Tracklist

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1CD
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1Die Entführung aus dem Serail, K. 384: Ouvertüre
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Ouvertüre (Die Entführung aus dem Serail, K. 384: Overture) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Die Entführung aus dem Serail, K. 384
Wolfgang Amadeus Mozart4:17
2Die Entführung aus dem Serail, K. 384: Act I, Scene I. No. 1 Aria "Hier soll ich Dich denn sehen" (Belmonte) / Act I, Scene I. Dialog "Aber wie soll ich in den Palast kommen?" (Belmonte)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene I. No. 1 Arie "Hier soll ich dich denn sehen" (Belmonte) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart2:39
3Die Entführung aus dem Serail, K. 384: Act I, Scene II. No. 2 Lied und Duetto "Wer ein Liebchen hat gefunden" (Osmin, Belmonte)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene II. No. 2 Lied und Duett "Wer ein Liebchen hat gefunden" (Osmin) / "Verwünscht seist du samt deinem Liede!" (Osmin, Belmonte) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart6:23
4Die Entführung aus dem Serail, K. 384: Act I, Nun, wie steht's, Osmin?
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Act I, Nun, wie steht's, Osmin? (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384
Wolfgang Amadeus Mozart0:21
5Die Entführung aus dem Serail, K. 384: Act I, Scene III. No. 3 Aria "Solche hergelauf'ne Laffen" (Osmin)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene III. No. 3 Arie "Solche hergelauf'ne Laffen" (Osmin) / Akt I, Szene III. Dialog "Was bist du nur für ein Mensch!" (Pedrillo) / Akt I, Szene III. "Erst geköpft, dann gehangen" (Osmin) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart4:51
6Die Entführung aus dem Serail, K. 384: Act I, Scene IV. Dialog "Geh nur, verwünschter Aufpasser!" (Pedrillo, Belmonte)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (tenor) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene IV. Dialog "Geh nur, verwünschter Aufpasser!" (Pedrillo, Belmonte) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart1:58
7Die Entführung aus dem Serail, K. 384: Act I, Konstanze, dich wiederzusehen / Nr. 4: O wie ängstlich, o wie feurig
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene V. No. 4 Rezitativ und Arie "Konstanze, dich wieder zu sehen!" (Belmonte) / "O wie ängstlich, o wie feurig" (Belmonte) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart5:02
8Die Entführung aus dem Serail, K. 384: Act I, Herr, geschwind auf die Seite / Nr. 5a Marsch
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene V. Dialog "Geschwind, geschwind auf die Seite" (Pedrillo) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart1:59
9Die Entführung aus dem Serail, K. 384: Act I, Scene VI. No. 5b Chor "Singt dem grossen Bassa Lieder" (Chor und Solisten der Janitscharen)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
baritone vocals [Solo quartet in the Janissaries' chorus]:
Julian Clarkson (baritone) (in 1991-07)
countertenor vocals [Solo quartet in the Janissaries' chorus]:
Richard Wyn Roberts (in 1991-07)
soprano vocals [Solo quartet in the Janissaries' chorus]:
Angela Kazimierczuk (Classical soprano) (in 1991-07)
tenor vocals [Solo quartet in the Janissaries' chorus]:
Paul Tindall (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VI. No. 5b Chor de Janitscharen "Singt dem grossen Bassa Lieder" (Chor und Solisten der Janitscharen) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart1:34
10Die Entführung aus dem Serail, K. 384: Act I, Scene VII. Dialog "Immer noch traurig, geliebte Konstanze?" (Selim, Konstanze)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
spoken vocals [Selim, Bassa]:
Hans-Peter Minetti (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VII. Dialog "Immer noch traurig, geliebte Konstanze?" (Selim, Konstanze) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart0:37
11Die Entführung aus dem Serail, K. 384: Act I, Scene VII. No. 6 Aria "Ach ich liebte" (Konstanze)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VII. No. 6 Arie "Ach ich liebte, war so glücklich" (Konstanze) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart4:54
12Die Entführung aus dem Serail, K. 384: Act I, Du bist so großmütig, so gut / Ha, Triumph, Triumph, Herr! / Wohin? ... Hinein!
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
spoken vocals [Selim, Bassa]:
Hans-Peter Minetti (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (tenor) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Act I, Du bist so großmütig, so gut / Ha, Triumph, Triumph, Herr! / Wohin? ... Hinein! (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384
Wolfgang Amadeus Mozart2:40
13Die Entführung aus dem Serail, K. 384: Act I, Scene X. No. 7 Trio "Marsch, marsch, marsch! Trollt euch fort" (Osmin, Belmonte, Pedrillo)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (tenor) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene X. No. 7 Terzett "Marsch, marsch, marsch! Trollt euch fort" (Osmin, Belmonte, Pedrillo) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart2:22
14Die Entführung aus dem Serail, K. 384: Act II, Gift und Dolch / O, des Zankens, Befehlens und Murrens / Nr. 8: Durch Zärtlichkeit und Schmeicheln
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (soprano) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. Dialog "O, des Zankens, Befehlens und Murrens wird auch kein Ende!" (Blonde) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart4:41
15Die Entführung aus dem Serail, K. 384: Act II, Scene I. Dialog "Zärtlichkeit? Schmeicheln? Es ist mir wie pure Zärtlichkeit!" (Osmin, Blonde)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (soprano) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 8 Arie "Durch Zärtlichkeit und Schmeicheln" (Blonde) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart0:47
16Die Entführung aus dem Serail, K. 384: Act II, Scene I. No. 9 Duetto "Ich gehe, doch rate ich dir" (Osmin, Blonde)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (soprano) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 9 Duett "Ich gehe, doch rate ich dir" (Osmin, Blonde) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart3:31
17Die Entführung aus dem Serail, K. 384: Act II, Scene II. No. 10 Aria "Traurigkeit ward mir zum Lose" (Konstanze)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (soprano) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Act II, Scene II. No. 10 Aria "Traurigkeit ward mir zum Lose" (Konstanze) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384
Wolfgang Amadeus Mozart9:27
18Die Entführung aus dem Serail, K. 384: Act II, Ach mein bestes Fräulein / Nun, Konstanze, denkst du meinem Begehren nach?
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (soprano) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
spoken vocals [Selim, Bassa]:
Hans-Peter Minetti (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene II. Dialog "Ach mein bestes Fräulein" (Blonde, Konstanze) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Christoph Friedrich Bretzner
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart0:54
19Die Entführung aus dem Serail, K. 384: Act II, Scene III. No. 11 Aria "Martern aller Arten" (Konstanze)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart9:25
20Die Entführung aus dem Serail, K. 384: Act II, Ist das ein Traum?
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
spoken vocals [Selim, Bassa]:
Hans-Peter Minetti (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Act II, Scene IV. Dialog "Ist das ein Traum?" (Selim) (in 1991-07)
lyricist:
Johann Gottlieb Stephanie ('The Younger')
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart0:42
2CD
#TitleArtistRatingLength
1Die Entführung aus dem Serail, K. 384: Act II, Bst, bst! Blondchen!
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (soprano) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VI. "Pst, Blondchen, pst!" (Pedrillo, Blonde) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart1:20
2Die Entführung aus dem Serail, K. 384: Act II, Scene VI. No. 12 Aria "Welche Wonne, welche Lust" (Blonde)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (soprano) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VI. No. 12 Arie "Welche Wonne, welche Lust" (Blonde) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart2:47
3Die Entführung aus dem Serail, K. 384: Act II, Ah, dass es schon vorbei wäre! / Act II, Scene VII. No. 13 Aria "Frisch zum Kampfe!" (Pedrillo)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VII. Dialog "Ah, daß es schon vorbei wäre!" (Pedrillo) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VII. No. 13 Arie "Frisch zum Kampfe!" (Pedrillo) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart3:21
4Die Entführung aus dem Serail, K. 384: Act II, Scene VIII. Dialog "Ha! Geht's hier so lustig zu?" (Osmin, Pedrillo)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. Dialog "Ha! Geht's hier so lustig zu?" (Osmin, Pedrillo) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart1:20
5Die Entführung aus dem Serail, K. 384: Act II, Scene VIII. No. 14 Duetto "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. No. 14 Duett "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart2:03
6Die Entführung aus dem Serail, K. 384: Act II, Wein - das ist wahr - Wein / Pedrillo, ist Konstanze noch nicht hier?
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (tenor) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Act II, Wein - das ist wahr - Wein / Pedrillo, ist Konstanze noch nicht hier? (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384
Wolfgang Amadeus Mozart1:52
7Die Entführung aus dem Serail, K. 384: Act II, No. 15: Wenn der Freude Tränen fließen / Ich hab hier ein Schiff in Bereitschaft
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (soprano) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (tenor) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 15 Arie "Wenn der Freude Tränen fließen" (Belmonte) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart6:54
8Die Entführung aus dem Serail, K. 384: Act II, No. 16: Ach, Belmonte! Ach, mein Leben
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (soprano) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (tenor) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 16 Quartett "Ach Belmonte! Ach mein Leben!" (Konstanze, Belmonte, Pedrillo, Blonde) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart10:04
9Die Entführung aus dem Serail, K. 384: Act II, Pedrillo! Pedrillo!
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (tenor) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Act II, Pedrillo! Pedrillo! (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384
Wolfgang Amadeus Mozart0:31
10Die Entführung aus dem Serail, K. 384: Act III, Scene III. No. 17 Aria "Ich baue ganz auf deine Stärke" (Belmonte)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene III. No. 17 Aria "Ich baue ganz auf deine Stärke" (Belmonte) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart6:15
11Die Entführung aus dem Serail, K. 384: Act III, Alles liegt auf dem Ohr / Nr. 18: In Mohrenland gefangen war
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (tenor) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene IV. Dialog "Alles liegt auf dem Ohr" (Pedrillo, Belmonte) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart3:07
12Die Entführung aus dem Serail, K. 384: Act III, Sie macht auf, Herr! / Gift und Dolch! Was ist das?
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (soprano) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (tenor) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene IV. Dialog "Endlich, sie macht auf, Herr" (Pedrillo, Belmonte, Konstanze, Osmin) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart1:40
13Die Entführung aus dem Serail, K. 384: Act III, Scene V. No. 19 Aria "O, wie will ich triumphieren" (Osmin)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa] and bass vocals [Osmin]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart3:21
14Die Entführung aus dem Serail, K. 384: Act III, Was gibt's, Osmin, was gibt's?
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
spoken vocals [Selim, Bassa]:
Hans-Peter Minetti (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Act III, Scene V. Dialog "Was gibt's, Osmin, was gibt's?" (Selim, Osmin, Konstanze, Belmonte) (in 1991-07)
lyricist:
Johann Gottlieb Stephanie ('The Younger')
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart2:20
15Die Entführung aus dem Serail, K. 384: Act III, Scene VII. Recitativo "Welch ein Geschick!" (Belmonte, Konstanze) / No. 20 Duetto "Meinetwegen sollst du sterben!"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene VII. No. 20a Rezitativ "Welch ein Geschick!" (Belmonte, Konstanze) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene VII. No. 20b Duett "Meinetwegen sollst du sterben!" (Belmonte, Konstanze) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart9:44
16Die Entführung aus dem Serail, K. 384: Act III, Nun, Sklave! Erwartest du dein Urteil?
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
spoken vocals [Selim, Bassa]:
Hans-Peter Minetti (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (tenor) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Act III, Scene IX. Dialog "Nun,Sklave! Elender Sklave!" (Selim, Belmonte, Konstanze, Pedrillo, Osmin) (in 1991-07)
lyricist:
Johann Gottlieb Stephanie ('The Younger')
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart2:03
17Die Entführung aus dem Serail, K. 384: Act III, No. 21a. Finale. Vaudeville: "Nie werd' ich deine Huld verkennen" (Tutti)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
baritone vocals [Solo quartet in the Janissaries' chorus]:
Julian Clarkson (baritone) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
countertenor vocals [Solo quartet in the Janissaries' chorus]:
Richard Wyn Roberts (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (soprano) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
soprano vocals [Solo quartet in the Janissaries' chorus]:
Angela Kazimierczuk (Classical soprano) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (tenor) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
tenor vocals [Solo quartet in the Janissaries' chorus]:
Paul Tindall (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene IX. No. 21a Vaudeville "Nie werd'ich deine Huld verkennen" (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart4:53