Golden Greats

~ Release by Louis Armstrong (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Where the Blues Were Born in New Orleans
recording of:
Where the Blues Were Born in New Orleans
writer:
Bob Carleton and Charlie Dixon (Jazz banjoist)
3:06
2Gone Fishin'
recorded in:
Los Angeles, California, United States (on 1951-04-27)
double bass:
Phil Stephens (bass and tuba player) (on 1951-04-27)
drums (drum set):
Nick Fatool (on 1951-04-27)
guitar:
Perry Botkin (on 1951-04-27)
piano:
Buddy Cole (on 1951-04-27) and Mel Henke (on 1951-04-27)
saxophone:
Warren Baker (on 1951-04-27), Matty Matlock (on 1951-04-27), Irving “Babe” Russin (on 1951-04-27) and Philip Shuken (on 1951-04-27)
trombone:
Bill Atkinson (on 1951-04-27), Wendell Mayhew (on 1951-04-27) and Dick Taylor (jazz trombonist) (on 1951-04-27)
trumpet:
Ziggy Elman (on 1951-04-27), Bobby Guy (on 1951-04-27) and Red Nichols (on 1951-04-27)
lead vocals:
Louis Armstrong (on 1951-04-27) and Bing Crosby (on 1951-04-27)
orchestra and performer:
John Scott Trotter and His Orchestra (on 1951-04-27)
conductor:
John Scott Trotter (on 1951-04-27)
arranger:
John Scott Trotter (on 1951-04-27)
phonographic copyright (℗) by:
MCA Music Ltd. (in 1951)
recording of:
Gone Fishin’ (on 1951-04-27)
writer:
Charles Kenny (songwriter, violinist) and Nick Kenny
publisher:
Bourne Co. (not for release label use, this is a music publisher) and EMI Feist Catalog Inc.
2:29
3Blueberry Hill
lead vocals:
Louis Armstrong (on 1949-09-06)
orchestra:
Gordon Jenkins’ Orchestra and Choir (on 1949-09-06)
conductor:
Gordon Jenkins (on 1949-09-06)
arranger:
Gordon Jenkins
cover recording of:
Blueberry Hill (on 1949-09-06)
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
2:53
4You Won't Be Satisfied
2:51
5You Don't Learn That at School
recording of:
You Don’t Learn That in School
writer:
Roy Alfred (Tin Pan Alley lyricist and composer) and Marvin Fisher
2:43
6A Song Was Born
recording of:
A Song Was Born
composer:
Gene de Paul and Don Raye
3:17
7Whatta You Gonna Do
recording of:
Whatta Ya Gonna Do?
writer:
Patrick Lewis (in 1946) and Sunny Skylar (in 1946)
2:55
8That Lucky Old Sun
recording of:
That Lucky Old Sun
lyricist:
Haven Gillespie (in 1949)
composer:
Beasley Smith (in 1949)
publisher:
Beasley Smith Music, Haven Gillespie Music Publishing Co. and Robbins Music Corp.
3:06
9You Can't Lose a Broken Heart
recording of:
You Can’t Lose a Broken Heart
lyricist:
Flournoy E. Miller
composer:
James P. Johnson
3:15
10Jodie Man
3:18
11I Wonder
recording of:
I Wonder
lyricist and composer:
Cecil Gant (in 1944)
writer:
R. Laveen (Composer, songwriter and author)
2:58
12Dream a Little Dream of Me
cover recording of:
Dream a Little Dream of Me
lyricist:
Gus Kahn (in 1931)
composer:
Fabian André (in 1931) and Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) and ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:02
13Joseph'n His Brudders
recording of:
Joseph ’n His Brudders
writer:
Louis Armstrong, Barbara Belle and Bobby Kroll
3:04
14Among My Souvenirs
recorded in:
Los Angeles, California, United States (on 1942-04-17)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1942-04-17) and Carl Frye (on 1942-04-17)
double bass:
John Simmons (bassist) (on 1942-04-17)
drums (drum set):
Sid Catlett (on 1942-04-17)
guitar:
Lawrence Lucie (on 1942-04-17)
piano:
Luis Russell (on 1942-04-17)
tenor saxophone:
Joe Garland (saxophonist, composer) (on 1942-04-17) and Prince Robinson (on 1942-04-17)
trombone:
Henderson Chambers (on 1942-04-17), George Washington (jazz trombonist) (on 1942-04-17) and James Whitney (US trombonist) (on 1942-04-17)
trumpet:
Louis Armstrong (on 1942-04-17), Bernard Flood (on 1942-04-17), Frank Galbreath (on 1942-04-17) and Shelton "Scad" Hemphill (on 1942-04-17)
vocals:
Louis Armstrong (on 1942-04-17)
orchestra:
Louis Armstrong & His Orchestra (on 1942-04-17)
recording of:
Among My Souvenirs (on 1942-04-17)
lyricist:
Edgar Leslie
composer:
Horatio Nicholls
publisher:
Crawford Music Inc., DeSylva, Brown and Henderson, Inc. (on 1927-10-05), Lawrence Wright Music Co., Ltd. (on 1927-10-05) and Chappell & Co., Inc. (USA) (on 1968-09-23)
2:46
15Coquette
recording of:
Coquette
lyricist:
Gus Kahn
composer:
Johnny Green (composer and conductor, often credited as John Green) and Carmen Lombardo
2:36
16I Want a Little Girl
recording of:
I Want a Little Girl
lyricist:
Billy Moll (songwriter)
composer:
Murray Mencher
publisher:
Shapiro, Bernstein & Co., Inc.
3:01
17Blues in the South
3:03
18Endie
recording of:
Endie
lyricist:
Eddie DeLange
composer:
Louis Alter
2:52
19Linger in My Arms a Little Longer Baby
recorded in:
New York, New York, United States (on 1946-04-27)
alto saxophone:
Amos Gordon (on 1946-04-27), Don Hill (saxophonist) (on 1946-04-27) and Donald Hill (on 1946-04-27)
baritone saxophone:
Ernest Thompson (jazz saxophonist) (on 1946-04-27)
double bass:
Arvell Shaw (on 1946-04-27)
drums (drum set):
Butch Ballard (on 1946-04-27)
guitar:
Elmer Warner (on 1946-04-27)
piano:
Ed Swanston (on 1946-04-27)
tenor saxophone:
Joe Garland (saxophonist, composer) (on 1946-04-27), John Sparrow (jazz saxophonist) (on 1946-04-27) and Johnny Sparrow (on 1946-04-27)
trombone:
Al Cobbs (on 1946-04-27), Adam Martin (trombone) (on 1946-04-27), Russell Moore (jazz trombonist) (on 1946-04-27) and Norman Powe (on 1946-04-27)
trumpet:
Louis Armstrong (on 1946-04-27), Fats Ford (trumpeter) (on 1946-04-27), Ludwig Jordan (on 1946-04-27), Ed Mullens (on 1946-04-27) and William "Chieftie" Scott (jazz trumpeter, 1940s-1950s) (on 1946-04-27)
vocals:
Louis Armstrong (on 1946-04-27)
recording of:
Linger in My Arms a Little Longer, Baby (on 1946-04-27)
lyricist and composer:
Herb Magidson
2:59
20I Believe
recording of:
I Believe (Frank Sinatra song)
lyricist:
Sammy Cahn
composer:
Jule Styne
3:00
21It Takes Time
recording of:
It Takes Time
writer:
Arthur Korb
2:38
22The Frim Fram Sauce
recording of:
The Frim‐Fram Sauce
lyricist:
Redd Evans (in 1945)
composer:
Joe Ricardel (in 1945)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
3:12
23My Sweet Hunk O'Trash
recording of:
My Sweet Hunk o’ Trash
lyricist:
Flournoy E. Miller
composer:
James P. Johnson
3:20
24Ain't Misbehavin'
recording of:
Ain’t Misbehavin’
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
2:54
25(What I Did do to Be So) Black and Blue
recording of:
Black and Blue
lyricist:
Harry Brooks (jazz pianist & songwriter) and Andy Razaf
composer:
Fats Waller
publisher:
Memory Lane Music Ltd. and Redwood Music Ltd. (Carlin)
3:59
2▼CD
#TitleRatingLength
1When It's Sleepy Time Down South
recording of:
When It’s Sleepy Time Down South
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music (publisher)
3:23
2Struttin' With Some Barbecue
recorded in:
Los Angeles, California, United States (on 1938-01-12)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1938-01-12) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-01-12)
bass:
George "Pops" Foster (on 1938-01-12)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-01-12)
guitar:
Lee Blair (on 1938-01-12)
piano:
Luis Russell (on 1938-01-12)
reeds:
Bingie Madison (on 1938-01-12) and Albert Nicholas (on 1938-01-12)
trombone:
Wilbur de Paris (on 1938-01-12), J.C. Higginbotham (on 1938-01-12) and George Washington (jazz trombonist) (on 1938-01-12)
trumpet:
Henry “Red” Allen (jazz musician) (on 1938-01-12), Louis Armstrong (on 1938-01-12), Louis Bacon (on 1938-01-12) and Shelton "Scad" Hemphill (on 1938-01-12)
vocals:
Louis Armstrong (on 1938-01-12)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-12)
arranger:
Chippie Willett
recording of:
Struttin’ With Some Barbecue (on 1938-01-12)
composer:
Lil Hardin Armstrong
3:07
3Wolverine Blues
recording of:
Wolverine Blues
lyricist:
Benjamin F Spikes (Benjamin Franklin "Reb" Spikes) and John Spikes
composer:
Jelly Roll Morton
3:29
4Perdido Street Blues
recording of:
Perdido Street Blues
composer:
Lil Armstrong
3:13
5Down in Honky Tonki Town
recording of:
Down in Honky Tonk Town
writer:
Charles McCarron (in 1916) and Chris Smith (Ragtime composer) (in 1916)
3:12
6Dipper Mouth Blues
recorded in:
Los Angeles, California, United States (on 1936-08-07)
clarinet:
Jimmy Dorsey (on 1936-08-07)
double bass:
Slim Taft (on 1936-08-07)
drums (drum set):
Ray McKinley (on 1936-08-07)
guitar:
Roc Hillman (songwriter, arranger) (on 1936-08-07)
reeds:
Jimmy Dorsey (on 1936-08-07), Skeets Herfurt (on 1936-08-07), Fud Livingston (on 1936-08-07) and Jack Stacey (on 1936-08-07)
trombone:
Bobby Byrne (on 1936-08-07), Don Matteson (on 1936-08-07) and Joe Yukl (on 1936-08-07)
trumpet:
Louis Armstrong (on 1936-08-07), Tutti Camarata (on 1936-08-07) and George Thow (on 1936-08-07)
vocals:
Louis Armstrong (on 1936-08-07)
orchestra:
Jimmy Dorsey and His Orchestra (on 1936-08-07)
recording of:
Dippermouth Blues (on 1936-08-07)
composer:
Louis Armstrong and King Oliver (jazz cornetist)
2:43
7High Society
recorded in:
Chicago, Illinois, United States (on 1933-01-26)
alto saxophone:
Scoville Browne (on 1933-01-26) and George Oldham (on 1933-01-26)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-01-26)
clarinet:
Scoville Browne (on 1933-01-26), Budd Johnson (on 1933-01-26) and George Oldham (on 1933-01-26)
double bass [bass]:
Bill Oldham (Double Bass Player) (on 1933-01-26)
drums (drum set):
Yank Porter (jazz drummer) (on 1933-01-26)
piano:
Teddy Wilson (on 1933-01-26)
tenor saxophone:
Budd Johnson (on 1933-01-26)
trombone:
Keg Johnson (jazz trombonist) (on 1933-01-26)
trumpet:
Louis Armstrong (on 1933-01-26), Zilner Randolph (on 1933-01-26) and Elmer Whitlock (US trumpet player) (on 1933-01-26)
recording of:
High Society (jazz standard, with lyrics added c. 1920s to a 1901 march, supposedly never performed except instrumentally) (on 1933-01-26)
lyricist:
Walter Melrose
composer:
Porter Steele (in 1901-04)
is based on:
High Society (march composed by Porter Steele in 1901)
3:26
8Tight Like This
recorded in:
Chicago, Illinois, United States (on 1928-12-12)
alto saxophone:
Don Redman (on 1928-12-12)
banjo:
Mancy "Peck" Carr (on 1928-12-12)
clarinet:
Don Redman (on 1928-12-12) and Jimmy Strong (on 1928-12-12)
drums (drum set):
Zutty Singleton (on 1928-12-12)
piano:
Earl Hines (jazz pianist and bandleader) (on 1928-12-12)
tenor saxophone:
Jimmy Strong (on 1928-12-12)
trombone:
Fred Robinson (American trombonist) (on 1928-12-12)
trumpet and lead vocals:
Louis Armstrong (on 1928-12-12)
vocals:
Louis Armstrong (on 1928-12-12)
performer:
Louis Armstrong and His Savoy Ballroom Five (on 1928-12-12)
recording of:
Tight Like This (on 1928-12-12)
lyricist and composer:
Langston Curl
33:19
9Mahogany Hall Stomp
recorded in:
Chicago, Illinois, United States (on 1933-01-28)
alto saxophone:
Scoville Browne (on 1933-01-28) and George Oldham (on 1933-01-28)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-01-28)
clarinet:
Scoville Browne (on 1933-01-28), Budd Johnson (on 1933-01-28) and George Oldham (on 1933-01-28)
double bass [bass]:
Bill Oldham (Double Bass Player) (on 1933-01-28)
drums (drum set):
Yank Porter (jazz drummer) (on 1933-01-28)
piano:
Teddy Wilson (on 1933-01-28)
tenor saxophone:
Budd Johnson (on 1933-01-28)
trombone:
Keg Johnson (jazz trombonist) (on 1933-01-28)
trumpet:
Louis Armstrong (on 1933-01-28), Zilner Randolph (on 1933-01-28) and Elmer Whitlock (US trumpet player) (on 1933-01-28)
recording of:
Mahogany Hall Stomp (on 1933-01-28)
composer:
Spencer Williams (US jazz composer, pianist & singer)
2:35
10St Louis Blues
recorded in:
Chicago, Illinois, United States (on 1933-04-26)
alto saxophone:
Scoville Browne (on 1933-04-26) and George Oldham (on 1933-04-26)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-04-26)
clarinet:
Scoville Browne (on 1933-04-26), Budd Johnson (on 1933-04-26) and George Oldham (on 1933-04-26)
drums (drum set):
Harry Dial (on 1933-04-26)
piano:
Charlie Beal (on 1933-04-26)
tenor saxophone:
Budd Johnson (on 1933-04-26)
trombone:
Keg Johnson (jazz trombonist) (on 1933-04-26)
trumpet:
Louis Armstrong (on 1933-04-26), Zilner Randolph (on 1933-04-26) and Elmer Whitlock (US trumpet player) (on 1933-04-26)
tuba:
Bill Oldham (Double Bass Player) (on 1933-04-26)
recording of:
St. Louis Blues (on 1933-04-26)
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
2:41
11Savoy Blues
recorded in:
Chicago, Illinois, United States (on 1927-12-13)
clarinet:
Johnny Dodds (on 1927-12-13)
cornet:
Louis Armstrong (on 1927-12-13)
guitar:
Johnny St. Cyr (on 1927-12-13) and Lonnie Johnson (American blues and jazz musician) (on 1927-12-13)
piano:
Lil Armstrong (on 1927-12-13)
trombone:
Kid Ory (on 1927-12-13)
recording of:
Savoy Blues (on 1927-12-13)
composer:
Kid Ory
3:25
12Wild Man Blues
recording of:
Wild Man Blues
composer:
Louis Armstrong and Ferdinand Joseph LaMothe
3:17
13Willie the Weeper
recorded in:
Chicago, Illinois, United States (on 1927-05-07)
banjo and guitar:
Johnny St. Cyr (on 1927-05-07)
clarinet:
Johnny Dodds (on 1927-05-07)
cornet:
Louis Armstrong (on 1927-05-07)
drums (drum set):
Baby Dodds (on 1927-05-07)
piano:
Lil Hardin Armstrong (on 1927-05-07)
trombone:
John Thomas (early jazz trombonist) (on 1927-05-07)
tuba:
Pete Briggs (on 1927-05-07)
performer:
Louis Armstrong and His Hot Seven (in 1927)
recording of:
Willie the Weeper (on 1927-05-07)
writer:
Marty Bloom, Walter Melrose and Grant Rymal
3:13
14Potato Head Blues
recorded in:
Chicago, Illinois, United States (on 1927-05-10)
banjo:
Johnny St. Cyr (on 1927-05-10)
clarinet:
Johnny Dodds (on 1927-05-10)
cornet:
Louis Armstrong (on 1927-05-10)
drums (drum set):
Baby Dodds (on 1927-05-10)
piano:
Lil Hardin Armstrong (on 1927-05-10)
trombone:
John Thomas (early jazz trombonist) (on 1927-05-10)
tuba:
Pete Briggs (on 1927-05-10)
vocals:
Louis Armstrong (on 1927-05-10)
orchestra:
Louis Armstrong and His Hot Seven (on 1927-05-10)
recording of:
Potato Head Blues (on 1927-05-10)
composer:
Louis Armstrong
3:03
15Muskrat Ramble
recorded in:
Chicago, Illinois, United States (on 1926-02-26)
banjo:
Johnny St. Cyr (on 1926-02-26)
clarinet:
Johnny Dodds (on 1926-02-26)
cornet:
Louis Armstrong (on 1926-02-26)
piano:
Lil Hardin Armstrong (on 1926-02-26)
trombone:
Kid Ory (on 1926-02-26)
recording of:
Muskrat Ramble (1926 original instrumental version) (on 1926-02-26)
composer:
Kid Ory (in 1926)
sub-publisher:
Carl Gehrmans Musikförlag
2:38
16Cornet Chop Suey
recording of:
Cornet Chop Suey
composer:
Louis Armstrong
3:08
17Weary Blues
recording of:
Weary Blues
lyricist:
George Cates and Mort Greene
composer:
Artie Matthews
3:06
18Melancholy Blues
recorded in:
Chicago, Illinois, United States (on 1927-05-11)
banjo:
Johnny St. Cyr (on 1927-05-11)
clarinet:
Johnny Dodds (on 1927-05-11)
cornet:
Louis Armstrong (on 1927-05-11)
drums (drum set):
Baby Dodds (on 1927-05-11)
piano:
Lil Armstrong (on 1927-05-11)
trombone:
John Thomas (early jazz trombonist) (on 1927-05-11)
tuba:
Pete Briggs (on 1927-05-11)
recording of:
Melancholy Blues (on 1927-05-11)
writer:
Marty Bloom and Walter Melrose
3:05
19Alligator Crawl
recorded in:
Chicago, Illinois, United States (on 1927-05-10)
banjo:
Johnny St. Cyr (on 1927-05-10)
clarinet:
Johnny Dodds (on 1927-05-10)
cornet:
Louis Armstrong (on 1927-05-10)
drums (drum set):
Warren “Baby” Dodds (on 1927-05-10)
piano:
Lil Hardin Armstrong (on 1927-05-10)
trombone:
John Thomas (early jazz trombonist) (on 1927-05-10)
tuba:
Pete Briggs (on 1927-05-10)
performer:
Louis Armstrong and His Hot Seven (in 1927)
recording of:
Alligator Crawl (on 1927-05-10)
lyricist:
Joe Davis (US lyricist, producer, publisher & promoter) and Andy Razaf
composer:
Fats Waller
3:04
20Twelth Street Rag
recording of:
Twelfth Street Rag
lyricist:
Andy Razaf
composer:
Euday L. Bowman
3:08
21Ory's Creole Trombone
recording of:
Ory’s Creole Trombone
composer:
Kid Ory
3:08
22New Tiger Rag
recorded in:
Chicago, Illinois, United States (on 1932-03-11)
alto saxophone:
Lester Boone (on 1932-03-11)
clarinet:
George James (US jazz saxophonist) (on 1932-03-11)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1932-03-11)
drums (drum set):
Tubby Hall (on 1932-03-11)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1932-03-11)
piano:
Charlie Alexander (US jazz pianist) (on 1932-03-11)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1932-03-11)
trombone:
Preston Jackson (jazz trombonist) (on 1932-03-11)
trumpet:
Louis Armstrong (on 1932-03-11) and Zilner Randolph (on 1932-03-11)
vocals:
Louis Armstrong (on 1932-03-11)
recording of:
Tiger Rag (original 1917 instrumental version) (on 1932-03-11)
composer:
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro and Larry Shields
3:23
23I Got Rhythm
recorded in:
Chicago, Illinois, United States (on 1931-11-06)
alto saxophone:
Lester Boone (on 1931-11-06)
clarinet and soprano saxophone:
George James (US jazz saxophonist) (on 1931-11-06)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1931-11-06)
drums (drum set):
Tubby Hall (on 1931-11-06)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1931-11-06)
piano:
Charlie Alexander (US jazz pianist) (on 1931-11-06)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1931-11-06)
trombone:
Preston Jackson (jazz trombonist) (on 1931-11-06)
trumpet:
Louis Armstrong (on 1931-11-06) and Zilner Randolph (on 1931-11-06)
vocals:
Louis Armstrong (on 1931-11-06)
recording of:
I Got Rhythm (on 1931-11-06)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
3:04
3▼CD
#TitleRatingLength
1Jeepers Creepers
recorded in:
New York, New York, United States (on 1939-01-18)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1939-01-18) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1939-01-18)
double bass:
George "Pops" Foster (on 1939-01-18)
drums (drum set):
Sid Catlett (on 1939-01-18)
guitar:
Lee Blair (on 1939-01-18)
piano:
Luis Russell (on 1939-01-18)
tenor saxophone:
Bingie Madison (on 1939-01-18) and Albert Nicholas (on 1939-01-18)
trombone:
Wilbur de Paris (on 1939-01-18), J.C. Higginbotham (on 1939-01-18) and Bull City Red (aka George Washington) (on 1939-01-18)
trumpet:
Henry “Red” Allen (jazz musician) (on 1939-01-18), Louis Armstrong (on 1939-01-18), Shelton "Scad" Hemphill (on 1939-01-18) and Otis Johnson (trumpet) (on 1939-01-18)
vocals:
Louis Armstrong (on 1939-01-18)
orchestra:
Louis Armstrong & His Orchestra (on 1939-01-18)
performer:
Louis Armstrong & His Orchestra
later releases:
Jeepers Creepers by Louis Armstrong
recording of:
Jeepers Creepers (on 1939-01-18)
lyricist:
Johnny Mercer (in 1938)
writer:
Richard A. Whiting
composer:
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
The 11th Academy Award for Best Original Song (number: 2)
42:42
2That's My Home
recorded in:
Camden, New Jersey, United States (on 1932-12-08, on 1932-12-28)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1932-12-08) and Edgar Sampson (on 1932-12-08)
clarinet:
Pete Clark (Jazz altoist born around 1910) (on 1932-12-08)
double bass [bass] and tuba:
Elmer James (on 1932-12-08)
drums (drum set):
Chick Webb (on 1932-12-08)
guitar:
John Trueheart (on 1932-12-08)
piano:
Don Kirkpatrick (jazz pianist) (on 1932-12-08)
tenor saxophone:
Elmer Williams (on 1932-12-08)
trombone:
Charlie Green (Trombonist) (on 1932-12-08)
trumpet:
Louis Armstrong (on 1932-12-08, on 1932-12-28), Louis Bacon (on 1932-12-08), Billy Hicks (US jazz trumpeter) (on 1932-12-08) and Louis Hunt (on 1932-12-08)
violin:
Edgar Sampson (on 1932-12-08)
vocals:
Louis Armstrong (on 1932-12-08, on 1932-12-28)
orchestra:
Louis Armstrong and His Orchestra (on 1932-12-28)
recording of:
That’s My Home (on 1932-12-08)
composer:
Ben Ellison, Leon René and Otis René
43:11
3You Rascal You
3:09
4I Can't Give You Anything but Love
recorded in:
New York, New York, United States (on 1938-06-24)
clarinet:
Sid Stoneburn (on 1938-06-24)
double bass:
Haig Stephens (on 1938-06-24)
drums (drum set):
Sam Weiss (US jazz drummer) (on 1938-06-24)
guitar:
Dave Barbour (on 1938-06-24)
piano:
Nat Jaffe (on 1938-06-24)
trombone:
Al Philburn (on 1938-06-24)
trumpet:
Louis Armstrong (on 1938-06-24), Johnny McGhee (trumpet) (on 1938-06-24) and Robert Cusumano (on 1938-06-24)
vocals:
Louis Armstrong (on 1938-06-24)
edit of:
I Can't Give You Anything but Love (with pre-groove chatter) by Louis Armstrong
recording of:
I Can’t Give You Anything but Love, Baby (on 1938-06-24)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
2:57
5I'm Confessin'
recorded in:
New York, New York, United States (on 1939-04-25)
double bass:
George "Pops" Foster (on 1939-04-25)
drums (drum set):
Sid Catlett (on 1939-04-25)
guitar:
Lee Blair (on 1939-04-25)
piano:
Luis Russell (on 1939-04-25)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1939-04-25), Joe Garland (saxophonist, composer) (on 1939-04-25), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1939-04-25) and Bingie Madison (on 1939-04-25)
trombone:
Wilbur de Paris (on 1939-04-25), J.C. Higginbotham (on 1939-04-25) and George Washington (jazz trombonist) (on 1939-04-25)
trumpet:
Henry “Red” Allen (jazz musician) (on 1939-04-25), Louis Armstrong (on 1939-04-25), Bernard Flood (on 1939-04-25) and Shelton "Scad" Hemphill (on 1939-04-25)
lead vocals:
Louis Armstrong (on 1939-04-25)
vocals:
Louis Armstrong (on 1939-04-25)
orchestra:
Louis Armstrong & His Orchestra (on 1939-04-25)
arranger:
Luis Russell
recording of:
I’m Confessin’ (That I Love You) (on 1939-04-25)
lyricist:
Al J. Neiburg (lyricist) (in 1930)
composer:
Doc Daugherty (in 1930) and Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
version of:
Lookin’ for Another Sweetie
3:13
6Save It, Pretty Mama
recorded in:
New York, New York, United States (on 1939-04-05)
double bass:
George "Pops" Foster (on 1939-04-05)
drums (drum set):
Sid Catlett (on 1939-04-05)
guitar:
Lee Blair (on 1939-04-05)
piano:
Luis Russell (on 1939-04-05)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1939-04-05), Joe Garland (saxophonist, composer) (on 1939-04-05), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1939-04-05) and Bingie Madison (on 1939-04-05)
trombone:
Wilbur de Paris (on 1939-04-05), J.C. Higginbotham (on 1939-04-05) and George Washington (jazz trombonist) (on 1939-04-05)
trumpet:
Henry “Red” Allen (jazz musician) (on 1939-04-05), Louis Armstrong (on 1939-04-05), Shelton "Scad" Hemphill (on 1939-04-05) and Otis Johnson (trumpet) (on 1939-04-05)
vocals:
Louis Armstrong (on 1939-04-05)
orchestra:
Louis Armstrong & His Orchestra (on 1939-04-05)
recording of:
Save It, Pretty Mama (on 1939-04-05)
writer:
Paul Denniker, Joseph M. Davis (Joe Davis, US lyricist, producer, publisher & promoter) and Don Redman
3:09
7Swing That Music
recorded in:
New York, New York, United States (on 1936-05-18)
double bass:
George "Pops" Foster (on 1936-05-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1936-05-18)
guitar:
Lee Blair (on 1936-05-18)
piano:
Luis Russell (on 1936-05-18)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1936-05-18), Henry “Moon” Jones (swing era reeds) (on 1936-05-18) and Greely Walton (on 1936-05-18)
tenor saxophone:
Bingie Madison (on 1936-05-18)
trombone:
Jimmy Archey (on 1936-05-18) and Snub Mosley (on 1936-05-18)
trumpet:
Gus Aiken (on 1936-05-18), Louis Armstrong (on 1936-05-18), Louis Bacon (on 1936-05-18) and Leonard "Ham" Davis (American jazz trumpeter) (on 1936-05-18)
vocals:
Louis Armstrong (on 1936-05-18)
orchestra:
Louis Armstrong & His Orchestra (on 1936-05-18)
recording of:
Swing That Music (on 1936-05-18)
lyricist and composer:
Louis Armstrong and Horace Gerlach
2:51
8I Ain't Got Nobody
recording of:
I Ain’t Got Nobody (on 1929-12-10)
lyricist:
Roger Graham
composer:
Spencer Williams (US jazz composer, pianist & singer)
2:49
9I'm a Ding Dong Daddy (From Dumas)
recording of:
I'm a Ding Dong Daddy
writer:
Phil Baxter (US songwriter, singer and band leader)
3:10
10Blue, Turning Grey Over You
recorded in:
New York, New York, United States (on 1930-02-01)
clarinet:
Teddy Hill (on 1930-02-01), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1930-02-01) and William Thornton Blue (American jazz reed player) (on 1930-02-01)
double bass:
George "Pops" Foster (on 1930-02-01)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1930-02-01)
guitar:
Will Johnson (jazz musician) (on 1930-02-01)
piano:
Luis Russell (on 1930-02-01)
trombone:
J.C. Higginbotham (on 1930-02-01)
trumpet:
Henry “Red” Allen (jazz musician) (on 1930-02-01), Louis Armstrong (on 1930-02-01) and Otis Johnson (trumpet) (on 1930-02-01)
vocals:
Louis Armstrong (on 1930-02-01)
recording of:
Blue, Turning Grey Over You (on 1930-02-01)
lyricist:
Andy Razaf
composer:
Thomas Waller (Fats Waller)
3:27
11Basin Street Blues
recorded in:
Chicago, Illinois, United States (on 1933-01-27)
alto saxophone:
Scoville Browne (on 1933-01-27) and George Oldham (on 1933-01-27)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-01-27)
clarinet:
Scoville Browne (on 1933-01-27), Budd Johnson (on 1933-01-27) and George Oldham (on 1933-01-27)
double bass [bass]:
Bill Oldham (Double Bass Player) (on 1933-01-27)
drums (drum set):
Yank Porter (jazz drummer) (on 1933-01-27)
piano:
Teddy Wilson (on 1933-01-27)
tenor saxophone:
Budd Johnson (on 1933-01-27)
trombone:
Keg Johnson (jazz trombonist) (on 1933-01-27)
trumpet:
Louis Armstrong (on 1933-01-27), Zilner Randolph (on 1933-01-27) and Elmer Whitlock (US trumpet player) (on 1933-01-27)
vocals:
Louis Armstrong (on 1933-01-27)
cover recording of:
Basin Street Blues (on 1933-01-27)
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
3:29
12St. James Infirmary Blues
3:23
13Baby Won't You Please Come Home
recorded in:
New York, New York, United States (on 1939-06-15)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1939-06-15)
bass:
George "Pops" Foster (on 1939-06-15)
drums (drum set):
Sid Catlett (on 1939-06-15)
guitar:
Lee Blair (on 1939-06-15)
piano:
Luis Russell (on 1939-06-15)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1939-06-15)
saxophone:
Joe Garland (saxophonist, composer) (on 1939-06-15)
tenor saxophone:
Bingie Madison (on 1939-06-15)
trombone:
Wilbur de Paris (on 1939-06-15), J.C. Higginbotham (on 1939-06-15) and George Washington (jazz trombonist) (on 1939-06-15)
trumpet:
Henry “Red” Allen (jazz musician) (on 1939-06-15), Louis Armstrong (on 1939-06-15), Bernard Flood (on 1939-06-15) and Shelton "Scad" Hemphill (on 1939-06-15)
vocals:
Louis Armstrong (on 1939-06-15)
orchestra:
Louis Armstrong & His Orchestra (on 1939-06-15)
performer:
Louis Armstrong (on 1939-12-18)
cover recording of:
Baby Won’t You Please Come Home (on 1939-06-15)
writer:
Charles Warfield and Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
3:17
14Walkin' My Baby Back Home
recorded in:
Chicago, Illinois, United States (on 1931-04-20)
alto saxophone:
Lester Boone (on 1931-04-20)
baritone saxophone:
George James (US jazz saxophonist) (on 1931-04-20)
drums (drum set):
Tubby Hall (on 1931-04-20)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1931-04-20)
piano:
Charlie Alexander (US jazz pianist) (on 1931-04-20)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1931-04-20)
trombone:
Preston Jackson (jazz trombonist) (on 1931-04-20)
trumpet:
Louis Armstrong (on 1931-04-20)
vocals:
Louis Armstrong (on 1931-04-20)
recording of:
Walkin’ My Baby Back Home (on 1931-04-20)
lyricist:
Roy Turk (in 1930)
composer:
Fred Ahlert (in 1930)
publisher:
Chappell & Co., Inc. (USA), Redwood Music Ltd. (Carlin) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
3:08
15Stardust
recorded in:
Chicago, Illinois, United States (on 1931-11-04)
alto saxophone:
Lester Boone (on 1931-11-04) and George James (US jazz saxophonist) (on 1931-11-04)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1931-11-04)
drums (drum set):
Tubby Hall (on 1931-11-04)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1931-11-04)
piano:
Charlie Alexander (US jazz pianist) (on 1931-11-04)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1931-11-04)
trombone:
Preston Jackson (jazz trombonist) (on 1931-11-04)
trumpet:
Louis Armstrong (on 1931-11-04) and Zilner Randolph (on 1931-11-04)
vocals:
Louis Armstrong (on 1931-11-04)
recording of:
Stardust (the jazz standard) (on 1931-11-04)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
3:29
16Rockin' Chair
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song)
lyricist:
Hoagy Carmichael
composer:
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd. (ASCAP)
3:20
17Between the Devil and the Deep Blue Sea
recorded in:
Chicago, Illinois, United States (on 1932-01-25)
alto saxophone:
Lester Boone (on 1932-01-25) and George James (US jazz saxophonist) (on 1932-01-25)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1932-01-25)
drums (drum set):
Tubby Hall (on 1932-01-25)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1932-01-25)
piano:
Charlie Alexander (US jazz pianist) (on 1932-01-25)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1932-01-25)
trombone:
Preston Jackson (jazz trombonist) (on 1932-01-25)
trumpet:
Louis Armstrong (on 1932-01-25) and Zilner Randolph (on 1932-01-25)
vocals:
Louis Armstrong (on 1932-01-25)
recording of:
Between the Devil and the Deep Blue Sea (on 1932-01-25)
lyricist:
Ted Koehler
composer:
Harold Arlen
publisher:
Mills Music, S.A. Music Co. and Ted Koehler Music Co.
3:01
18Lazy River
recorded in:
Chicago, Illinois, United States (on 1931-11-03)
alto saxophone and clarinet:
Lester Boone (on 1931-11-03) and George James (US jazz saxophonist) (on 1931-11-03)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1931-11-03)
drums (drum set):
Tubby Hall (on 1931-11-03)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1931-11-03)
piano:
Charlie Alexander (US jazz pianist) (on 1931-11-03)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1931-11-03)
trombone:
Preston Jackson (jazz trombonist) (on 1931-11-03)
trumpet:
Louis Armstrong (on 1931-11-03) and Zilner Randolph (on 1931-11-03)
lead vocals:
Louis Armstrong (on 1931-11-03)
vocals:
Louis Armstrong (on 1931-11-03)
orchestra:
Louis Armstrong & His Orchestra (on 1931-11-03)
arranger:
Zilner Randolph
recording of:
Lazy River (on 1931-11-03)
lyricist:
Hoagy Carmichael
composer:
Sidney Arodin and Hoagy Carmichael
3:05
19I've Got a Pocketful of Dreams
recorded in:
New York, New York, United States (on 1938-06-24)
clarinet:
Sid Stoneburn (on 1938-06-24)
double bass:
Haig Stephens (on 1938-06-24)
drums (drum set):
Sam Weiss (US jazz drummer) (on 1938-06-24)
guitar:
Dave Barbour (on 1938-06-24)
piano:
Nat Jaffe (on 1938-06-24)
trumpet:
Louis Armstrong (on 1938-06-24), Bob Cusumano (on 1938-06-24) and Johnny McGee (on 1938-06-24)
valve trombone:
Al Philburn (on 1938-06-24)
vocals:
Louis Armstrong (on 1938-06-24)
orchestra:
Louis Armstrong & His Orchestra (on 1938-06-24)
recording of:
I’ve Got a Pocketful of Dreams (on 1938-06-24)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
James V. Monaco
publisher:
Santly Joy Select, Inc. (on 1938-05-07)
2:54
20Lazy Bones
recording of:
Lazy Bones
lyricist:
Johnny Mercer
composer:
Hoagy Carmichael
publisher:
Songs of Peer, Ltd. (ASCAP)
3:10
21Sugar
cover recording of:
Sugar (That Sugar Baby o’ Mine)
writer:
Edna Pinkard, Sidney Mitchell and Maceo Pinkard
composer:
Edna Alexander, Sidney Mitchell and Maceo Pinkard
publisher:
EMI Robbins Catalog (ASCAP) and Robbins Music Corp.
3:25
22When the Saints Go Marching In
recorded in:
New York, New York, United States (on 1938-05-13)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1938-05-13) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-05-13)
double bass:
George "Pops" Foster (on 1938-05-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-05-13)
guitar:
Lee Blair (on 1938-05-13)
piano:
Luis Russell (on 1938-05-13)
tenor saxophone:
Bingie Madison (on 1938-05-13)
trombone:
J.C. Higginbotham (on 1938-05-13)
trumpet:
Louis Armstrong (on 1938-05-13) and Shelton "Scad" Hemphill (on 1938-05-13)
vocals:
Louis Armstrong (on 1938-05-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-13)
recording of:
When the Saints Go Marching In (Louis Armstrong’s version) (on 1938-05-13)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Louis Armstrong
version of:
When the Saints Go Marching In
2:43
23Yes, Suh!
recording of:
Yes Suh!
lyricist:
Andy Razaf
composer:
Edgar Dowell
2:27
24Do You Know What It Means to Miss New Orleans?
recording of:
Do You Know What It Means to Miss New Orleans
lyricist:
Eddie DeLange and Cathrine Legardh
writer:
Louis Alter and Eddie DeLange
composer:
Louis Alter
2:59

Credits

Release

ASIN:DE: B00005USEG [info]