| # | Title | Rating | Length |
|---|
| 1 | Minnie the Moocher- engineer:
- Fred Christie (task: original new york engineer) and Richard Mays (task: original new york engineer)
- mixer:
- Geoffrey Haslam and İlhan Mimaroğlu
- alto saxophone:
- Johnny Hodges (on 1962-12-13)
- bass:
- Ernie Shepard (on 1962-12-13)
- drums (drum set):
- Sam Woodyard (on 1962-12-13)
- piano:
- Duke Ellington (on 1962-12-13)
- reeds [alto sax, clarinet]:
- Russell Procope (on 1962-12-13)
- reeds [baritone sax, clarinet, bass clarinet]:
- Harry Carney (on 1962-12-13)
- reeds [clarinet, tenor sax]:
- Jimmy Hamilton (on 1962-12-13)
- tenor saxophone:
- Paul Gonsalves (on 1962-12-13)
- trombone:
- Lawrence Brown (on 1962-12-13), Chuck Connors (on 1962-12-13) and Buster Cooper (on 1962-12-13)
- trumpet:
- Roy Burrowes (on 1962-12-13), Cat Anderson (on 1962-12-13) and Cootie Williams (on 1962-12-13)
- orchestra:
- Duke Ellington and His Orchestra (on 1962-12-13)
- arranger:
- Eddie Barefield
- recorded at:
- Fine Recording Studios in Manhattan, New York, New York, United States (on 1962-12-13)
- instrumental recording of:
- Minnie the Moocher (on 1962-12-13)
- lyricist and composer:
- Cab Calloway and Irving Mills
- publisher:
- Big Bad Voodoo Music, Copyright Control and J. Albert & Son Pty. Ltd.
- is based on:
- Willie the Weeper
- cover recording of:
- Minnie the Moocher (on 1962-12-13)
- lyricist and composer:
- Cab Calloway and Irving Mills
- publisher:
- Big Bad Voodoo Music, Copyright Control and J. Albert & Son Pty. Ltd.
- is based on:
- Willie the Weeper
| | 2:46 |
| 2 | For Dancers Only- engineer:
- Fred Christie (task: original new york engineer) and Richard Mays (task: original new york engineer)
- mixer:
- Geoffrey Haslam and İlhan Mimaroğlu
- alto saxophone:
- Johnny Hodges (on 1962-12-14)
- bass:
- Ernie Shepard (on 1962-12-14)
- drums (drum set):
- Sam Woodyard (on 1962-12-14)
- piano:
- Duke Ellington (on 1962-12-14)
- reeds [alto sax, clarinet]:
- Russell Procope (on 1962-12-14)
- reeds [baritone sax, clarinet, bass clarinet]:
- Harry Carney (on 1962-12-14)
- reeds [clarinet, tenor sax]:
- Jimmy Hamilton (on 1962-12-14)
- tenor saxophone:
- Paul Gonsalves (on 1962-12-14)
- trombone:
- Lawrence Brown (on 1962-12-14), Chuck Connors (on 1962-12-14) and Buster Cooper (on 1962-12-14)
- trumpet:
- Bill Berry , Roy Burrowes (on 1962-12-14), Cat Anderson (on 1962-12-14) and Cootie Williams (on 1962-12-14)
- orchestra:
- Duke Ellington and His Orchestra (on 1962-12-14)
- recorded at:
- Fine Recording Studios in Manhattan, New York, New York, United States (on 1962-12-14)
- instrumental recording of:
- For Dancers Only (on 1962-12-14)
- writer:
- Sy Oliver, Don Raye and Vic Schoen
- recording of:
- For Dancers Only (on 1962-12-14)
- writer:
- Sy Oliver, Don Raye and Vic Schoen
| | 3:04 |
| 3 | It’s a Lonesome Old Town When You’re Not Around | | 2:21 |
| 4 | Cherokee- engineer:
- Fred Christie (task: original new york engineer) and Richard Mays (task: original new york engineer)
- mixer:
- Geoffrey Haslam and İlhan Mimaroğlu
- alto saxophone:
- Johnny Hodges (on 1962-12-14)
- bass:
- Ernie Shepard (on 1962-12-14)
- drums (drum set):
- Sam Woodyard (on 1962-12-14)
- piano:
- Duke Ellington (on 1962-12-14)
- reeds [alto sax, clarinet]:
- Russell Procope (on 1962-12-14)
- reeds [baritone sax, clarinet, bass clarinet]:
- Harry Carney (on 1962-12-14)
- reeds [clarinet, tenor sax]:
- Jimmy Hamilton (on 1962-12-14)
- tenor saxophone:
- Paul Gonsalves (on 1962-12-14)
- trombone:
- Lawrence Brown (on 1962-12-14), Chuck Connors (on 1962-12-14) and Buster Cooper (on 1962-12-14)
- trumpet:
- Roy Burrowes (on 1962-12-14), Cat Anderson (on 1962-12-14) and Cootie Williams (on 1962-12-14)
- orchestra:
- Duke Ellington and His Orchestra (on 1962-12-14)
- recorded at:
- Fine Recording Studios in Manhattan, New York, New York, United States (on 1962-12-14)
- cover recording of:
- Cherokee (on 1962-12-14)
- lyricist and composer:
- Ray Noble
- publisher:
- Peter Maurice Music Co., Redwood Music Ltd. and Shapiro, Bernstein & Co., Inc.
- instrumental recording of:
- Cherokee (on 1963-01-04)
- lyricist and composer:
- Ray Noble
- publisher:
- Peter Maurice Music Co., Redwood Music Ltd. and Shapiro, Bernstein & Co., Inc.
| | 2:53 |
| 5 | The Midnight Sun Will Never Set | | 3:06 |
| 6 | Let’s Get Together | | 2:37 |
| 7 | I’m Gettin’ Sentimental Over You- engineer:
- Bernie Clapper (task: original chicago engineer)
- mixer:
- Geoffrey Haslam and İlhan Mimaroğlu
- alto saxophone:
- Johnny Hodges (on 1962-11-29)
- bass:
- Ernie Shepard (on 1962-11-29)
- drums (drum set):
- Sam Woodyard (on 1962-11-29)
- piano:
- Duke Ellington (on 1962-11-29)
- reeds [alto sax, clarinet]:
- Russell Procope (on 1962-11-29)
- reeds [baritone sax, clarinet, bass clarinet]:
- Harry Carney (on 1962-11-29)
- reeds [clarinet, tenor sax]:
- Jimmy Hamilton (on 1962-11-29)
- tenor saxophone:
- Paul Gonsalves (on 1962-11-29)
- trombone:
- Lawrence Brown (on 1962-11-29), Chuck Connors (on 1962-11-29) and Buster Cooper (on 1962-11-29)
- trumpet:
- Roy Burrowes (on 1962-11-29), Cat Anderson (on 1962-11-29) and Cootie Williams (on 1962-11-29)
- orchestra:
- Duke Ellington and His Orchestra (on 1962-11-29)
- solo performer:
- Ray Nance
- recorded at:
- Universal Recording in Chicago, Illinois, United States (on 1962-11-29)
- instrumental recording of:
- I’m Getting Sentimental Over You (on 1962-11-29)
- lyricist:
- Ned Washington
- composer:
- George Bassman
- publisher:
- Catharine Hinen Music, EMI Mills Music Inc. , Mills Music, Inc., ヤマハミュージックエンタテインメントホールディングス , コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (from 2021-07-01 to present)
- cover recording of:
- I’m Getting Sentimental Over You (on 1962-11-29)
- lyricist:
- Ned Washington
- composer:
- George Bassman
- publisher:
- Catharine Hinen Music, EMI Mills Music Inc. , Mills Music, Inc., ヤマハミュージックエンタテインメントホールディングス , コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (from 2021-07-01 to present)
| | 3:20 |
| 8 | Chant of the Weed | | 3:22 |
| 9 | Ciribiribin- engineer:
- Fred Christie (task: original new york engineer) and Richard Mays (task: original new york engineer)
- mixer:
- Geoffrey Haslam and İlhan Mimaroğlu
- alto saxophone:
- Johnny Hodges (on 1962-12-11)
- bass:
- Ernie Shepard (on 1962-12-11)
- drums (drum set):
- Sam Woodyard (on 1962-12-11)
- piano:
- Billy Strayhorn and Duke Ellington (on 1962-12-11)
- reeds [alto sax, clarinet]:
- Russell Procope (on 1962-12-11)
- reeds [baritone sax, clarinet, bass clarinet]:
- Harry Carney (on 1962-12-11)
- reeds [clarinet, tenor sax]:
- Jimmy Hamilton (on 1962-12-11)
- tenor saxophone:
- Paul Gonsalves (on 1962-12-11)
- trombone:
- Lawrence Brown (on 1962-12-11), Chuck Connors (on 1962-12-11) and Buster Cooper (on 1962-12-11)
- trumpet:
- Eddie Preston, Roy Burrowes (on 1962-12-11), Cat Anderson (on 1962-12-11) and Cootie Williams (on 1962-12-11)
- orchestra:
- Duke Ellington and His Orchestra (on 1962-12-11)
- solo performer:
- Ray Nance
- recorded at:
- Fine Recording Studios in Manhattan, New York, New York, United States (on 1962-12-11)
- instrumental recording of:
- Ciribiribin (They’re So in Love) (on 1962-12-11)
- lyricist:
- Harry James and Jack Lawrence
- composer:
- Alberto Pestalozza
- is based on:
- Ciribiribin
- part of:
- Hit the Deck
- instrumental recording of:
- Ciribiribin
- lyricist:
- Carlo Tiochet
- composer:
- Alberto Pestalozza (in 1898)
| | 3:29 |
| 10 | Contrasts | | 2:46 |
| 11 | Christopher Columbus | | 3:03 |
| 12 | Auld Lang Syne- engineer:
- Fred Christie (task: original new york engineer) and Richard Mays (task: original new york engineer)
- mixer:
- Geoffrey Haslam and İlhan Mimaroğlu
- alto saxophone:
- Johnny Hodges (on 1962-12-29)
- bass:
- Ernie Shepard (on 1962-12-29)
- drums (drum set):
- Sam Woodyard (on 1962-12-29)
- piano:
- Duke Ellington (on 1962-12-29)
- reeds [alto sax, clarinet]:
- Russell Procope (on 1962-12-29)
- reeds [baritone sax, clarinet, bass clarinet]:
- Harry Carney (on 1962-12-29)
- reeds [clarinet, tenor sax]:
- Jimmy Hamilton (on 1962-12-29)
- tenor saxophone:
- Paul Gonsalves (on 1962-12-29)
- trombone:
- Lawrence Brown (on 1962-12-29), Chuck Connors (on 1962-12-29) and Buster Cooper (on 1962-12-29)
- trumpet:
- Roy Burrowes (on 1962-12-29), Cat Anderson (on 1962-12-29) and Cootie Williams (on 1962-12-29)
- orchestra:
- Duke Ellington and His Orchestra (on 1962-12-29)
- recorded at:
- Fine Recording Studios in Manhattan, New York, New York, United States (on 1962-12-29)
- instrumental recording of:
- Auld Lang Syne (on 1962-12-29)
- lyricist:
- Robert Burns (in 1788)
- composer:
- [traditional]
- publisher:
- Songs of Universal, Inc.
- part of:
- Roud Folk Song Index (number: 6294)
- recording of:
- Auld Lang Syne
- lyricist:
- Robert Burns (in 1788)
- composer:
- [traditional]
- publisher:
- Songs of Universal, Inc.
- part of:
- Roud Folk Song Index (number: 6294)
| | 2:19 |
| 13 | Tuxedo Junction | | 3:29 |
| 14 | Smoke Rings | | 2:53 |
| 15 | Artistry In Rhythm | | 3:18 |
| 16 | The Waltz You Saved for Me | | 2:28 |
| 17 | Woodchopper’s Ball | | 3:16 |
| 18 | Sentimental Journey | | 2:30 |
| 19 | When It’s Sleepy Time Down South | | 3:16 |
| 20 | One O’Clock Jump | | 7:17 |
| 21 | Goodbye | | 3:04 |
| 22 | Sleep, Sleep, Sleep | | 2:46 |
| 23 | Rhapsody in Blue | | 4:48 |
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