Satchmo at Symphony Hall

~ Release by Louis Armstrong and the All-Stars (see all versions of this release, 7 available)

Tracklist

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1▼Vinyl
#TitleRatingLength
A1King Porter Stomp
clarinet:
Barney Bigard (on 1947-11-30)
double bass [bass]:
Arvell Shaw (on 1947-11-30)
drums (drum set):
Sid Catlett (on 1947-11-30)
piano:
Dick Cary (piano, trumpet, alto horn) (on 1947-11-30)
trombone:
Jack Teagarden (on 1947-11-30)
trumpet:
Louis Armstrong (on 1947-11-30)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1947-11-30)
live recording of:
Mahogany Hall Stomp (on 1947-11-30)
composer:
Spencer Williams (US jazz composer, pianist & singer)
?:??
A2(What Did I Do to Be So) Black and Blue
live recording of:
Black and Blue (on 1947-11-30)
lyricist:
Harry Brooks (jazz pianist & songwriter) and Andy Razaf
composer:
Fats Waller
publisher:
Memory Lane Music Ltd. and Redwood Music Ltd. (Carlin)
?:??
A3Royal Garden Blues
live recording of:
Royal Garden Blues (on 1947-11-30)
composer:
Clarence Williams (US jazz pianist, composer, singer and bandleader) (in 1919) and Spencer Williams (US jazz composer, pianist & singer) (in 1919)
?:??
A4Lover
edit of:
Lover (live, 1947-11-30: Symphony Hall, Boston, MA, USA) by Louis Armstrong & His All‐Stars
live recording of:
Lover (on 1947-11-30)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (composer) (in 1932)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
?:??
A5Stars Fell on Alabama
clarinet:
Barney Bigard (on 1947-11-30)
double bass [bass]:
Arvell Shaw (on 1947-11-30)
drums (drum set):
Sid Catlett (on 1947-11-30)
piano:
Dick Cary (piano, trumpet, alto horn) (on 1947-11-30)
trombone:
Jack Teagarden (on 1947-11-30)
trumpet:
Louis Armstrong (on 1947-11-30)
vocals:
Jack Teagarden (on 1947-11-30)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1947-11-30)
live recording of:
Stars Fell on Alabama (on 1947-11-30)
lyricist:
Mitchell Parish
composer:
Frank Perkins
publisher:
EMI Mills Music Inc. (ASCAP-affiliated) and Mills Music
?:??
B1I Cried for You
clarinet:
Barney Bigard (on 1947-11-30)
double bass [bass]:
Arvell Shaw (on 1947-11-30)
drums (drum set):
Sid Catlett (on 1947-11-30)
piano:
Dick Cary (piano, trumpet, alto horn) (on 1947-11-30)
trombone:
Jack Teagarden (on 1947-11-30)
trumpet:
Louis Armstrong (on 1947-11-30)
vocals:
Velma Middleton (on 1947-11-30)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1947-11-30)
live recording of:
I Cried for You (on 1947-11-30)
lyricist:
Arthur Freed
composer:
Gus Arnheim and Abe Lyman
publisher:
Arthur Freed Music, CBS Miller Catalog, Inc. and Miller Music Corp.
?:??
B2Since I Fell for You
live recording of:
Since I Fell for You (on 1947-11-30)
lyricist and composer:
Buddy Johnson (in 1945)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) (ended), Warner Bros., Inc. (not for release label use!) (ended) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
?:??
B3Tea for Two
edit of:
Tea for Two (live, 1947-11-30: Symphony Hall, Boston, MA, USA) by Louis Armstrong & His All‐Stars
live recording of:
Tea for Two (No, No, Nanette) (on 1947-11-30)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
recording of:
Tea for Two (No, No, Nanette)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
?:??
B4Body and Soul
edit of:
Body and Soul (live, 1947-11-30: Symphony Hall, Boston, MA, USA) by Louis Armstrong & His All‐Stars
live recording of:
Body and Soul
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
?:??
B5Muskrat Ramble
clarinet:
Barney Bigard (on 1947-11-30)
double bass [bass]:
Arvell Shaw (on 1947-11-30)
drums (drum set):
Sid Catlett (on 1947-11-30)
piano:
Dick Cary (piano, trumpet, alto horn) (on 1947-11-30)
trombone:
Jack Teagarden (on 1947-11-30)
trumpet:
Louis Armstrong (on 1947-11-30)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1947-11-30)
live recording of:
Muskrat Ramble (1926 original instrumental version) (on 1947-11-30)
composer:
Kid Ory (in 1926)
sub-publisher:
Carl Gehrmans Musikförlag
?:??
2▼Vinyl
#TitleRatingLength
C1Steak Face
edit of:
Steak Face (live, 1947-11-30: Symphony Hall, Boston, MA, USA) by Louis Armstrong & His All‐Stars
?:??
C2On the Sunny Side of the Street
edit of:
On the Sunny Side of the Street (live, 1947-11-30: Symphony Hall, Boston, MA, USA) by Louis Armstrong & His All‐Stars
recording of:
On the Sunny Side of the Street
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
part of:
American Splendor
?:??
C3High Society
edit of:
High Society (live, 1947-11-30: Symphony Hall, Boston, MA, USA) by Louis Armstrong & His All‐Stars
live recording of:
High Society (jazz standard, with lyrics added c. 1920s to a 1901 march, supposedly never performed except instrumentally) (on 1947-11-30)
lyricist:
Walter Melrose
composer:
Porter Steele (in 1901-04)
is based on:
High Society (march composed by Porter Steele in 1901)
?:??
C4That’s My Desire
clarinet:
Barney Bigard (on 1947-11-30)
double bass [bass]:
Arvell Shaw (on 1947-11-30)
drums (drum set):
Sid Catlett (on 1947-11-30)
piano:
Dick Cary (piano, trumpet, alto horn) (on 1947-11-30)
trombone:
Jack Teagarden (on 1947-11-30)
trumpet:
Louis Armstrong (on 1947-11-30)
vocals:
Louis Armstrong (on 1947-11-30) and Velma Middleton (on 1947-11-30)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1947-11-30)
live recording of:
That’s My Desire (on 1947-11-30)
lyricist:
Carroll Loveday
composer:
Helmy Kresa
publisher:
Mills Music, Inc.
?:??
D1“C” Jam Blues
edit of:
"C" Jam Blues (live, 1947-11-30: Symphony Hall, Boston, MA, USA) by Louis Armstrong & His All‐Stars
live recording of:
“C” Jam Blues (on 1947-11-30)
composer:
Barney Bigard and Duke Ellington (US composer, pianist & jazz bandleader) (in 1942)
recording of:
“C” Jam Blues
composer:
Barney Bigard and Duke Ellington (US composer, pianist & jazz bandleader) (in 1942)
?:??
D2Baby, Won’t You Please Come Home
clarinet:
Barney Bigard (on 1947-11-30)
double bass [bass]:
Arvell Shaw (on 1947-11-30)
drums (drum set):
Sid Catlett (on 1947-11-30)
piano:
Dick Cary (piano, trumpet, alto horn) (on 1947-11-30)
trombone:
Jack Teagarden (on 1947-11-30)
trumpet:
Louis Armstrong (on 1947-11-30)
vocals:
Jack Teagarden (on 1947-11-30)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1947-11-30)
live cover recording of:
Baby Won’t You Please Come Home (on 1947-11-30)
writer:
Charles Warfield and Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
?:??
D3How High the Moon
?:??
D4Boff Boff
edit of:
Mop Mop (live, 1947-11-30: Symphony Hall, Boston, MA, USA) by Louis Armstrong & His All‐Stars
?:??