chout (The Buffoon) Suite, op. 21b (excerpts): IX. Final Dance (from 1966-02-11 until 1966-02-12)
part of:
Chout (The Buffoon) Suite, op. 21b (excerpts)
Сергей Сергеевич Прокофьев3:31
6▼CD: Paul Hindemith / Leoš Janáček / Sergey Prokofiev
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1Symphonic Metamorphoses on Themes by Carl Maria von Weber: I. Allegro
producer:
David Harvey (producer)
orchestra:
London Symphony Orchestra (from 1968-02-05 until 1968-02-13)
conductor:
Claudio Abbado (conductor) (from 1968-02-05 until 1968-02-13)
balance engineer:
Gordon Parry (engineer) (from 1968-02-05 until 1968-02-13)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (from 1969 to present)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-02-05 until 1968-02-13)
recording of:
Symphonic Metamorphosis after Themes by Carl Maria von Weber: I. Allegro (from 1968-02-05 until 1968-02-13)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1943)
part of:
Symphonic Metamorphosis after Themes by Carl Maria von Weber
Paul Hindemith4:06
2Symphonic Metamorphoses on Themes by Carl Maria von Weber: II. Turandot, Scherzo: Moderato - Lebhaft
producer:
David Harvey (producer)
orchestra:
London Symphony Orchestra (from 1968-02-05 until 1968-02-13)
conductor:
Claudio Abbado (conductor) (from 1968-02-05 until 1968-02-13)
balance engineer:
Gordon Parry (engineer) (from 1968-02-05 until 1968-02-13)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (from 1969 to present)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-02-05 until 1968-02-13)
recording of:
Symphonic Metamorphosis after Themes by Carl Maria von Weber: II. Moderato (Turandot: Scherzo) (from 1968-02-05 until 1968-02-13)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1943)
is based on:
Turandot, op. 37, J. 75: 1. Overture
part of:
Symphonic Metamorphosis after Themes by Carl Maria von Weber
Paul Hindemith7:34
3Symphonic Metamorphoses on Themes by Carl Maria von Weber: III. Andantino
producer:
David Harvey (producer)
orchestra:
London Symphony Orchestra (from 1968-02-05 until 1968-02-13)
conductor:
Claudio Abbado (conductor) (from 1968-02-05 until 1968-02-13)
balance engineer:
Gordon Parry (engineer) (from 1968-02-05 until 1968-02-13)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (from 1969 to present)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-02-05 until 1968-02-13)
recording of:
Symphonic Metamorphosis after Themes by Carl Maria von Weber: III. Andantino (from 1968-02-05 until 1968-02-13)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1943)
part of:
Symphonic Metamorphosis after Themes by Carl Maria von Weber
Paul Hindemith3:58
4Symphonic Metamorphoses on Themes by Carl Maria von Weber: VI. Marsch
producer:
David Harvey (producer)
orchestra:
London Symphony Orchestra (from 1968-02-05 until 1968-02-13)
conductor:
Claudio Abbado (conductor) (from 1968-02-05 until 1968-02-13)
balance engineer:
Gordon Parry (engineer) (from 1968-02-05 until 1968-02-13)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (from 1969 to present)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-02-05 until 1968-02-13)
recording of:
Symphonic Metamorphosis after Themes by Carl Maria von Weber: IV. Marsch (from 1968-02-05 until 1968-02-13)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1943)
part of:
Symphonic Metamorphosis after Themes by Carl Maria von Weber
Paul Hindemith4:30
5Sinfonietta: I. Allegretto
producer:
David Harvey (producer)
orchestra:
London Symphony Orchestra (from 1968-02-05 until 1968-02-13)
conductor:
Claudio Abbado (conductor) (from 1968-02-05 until 1968-02-13)
balance engineer:
Kenneth Wilkinson (engineer) (from 1968-02-05 until 1968-02-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-02-05 until 1968-02-13)
recording of:
Sinfonietta: I. Allegretto - Allegro - Maestoso (Fanfares) (from 1968-02-05 until 1968-02-13)
composer:
Leoš Janáček (Czech composer) (in 1926)
part of:
Sinfonietta
Leoš Janáček2:32
6Sinfonietta: II. Andante
producer:
David Harvey (producer)
orchestra:
London Symphony Orchestra (from 1968-02-05 until 1968-02-13)
conductor:
Claudio Abbado (conductor) (from 1968-02-05 until 1968-02-13)
balance engineer:
Kenneth Wilkinson (engineer) (from 1968-02-05 until 1968-02-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-02-05 until 1968-02-13)
recording of:
Sinfonietta: II. Andante - Allegretto (The Castle) (from 1968-02-05 until 1968-02-13)
composer:
Leoš Janáček (Czech composer) (in 1926)
part of:
Sinfonietta
Leoš Janáček5:40
7Sinfonietta: III. Moderato
producer:
David Harvey (producer)
orchestra:
London Symphony Orchestra (from 1968-02-05 until 1968-02-13)
conductor:
Claudio Abbado (conductor) (from 1968-02-05 until 1968-02-13)
balance engineer:
Kenneth Wilkinson (engineer) (from 1968-02-05 until 1968-02-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-02-05 until 1968-02-13)
recording of:
Sinfonietta: III. Moderato (The Queen's Monastery) (from 1968-02-05 until 1968-02-13)
composer:
Leoš Janáček (Czech composer) (in 1926)
part of:
Sinfonietta
Leoš Janáček5:04
8Sinfonietta: IV. Allegretto
producer:
David Harvey (producer)
orchestra:
London Symphony Orchestra (from 1968-02-05 until 1968-02-13)
conductor:
Claudio Abbado (conductor) (from 1968-02-05 until 1968-02-13)
balance engineer:
Kenneth Wilkinson (engineer) (from 1968-02-05 until 1968-02-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-02-05 until 1968-02-13)
recording of:
Sinfonietta: IV. Allegretto (The Street) (from 1968-02-05 until 1968-02-13)
composer:
Leoš Janáček (Czech composer) (in 1926)
part of:
Sinfonietta
Leoš Janáček2:44
9Sinfonietta: V. Andante con moto
producer:
David Harvey (producer)
orchestra:
London Symphony Orchestra (from 1968-02-05 until 1968-02-13)
conductor:
Claudio Abbado (conductor) (from 1968-02-05 until 1968-02-13)
balance engineer:
Kenneth Wilkinson (engineer) (from 1968-02-05 until 1968-02-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-02-05 until 1968-02-13)
recording of:
Sinfonietta: V. Andante con moto (The Town Hall) (from 1968-02-05 until 1968-02-13)
composer:
Leoš Janáček (Czech composer) (in 1926)
part of:
Sinfonietta
Leoš Janáček7:18
10Romeo and Juliet - Suite: Montagues and Capulets
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-02-14 until 1966-02-16)
conductor:
Claudio Abbado (conductor) (from 1966-02-14 until 1966-02-16)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-02-14 until 1966-02-16)
recording of:
Romeo and Juliet: Suite no. 2, op. 64ter: I. Montagues and Capulets (from 1966-02-14 until 1966-02-16)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet: Suite no. 2, op. 64ter
Сергей Сергеевич Прокофьев45:35
11Romeo and Juliet - Suite: Morning dance
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-02-14 until 1966-02-16)
conductor:
Claudio Abbado (conductor) (from 1966-02-14 until 1966-02-16)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-02-14 until 1966-02-16)
recording of:
Romeo and Juliet: Suite no. 3, op. 101: II. Morning Dance (from 1966-02-14 until 1966-02-16)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet: Suite no. 3, op. 101
Сергей Сергеевич Прокофьев2:04
12Romeo and Juliet - Suite: The quarrrel
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-02-14 until 1966-02-16)
conductor:
Claudio Abbado (conductor) (from 1966-02-14 until 1966-02-16)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-02-14 until 1966-02-16)
recording of:
Romeo and Juliet, op. 64: Act I, Scene I. No. 5. The Quarrel (from 1966-02-14 until 1966-02-16)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Сергей Сергеевич Прокофьев1:47
13Romeo and Juliet - Suite: The fight
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-02-14 until 1966-02-16)
conductor:
Claudio Abbado (conductor) (from 1966-02-14 until 1966-02-16)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-02-14 until 1966-02-16)
recording of:
Romeo and Juliet, op. 64: Act I, Scene I. No. 6. The fight (from 1966-02-14 until 1966-02-16)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Сергей Сергеевич Прокофьев3:03
14Romeo and Juliet - Suite: Dance with mandolins
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-02-14 until 1966-02-16)
conductor:
Claudio Abbado (conductor) (from 1966-02-14 until 1966-02-16)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-02-14 until 1966-02-16)
recording of:
Romeo and Juliet, op. 64: Act II, Scene I. No. 25. Dance with the mandolins (from 1966-02-14 until 1966-02-16)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act II
Сергей Сергеевич Прокофьев1:47
15Romeo and Juliet - Suite: Dance
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-02-14 until 1966-02-16)
conductor:
Claudio Abbado (conductor) (from 1966-02-14 until 1966-02-16)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-02-14 until 1966-02-16)
recording of:
Romeo and Juliet: Suite no. 2, op. 64ter: IV. Dance (from 1966-02-14 until 1966-02-16)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet: Suite no. 2, op. 64ter
Сергей Сергеевич Прокофьев3:52
16Romeo and Juliet - Suite: Aubade
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-02-14 until 1966-02-16)
conductor:
Claudio Abbado (conductor) (from 1966-02-14 until 1966-02-16)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-02-14 until 1966-02-16)
recording of:
Romeo and Juliet: Suite no. 3, op. 101: V. Aubade (from 1966-02-14 until 1966-02-16)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet: Suite no. 3, op. 101
Сергей Сергеевич Прокофьев2:45
17Romeo and Juliet - Suite: Dance of the girls with lilies
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-02-14 until 1966-02-16)
conductor:
Claudio Abbado (conductor) (from 1966-02-14 until 1966-02-16)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-02-14 until 1966-02-16)
recording of:
Romeo and Juliet: Suite no. 2, op. 64ter: VI. Dance of the Girls with Lilies (from 1966-02-14 until 1966-02-16)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet: Suite no. 2, op. 64ter
Сергей Сергеевич Прокофьев2:55
18Romeo and Juliet - Suite: Deth of Thbalt
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-02-14 until 1966-02-16)
conductor:
Claudio Abbado (conductor) (from 1966-02-14 until 1966-02-16)
balance engineer:
Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-02-14 until 1966-02-16)
recording of:
Romeo and Juliet Suite no. 1, op. 64bis: VII. Death of Tybalt (from 1966-02-14 until 1966-02-16)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet Suite no. 1, op. 64bis
Сергей Сергеевич Прокофьев4:57
7▼CD: Giuseppe Verdi / Great Opera Scenes
#TitleArtistRatingLength
1Nabucco: Gli arredi festivi ... / Sperate, o figli ... / D'Egitto là sui lidi
producer:
Ray Minshull (record producer)
baritone vocals [Ismaele]:
Leslie Fyson (baritone) (in 1969-01)
bass vocals [Zaccaria]:
Nicolaï Ghiaurov (operatic bass) (in 1969-01)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1969-01)
vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
London Symphony Orchestra (in 1969-01)
conductor:
Claudio Abbado (conductor) (in 1969-01)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1969-01)
balance engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1969-01)
recording of:
Nabucco: Parte I. Cabaletta “Come notte a sol fulgente” (Zaccaria, coro) (in 1969-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte I. Gerusalemme
recording of:
Nabucco: Parte I. Cavatina “D’Egitto là sui lidi” (Zaccaria, coro) (in 1969-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte I. Gerusalemme
recording of:
Nabucco: Parte I. Introduzione “Gli arredi festivi giù cadano infranti” (Coro) (in 1969-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte I. Gerusalemme
recording of:
Nabucco: Parte I. Recitativo “Sperate, o figli!” (Zaccaria, coro) (in 1969-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte I. Gerusalemme
recording of:
Nabucco: Parte I. Introduzione “Gli arredi festivi giù cadano infranti” (Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte I. Gerusalemme
Giuseppe Verdi13:11
2Nabucco: Va, pensiero ... / Oh, chi piange? ... / Del futuro nel buio discermo
producer:
Ray Minshull (record producer)
baritone vocals:
Leslie Fyson (baritone)
bass vocals [Zaccaria]:
Nicolaï Ghiaurov (operatic bass) (in 1969-01)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1969-01)
vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
London Symphony Orchestra (in 1969-01)
conductor:
Claudio Abbado (conductor) (in 1969-01)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1969-01)
balance engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1969-01)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1969-01)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
recording of:
Nabucco: Parte III, scena 2. Finale III “Del futuro nel buio discerno” (Zaccaria) (in 1969-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
recording of:
Nabucco: Parte III, scena 2. Recitativo “Oh, chi piange?” (Zaccaria) (in 1969-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi9:18
3Macbeth: Chi v'impose unirvi a noi? ... / Come dal ciel precipita
sound engineer:
James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
bass vocals [Banco]:
Nicolaï Ghiaurov (operatic bass) (in 1969-01)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1969-01)
vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
London Symphony Orchestra (in 1969-01)
conductor:
Claudio Abbado (conductor) (in 1969-01)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1969-01)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1969-01)
recording of:
Macbeth: Atto II. N°8a Coro “Chi v'impose unirvi a noi?” (Sicari) (in 1969-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto II
recording of:
Macbeth: Atto II. N°8c Adagio "Come dal ciel precipita" (Banco) (in 1969-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto II
Giuseppe Verdi8:15
4I vespri siciliani: O patria ... / O tu, Palermo
producer:
Ray Minshull (record producer)
bass vocals [Procida]:
Nicolaï Ghiaurov (operatic bass) (in 1969-01)
orchestra:
London Symphony Orchestra (in 1969-01)
conductor:
Claudio Abbado (conductor) (in 1969-01)
balance engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1969-01)
recording of:
I vespri siciliani: Atto II, Scena I. “O patria” (Procida) (in 1969-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Charles Duveyrier and Eugène Scribe
translator:
Arnaldo Fusinato
part of:
I vespri siciliani: Atto II
part of:
I vespri siciliani: Atto II
recording of:
I vespri siciliani: Atto II, Scena I. “O tu, Palermo” (Procida) (in 1969-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Charles Duveyrier and Eugène Scribe
translator:
Arnaldo Fusinato
part of:
I vespri siciliani: Atto II
Giuseppe Verdi8:09
5Simon Boccanegra: A te l'estremo addio ... / Il lacerato spirito
producer:
Ray Minshull (record producer)
bass vocals [Fieesco]:
Nicolaï Ghiaurov (operatic bass) (in 1969-01)
orchestra:
London Symphony Orchestra (in 1969-01)
conductor:
Claudio Abbado (conductor) (in 1969-01)
balance engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1969-01)
recording of:
Simon Boccanegra: Prologo. “A te l'estremo addio” (Fiesco, coro) (in 1969-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Simon Boccanegra: Prologo
recording of:
Simon Boccanegra: Prologo. “Il lacerato spirito” (Fiesco) (in 1969-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Simon Boccanegra: Prologo
Giuseppe Verdi6:20

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