Der Rosenkavalier

~ Release by Richard Strauss; Schwarzkopf, Ludwig, Stich-Randall, Edelmann, Philharmonia Orchestra & Chorus, Herbert von Karajan (see all versions of this release, 10 available)

Annotation

Cast:

Die Feldmarschallin: Elisabeth Schwarzkopf (Sopran)
Der Baron Ochs auf Lerchenau: Otto Edelmann (Baß)
Octavian: Christa Ludwig (Mezzosopran)
Herr von Faninal: Eberhard Wächter (Bariton)
Sophie: Teresa Stich-Randall (Sopran)
Marianne: Ljuba Welitsch (Sopran)
Valzacchi: Paul Kuen (Tenor)
Annina: Kerstin Meyer (Alt)
Ein Sänger: Nicolai Gedda (Tenor)
Ein Polizeikommissar: Franz Bierbach (Baß)
Der Haushofmeister bei der Feldmarschallin: Erich Majkut (Tenor)
Der Haushofmeister bei Faninal: Gerhard Unger (Tenor)
Ein Notar: Harald Pröglhöf (Bariton)
Ein Wirt: Karl Friedrich (Tenor)
Eine Modistin: Anny Felbermayer (Sopran)
Ein Tierhändler: Gerhard Unger (Tenor)
Drei Adelige Waisen: Elisabeth Schwarzkopf, Christa Ludwig, Kerstin Mayer
Vier Lakaien der Marschallin: Gerhard Unger, Erich Majkut, Eberhard Wächter, Harald Pröglhöf
Vier Kellner: Gerhard Unger, Erich Majkut, Eberhard Wächter, Franz Bierbach

Recorded 10-15 and 17-22 Dec 1956, Kingsway Hall, London
Original Sound recording made in 1957 by EMI Records
Digitally remastered in 1987 by EMI Records
Doubtless the same performance as this, but with different track division.

EMI CDS 7 49354 2 represents the three disc boxed set.
EMI CDC 7 49355 2 represents specifically the 1st disc.
"EMI" CDC 7 49356 2 represents this specifically the 2nd disc.
EMI CDC 7 49357 2 represents this specifically the 3rd disc.

Annotation last modified on 2013-01-12 09:31 UTC.

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1Der Rosenkavalier, Op. 59: Aufzug I. Einleitung
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. Einleitung (The Rose-knight, Act 1: Introduction) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:36
2Der Rosenkavalier, Op. 59: Aufzug I. "Wie du warst! Wie du bist!" (Octavian, Marschallin)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Wie du warst! Wie du bist!" (Octavian, Marschallin) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss2:57
3Der Rosenkavalier, Op. 59: Aufzug I. "Du bist mein Bub', du bist mein Schatz!" (Marschallin, Octavian)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Du bist mein Bub', du bist mein Schatz!" (Marschallin, Octavian) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss5:39
4Der Rosenkavalier, Op. 59: Aufzug I. "Der Feldmarschall sitzt im krowatischen Wald" (Octavian, Marschallin)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Der Feldmarschall sitzt im krowatischen Wald" (Octavian, Marschallin) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss4:10
5Der Rosenkavalier, Op. 59: Aufzug I. "Quinquin, es ist ein Besuch" (Marschallin, Haushofmeister, Baron, Octavian)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Erich Majkut (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Quinquin, es ist ein Besuch" (Marschallin, Haushofmeister, Baron, Octavian) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss1:49
6Der Rosenkavalier, Op. 59: Aufzug I. "Selbstverständlich empfängt mich Ihro Gnaden" (Baron, Lakaien, Marschallin, Haushofmeister)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
baritone vocals:
Harald Pröglhöf (Austrian operatic bass-baritone) (from 1956-12-10 until 1956-12-22) and Eberhard Wächter (baritone) (from 1956-12-10 until 1956-12-22)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Erich Majkut (tenor) (from 1956-12-10 until 1956-12-22) and Gerhard Unger (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Selbstverständlich empfängt mich Ihro Gnaden" (Baron, Lakaien, Marschallin, Haushofmeister) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss8:17
7Der Rosenkavalier, Op. 59: Aufzug I. "Hat Sie schon einmal" (Baron, Octavian, Marschallin)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Hat Sie schon einmal" (Baron, Octavian, Marschallin) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss0:56
8Der Rosenkavalier, Op. 59: Aufzug I. "Macht das einen lahmen Esel aus mir?" (Baron, Marschallin, Octavian)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Macht das einen lahmen Esel aus mir?" (Baron, Marschallin, Octavian) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss2:57
9Der Rosenkavalier, Op. 59: Aufzug I. "Geben mir Euer Gnaden den Grasaff' da" (Baron, Marschallin, Octavian)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Geben mir Euer Gnaden den Grasaff' da" (Baron, Marschallin, Octavian) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss1:45
10Der Rosenkavalier, Op. 59: Aufzug I. "Wollen Euer Gnaden leicht den Jungen Herren da" (Marschallin, Baron, Octavian)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Wollen Euer Gnaden leicht den Jungen Herren da" (Marschallin, Baron, Octavian) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss1:22
11Der Rosenkavalier, Op. 59: Aufzug I. "I komm' glei" … "Drei arme adelige Waisen" (Octavian, Die drei Waisen, Modistin, Tierhändler, Marschallin, Valzacchi)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
alto vocals:
Kerstin Meyer (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Anny Felbermayer (soprano) (from 1956-12-10 until 1956-12-22) and Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Paul Kuën (tenor) (from 1956-12-10 until 1956-12-22) and Gerhard Unger (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "I komm' glei" … "Drei arme adelige Waisen" (Octavian, Die drei Waisen, Modistin, Tierhändler, Marschallin, Valzacchi) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss2:57
12Der Rosenkavalier, Op. 59: Aufzug I. "Di rigori armato il seno" (Ein Sänger)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
tenor vocals:
Nicolai Gedda (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Di rigori armato il seno" (Ein Sänger) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss2:10
13Der Rosenkavalier, Op. 59: Aufzug I. "Als Morgengabe …" (Baron, Notar, Sänger)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
baritone vocals:
Harald Pröglhöf (Austrian operatic bass-baritone) (from 1956-12-10 until 1956-12-22)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Nicolai Gedda (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Als Morgengabe …" (Baron, Notar, Sänger) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:02
14Der Rosenkavalier, Op. 59: Aufzug I. "Mein lieber Hippolyte" (Marschallin, Valzacchi, Baron, Annina)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
alto vocals:
Kerstin Meyer (from 1956-12-10 until 1956-12-22)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Paul Kuën (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Mein lieber Hippolyte" (Marschallin, Valzacchi, Baron, Annina) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:39
15Der Rosenkavalier, Op. 59: Aufzug I. "Da geht er hin, der aufgeblasene schlechte Kerl" (Marschallin)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1956-12-10 until 1956-12-22)
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. “Da geht er hin, der aufgeblasene schlechte Kerl” (Marschallin, Octavian) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss5:18
16Der Rosenkavalier, Op. 59: Aufzug I. "Ach, du bist wieder da!" (Marschallin, Octavian)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Ach, du bist wieder da!" (Marschallin, Octavian) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss5:33
17Der Rosenkavalier, Op. 59: Aufzug I. "Die Zeit, die ist ein sonderbar Ding" (Marschallin)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Die Zeit, die ist ein sonderbar Ding" (Marschallin) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss2:26
18Der Rosenkavalier, Op. 59: Aufzug I. "Mein schöner Schatz" (Octavian, Marschallin)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Mein schöner Schatz" (Octavian, Marschallin) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss4:20
19Der Rosenkavalier, Op. 59: Aufzug I. "Ich werd' jetzt in die Kirchen" (Marschallin, Octavian, Lakaien)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
baritone vocals:
Harald Pröglhöf (Austrian operatic bass-baritone) (from 1956-12-10 until 1956-12-22) and Eberhard Wächter (baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Erich Majkut (tenor) (from 1956-12-10 until 1956-12-22) and Gerhard Unger (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Ich werd' jetzt in die Kirchen" (Marschallin, Octavian, Lakaien) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss7:18
2▼CD
#TitleArtistRatingLength
1Der Rosenkavalier, Op. 59: Aufzug II. Einleitung
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt II. Einleitung (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss0:39
2Der Rosenkavalier, Op. 59: Aufzug II. "Ein ernster Tag, ein grosser Tag" (Faninal, Marianne, Haushofmeister)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
baritone vocals:
Eberhard Wächter (baritone) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Ljuba Welitsch (soprano) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Gerhard Unger (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Ein ernster Tag, ein grosser Tag" (Faninal, Marianne, Haushofmeister) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss1:09
3Der Rosenkavalier, Op. 59: Aufzug II. "In dieser feierlichen Stunde der Prüfung" (Sophie, Marianne, Drei Läufer)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
soprano vocals:
Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22) and Ljuba Welitsch (soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt II. "In dieser feierlichen Stunde der Prüfung" (Sophie, Marianne, Drei Läufer) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss3:43
4Der Rosenkavalier, Op. 59: Aufzug II. "Mir ist die Ehre widerfahren" (Octavian, Sophie)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Mir ist die Ehre widerfahren" (Octavian, Sophie) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss7:20
5Der Rosenkavalier, Op. 59: Aufzug II. "Ich kenn' ihn schon recht wohl" (Sophie, Octavian)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Ich kenn' ihn schon recht wohl" (Sophie, Octavian) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss4:02
6Der Rosenkavalier, Op. 59: Aufzug II. "Jetzt aber kommt mein Herr Zukünftiger" (Sophie, Faninal, Baron, Octavian, Marianne)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
baritone vocals:
Eberhard Wächter (baritone) (from 1956-12-10 until 1956-12-22)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22) and Ljuba Welitsch (soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Jetzt aber kommt mein Herr Zukünftiger" (Sophie, Faninal, Baron, Octavian, Marianne) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss3:00
7Der Rosenkavalier, Op. 59: Aufzug II. "Brav, Faninal, er weiss, was sich gehört" (Baron, Octavian, Sophie, Faninal, Marianne)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
baritone vocals:
Eberhard Wächter (baritone) (from 1956-12-10 until 1956-12-22)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22) and Ljuba Welitsch (soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Brav, Faninal, er weiss, was sich gehört" (Baron, Octavian, Sophie, Faninal, Marianne) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
recording of:
Der Rosenkavalier: Akt II. "Belieben jetzt vielleicht ... ist ein alter Tokaier" (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss4:30
8Der Rosenkavalier, Op. 59: Aufzug II. "Wird kommen über Nacht" (Baron, Octavian, Marianne, Faninal)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
baritone vocals:
Eberhard Wächter (baritone) (from 1956-12-10 until 1956-12-22)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Ljuba Welitsch (soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Wird kommen über Nacht" (Baron, Octavian, Marianne, Faninal) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss2:09
9Der Rosenkavalier, Op. 59: Aufzug II. "Hab' nichts dawider" (Baron, Octavian, Sophie, Faninals Haushofmeister, Marianne)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22) and Ljuba Welitsch (soprano) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Gerhard Unger (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Hab' nichts dawider" (Baron, Octavian, Sophie, Faninals Haushofmeister, Marianne) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss3:46
10Der Rosenkavalier, Op. 59: Aufzug II. "Was sie ist … mit ihren Augen voll Tränen" (Octavian, Sophie)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Was sie ist … mit ihren Augen voll Tränen" (Octavian, Sophie) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss3:41
11Der Rosenkavalier, Op. 59: Aufzug II. "Herr Baron von Lerchenau!" (Valzacchi, Annina, Baron, Sophie, Octavian, Die Lerchenauschen, Faninals Dienerschaft, Marianne, Faninal)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
alto vocals:
Kerstin Meyer (from 1956-12-10 until 1956-12-22)
baritone vocals:
Eberhard Wächter (baritone) (from 1956-12-10 until 1956-12-22)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22) and Ljuba Welitsch (soprano) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Paul Kuën (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Herr Baron von Lerchenau!" (Valzacchi, Annina, Baron, Sophie, Octavian, Die Lerchenauschen, Faninals Dienerschaft, Marianne, Faninal) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss7:44
12Der Rosenkavalier, Op. 59: Aufzug II. "Er muss mich pardonieren" (Octavian, Faninal, Sophie, Marianne, Baron)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
baritone vocals:
Eberhard Wächter (baritone) (from 1956-12-10 until 1956-12-22)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22) and Ljuba Welitsch (soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Er muss mich pardonieren" (Octavian, Faninal, Sophie, Marianne, Baron) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss6:32
13Der Rosenkavalier, Op. 59: Aufzug II. "Da lieg' ich!" (Baron, Die Lerchenauschen, Annina)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
alto vocals:
Kerstin Meyer (from 1956-12-10 until 1956-12-22)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Da lieg' ich!" (Baron, Die Lerchenauschen, Annina) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss6:38
14Der Rosenkavalier, Op. 59: Aufzug II. "Da" … "Herr Cavalier" (Baron, Annina)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
alto vocals:
Kerstin Meyer (from 1956-12-10 until 1956-12-22)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Da" … "Herr Cavalier" (Baron, Annina) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss4:49
3▼CD
#TitleArtistRatingLength
1Der Rosenkavalier, Op. 59: Aufzug III. Einleitung und Pantomime
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt III. Einleitung und Pantomime (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss6:49
2Der Rosenkavalier, Op. 59: Aufzug III. "Hab'n Euer Gnaden noch weitre Befehle?" (Der Wirt, Kellner, Baron)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
baritone vocals:
Eberhard Wächter (baritone) (from 1956-12-10 until 1956-12-22)
bass vocals:
Franz Bierbach (operatic bass) (from 1956-12-10 until 1956-12-22) and Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Karl Friedrich (tenor) (from 1956-12-10 until 1956-12-22), Erich Majkut (tenor) (from 1956-12-10 until 1956-12-22) and Gerhard Unger (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Hab'n Euer Gnaden noch weitre Befehle?" (Der Wirt, Kellner, Baron) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss2:33
3Der Rosenkavalier, Op. 59: Aufzug III. "Nein, nein, nein! I trink' kein Wein" (Octavian, Baron)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Nein, nein, nein! I trink' kein Wein" (Octavian, Baron) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss1:32
4Der Rosenkavalier, Op. 59: Aufzug III. "Ach, lass Sie schon einmal das fade Wort!" (Baron, Octavian)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Ach, lass Sie schon einmal das fade Wort!" (Baron, Octavian) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss3:19
5Der Rosenkavalier, Op. 59: Aufzug III. "Die schöne Musi!" (Octavian, Baron)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Die schöne Musi!" (Octavian, Baron) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss2:47
6Der Rosenkavalier, Op. 59: Aufzug III. "Wie die Stund' hengeht" (Octavian, Baron, Annina, Wirt, Vier Kinder, Kellner, Valzacchi)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
alto vocals:
Kerstin Meyer (from 1956-12-10 until 1956-12-22)
baritone vocals:
Eberhard Wächter (baritone) (from 1956-12-10 until 1956-12-22)
bass vocals:
Franz Bierbach (operatic bass) (from 1956-12-10 until 1956-12-22) and Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Karl Friedrich (tenor) (from 1956-12-10 until 1956-12-22), Paul Kuën (tenor) (from 1956-12-10 until 1956-12-22), Erich Majkut (tenor) (from 1956-12-10 until 1956-12-22) and Gerhard Unger (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Wie die Stund' hengeht" (Octavian, Baron, Annina, Wirt, Vier Kinder, Kellner, Valzacchi) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss4:53
7Der Rosenkavalier, Op. 59: Aufzug III. "Oh weh, was maken wir?" … "Halt! Keiner rührt sich!" (Valzacchi, Kommissarius, Octavian, Baron, Wirt, Faninal, Vier Kinder)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
baritone vocals:
Eberhard Wächter (baritone) (from 1956-12-10 until 1956-12-22)
bass vocals:
Franz Bierbach (operatic bass) (from 1956-12-10 until 1956-12-22) and Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Karl Friedrich (tenor) (from 1956-12-10 until 1956-12-22) and Paul Kuën (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Oh weh, was maken wir?" … "Halt! Keiner rührt sich!" (Valzacchi, Kommissarius, Octavian, Baron, Wirt, Faninal, Vier Kinder) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss5:37
8Der Rosenkavalier, Op. 59: Aufzug III. "Sind desto eher im Klaren" (Baron, Kommissarius, Octavian)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
bass vocals:
Franz Bierbach (operatic bass) (from 1956-12-10 until 1956-12-22) and Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Sind desto eher im Klaren" (Baron, Kommissarius, Octavian) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss1:44
9Der Rosenkavalier, Op. 59: Aufzug III. "Muss jetzt partout zu ihr!" … "Ihre hochfürstliche Gnaden" (Baron, Wirt, Octavian, Kommissarius, Marschallin, Sophie)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
bass vocals:
Franz Bierbach (operatic bass) (from 1956-12-10 until 1956-12-22) and Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22) and Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Karl Friedrich (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Muss jetzt partout zu ihr!" … "Ihre hochfürstliche Gnaden" (Baron, Wirt, Octavian, Kommissarius, Marschallin, Sophie) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss10:03
10Der Rosenkavalier, Op. 59: Aufzug III. "Ist halt vorbei" (Marschallin, Sophie, Baron, Annina, Die Kinder, Kellner, Wirt, Valzacchi, Die Musikanten, Die Kutscher, Hausknecht)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
alto vocals:
Kerstin Meyer (from 1956-12-10 until 1956-12-22)
baritone vocals:
Eberhard Wächter (baritone) (from 1956-12-10 until 1956-12-22)
bass vocals:
Franz Bierbach (operatic bass) (from 1956-12-10 until 1956-12-22) and Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22) and Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Karl Friedrich (tenor) (from 1956-12-10 until 1956-12-22), Paul Kuën (tenor) (from 1956-12-10 until 1956-12-22), Erich Majkut (tenor) (from 1956-12-10 until 1956-12-22) and Gerhard Unger (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Ist halt vorbei" (Marschallin, Sophie, Baron, Annina, Die Kinder, Kellner, Wirt, Valzacchi, Die Musikanten, Die Kutscher, Hausknecht) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss2:37
11Der Rosenkavalier, Op. 59: Aufzug III. "Mein Gott, es war nicht mehr als eine Farce" (Sophie, Octavian, Marschallin)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22) and Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Mein Gott, es war nicht mehr als eine Farce" (Sophie, Octavian, Marschallin) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss2:19
12Der Rosenkavalier, Op. 59: Aufzug III. "Heut oder morgen oder den übernächsten Tag" (Marschallin, Octavian, Sophie)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22) and Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Heut oder morgen oder den übernächsten Tag" (Marschallin, Octavian, Sophie) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss4:33
13Der Rosenkavalier, Op. 59: Aufzug III. "Marie Theres'!" … "Hab'mir's gelobt" (Octavian, Marschallin, Sophie)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22) and Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt III. “Marie Theres’!” … “Hab’ mir’s gelobt” (Octavian, Marschallin, Sophie, Faninal) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss6:03
14Der Rosenkavalier, Op. 59: Aufzug III. "Ist ein Traum, kann nicht wirklich sein" (Sophie, Octavian, Faninal, Marschallin)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
baritone vocals:
Eberhard Wächter (baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22) and Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Ist ein Traum, kann nicht wirklich sein" (Sophie, Octavian, Faninal, Marschallin) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss3:49
15Der Rosenkavalier, Op. 59: Aufzug III. "Ist ein Traum" … "Spür nur dich" (Sophie, Octavian)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Ist ein Traum" … "Spür nur dich" (Sophie, Octavian) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss2:56

Credits

Release

engineer and mastering:Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:Walter Legge (British classical producer)
chorus master:Wilhelm Pitz (chorus master)
choir vocals:Bancroft's School Choir
Loughton High School for Girls
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
ASIN:UK: B000002RQ5 [info]