The Extraordinary

~ Pubblicazione di Nat King Cole (visualizza tutte le versioni di questa pubblicazione: 4 disponibili)

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1CD
#TitoloArtistaValutazioneDurata
1L-O-V-E
tecnico:
Ryan Robinson (engineer)
tecnico di missaggio:
Joel Iwataki
assistente editor:
Sam Zeines
voce:
Nat King Cole (il 1964-06-03)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1964-06-03)
registrazione di:
L‐O‐V‐E (il 1964-06-03)
paroliere:
Milton Gabler
compositore:
Bert Kaempfert (German orchestra leader, producer and songwriter)
editore:
Bert Kaempfert Music Publishing GmbH, Edition Doma Bert Kaempfert (publisher) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Nat King Cole52:34
2Walkin'
basso :
Phil Stephens (bass and tuba player) (il 1951-09-04)
batteria :
Alvin Stoller (il 1951-09-04)
bonghi e congas :
Jack Costanzo (il 1951-09-04)
chitarra :
Barney Kessel (il 1951-09-04)
pianoforte :
Jimmy Rowles (il 1951-09-04)
sassofono baritono :
Chuck Gentry (il 1951-09-04)
sassofono contralto :
Skeets Herfurt (il 1951-09-04) e Wilbur Schwartz (il 1951-09-04)
sassofono tenore :
Fred Fallensby (il 1951-09-04) e Ted Nash (40s-80s US swing reedman, uncle of the other) (il 1951-09-04)
tromba :
Johnny Best (jazz trumpeter) (il 1951-09-04), Conrad Gozzo (il 1951-09-04), Manny Klein (il 1951-09-04) e Ray Linn (il 1951-09-04)
trombone :
Ed Kusby (il 1951-09-04), Murray McEachern (il 1951-09-04), Pullman “Tommy” Pederson (il 1951-09-04) e Jimmy Priddy (il 1951-09-04)
voce:
Nat King Cole (il 1951-09-04)
direttore d'orchestra:
Billy May (il 1951-09-04)
arrangiatore:
Billy May
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1951-09-04)
registrazione di:
Walkin'
paroliere e compositore:
Mary Lou Williams (American jazz pianist and composer) (nel 1951)
Nat King Cole2:50
3(I Would Do) Anything For You
registrazione di:
I Would Do Anything for You
compositore:
Alexander Hill (Alex Hill, 20th century US jazz pianist), Claude Hopkins e Bobby Williams (jazz composer)
Nat King Cole1:46
4The Song is Ended (But the Melody Lingers On)Nat King Cole2:47
5Unforgettable
produttore:
Lee Gillette
pianoforte :
Nat King Cole (nel 1961)
voce:
Nat King Cole (nel 1961)
direttore d'orchestra:
Ralph Carmichael (nel 1961)
registrazione di:
Unforgettable (nel 1961)
paroliere e compositore:
Irving Gordon (US songwriter)
editore:
Bourne Co. (not for release label use, this is a music publisher) e Bourne Music Ltd.
Nat King Cole3.853:28
6Walkin' My Baby Back Home
basso :
Phil Stephens (bass and tuba player) (il 1951-09-04)
batteria :
Alvin Stoller (il 1951-09-04)
bonghi e congas :
Jack Costanzo (il 1951-09-04)
chitarra :
Barney Kessel (il 1951-09-04)
pianoforte :
Jimmy Rowles (il 1951-09-04)
sassofono baritono :
Chuck Gentry (il 1951-09-04)
sassofono contralto :
Skeets Herfurt (il 1951-09-04) e Wilbur Schwartz (il 1951-09-04)
sassofono tenore :
Fred Fallensby (il 1951-09-04) e Ted Nash (40s-80s US swing reedman, uncle of the other) (il 1951-09-04)
tromba :
Johnny Best (jazz trumpeter) (il 1951-09-04), Conrad Gozzo (il 1951-09-04), Manny Klein (il 1951-09-04) e Ray Linn (il 1951-09-04)
trombone :
Ed Kusby (il 1951-09-04), Murray McEachern (il 1951-09-04), Pullman “Tommy” Pederson (il 1951-09-04) e Jimmy Priddy (il 1951-09-04)
voce:
Nat King Cole (il 1951-09-04)
direttore d'orchestra:
Billy May (il 1951-09-04)
arrangiatore:
Billy May
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1951-09-04)
registrazione cover di:
Walkin’ My Baby Back Home (il 1951-09-04)
paroliere:
Roy Turk (nel 1930)
compositore:
Fred Ahlert (nel 1930)
editore:
Chappell & Co., Inc. (USA), Redwood Music Ltd. (Carlin) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Nat King Cole2:41
7I'm Gonna Sit Right Down (And Write Myself a Letter)Nat King Cole2:38
8Midnight Flyer
registrazione di:
Midnight Flyer
autore:
Robert Mosely (US rhythm & blues singer/songwriter) e Mayme Watts
Nat King Cole2:13
9Send For Me
produttore:
Lee Gillette
basso :
Charlie Harris (jazz bassist) (il 1957-05-14)
batteria :
Lee Young (40s-60s US jazz drummer, then producer/A&R) (il 1957-05-14)
chitarra :
John Collins (US jazz guitarist) (il 1957-05-14) e Al Hendrickson (il 1957-05-14)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1957-05-14)
sassofono tenore :
Plas Johnson (il 1957-05-14)
voce:
Nat King Cole (il 1957-05-14)
voce di accompagnamento:
The Herman McCoy Choir (il 1957-05-14)
direttore d'orchestra:
Billy May (il 1957-05-14)
arrangiatore:
Billy May
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1957-05-14)
registrazione di:
Send for Me (il 1957-05-14)
paroliere e compositore:
Ollie Jones
Nat King Cole2:39
10Open Up the Doghouse (Two Cats Are Coming In)
basso :
Charlie Harris (jazz bassist) (il 1954-09-07)
batteria :
Lee Young (40s-60s US jazz drummer, then producer/A&R) (il 1954-09-07)
chitarra :
John Collins (US jazz guitarist) (il 1954-09-07)
pianoforte :
Lew Brown (il 1954-09-07)
sassofono baritono :
Chuck Gentry (il 1954-09-07)
sassofono contralto :
Skeets Herfurt (il 1954-09-07) e Harry Klee (il 1954-09-07)
sassofono tenore :
Ted Nash (40s-80s US swing reedman, uncle of the other) (il 1954-09-07)
tromba :
Johnny Best (jazz trumpeter) (il 1954-09-07), Conrad Gozzo (il 1954-09-07) e Manny Klein (il 1954-09-07)
trombone :
Ed Kusby (il 1954-09-07), Murray McEachern (il 1954-09-07) e Si Zentner (il 1954-09-07)
voce:
Nat King Cole (il 1954-09-07) e Dean Martin (American singer/actor) (il 1954-09-07)
orchestra:
Billy May & His Orchestra (il 1954-09-07)
direttore d'orchestra:
Billy May (il 1954-09-07)
arrangiatore:
Billy May
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1954)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1954-09-07)
registrazione di:
Open Up the Doghouse (il 1954-09-07)
autore:
Roy Alfred (Tin Pan Alley lyricist and composer) e Marvin Fisher
Nat King Cole with Dean Martin2:28
11(Get Your Kicks On) Route 66
registrata a:
New York, New York, Stati Uniti (il 1961-03-23)
produttore:
Lee Gillette
chitarra :
John Collins (US jazz guitarist) (il 1961-03-23)
contrabbasso :
Charlie Harris (jazz bassist) (il 1961-03-23)
pianoforte :
Nat King Cole (il 1961-03-23)
voce:
Nat King Cole (il 1961-03-23)
direttore d'orchestra:
Ralph Carmichael
registrazione di:
(Get Your Kicks on) Route 66 (il 1961-03-23)
paroliere e compositore:
Bobby Troup
editore:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e Burke-Van Heusen, Inc. (il 1946-04-22)
Nat King Cole2:56
12Love
produttore:
Lee Gillette
arrangiatore:
Richard Wess
registrata presso:
Capitol Studios (New York City) in New York, New York, Stati Uniti (il 1961-04-07)
registrazione cover di:
Love (il 1961-04-07)
autore:
Ralph Blane e Hugh Martin
editore:
Leo Feist, Inc.
Nat King Cole2:02
13Papa Loves Mambo
ance :
Fred Fallensby (il 1954-10-18), Chuck Gentry (il 1954-10-18), Skeets Herfurt (il 1954-10-18), Ted Nash (75- US saxophonist, the nephew) (il 1954-10-18) e Wilbur Schwartz (il 1954-10-18)
arpa :
Ann Mason Stockton (American harpist) (il 1954-10-18)
basso :
Joe Mondragon (il 1954-10-18)
batteria :
Lee Young (40s-60s US jazz drummer, then producer/A&R) (il 1954-10-18)
chitarra :
Al Hendrickson (il 1954-10-18)
percussione :
Stevan Dweek (il 1954-10-18), Alvin Stoller (il 1954-10-18) e Carlos Vidal (Cuban percussionist) (il 1954-10-18)
pianoforte :
Bill Miller (pianist) (il 1954-10-18)
tromba :
Johnny Best (jazz trumpeter) (il 1954-10-18), Conrad Gozzo (il 1954-10-18), Manny Klein (il 1954-10-18) e Uan Rasey (il 1954-10-18)
trombone :
Ed Kusby (il 1954-10-18), Murray McEachern (il 1954-10-18), Pullman “Tommy” Pederson (il 1954-10-18) e Si Zentner (il 1954-10-18)
viola :
Alvin Dinkin (il 1954-10-18) e Stanley Harris (US big band viola player) (il 1954-10-18)
violino :
Victor Bay (il 1954-10-18), Alex Beller (il 1954-10-18), Mischa Russell (violinist) (il 1954-10-18), Eudice Shapiro (Violinist) (il 1954-10-18), Paul Shure (il 1954-10-18) e Felix Slatkin (il 1954-10-18)
violoncello :
Cy Bernard (il 1954-10-18) e Eleanor Slatkin (US cellist, b. Aller) (il 1954-10-18)
cori:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1954-10-18)
voce:
Nat King Cole (il 1954-10-18)
orchestra:
Billy May & His Orchestra (il 1954-10-18)
direttore d'orchestra:
Billy May (il 1954-10-18) e Nelson Riddle (il 1954-10-18)
arrangiatore:
Billy May e Nelson Riddle
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1954-10-18)
registrazione cover di:
Papa Loves Mambo (il 1954-10-18)
autore:
Al Hoffman, Dick Manning (American songwriter) e Bickley Reichner
Nat King Cole2:41
14You've Got the Indian Sign On Me
registrazione di:
You've Got the Indian Sign on Me (nel 1960)
paroliere:
Johnny Burke (American lyricist, 1908–1964) (nel 1960)
compositore:
Joe Bushkin (nel 1960)
Nat King Cole1:49
15Mona Lisa
produttore:
Lee Gillette
basso :
Joe Comfort (il 1950-03-11)
batteria :
Lee Young (40s-60s US jazz drummer, then producer/A&R) (il 1950-03-11)
bonghi :
Jack Costanzo (il 1950-03-11)
chitarra :
Irving Ashby (il 1950-03-11)
pianoforte :
Buddy Cole (il 1950-03-11)
viola :
Allan Harshman (violist) (il 1950-03-11) e Dave Sterkin (il 1950-03-11)
violino :
Sam Cytron (il 1950-03-11), David Frisina (il 1950-03-11), Murray Kellner (il 1950-03-11), Mark Levant (il 1950-03-11), Dan Lube (il 1950-03-11), Lou Raderman (il 1950-03-11), Paul Shure (il 1950-03-11) e Felix Slatkin (il 1950-03-11)
violoncello :
Cy Bernard (il 1950-03-11) e Eleanor Slatkin (US cellist, b. Aller) (il 1950-03-11)
cori:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1950-03-11)
voce:
Nat King Cole (il 1950-03-11)
orchestra:
Les Baxter and His Orchestra (il 1950-03-11)
direttore d'orchestra:
Les Baxter (il 1950-03-11)
arrangiatore:
Nelson Riddle (il 1950-03-11)
registrazione cover di:
Mona Lisa (il 1950-03-11)
paroliere:
Raymond B. Evans (American songwriter)
autore:
Livingston & Evans (songwriting duo)
compositore:
Jay Livingston
editore:
Famous Chappell e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-editore:
BMG Unisong Music Publishers BV
parte di:
The 23rd Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1950 winner)
Nat King Cole43:27
16Let's Face the Music and Dance
registrazione di:
Let’s Face the Music and Dance (from “Follow the Fleet”)
paroliere e compositore:
Irving Berlin (nel 1936)
editore:
Irving Berlin Music Company, Irving Berlin Music Corp. e Williamson Music Company
parte di:
Follow the Fleet (1936 film)
Nat King Cole2:26
17Almost Like Being in Love
batteria :
Lee Young (40s-60s US jazz drummer, then producer/A&R) (il 1953-01-28)
bonghi :
Jack Costanzo (il 1953-01-28)
chitarra :
John Collins (US jazz guitarist) (il 1953-01-28)
contrabbasso :
Charlie Harris (jazz bassist) (il 1953-01-28)
pianoforte :
Buddy Cole (il 1953-01-28) e Nat King Cole (il 1953-01-28)
sassofono :
Jack Dumont (il 1953-01-28), Skeets Herfurt (il 1953-01-28), Joe Koch (il 1953-01-28), Ted Nash (40s-80s US swing reedman, uncle of the other) (il 1953-01-28) e Buck Skalak (il 1953-01-28)
tromba :
Pete Candoli (il 1953-01-28), Manny Klein (il 1953-01-28), Shorty Sherock (il 1953-01-28) e Rubin "Zeke" Zarchy (il 1953-01-28)
trombone :
Milt Bernhart (il 1953-01-28), Ed Kusby (il 1953-01-28), Jimmy Priddy (il 1953-01-28) e Si Zentner (il 1953-01-28)
voce:
Nat King Cole (il 1953-01-28)
orchestra:
Nelson Riddle and His Orchestra (il 1953-01-28)
direttore d'orchestra:
Nelson Riddle (il 1953-01-28)
arrangiatore:
Nelson Riddle
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1953-01-28)
registrazione di:
Almost Like Being in Love (from “Brigadoon”) (il 1953-01-28)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe
editore:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
Brigadoon (complete musical)
Nat King Cole1:54
18Don't Get Around Much Anymore
registrazione di:
Don’t Get Around Much Anymore
paroliere:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (nel 1942)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1940)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. e Sony/ATV Harmony
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
versione di:
Never No Lament
Nat King Cole3:12
19Orange Colored Sky
produttore:
Lee Gillette
pianoforte :
Nat King Cole (il 1961-07-06)
voce:
Nat King Cole (il 1961-07-06)
orchestra:
Stan Kenton and His Orchestra (il 1961-07-06)
direttore d'orchestra:
Stan Kenton (il 1961-07-06)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1961-07-06)
registrazione di:
Orange Colored Sky (il 1961-07-06)
autore:
Milton DeLugg e William Stein
editore:
Amy Dee Music Corp.
Nat King Cole42:34
20Long, Long Ago (With Dean Martin)
basso :
Charlie Harris (jazz bassist) (il 1954-09-07)
batteria :
Lee Young (40s-60s US jazz drummer, then producer/A&R) (il 1954-09-07)
chitarra :
John Collins (US jazz guitarist) (il 1954-09-07)
pianoforte :
Lew Brown (il 1954-09-07)
sassofono baritono :
Chuck Gentry (il 1954-09-07)
sassofono contralto :
Skeets Herfurt (il 1954-09-07) e Harry Klee (il 1954-09-07)
sassofono tenore :
Ted Nash (40s-80s US swing reedman, uncle of the other) (il 1954-09-07)
tromba :
Johnny Best (jazz trumpeter) (il 1954-09-07), Conrad Gozzo (il 1954-09-07) e Manny Klein (il 1954-09-07)
trombone :
Ed Kusby (il 1954-09-07), Murray McEachern (il 1954-09-07) e Si Zentner (il 1954-09-07)
voce:
Nat King Cole (nel 1954, il 1954-09-07) e Dean Martin (American singer/actor) (nel 1954, il 1961-09-07)
orchestra:
Billy May and His Orchestra (nel 1954) e Billy May & His Orchestra (il 1954-09-07)
direttore d'orchestra:
Billy May (il 1954-09-07)
arrangiatore:
Billy May
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1954)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1954-09-07)
registrazione di:
Long, Long Ago (Dean Martin & Nat King Cole version) (il 1954-09-07)
autore:
Roy Alfred (Tin Pan Alley lyricist and composer) e Marvin Fisher
versione di:
Long, Long Ago (Original version for voice and piano)
Nat King Cole2:19
21Breezin' Along With the Breeze
registrazione di:
Breezin’ Along With the Breeze
paroliere:
Haven Gillespie (nel 1926) e Seymour Simons (nel 1926)
compositore:
Richard A. Whiting (nel 1926)
Nat King Cole2:30
22You're Wrong All Wrong (Previously Unreleased)
Nat King Cole2:58