Original Greatest Hits

~ Release by Ella Fitzgerald & Louis Armstrong (see all versions of this release, 1 available)

Annotation

Seems to be a physical bootleg release for Eastern European regions. Was not able to find any referrences to the album aside from few Russian and Polish sources.

Annotation last modified on 2020-07-02 21:00 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1Can’t We Be Friends
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (American jazz singer) (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Can’t We Be Friends? (on 1956-08-16)
lyricist:
Paul James (Lyricist, aka James Warburg)
composer:
Kay Swift
publisher:
Warner Bros. Music Corp.
Ella Fitzgerald & Louis Armstrong43:49
2Isn’t This a Lovely Day
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (American jazz singer) (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Isn’t This a Lovely Day? (from “Top Hat”) (on 1956-08-16)
lyricist and composer:
Irving Berlin (in 1935)
part of:
Top Hat (1935 film)
Ella Fitzgerald & Louis Armstrong3.56:18
3Moonlight in Vermont
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (American jazz singer) (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Moonlight in Vermont (on 1956-08-16)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ella Fitzgerald & Louis Armstrong53:43
4They Can’t Take That Away From Me
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (American jazz singer) (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1956-08-16)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
Ella Fitzgerald & Louis Armstrong4.54:41
5Under a Blanket of Blue
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (American jazz singer) (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Under a Blanket of Blue (on 1956-08-16)
additional lyricist:
Al J. Neiburg (lyricist) (in 1933)
lyricist:
Marty Symes (lyricist) (in 1933)
composer:
Jerry Livingston (songwriter) (in 1933)
Ella Fitzgerald & Louis Armstrong44:19
6Tenderly
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (American jazz singer) (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Tenderly (on 1956-08-16)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
Ella Fitzgerald & Louis Armstrong45:09
7A Foggy Day
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (American jazz singer) (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
A Foggy Day (in London Town) (on 1956-08-16)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
Ella Fitzgerald & Louis Armstrong44:34
8Stars Fell on Alabama
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (American jazz singer) (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Stars Fell on Alabama (on 1956-08-16)
lyricist:
Mitchell Parish
composer:
Frank Perkins
publisher:
EMI Mills Music Inc. (ASCAP-affiliated) and Mills Music
Ella Fitzgerald & Louis Armstrong43:35
9Cheek to Cheek
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (American jazz singer) (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Cheek to Cheek (from “Top Hat”) (on 1956-08-16)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
Ella Fitzgerald & Louis Armstrong4.25:55
10The Nearness of You
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (American jazz singer) (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
The Nearness of You (on 1956-08-16)
lyricist:
Ned Washington (in 1938)
composer:
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
Ella Fitzgerald & Louis Armstrong45:43
11April in Paris
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (American jazz singer) (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
April in Paris (on 1956-08-16)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Ella Fitzgerald & Louis Armstrong4.56:33
12Oh Lady, Be Good
cover recording of:
Oh, Lady Be Good!
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
Ella Fitzgerald4:04
13What a Wonderful World
recording of:
What a Wonderful World
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong2:18
14All the Things You Are
recording of:
All the Things You Are (from “Very Warm for May”)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
Ella Fitzgerald & Louis Armstrong3:19
15Go Down Moses
producer:
Milt Gabler
bass:
Mort Herbert (on 1958-02-07)
clarinet:
Hank D'Amico (on 1958-02-07)
drums (drum set):
Barrett Deems (on 1958-02-07)
guitar:
Everett Barksdale (on 1958-02-07)
organ:
Nickie Tagg (on 1958-02-07)
piano:
Billy Kyle (on 1958-02-07)
trombone:
Trummy Young (on 1958-02-07)
trumpet:
Louis Armstrong (on 1958-02-07)
choir vocals:
The Sy Oliver Choir (on 1958-02-07)
vocals:
Louis Armstrong (on 1958-02-07)
conductor:
Sy Oliver (on 1958-02-07)
recording of:
Go Down Moses (spiritual) (on 1958-02-07)
lyricist and composer:
[traditional] (special purpose artist)
Louis Armstrong3:39
16Summertime
recorded in:
Los Angeles, California, United States (on 1957-08-18)
double bass:
Joe Mondragon (on 1957-08-18)
drums (drum set):
Alvin Stoller (on 1957-08-18)
French horn:
Vincent DeRosa (on 1957-08-18)
guitar:
Tony Rizzi (on 1957-08-18)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1957-08-18)
trombone:
Buddy Childers (American jazz trumpeter & composer) (on 1957-08-18)
trumpet:
Louis Armstrong (on 1957-08-18) and Frank Beach (trombone, trumpet) (on 1957-08-18)
violin:
Victor Arno (on 1957-08-18)
vocals:
Louis Armstrong (on 1957-08-18) and Ella Fitzgerald (American jazz singer) (on 1957-08-18)
orchestra:
Russ Garcia and His Orchestra (in 1957)
conductor:
Russell Garcia (on 1957-08-18)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 20)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1957-08-18)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Ella Fitzgerald & Louis Armstrong3.754:58
2▼CD
#TitleArtistRatingLength
1Don’t Be That Way
recorded in:
Los Angeles, California, United States (on 1957-08-13)
double bass:
Ray Brown (jazz bassist) (on 1957-08-13)
drums (drum set):
Louie Bellson (on 1957-08-13)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-13)
trumpet:
Louis Armstrong (on 1957-08-13)
vocals:
Louis Armstrong (on 1957-08-13) and Ella Fitzgerald (American jazz singer) (on 1957-08-13)
cover recording of:
Don’t Be That Way (on 1957-08-13)
lyricist:
Mitchell Parish
composer:
Benny Goodman (clarinetist and bandleader) and Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation and The Songwriters Guild
part of:
New York, New York (1977 musical film soundtrack)
Ella Fitzgerald & Louis Armstrong4:59
2They All Laughed
double bass:
Ray Brown (jazz bassist) (on 1957-07-23)
drums (drum set):
Louie Bellson (on 1957-07-23)
guitar:
Herb Ellis (jazz guitarist) (on 1957-07-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-07-23)
trumpet:
Louis Armstrong (on 1957-07-23)
vocals:
Louis Armstrong (on 1957-07-23) and Ella Fitzgerald (American jazz singer) (on 1957-07-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-07-23)
cover recording of:
They All Laughed (from “Shall We Dance”) (on 1957-07-23)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and Gershwin Publishing Corp (in 1937)
part of:
Shall We Dance (1937 film soundtrack)
Ella Fitzgerald & Louis Armstrong3:49
3Autumn in New York
double bass:
Ray Brown (jazz bassist) (on 1957-07-23)
drums (drum set):
Louie Bellson (on 1957-07-23)
guitar:
Herb Ellis (jazz guitarist) (on 1957-07-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-07-23)
trumpet:
Louis Armstrong (on 1957-07-23)
vocals:
Louis Armstrong (on 1957-07-23) and Ella Fitzgerald (American jazz singer) (on 1957-07-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-07-23)
cover recording of:
Autumn in New York (1934) (on 1957-07-23)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc. (not for release label use!)
Ella Fitzgerald & Louis Armstrong6:01
4Stompin’ at the Savoy
double bass:
Ray Brown (jazz bassist) (on 1957-07-23)
drums (drum set):
Louie Bellson (on 1957-07-23)
guitar:
Herb Ellis (jazz guitarist) (on 1957-07-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-07-23)
trumpet:
Louis Armstrong (on 1957-07-23)
vocals:
Louis Armstrong (on 1957-07-23) and Ella Fitzgerald (American jazz singer) (on 1957-07-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-07-23)
cover recording of:
Stompin’ at the Savoy (on 1957-07-23)
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Ella Fitzgerald & Louis Armstrong3.55:14
5I Won’t Dance
recorded in:
Los Angeles, California, United States (on 1957-08-13)
double bass:
Ray Brown (jazz bassist) (on 1957-08-13)
drums (drum set):
Louie Bellson (on 1957-08-13)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-13)
trumpet:
Louis Armstrong (on 1957-08-13)
vocals:
Louis Armstrong (on 1957-08-13) and Ella Fitzgerald (American jazz singer) (on 1957-08-13)
cover recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (on 1957-08-13)
lyricist:
Jimmy McHugh (songwriter) and Dorothy Fields (American librettist and lyricist) (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
Ella Fitzgerald & Louis Armstrong34:47
6Gee Baby Ain’t I Good to You
recorded in:
Los Angeles, California, United States (on 1957-07-23)
double bass:
Ray Brown (jazz bassist) (on 1957-07-23)
drums (drum set):
Louie Bellson (on 1957-07-23)
guitar:
Herb Ellis (jazz guitarist) (on 1957-07-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-07-23)
trumpet:
Louis Armstrong (on 1957-07-23)
vocals:
Louis Armstrong (on 1957-07-23) and Ella Fitzgerald (American jazz singer) (on 1957-07-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-07-23)
cover recording of:
Gee, Baby Ain’t I Good to You (on 1957-07-23)
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, Volume I)
Ella Fitzgerald & Louis Armstrong4:13
7Let’s Call the Whole Thing Off
recorded in:
Los Angeles, California, United States (on 1957-07-23)
double bass:
Ray Brown (jazz bassist) (on 1957-07-23)
drums (drum set):
Louie Bellson (in 1957, on 1957-07-23)
guitar:
Herb Ellis (jazz guitarist) (in 1957, on 1957-07-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1957, on 1957-07-23)
trumpet:
Louis Armstrong (in 1957, on 1957-07-23)
vocals:
Louis Armstrong (in 1957, on 1957-07-23) and Ella Fitzgerald (American jazz singer) (in 1957, on 1957-07-23)
performer:
Ella Fitzgerald (American jazz singer)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-07-23)
cover recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (on 1957-07-23)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
translated version of:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
part of:
Shall We Dance (1937 film soundtrack)
Ella Fitzgerald & Louis Armstrong3.54:14
8I’ve Got My Love to Keep Me Warm
double bass:
Ray Brown (jazz bassist) (on 1957-08-13)
drums (drum set):
Louie Bellson (on 1957-08-13)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-13)
trumpet:
Louis Armstrong (on 1957-08-13)
vocals:
Ella Fitzgerald (American jazz singer) (in 1957, on 1957-08-13)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-08-13)
cover recording of:
I’ve Got My Love to Keep Me Warm (on 1957-08-13)
lyricist and composer:
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Ella Fitzgerald & Louis Armstrong43:12
9I’m Puttin’ All My Eggs in One Basket
recorded in:
Los Angeles, California, United States (on 1957-08-13)
double bass:
Ray Brown (jazz bassist) (on 1957-08-13)
drums (drum set):
Louie Bellson (on 1957-08-13)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-13)
trumpet:
Louis Armstrong (on 1957-08-13)
vocals:
Louis Armstrong (on 1957-08-13) and Ella Fitzgerald (American jazz singer) (on 1957-08-13)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-08-13)
cover recording of:
I’m Putting All My Eggs in One Basket (from “Follow the Fleet”) (on 1957-08-13)
lyricist and composer:
Irving Berlin (in 1936)
Ella Fitzgerald & Louis Armstrong33:28
10A Fine Romance
recorded in:
Los Angeles, California, United States (on 1957-08-13)
double bass:
Ray Brown (jazz bassist) (on 1957-08-13)
drums (drum set):
Louie Bellson (on 1957-08-13)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-13)
trumpet:
Louis Armstrong (on 1957-08-13)
lead vocals:
Louis Armstrong (on 1957-08-13) and Ella Fitzgerald (American jazz singer) (on 1957-08-13)
recording of:
A Fine Romance (from “Swing Time”) (on 1957-08-13)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
cover recording of:
A Fine Romance (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
Ella Fitzgerald & Louis Armstrong43:53
11Love Is Here to Stay
double bass:
Ray Brown (jazz bassist) (on 1957-07-23)
drums (drum set):
Louie Bellson (on 1957-07-23)
guitar:
Herb Ellis (jazz guitarist) (on 1957-07-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-07-23)
trumpet:
Louis Armstrong (on 1957-07-23)
vocals:
Louis Armstrong (on 1957-07-23) and Ella Fitzgerald (American jazz singer) (on 1957-07-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-07-23)
cover recording of:
Love Is Here to Stay (on 1957-07-23)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
Ella Fitzgerald & Louis Armstrong34:00
12Learnin’ the Blues
double bass:
Ray Brown (jazz bassist) (on 1957-07-23)
drums (drum set):
Louie Bellson (on 1957-07-23)
guitar:
Herb Ellis (jazz guitarist) (on 1957-07-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-07-23)
trumpet:
Louis Armstrong (on 1957-07-23)
vocals:
Louis Armstrong (on 1957-07-23) and Ella Fitzgerald (American jazz singer) (on 1957-07-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-07-23)
cover recording of:
Learnin’ the Blues (on 1957-07-23)
lyricist and composer:
Dolores Vicki Silvers
publisher:
Barton Music Corp.
Ella Fitzgerald & Louis Armstrong7:13
13Georgia on My Mind
recording of:
Georgia on My Mind
anthem of:
Georgia, United States (from 1979 to present)
lyricist:
Stuart Gorrell (in 1930)
composer:
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (from 1930 to present) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (from 1930 to present)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangement of:
Georgia on My Mind (Solo piano arrangement)
Louis Armstrong3:05
14Puttin’ on the Ritz
engineer:
Val Valentin (on 1958-03-18)
producer:
Norman Granz
vocals:
Ella Fitzgerald (American jazz singer) (on 1958-03-18)
conductor:
Paul Weston (on 1958-03-18)
performer:
Paul Weston and His Orchestra (on 1958-03-18)
arranger:
Paul Weston (in 1958)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-03-18)
cover recording of:
Puttin’ On the Ritz (on 1958-03-18)
lyricist and composer:
Irving Berlin (in 1929)
publisher:
Berlin Irving Music Corp and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
Idiot’s Delight (film)
Ella Fitzgerald2:18
15Hello Dolly
recorded in:
New York, United States (on 1963-12-03)
producer:
Mickey Kapp
banjo and guitar:
Anthony Gottuso (Tony Gottuso, guitar) (on 1963-12-03)
bass:
Arvell Shaw (on 1963-12-03)
clarinet:
Joe Darensbourg (on 1963-12-03)
double bass:
Arvell Shaw
drums (drum set):
Danny Barcelona (on 1963-12-03)
piano:
Billy Kyle (on 1963-12-03)
trombone:
Trummy Young (on 1963-12-03)
trumpet:
Louis Armstrong
lead vocals:
Louis Armstrong (on 1963-12-03)
vocals:
Louis Armstrong
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2000)
cover recording of:
Hello, Dolly! (on 1963-12-03)
lyricist and composer:
Jerry Herman
arranger:
Deseő Csaba
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
live recording of:
Hello, Dolly!
lyricist and composer:
Jerry Herman
arranger:
Deseő Csaba
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
live cover recording of:
Hello, Dolly!
lyricist and composer:
Jerry Herman
arranger:
Deseő Csaba
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
recording of:
Hello, Dolly!
lyricist and composer:
Jerry Herman
arranger:
Deseő Csaba
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
Louis Armstrong42:28
16It Ain’t Necessarily So
drums (drum set):
Alvin Stoller (in 1957)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1957)
vocals:
Louis Armstrong (in 1957) and Ella Fitzgerald (American jazz singer) (in 1957)
cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
Ella Fitzgerald & Louis Armstrong6:34