Mafia II

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Anmerkung

Tracks are in alphabetical order renamed and grouped by radio stations.

Anmerkung zuletzt geändert am 2019-09-19 12:59 UTC.

Titelliste

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1▼Digitales Medium: 40s Delta Radio
Nr.TitelKünstlerBewertungLänge
1Ain’t That Just Like a Woman (They’ll Do It Every Time)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1946-01-23) und New York, New York, Vereinigte Staaten (am 1946-01-23)
Produzent(in):
Milt Gabler
alto saxophone:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1946-01-23)
E-Gitarre:
Carl Hogan (am 1946-01-23)
Klanghölzer / Claves:
Vic Lourie (am 1946-01-23)
Klavier:
Wild Bill Davis (am 1946-01-23)
Kontrabass:
Jesse ‘Po’ Simpkins (am 1946-01-23)
Maracas / Rumba-Rasseln:
Harry Dial (am 1946-01-23)
Schlagzeug:
Eddie Byrd (US drummer) (am 1946-01-23)
Tenorsaxophon:
Josh Jackson (tenor saxophone player) (am 1946-01-23)
Trompete:
Aaron Izenhall (am 1946-01-23)
vocals:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1946-01-23)
recording of:
Ain’t That Just Like a Woman (am 1946-01-23)
Verfasser(in):
Claude Demetrius und Fleecie Moore
publisher:
Cherio Music
Louis Jordan and His Tympany Five2:50
2Caldonia
Produzent(in):
Milt Gabler
Klavier:
William Austin (1940s jazz pianist) (am 1945-01-19)
Kontrabass [bass]:
Al Morgan (jazz double-bassist) (am 1945-01-19)
Schlagzeug:
Alex 'Razz' Mitchell (1940s jazz drummer) (am 1945-01-19)
Tenorsaxophon:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1945-01-19) und Freddie Simon (jazz sax) (am 1945-01-19)
Trompete:
Leonard Graham (am 1945-01-19)
vocals:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1945-01-19)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2009)
recording of:
Caldonia (What Makes Your Big Head Hard?) (am 1945-01-19)
Texter und Komponist(in):
Louis Jordan (US jazz, blues and r&b musician and songwriter) und Fleecie Moore
publisher:
Chappell Morris Ltd., Cherio Corp. und Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) (am 1945-04-16)
Louis Jordan and His Tympany Five2:40
3Choo Choo Ch’Boogie
recorded in:
New York, New York, Vereinigte Staaten (am 1946-01-23)
alto saxophone:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1946-01-23)
E-Gitarre:
Carl Hogan (am 1946-01-23)
Klanghölzer / Claves:
Vic Lourie (am 1946-01-23)
Klavier:
Wild Bill Davis (am 1946-01-23)
Kontrabass:
Jesse ‘Po’ Simpkins (am 1946-01-23)
Maracas / Rumba-Rasseln:
Harry Dial (am 1946-01-23)
Schlagzeug:
Eddie Byrd (US drummer) (am 1946-01-23)
Tenorsaxophon:
Josh Jackson (tenor saxophone player) (am 1946-01-23)
Trompete:
Aaron Izenhall (am 1946-01-23)
vocals:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1946-01-23)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1946)
recording of:
Choo Choo Ch’Boogie (am 1946-01-23)
Verfasser(in):
Denver Darling, Milt Gabler und Vaughn Horton
publisher:
Rytvoc (ASCAP) und Warner/Chappell (Warner/Chappell Music, Inc.)
Louis Jordan and His Tympany Five52:41
4Did You Ever Love a Woman
recording of:
Did You Ever Love a Woman
Komponist(in):
Arnold Dwight Moore (Arnold Dwight Moore)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Arnold “Gatemouth” Moore2:47
5Everybody Eats When They Come to My House
recording of:
Everybody Eats When They Come to My House (am 1947-12-11)
Verfasser(in):
Jeanne Burns
Cab Calloway and His Orchestra42:44
6Friendship
recording of:
Friendship
Verfasser(in):
Claude Demetrius und Louis Jordan (US jazz, blues and r&b musician and songwriter)
Louis Jordan and His Tympany Five42:20
7Gangster’s Blues
Peetie Wheatstraw2:44
8G.I. Jive
alto saxophone, Saxophon, Tenorsaxophon und Sologesang:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1944-03-15)
Bass:
Al Morgan (jazz double-bassist) (am 1944-03-15)
Klavier:
Arnold Thomas (am 1944-03-15)
Kontrabass:
Billy Hadnott (am 1944-03-15) und Al Morgan (jazz double-bassist) (am 1944-03-15)
Schlagzeug:
Wilmore Jones (am 1944-03-15)
Trompete:
Eddie Roane (am 1944-03-15) und Courtney Williams (1930-40s trumpeter) (am 1944-03-15)
vocals:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1944-03-15)
recording of:
G.I. Jive (am 1944-03-15)
Texter und Komponist(in):
Johnny Mercer
publisher:
WC Music Corp.
Louis Jordan and His Tympany Five2:57
9I Can’t Lose With the Stuff I Use
Lester Williams2:10
10Inflation Blues
recording of:
40s: Delta Radio: Inflation Blues
Version von:
Inflation Blues
recording of:
Inflation Blues
Jack McVea2:49
11Mercy Mr. Percy
Varetta Dillard2:46
12Open the Door, Richard!
recording of:
Open the Door, Richard (1946 song)
Texter:
Dan Howell und John Mason ("Spider Bruce", vaudeville comedian)
Komponist(in):
Jack McVea
Louis Jordan and His Tympany Five3:00
13Pachuko Hop
Ike Carpenter Orchestra2:12
14Ration Blues
recording of:
Ration Blues (am 1943-10-04)
Verfasser(in):
Collenane Clark, Antonio Cosey und Louis Jordan (US jazz, blues and r&b musician and songwriter)
Louis Jordan and His Tympany Five43:06
15Rock Around the Clock
Hal Singer2:53
16That Chick’s Too Young to Fry
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1946-01-23)
alto saxophone:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1946-01-23)
E-Gitarre:
Carl Hogan (am 1946-01-23)
Klanghölzer / Claves:
Vic Lourie (am 1946-01-23)
Klavier:
Wild Bill Davis (am 1946-01-23)
Kontrabass:
Jesse ‘Po’ Simpkins (am 1946-01-23)
Maracas / Rumba-Rasseln:
Harry Dial (am 1946-01-23)
Schlagzeug:
Eddie Byrd (US drummer) (am 1946-01-23)
Tenorsaxophon:
Josh Jackson (tenor saxophone player) (am 1946-01-23)
Trompete:
Aaron Izenhall (am 1946-01-23)
vocals:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1946-01-23)
recording of:
That Chick's Too Young to Fry (am 1946-01-23)
Verfasser(in):
Tommy Edwards und Jimmy Hilliard
Louis Jordan and His Tympany Five2:22
17That’ll Get It
Floyd Dixon2:44
18The Fat Man
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
United Artists (in 1949) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, Vereinigte Staaten
recording of:
The Fat Man (am 1949-12-10)
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
Fats Domino42:34
19What’s the Use of Getting Sober (When You Gonna Get Drunk Again)
recorded in:
New York, New York, Vereinigte Staaten (am 1942-07-21)
Produzent(in):
Milt Gabler
alto saxophone und Tenorsaxophon:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1942-07-21)
Klavier:
Arnold Thomas (am 1942-07-21)
Kontrabass:
Dallas Bartley (am 1942-07-21)
Schlagzeug:
Walter Martin (1930-40s drummer) (am 1942-07-21)
Trompete:
Eddie Roane (am 1942-07-21)
vocals:
Eddie Roane (?) (am 1942-07-21) und Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1942-07-21)
recording of:
What’s the Use of Gettin’ Sober (When You’re Gonna Get Drunk Again)? (am 1942-07-21)
Texter und Komponist(in):
Busby Meyers
Louis Jordan and His Tympany Five2:55
2▼Digitales Medium: 40s Empire Central
Nr.TitelKünstlerBewertungLänge
1Baby It’s Cold Outside
vocals:
Buddy Clark (US 1930s~1940s singer) und Dinah Shore
Orchester:
Ted Dale and His Orchestra
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1949)
recording of:
Baby, It’s Cold Outside (1948 song by Frank Loesser)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
The 22nd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1949 winner)
Dinah Shore & Buddy Clark2:19
2Boogie Woogie Bugle Boy
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1941-01-02)
vocals:
The Andrews Sisters (am 1941-01-02), Maxene Andrews (am 1941-01-02), Laverne Andrews (am 1941-01-02) und Patti Andrews (am 1941-01-02)
Orchester:
Vic Schoen and His Orchestra (am 1941-01-02)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1941)
recording of:
Boogie Woogie Bugle Boy (am 1941-01-02)
Verfasser(in):
Hughie Prince und Don Raye
publisher:
A4V Digital, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 2)
The Andrews Sisters2:41
3Buttons and Bows
accordion:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1947-11-30)
vocals:
Dinah Shore (am 1947-11-30)
recording of:
Buttons and Bows (1947 song) (am 1947-11-30)
Texter:
Ray Evans (American songwriter)
Komponist(in):
Jay Livingston
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (am 1948-02-25)
Teil von:
The 21st Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1948 winner)
Dinah Shore12:01
4Happiness Is a Thing Called Joe
cover recording of:
Happiness Is a Thing Called Joe (am 1957-04-04)
Texter:
Yip Harburg (in 1940)
Komponist(in):
Harold Arlen (in 1940)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Peggy Lee4:02
5Held for Questioning
Rusty Draper2:21
6I Haven’t Time to Be a Millionaire
recording of:
I Haven’t the Time to Be a Millionaire
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
James V. Monaco
publisher:
Anne-Rachel Music Corp.
Bing Crosby2:47
7It Don’t Mean a Thing (If It Ain’t Got That Swing)
alto saxophone:
Harry Carney und Johnny Hodges
Banjo:
Fred Guy
baritone saxophone:
Harry Carney
Klarinette:
Barney Bigard, Harry Carney und Johnny Hodges
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader)
Kontrabass:
Wellman Braud
Posaune:
Lawrence Brown (jazz trombonist) und Joe "Tricky Sam" Nanton
Schlagzeug:
Sonny Greer
Sopransaxophon:
Johnny Hodges
Tenorsaxophon:
Barney Bigard
Trompete:
Freddie Jenkins, Arthur Whetsel und Cootie Williams
Ventilposaune:
Juan Tizol
Sologesang:
Ivie Anderson
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (am 1932-02-02)
Texter:
Irving Mills (in 1931)
Komponist(in):
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music und EMI Mills Music (ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Duke Ellington & His Orchestra3:08
8I’ve Got a Pocketful of Dreams
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1938-07-11)
vocals:
Bing Crosby (am 1938-07-11)
Orchester:
John Scott Trotter and His Orchestra (am 1938-07-11)
conductor:
John Scott Trotter
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) und MCA Music Ltd. (in 1938)
recording of:
I’ve Got a Pocketful of Dreams (am 1938-07-11)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
James V. Monaco
publisher:
Santly Joy Select, Inc. (am 1938-05-07)
Bing Crosby2:36
9Java Junction
Bob Crosby and His Orchestra1:55
10Let It Snow
Produzent(in):
Jimmy Bowen (producer, rockabilly musician and songwriter) und Lee Gillette
Sologesang:
Dean Martin (American singer/actor) (in 1959)
conductor:
Gus Levene (in 1959)
arranger:
Sammy Cahn und Jule Styne
phonographisches Urheberrecht (℗) von:
The Dean Martin Family Trust und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1959)
Teil von:
Billboard Hot 100: 2026-01-03 (Nummer: 7), Billboard Hot 100: 2025-12-27 (Nummer: 8), Billboard Hot 100: 2025-12-20 (Nummer: 11), Billboard Hot 100: 2025-12-13 (Nummer: 13), Billboard Hot 100: 2025-12-06 (Nummer: 22), Billboard Hot 100: 2025-11-29 (Nummer: 34) und Offizielle deutsche Charts – Single-Jahrescharts 2025 (Nummer: 93)
cover recording of:
Let It Snow! Let It Snow! Let It Snow! (in 1959)
Texter:
Sammy Cahn (in 1945-07)
Komponist(in):
Jule Styne (in 1945-07)
publisher:
Cahn Music Company, Chappell & Co., Chappell/Morris Ltd., Cherry Lane Music Ltd., Imagen Music, J. Albert & Son Pty. Ltd., Producers Music Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und WB Music Corp. (1929–2019)
Dean Martin4.251:55
11Pennies From Heaven
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-07-24)
vocals:
Bing Crosby (am 1936-07-24)
Orchester:
Georgie Stoll and His Orchestra (am 1936-07-24)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) und MCA Music Ltd. (in 1936)
recording of:
Pennies From Heaven (am 1936-07-24)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
Komponist(in):
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) und Joy Music Inc.
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2)
Bing Crosby33:11
12Praise the Lord and Pass the Ammunition
recording of:
Praise the Lord and Pass the Ammunition (am 1942-07-31)
Texter und Komponist(in):
Frank Loesser
Kay Kyser2:32
13Rum and Coca‐Cola
recording of:
Rum and Coca‐Cola (calypso) (am 1944-10-18)
Texter:
Lord Invader (calypso vocalist and songwriter)
zusätzlicher Texter:
Morey Amsterdam
Komponist(in):
Lionel Belasco (Trinidadian-Venezuelan calypso pianist, composer and bandleader)
zusätzliche(r) Komponist(in):
Paul Baron (conductor) und Jeri Sullivan
publisher:
EMI Feist Catalog Inc. und EMI Partnership Musikverlag GmbH
The Andrews Sisters3:07
14Sing, Sing, Sing
recording of:
Sing, Sing, Sing (With a Swing)
Texter und Komponist(in):
Louis Prima
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (beendet) und EMI Robbins Catalog Inc. (ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Benny Goodman33:06
15Straighten Up and Fly Right
vocals:
The Andrews Sisters (in 1944)
recording of:
Straighten Up and Fly Right (in 1944)
Verfasser(in):
Nat King Cole und Irving Mills
publisher:
American Academy of Music, Inc., EMI Mills Music (ASCAP-affiliated) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
sub-publisher:
Mills Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30)
The Andrews Sisters2:26
16Strip Polka
vocals:
The Andrews Sisters (in 1942)
recording of:
Strip Polka (am 1942-07-17)
Texter und Komponist(in):
Johnny Mercer
The Andrews Sisters2:46
17Dipsy Doodle
vocals:
Edythe Wright (am 1937-10-14)
recording of:
Dipsy Doodle (am 1937-10-14)
Texter und Komponist(in):
Larry Clinton (in 1937)
Tommy Dorsey & His Orchestra3:08
18The Pessimistic Character (With the Crab Apple Face)
Bing Crosby2:28
19There’ll Be a Hot Time in the Town of Berlin (When the Yanks Go Marching in)
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1944-06-30)
vocals:
The Andrews Sisters (am 1944-06-30) und Bing Crosby (am 1944-06-30)
Orchester:
Vic Schoen and His Orchestra (am 1944-06-30)
recording of:
There'll Be a Hot Time in the Town of Berlin (am 1944-06-30)
Verfasser(in):
Joe Bushkin und John DeVries
The Andrews Sisters2:50
20Vict’ry Polka
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1943-09-27)
vocals:
The Andrews Sisters (am 1943-09-27) und Bing Crosby (am 1943-09-27)
Orchester:
Vic Schoen and His Orchestra (am 1943-09-27)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
recording of:
Vict’ry Polka (am 1943-09-27)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
The Andrews Sisters2:43
21Why Don’t You Do Right
vocals:
Peggy Lee (jazz vocalist) (am 1947-11-19)
conductor:
Dave Barbour (am 1947-11-19)
cover recording of:
Why Don’t You Do Right? (am 1947-11-19)
Texter und Komponist(in):
Kansas Joe McCoy
publisher:
Edwin Morris Music und Morley Music Co
Version von:
Weed Smoker’s Dream
recording of:
Why Don’t You Do Right?
Texter und Komponist(in):
Kansas Joe McCoy
publisher:
Edwin Morris Music und Morley Music Co
Version von:
Weed Smoker’s Dream
Peggy Lee42:24
3▼Digitales Medium: 40s Empire Classic
Nr.TitelKünstlerBewertungLänge
1Beatin’ the Dog
Geige / Violine:
Joe Venuti (am 1927-06-28)
Gitarre:
Eddie Lang (US jazz guitarist, also recorded as Blind Willie Dunn) (am 1927-06-28)
Joe Venuti & Eddie Lang2:38
2Belleville
recording of:
Belleville
Komponist(in):
Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt42:29
3Blue Skies
alto saxophone:
Toots Mondello (am 1935-06-25) und Hymie Shertzer (am 1935-06-25)
Gitarre:
George van Eps (am 1935-06-25)
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1935-06-25)
Klavier:
Frank Froeba (am 1935-06-25)
Kontrabass:
Harry Goodman (am 1935-06-25)
Posaune:
Red Ballard (am 1935-06-25) und Jack Lacey (am 1935-06-25)
Schlagzeug:
Gene Krupa (am 1935-06-25)
Tenorsaxophon:
Dick Clark (tenor saxophonist) (am 1935-06-25) und Art Rollini (am 1935-06-25)
Trompete:
Bunny Berigan (am 1935-06-25), Nate Kazebier (am 1935-06-25) und Jerry Neary (am 1935-06-25)
instrumental recording of:
Blue Skies (am 1935-06-25)
Texter und Komponist(in):
Irving Berlin (in 1926)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Music Company und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Benny Goodman and His Orchestra2:50
4By the Light of the Silvery Moon
Bing Crosby1:27
5Clarinet Marmalade
recorded in:
New York, New York, Vereinigte Staaten (am 1927-02-04)
alto saxophone:
Jimmy Dorsey (am 1927-02-04) und Stanley "Doc" Ryker (am 1927-02-04)
Banjo und Gitarre:
Eddie Lang (US jazz guitarist, also recorded as Blind Willie Dunn) (am 1927-02-04) und Howdy Quicksell (am 1927-02-04)
Klarinette und Rohrblattinstrumente:
Jimmy Dorsey (am 1927-02-04)
Klavier:
Paul Mertz (Paul Madeira Mertz) (am 1927-02-04) und Itzy Riskin (am 1927-02-04)
Kornett:
Bix Beiderbecke (American jazz cornettist, pianist and composer) (am 1927-02-04)
Posaune:
Bill Rank (am 1927-02-04)
Saxophon [C-melody saxophone]:
Frankie Trumbauer (am 1927-02-04)
Schlagzeug:
Chauncey Morehouse (am 1927-02-04)
recording of:
Clarinet Marmalade (am 1927-02-04)
Komponist(in):
Henry Ragas (in 1918) und Larry Shields (in 1918)
Frankie Trumbauer and His Orchestra3:10
6Come On and Stomp, Stomp, Stomp
Interpret(in):
Johnny Doddsʼ Black Bottom Stompers (am 1927-10-08)
Johnny Dodds’ Black Bottom Stompers2:54
7Goin’ Places
Joe Venuti & Eddie Lang2:57
8Good Little, Bad Little You
Cliff Edwards2:40
9Happy Feet
Banjo:
Morris White (jazz guitarist) (am 1930-10-14)
Klavier:
Earres Prince (am 1930-10-14)
Posaune:
DePriest Wheeler (am 1930-10-14)
Rohrblattinstrumente:
Andrew Brown (jazz saxophonist) (am 1930-10-14), Walter Thomas (am 1930-10-14) und William Thornton Blue (American jazz reed player) (am 1930-10-14)
Schlagzeug:
Leroy Maxey (jazz drummer) (am 1930-10-14)
Trompete:
Reuben Reeves (am 1930-10-14) und Lammar Wright (am 1930-10-14)
vocals:
Cab Calloway (am 1930-10-14)
recording of:
Happy Feet (am 1930-10-14)
Texter:
Jack Yellen
Komponist(in):
Milton Ager
publisher:
Warner Bros., Inc. (not for release label use!) (in 1930)
Cab Calloway and His Orchestra22:34
10Riverboat Shuffle
recording of:
Riverboat Shuffle (am 1927-05-09)
Komponist(in):
Hoagy Carmichael, Irving Mills, Parish und Dick Voynow
Frankie Trumbauer and His Orchestra3:10
11Stringing the Blues
Joe Venuti & Eddie Lang2:49
12The Best Things in Life Are Free
recording of:
The Best Things in Life Are Free (Good News)
Texter:
Lew Brown und Buddy DeSylva
Komponist(in):
Ray Henderson
publisher:
Chappell & Co.
Teil von:
Good News (1947 film)
The Ink Spots32:31
13You’re Driving Me Crazy
recording of:
You’re Driving Me Crazy
Texter:
Walter Donaldson
Komponist(in):
Walter Donaldson (in 1930)
publisher:
Anne-Rachel Music Corp., Donaldson Publishing Co., Larry Spier Music LLC und Tobago Music Co.
Quintette du Hot Club de France2:51
4▼Digitales Medium: 50s Delta Radio
Nr.TitelKünstlerBewertungLänge
1Ain’t It a Shame
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
F. D. & Hunter (publisher) (in 1955) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, Vereinigte Staaten
recording of:
Ain’t That a Shame (am 1955-03-15)
Verfasser(in):
Antoine Domino (Fats Domino) und Dave Bartholomew
publisher:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (in 1955, in 1983) und United Artists Music Ltd. (vom 1977 bis heute)
Fats Domino4.52:23
2Bo Diddley
Gitarre:
Bo Diddley (American singer, guitarist, songwriter and music producer) (am 1955-03-02)
Maracas / Rumba-Rasseln:
Jerome Green (am 1955-03-02)
Schlagzeug:
Clifton James (am 1955-03-02)
vocals:
Bo Diddley (American singer, guitarist, songwriter and music producer) (am 1955-03-02)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 62), Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2017) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 277)
recording of:
Bo Diddley (am 1955-03-02)
Texter und Komponist(in):
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (bis 1955-03-02)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Good Music Ltd.
Bo Diddley3.252:43
3Boom Boom
Produzent(in):
Calvin Carter
Bass:
James Jamerson
Gitarre:
John Lee Hooker (US blues singer, songwriter & guitarist)
Klavier:
Joe Hunter (of the Motown "Funk Brothers" studio ensemble)
Schlagzeug:
Benny Benjamin (US drummer) (in 1961)
Tenorsaxophon:
Hank Crosby
vocals:
John Lee Hooker (US blues singer, songwriter & guitarist)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1967)
aufgenommen bei:
Universal Recording Corporation, Studio B in Chicago, Illinois, Vereinigte Staaten (am 1961-10-26)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2009), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 218) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 463)
recording of:
Boom Boom (am 1961-10-26)
Texter und Komponist(in):
John Lee Hooker (US blues singer, songwriter & guitarist)
publisher:
Conrad Publishing Co. Inc. und Tristan Music Ltd.
John Lee Hooker3.32:38
4Framed
recording of:
Framed
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Sony/ATV Songs LLC und Southern Music Pub. Co. Ltd.
The Robins2:43
5Got My Mojo Working
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 1984)
recording of:
Got My Mojo Working (Muddy Waters arrangement)
zusätzliche(r) Verfasser(in):
Morgan Field (blues musician)
arranger:
Muddy Waters (blues musician)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Dare Music Co.
Version von:
Got My Mojo Working (original version)
Muddy Waters52:46
6Honey Love
recording of:
Honey Love
Verfasser(in):
Clyde McPhatter und Jerry Wexler
publisher:
P.M.P.C. Inc.
The Robins feat. Clyde McPhatter2:23
7I Put a Spell on You
vocals:
Screamin’ Jay Hawkins
Teil von:
Pitchfork: The Story of Goth in 33 Songs, Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 299) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 313)
recording of:
I Put a Spell on You (am 1956-09-12)
Texter und Komponist(in):
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) und EMI United Partnership Ltd. (in 1956)
Screamin’ Jay Hawkins3.92:25
8In the Still of the Night
Produzent(in):
Marty Kugell
Klavier:
Curlee Glover (in 1956-02)
Kontrabass:
Doug Murray (double bassist) (in 1956-02)
Schlagzeug [drums]:
Bobby Mapp (in 1956-02)
Solo-Saxophon:
Vinny Mazzetta (in 1956-02)
vocals:
Al Denby (in 1956-02), Jim Freeman (in 1956-02), Ed Martin (in 1956-02), Nat Mosley (in 1956-02) und Fred Parris (in 1956-02)
phonographisches Urheberrecht (℗) von:
Standard Records (in 1956)
aufgenommen bei:
Saint Bernadette Catholic School (New Haven) in New Haven, Connecticut, Vereinigte Staaten (in 1956-02)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 90) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 170)
recording of:
In the Still of the Night (Five Satins doo-wop song) (in 1956)
Texter und Komponist(in):
Fred Parris
publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und Llee Corp. (LLEE Corporation) (in 1956)
The Five Satins4.52:59
9Keep a Knockin’
Bearbeitung von:
Keep A Knockin’ von Little Richard
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 9)
recording of:
Keep a Knockin’ (Little Richard’s version)
Texter und Komponist(in):
Richard Wayne Penniman (in 1957-01)
publisher:
MCA Music Ltd.
Version von:
Keep a‐Knockin’ an You Can’t Get In
Little Richard52:15
10Ling, Ting, Tong
The Five Keys52:07
11Long Tall Sally
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-02-07)
Bassgitarre:
Frank Fields (am 1956-02-07)
Gitarre:
Edgar Blanchard (am 1956-02-07)
Klavier und Sologesang:
Little Richard (am 1956-02-07)
Schlagzeug:
Earl Palmer (am 1956-02-07)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-02-07)
aufgenommen bei:
J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1956-02-07)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 13) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 56)
recording of:
Long Tall Sally (am 1956-02-07)
Verfasser(in):
Enotris Johnson (am 1955-11-29), Richard Wayne Penniman (am 1955-11-29) und Robert Alexander Blackwell (am 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music und Venice Music
Little Richard42:07
12Lucille
recording of:
Lucille
Verfasser(in):
Albert Collins (US blues guitarist/vocalist/harmonica), Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”) und Richard Wayne Penniman
publisher:
Leeds Music Ltd., MCA Music Inc. (Universal Music Philippines’ legal name), MCA Music Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Universal/MCA Music Ltd. (not for release label use!) und Venice Music
Little Richard2:23
13Manish Boy
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1955-05-24)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 1986)
recording of:
Mannish Boy (am 1955-05-24)
Verfasser(in):
Ellas McDaniel (American singer, guitarist, songwriter and music producer), Mel London und McKinley Morganfield (blues musician)
publisher:
Bug Music Ltd. und Tristan Music Ltd.
Teil von:
Risky Business (film soundtrack)
Muddy Waters2:54
14Nadine (Is It You?)
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
E-Bass:
Louis Satterfield (von 1964-01-07 bis 1964-01-09)
Gitarre und Sologesang:
Chuck Berry (von 1964-01-07 bis 1964-01-09)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (von 1964-01-07 bis 1964-01-09)
Schlagzeug:
Odie Payne (American Chicago blues drummer) (von 1964-01-07 bis 1964-01-09)
Tenorsaxophon:
Rubin Cooper (von 1964-01-07 bis 1964-01-09) und George Patterson (von 1964-01-07 bis 1964-01-09)
aufgenommen bei:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Vereinigte Staaten (von 1964-01-07 bis 1964-01-09)
recording of:
Nadine (Is It You?) (von 1964-01-07 bis 1964-01-09)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Tristan Music Limited
Chuck Berry2:31
15No Particular Place to Go
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1964-03-26)
Klavier:
Paul Williams (Pianist, played with Chuck Berry) (am 1964-03-26)
Schlagzeug:
Odie Payne (American Chicago blues drummer) (am 1964-03-26)
aufgenommen bei:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Vereinigte Staaten (am 1964-03-26)
recording of:
No Particular Place to Go (am 1964-03-26)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry2:41
16Brazil
The Coasters2:19
17Rags to Riches
cover recording of:
Rags to Riches
Verfasser(in):
Richard Adler (musical composer/lyricist) und Jerry Ross (musical composer/lyricist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Saunders Publications Inc. (von 1953 bis 2010), J & J Ross Co. (vom 2011 bis heute) und Lakshmi Puja Music Ltd. (vom 2011 bis heute)
Jackie Wilson2:38
18Smokestack Lightning
recording of:
Smokestack Lightning
Texter und Komponist(in):
Chester Arthur Burnett
publisher:
Arc Music (U.S. rock & blues publisher)
Howlin’ Wolf3:03
19Speedoo
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 3)
recording of:
Speedoo (in 1955-09)
Texter und Komponist(in):
Esther Navarro
The Cadillacs32:17
20Who Do You Love
Gitarre:
Bo Diddley (American singer, guitarist, songwriter and music producer) (am 1956-05-24) und Jody Williams (blues guitarist/singer) (am 1956-05-24)
Maracas / Rumba-Rasseln:
Jerome Green (am 1956-05-24)
Schlagzeug:
Clifton James (am 1956-05-24)
Hintergrundgesang:
The Moonglows (1950s Cleveland R&B group)
vocals:
Bo Diddley (American singer, guitarist, songwriter and music producer) (am 1956-05-24)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (vom 1956 bis heute)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 132)
recording of:
Who Do You Love? (am 1956-05-24)
Texter und Komponist(in):
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (in 1956)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) und Tristan Music Ltd.
Bo Diddley3.52:27
5▼Digitales Medium: 50s Empire Central
Nr.TitelKünstlerBewertungLänge
1All I Have to Do Is Dream
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 390)
recording of:
All I Have to Do Is Dream
Texter und Komponist(in):
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Acuff-Rose Publications, Inc. (BMI) (am 1958-04-21)
The Everly Brothers52:18
2At the Hop
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 28)
recording of:
At the Hop
Verfasser(in):
John L. Medora, Artie Singer (US songwriter, producer and bandleader) und David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
publisher:
Sea-Lark Enterprises, Inc., Singular Music und Tristan Music Ltd.
Danny & the Juniors3.52:36
3Book of Love
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 12) und Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 29)
recording of:
Book of Love
Verfasser(in):
Warren Davis, George Malone und Charles Patrick (lead singer for The Monotones)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Nom Music, Inc.
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Monotones52:18
4Cannonball
Duane Eddy & The Rebels1:53
5C’mon Everybody
E-Bass:
Connie “Guybo” Smith (bass player) (am 1958-10-10)
Gitarre:
Eddie Cochran (US rock and roll musician active in 1950s) (am 1958-10-10)
Klavier:
Ray Johnson (Rhythm 'n' blues - jazz pianist - songwriter - band leader) (am 1958-10-10)
Schlagzeug:
Earl Palmer (am 1958-10-10)
Tamburin:
Jerry Capehart (am 1958-10-10)
vocals:
Eddie Cochran (US rock and roll musician active in 1950s) (am 1958-10-10)
aufgenommen bei:
Goldstar Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-10-10)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 22) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 403)
recording of:
C’mon Everybody (am 1958-10-09)
Verfasser(in):
Jerry Capehart und Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., Metric Music Co (publisher) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran41:53
6Come On Let’s Go
recording of:
Come On, Let’s Go
Texter und Komponist(in):
Ritchie Valens
publisher:
Tro-Essex Music Ltd.
Ritchie Valens52:00
7Come Softly to Me
arranger:
Bonnie Guitar
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1959)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 14)
recording of:
Come Softly to Me
Verfasser(in):
Gretchen Christopher, Barbara Ellis und Gary Troxel
publisher:
Chappell Morris, EMI Unart Catalog Inc. und Unart Music Corp. (in 1958, in 1959)
The Fleetwoods32:22
8Donna
recording engineer:
Larry Levine und Stan Ross (recording engineer, mixer & producer)
Produzent(in):
Bob Keane
phonographisches Urheberrecht (℗) von:
Del-Fi Records Inc. (in 1958)
recording of:
Donna
Texter und Komponist(in):
Ritchie Valens
publisher:
Aberbach Musikverlag (German publisher) und Carlin Music Corporation
Ritchie Valens4.82:20
9Don’t Let Go
recording of:
Don’t Let Go
Texter und Komponist(in):
Jesse Stone
publisher:
Campbell Connelly & Co. Ltd., Scion Three Music LLC und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Roy Hamilton2:29
10Forty Miles of Bad Road
Händeklatschen und sonstiger Gesang [rebel yells]:
The Sharps (US doo wop group from Los Angeles, CA)
Saxophon:
Steve Douglas (American saxophonist, flautist and clarinetist)
recording of:
40 Miles of Bad Road (1959 instrumental) (in 1959)
Komponist(in):
Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) und Duane Eddy
instrumental recording of:
40 Miles of Bad Road (1959 instrumental)
Komponist(in):
Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) und Duane Eddy
Duane Eddy & The Rebels2:03
11Maybe
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 5)
recording of:
Maybe (am 1957-10-16)
Texter und Komponist(in):
Richard Barrett (US soul producer/singer)
publisher:
Tunecore Digital Music (publisher; not a release label. Use [no label]) und チューンコアジャパン株式会社 (TuneCore Japan, mostly a distributor; not a release label. Use [no label])
The Chantels2:34
12Money (That’s What I Want)
recording of:
Money (That’s What I Want)
Verfasser(in):
Janie Bradford und Berry Gordy
publisher:
EMI United Partnership Ltd., Jobete Music (UK), Jobete Music Co., Inc., Stone Agate Music Division und United Partnership Ltd.
Barrett Strong2:35
13Moovin ’n’ Groovin’
Duane Eddy22:01
14Mr. Sandman
The Chordettes2:22
15Not Fade Away
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (am 1957-05-27)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-27)
Gitarre [lead guitar], Gitarre [rhythm guitar] und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29)
Kontrabass:
Joe B. Mauldin (am 1957-05-29)
Schlagzeug:
Jerry Allison (am 1957-05-27, am 1957-05-29)
Hintergrundgesang:
Jerry Allison (am 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29) und Niki Sullivan (am 1957-05-29)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-27)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-05-27)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 107)
recording of:
Not Fade Away (am 1957-05-27)
Verfasser(in):
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) und Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited und Wren Music
recording of:
Not Fade Away (am 1957-05-29)
Verfasser(in):
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) und Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited und Wren Music
The Crickets4.652:16
16Rave On
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 4)
cover recording of:
Rave On
Verfasser(in):
Norman Petty, Bill Tilghman (songwriter) und Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Nor-Va-Jak Music, Southern Music (publisher) und Wren Music Co.
Buddy Holly1:47
17Rebel ’Rouser
Duane Eddy2:23
18(We’re Gonna) Rock Around the Clock
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 7)
recording of:
Rock Around the Clock (Bill Haley’s version)
Texter und Komponist(in):
Jimmy De Knight (in 1952) und Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. und Myers Music, Inc.
Version von:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley42:10
19Sh‐Boom
cover recording of:
Sh‐Boom
Verfasser(in):
William Edwards (The Chords), Carl Feaster, Claude Feaster, James Keyes und Floyd McRae
uraufgeführt von:
The Chords (50s US doo-wop group "Sh-Boom")
The Crew-Cuts52:45
20Stood Up
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 31)
Ricky Nelson1:50
21Summertime Blues
E-Bass:
Connie “Guybo” Smith (bass player) (am 1958-03-28)
Gitarre:
Eddie Cochran (US rock and roll musician active in 1950s) (am 1958-03-28)
Schlagzeug:
Earl Palmer (am 1958-03-28)
vocals:
Eddie Cochran (US rock and roll musician active in 1950s) (am 1958-03-28)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1958)
aufgenommen bei:
Goldstar Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-03-28)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 11), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 73) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 432)
recording of:
Summertime Blues (in 1958-05)
Verfasser(in):
Jerry Capehart und Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
American Music (publisher), Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. (publisher), Rightsong Music, Viva Music, Inc, Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran3.751:55
22Teen Beat
recording of:
Teen Beat
Komponist(in):
Arthur Egnoian und Sandy Nelson
publisher:
Lovolar Music
Sandy Nelson2:21
23Tequila
recording of:
Tequila
Texter und Komponist(in):
Daniel Flores (Daniel Flores)
The Champs4.32:11
24That’ll Be the Day
The Crickets32:14
25Why Do Fools Fall in Love
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 307)
recording of:
Why Do Fools Fall in Love (in 1955-11)
Verfasser(in):
Morris Levy und Frankie Lymon
zusätzliche(r) Verfasser(in):
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) und Herman Santiago (singer for Frankie Lymon & The Teenagers)
publisher:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Frankie Lymon & The Teenagers4.52:17
26You Can Have Her
recording of:
You Can Have Her (1961 song)
Texter und Komponist(in):
Bill Cook (American songwriter)
publisher:
Big Billy Music und Big Billy Music Co.
Roy Hamilton2:43
6▶Digitales Medium: 50s Empire Classic