The Ultimate Headphone & Hi‐Fi Album

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

℗ & © «2019 UMG Recordings, Inc.»
℗ «FP»

Countries where available (Spotify + Deezer)

(As of 2020-03-16).

  • Northern America: 🇨🇦 Canada (ca) 🇲🇽 Mexico (mx) 🇺🇸 United States (us)
  • Central America: 🇨🇷 Costa Rica (cr) 🇬🇹 Guatemala (gt) 🇭🇳 Honduras (hn) 🇳🇮 Nicaragua (ni) 🇵🇦 Panama (pa) 🇸🇻 El Salvador (sv)
  • Caribbean: 🇩🇴 Dominican Republic (do)
  • South America: 🇦🇷 Argentina (ar) 🇧🇴 Bolivia (bo) 🇧🇷 Brazil (br) 🇨🇱 Chile (cl) 🇨🇴 Colombia (co) 🇪🇨 Ecuador (ec) 🇵🇪 Peru (pe) 🇵🇾 Paraguay (py) 🇺🇾 Uruguay (uy) 🇻🇪 Venezuela (ve)
  • Western Europe: 🇦🇹 Austria (at) 🇧🇪 Belgium (be) 🇨🇭 Switzerland (ch) 🇩🇪 Germany (de) 🇫🇷 France (fr) 🇱🇺 Luxembourg (lu) 🇳🇱 Netherlands (nl)
  • Northern Europe: 🇩🇰 Denmark (dk) 🇪🇪 Estonia (ee) 🇫🇮 Finland (fi) 🇬🇧 United Kingdom (gb) 🇮🇪 Ireland (ie) 🇮🇸 Iceland (is) 🇱🇹 Lithuania (lt) 🇱🇻 Latvia (lv) 🇳🇴 Norway (no) 🇸🇪 Sweden (se)
  • Southern Europe: 🇨🇾 Cyprus (cy) 🇪🇸 Spain (es) 🇬🇷 Greece (gr) 🇮🇹 Italy (it) 🇲🇹 Malta (mt) 🇵🇹 Portugal (pt) 🇭🇷 Croatia (hr) 🇷🇸 Serbia (rs) 🇸🇮 Slovenia (si)
  • Eastern Europe: 🇧🇬 Bulgaria (bg) 🇨🇿 Czech Republic (cz) 🇭🇺 Hungary (hu) 🇵🇱 Poland (pl) 🇷🇴 Romania (ro) 🇸🇰 Slovakia (sk) 🇧🇾 Belarus (by) 🇷🇺 Russian Federation (ru) 🇺🇦 Ukraine (ua)
  • Northern Africa: 🇩🇿 Algeria (dz) 🇪🇬 Egypt (eg) 🇲🇦 Morocco (ma)
  • Western Africa: 🇨🇮 Cote D’Ivoire (ci) 🇬🇭 Ghana (gh) 🇳🇬 Nigeria (ng)
  • Eastern Africa: 🇰🇪 Kenya (ke)
  • Southern Africa: 🇿🇦 South Africa (za)
  • Western Asia: 🇦🇪 United Arab Emirates (ae) 🇧🇭 Bahrain (bh) 🇮🇱 Israel (il) 🇰🇼 Kuwait (kw) 🇱🇧 Lebanon (lb) 🇴🇲 Oman (om) 🇶🇦 Qatar (qa) 🇸🇦 Saudi Arabia (sa) 🇹🇷 Turkey (tr)
  • Southern Asia: 🇮🇳 India (in) 🇱🇰 Sri Lanka (lk)
  • Eastern Asia: 🇭🇰 Hong Kong (hk) 🇯🇵 Japan (jp) 🇹🇼 Taiwan (tw) 🇰🇷 Korea (kr)
  • South-Eastern Asia: 🇮🇩 Indonesia (id) 🇲🇾 Malaysia (my) 🇵🇭 Philippines (ph) 🇸🇬 Singapore (sg) 🇹🇭 Thailand (th) 🇻🇳 Viet‐Nam (vn) 🇰🇭 Cambodia (kh)
  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz)
Annotation last modified on 2020-03-16 08:31 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Better Things
producer:
Nellee Hooper and Massive Attack
mixer:
Mark “Spike” Stent (producer, engineer)
guest guitar:
Chester Kamen
guest lead vocals:
Tracey Thorn (of Everything but the Girl)
samples:
Never Can Say Goodbye by James Brown (The Godfather of Soul)
recording of:
Better Things
writer:
James Brown (The Godfather of Soul), Robert Del Naja, Grant Marshall, Tracey Thorn (of Everything but the Girl), Andrew Vowles and Ben Watt
Massive Attack3.054:17
2’round Midnight
double bass:
Paul Chambers (US jazz bassist) (on 1956-10-26)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-10-26)
piano:
Red Garland (on 1956-10-26)
tenor saxophone:
John Coltrane (on 1956-10-26)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1956-10-26)
instrumental cover recording of:
’Round Midnight (on 1956-10-26)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
cover recording of:
’Round Midnight
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Miles Davis5:23
3Glory Box (live)
producer:
Portishead
vocals:
Beth Gibbons
conductor:
Nick Ingman
recorded at:
Roseland Ballroom (3rd location, 1956–2014) in Theater District, New York, New York, United States (on 1997-07-24)
live recording of:
Glory Box (on 1997-07-24)
writer:
Geoff Barrow, Beth Gibbons, Isaac Hayes and Adrian Utley
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
is based on:
Ike’s Rap II
Portishead55:37
4A Case of You (live)
Diana Krall6:50
5Tubular Bells, Pt. I
recording engineer:
Tom Newman (producer, guitarist)
engineer:
Simon Heyworth
remixer:
Mike Oldfield
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 2009)
recorded at:
The Manor in Oxfordshire, England, United Kingdom (in 1973)
remix of:
Tubular Bells, Part One by Mike Oldfield
recording of:
Tubular Bells, Part One
composer:
Mike Oldfield
Mike Oldfield3.525:59
6Too High
producer:
Stevie Wonder
background vocals:
Jim Gilstrap, Lani Groves and Tasha Thomas
arranger:
Stevie Wonder
recording of:
Too High
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Co., Inc., Stein & Van Stock, Inc. and 大洋音楽 (Taiyō Music)
Stevie Wonder44:36
7Messaien’s Gumbo
John Patitucci5:29
8Hurt
producer and mixer:
Trent Reznor
drums (drum set):
Chris Vrenna (member of Tweaker)
electric bass guitar, guitar, piano, synthesizer and lead vocals:
Trent Reznor
arranger:
Trent Reznor
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 1994, in 2004) and TVT (copyright holder, no releases here please) (in 1994)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 167) and Indie 88: Top 500 Indie Rock Songs (number: 227)
recording of:
Hurt
lyricist and composer:
Trent Reznor
publisher:
Leaving Hope Music Inc. and TVT Music, Inc.
Nine Inch Nails4.46:14
9Bye Bye Blackbird
recording engineer:
Jim Anderson (engineer) (on 2006-02-18)
mixer:
Jim Anderson (engineer)
double bass:
Ron Carter (US jazz double-bassist) (on 2006-02-18)
drums (drum set):
Payton Crossley (on 2006-02-18)
percussion:
Roger Squitero (on 2006-02-18)
piano:
Stephen Scott (jazz pianist) (on 2006-02-18)
arranger:
Robert Freedman
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (on 2006-02-18)
mixed at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
instrumental recording of:
Bye Bye Blackbird (on 2006-02-18)
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
Ron Carter5:27
10Bad Man’s Song
bass guitar:
Pino Palladino
guitar and slide guitar:
Robbie McIntosh (English guitarist for The Pretenders)
Hammond organ and synthesizer:
Simon Clark (UK keyboard and synthesizer player)
membranophone:
Manu Katché
piano and guest lead vocals:
Oleta Adams
additional vocals:
Nicky Holland, Carol Kenyon and Tessa Niles
recording of:
Badman’s Song
writer:
Nicky Holland and Roland Orzabal (UK musician, songwriter and producer)
Tears for Fears38:33
11I Love You… I’ll Kill You
assistant recording engineer:
E-Magic (Italian Italodance project also known as "E-Magic") and Euphonix
recorded at:
A.R.T. Studios (Enigma) in Ibiza, Illes Balears (Balearic Islands), Spain
samples:
Fading Lights by Genesis (English rock band) and The Wizard by Black Sabbath (English heavy metal band)
recording of:
I Love You… I’ll Kill You
lyricist:
Curly M.C. and David Fairstein
composer:
Curly M.C.
Enigma48:53
12Leave
additional recording engineer:
John Keane (US indie rock producer/engineer) and Patrick McCarthy
recording engineer:
Joe O’Herlihy, Jo Ravitch and Jeff Wooding
additional assistant engineer:
Victor Janacua
assistant engineer:
William “Billy” Field (engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
mixer:
John Keane (US indie rock producer/engineer) and Scott Litt (producer and engineer)
editor:
Eric Stolz
acoustic guitar, drums (drum set), percussion and synthesizer:
Bill Berry (R.E.M. drummer)
bass guitar and keyboard:
Mike Mills (R.E.M. bass player)
guitar:
Peter Buck (R.E.M. guitarist) and Nathan December
synthesizer [ARP Odyssey]:
Scott McCaughey
lead vocals:
Michael Stipe
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1996)
additionally recorded at:
John Keane Studios in Athens, Georgia, United States and Louie’s Clubhouse in Los Angeles, California, United States
recorded at:
Omni Theater in Atlanta, Georgia, United States (from 1995-11-18 until 1995-11-21)
mixed at:
John Keane Studios in Athens, Georgia, United States and Louie’s Clubhouse in Los Angeles, California, United States
recording of:
Leave
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Universal Tunes, Warner-Tamerlane (publisher; do NOT use as release label) and Night Garden Music (in 1996)
R.E.M.3.77:18
13Take the Veil Cerpin Taxt
additional recording engineer:
Andrew Scheps
recording engineer:
Dave Schiffman (American producer/audio engineer)
assistant engineer:
Phillip Broussard and Darren Mora
co-producer:
Omar Rodríguez‐López
producer:
Rick Rubin (US record producer, former co‐president of Columbia Records)
mixer:
Rich Costey
bass guitar:
Flea (US bassist)
drums (drum set):
Jon Theodore
effects:
Jeremy Michael Ward
guitar:
Omar A Rodriguez-Lopez
keyboard:
Ikey Isaiah Owens
vocals:
Cedric Bixler Zavala
phonographic copyright (℗) by:
The Mars Volta (in 2003)
recorded at:
The Mansion in Los Angeles, California, United States
mixed at:
Cello Studios in Hollywood, Los Angeles, California, United States
recording of:
Take the Veil Cerpin Taxt (from 2002-10 until 2003-01)
additional lyricist:
Jeremy Michael Ward
lyricist:
Cedric Bixler‐Zavala
composer:
Omar Rodríguez‐López
publisher:
Dystopia, Hija de lola, Lopsided and Music Sales Corp Publishers
The Mars Volta4.258:42
14Aja
recording engineer:
Bill Schnee
executive engineer:
Roger Nichols (US mastering, recording engineer and producer)
producer:
Gary Katz
bass guitar:
Chuck Rainey (American bassist)
drums (drum set):
Steve Gadd (drummer)
guitar:
Walter Becker, Larry Carlton and Denny Dias
percussion:
Victor Feldman (jazz musician)
piano:
Michael Omartian
Rhodes piano [Fender Rhodes]:
Joe Sample
synthesizer, whistle [police whistle] and lead vocals:
Donald Fagen
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer)
background vocals:
Donald Fagen and Tim Schmit
conductor:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (horn)
horn arranger:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1977)
recorded at:
Producer’s Workshop in Hollywood, Los Angeles, California, United States
recording of:
Aja
lyricist and composer:
Walter Becker and Donald Fagen
publisher:
ABC/Dunhill Music, Inc. (, in 1977), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Anchor Music Ltd. (in 1977)
Steely Dan47:56
15Clap Hands
assistant recording engineer:
Dennis Ferrante
engineer and mixer:
Robert Musso (musician, producer and engineer)
producer:
Tom Waits
assistant mixer:
Tony Gonzales and Jeff Lippay
double bass:
Tony Garnier (American bassist)
drums (drum set):
Stephen Taylor Arvizu Hodges
guitar:
Marc Ribot (US guitarist) and Tom Waits
marimba and percussion:
Michael Blair (American drummer/producer/songwriter based in Sweden) and Bobby Previte
lead vocals:
Tom Waits
arranger:
Tom Waits
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States
mixed at:
Quadrafonic Sound Studio in Nashville, Tennessee, United States and RPM Studios in New York, New York, United States
recording of:
Clap Hands
lyricist and composer:
Tom Waits
Tom Waits3.753:47
16Headshots
assistant recording engineer:
Joe Warda
recording engineer and mixer:
Tchad Blake
producer:
Mitchell Froom
assistant mixer:
S. “Husky” Höskulds and John Paterno
bass guitar:
Bruce Thomas
drums (drum set):
Pete Thomas (drummer)
electric guitar:
Steve Donnelly
keyboard:
Mitchell Froom
sampler:
Tchad Blake
lead vocals:
Suzanne Vega (American singer-songwriter)
recording of:
Headshots
lyricist:
Suzanne Vega (American singer-songwriter)
composer:
Mitchell Froom and Suzanne Vega (American singer-songwriter)
Suzanne Vega33:08
17The Long Honeymoon
producer:
Geoff Emerick (British recording engineer)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
The Long Honeymoon
lyricist and composer:
Elvis Costello
Elvis Costello & The Attractions34:16
18Welcome to the Pleasuredome
producer:
Trevor Horn
phonographic copyright (℗) by:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recording of:
Welcome to the Pleasuredome
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
Frankie Goes to Hollywood13:41
19Right On
producer:
Marvin Gaye
mixer:
Lawrence Miles (on 1971-05-06)
conductor:
David Van dePitte
recording of:
Right On
composer:
Earl DeRouen (percussionist, composer) and Marvin Gaye
Marvin Gaye4.27:32
20You Keep Me Hangin’ On (stereo version)
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
cover recording of:
You Keep Me Hangin’ On (in 1966)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division and Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
recording of:
You Keep Me Hangin’ On
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division and Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Supremes3.42:42
21Spirits in the Material World
engineer:
Hugh Padgham
co-producer:
Hugh Padgham
producer:
Hugh Padgham and The Police (British rock band)
drums (drum set):
Stewart Copeland
electric bass guitar:
Sting (singer, songwriter & member of The Police)
electric guitar:
Andy Summers
vocals:
Sting (singer, songwriter & member of The Police)
phonographic copyright (℗) by:
A&M Records (in 1981)
recorded at:
AIR Studios Montserrat in Saint Peter, Montserrat
recording of:
Spirits in the Material World
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Magnetic Publishing Ltd.
part of:
Ace Ventura: When Nature Calls
The Police3.652:59
22Into the Void
drum machine programming:
Charlie Clouser
engineer:
Alan Moulder (producer and engineer)
guest background vocals:
Kim Prevost
vocals:
Trent Reznor
recording of:
Into the Void
lyricist and composer:
Trent Reznor
publisher:
Leaving Hope Music Inc. and TVT Music, Inc.
Nine Inch Nails4.34:49
23Love’s in Need of Love Today
producer:
Stevie Wonder
bass synthesizer, clavinet, drums (drum set), Rhodes piano, synthesizer, background vocals and lead vocals:
Stevie Wonder
percussion:
Eddie “Bongo” Brown
arranger:
Stevie Wonder
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1976)
recording of:
Love’s in Need of Love Today
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, Inc. and Jobete Music Co., Inc.
Stevie Wonder37:06
24The Logical Song
sound engineer:
Russel Pope
assistant engineer:
Lenise Bent and Jeff Harris (recording engineer)
engineer:
Peter Henderson (English sound engineer)
producer:
Peter Henderson (English sound engineer) and Supertramp
bass guitar:
Dougie Thomson
drums (drum set):
Bob Siebenberg
guitar and keyboard:
Roger Hodgson
keyboard:
Rick Davies (UK keyboardist, member of Supertramp)
woodwind:
John Helliwell
vocals:
Rick Davies (UK keyboardist, member of Supertramp) and Roger Hodgson
phonographic copyright (℗) by:
A&M Records (in 2010)
recorded at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
mixed at:
Crystal Sound in Hollywood, Los Angeles, California, United States
recording of:
The Logical Song
writer:
Rick Davies (UK keyboardist, member of Supertramp) and Roger Hodgson
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Delicate Music and Rondor Music
Supertramp4.14:11
25Wish You Were Here
Alice Cooper5:01
26Now We Are Free (from “Gladiator” soundtrack)
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
producer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2000), Dreamworks Productions LLC (in 2000) and Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Now We Are Free (Gladiator)
lyricist:
Lisa Gerrard
composer:
Klaus Badelt (German score composer), Lisa Gerrard and Hans Zimmer (German score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SKG Songs and Universal‐MCA Music Publishing (US)
part of:
Gladiator
medley including a cover recording of:
Now We Are Free (Gladiator)
lyricist:
Niloofar Rafiei
is based on:
Now We Are Free (Gladiator)
medley of:
Now We Are Free (Gladiator)
Lisa Gerrard54:17
27True to Life
producer:
Rhett Davies and Roxy Music
mixer:
Bob Clearmountain
bass guitar:
Alan Spenner
drums (drum set):
Andy Newmark
guitar:
Neil Hubbard and Phil Manzanera
keyboard:
Bryan Ferry
percussion:
Jimmy Maelen (percussion)
saxophone:
Andy Mackay (of Roxy Music)
background vocals:
Fonzi Thornton
vocals:
Bryan Ferry
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1982)
recording of:
True to Life
lyricist and composer:
Bryan Ferry
publisher:
E.G. Music Inc.
Roxy Music3.654:25
28Drive
additional engineer:
George Cowan (US engineer), Mark Howard (producer/recording engineer, New Orleans/Los Angeles based), John Keane (US indie rock producer/engineer), Ted Malia and Andrew Roshberg
engineer:
Clif Norrell
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
additional mixer:
Ed Brooks (audio engineer at RFI Mastering in Seattle)
assistant mixer:
Tod Lemkuhl
mixer:
Scott Litt (producer and engineer) and Clif Norrell
guest cello:
Kathleen Kee, Daniel Laufer (cellist) and Elizabeth Proctor Murphy
guest oboe:
Deborah Workman (oboist)
guest viola:
Reid Harris, Paul Murphy (viola) and Heidi Nitchie (violist)
guest violin:
Denise Berginson-Smith (violinist), Patti Gouvas, Lonnie Ottzen (violinist), Sandy Salzinger (violinist), Sou-Chun Su (violinist) and Jody Taylor (violin)
vocals:
Michael Stipe
conductor:
George Hanson
orchestrator:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1992) and R.E.M./Athens L.L.C. (in 2017)
additionally recorded at:
Bosstown Recording Studios in Atlanta, Georgia, United States, John Keane Studios in Athens, Georgia, United States and Kingsway Studios (New Orleans) in New Orleans, Louisiana, United States
recorded at:
Bearsville Studios in Bearsville, New York, United States and Criteria Studios in Miami, Florida, United States
mixed at:
Bad Animals Studio in Seattle, Washington, United States
music videos:
Drive (music video) by R.E.M. (American rock band)
recording of:
Drive
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music
R.E.M.3.954:28
29Unfinished Sympathy (2012 mix/master)
engineer:
Hayden (producer and engineer) (strings)
producer:
Jonny Dollar (UK producer & songwriter) and Massive Attack
mixer:
Jeremy Allom
vocals:
Shara Nelson
conductor:
Wil Malone
remixer:
Bruno Ellingham
strings arranger:
Wil Malone
concertmaster:
Gavin Wright (UK saxophonist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Coach House Studios in Bristol, England, United Kingdom
mixed at:
Matrix Studios in Soho, Westminster, London (Greater London), England, United Kingdom
recording of:
Unfinished Sympathy
writer:
Robert Del Naja, Grant Marshall, Shara Nelson, Jonathan Sharp (UK producer aka Jonny Dollar) and Andrew Vowles
Massive Attack55:08
30Night School
recording of:
Night School
composer:
Frank Zappa (US musician, composer, activist & filmmaker)
Frank Zappa4:51
31Nightclubbing
recording of:
Nightclubbing
writer:
David Bowie (English singer‐songwriter) and Iggy Pop
Grace Jones4:29
32Axel F (from “Beverly Hills Cop” soundtrack)
producer:
Harold Faltermeyer
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) and Geffen Records (in 1984)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 70)
recording of:
Axel F (Beverly Hills Cop)
composer:
Harold Faltermeyer
Harold Faltermeyer4.153:03
332/1
engineer:
Brian Eno and Dave Hutchins (UK engineer)
producer:
Brian Eno
vocals:
Christa Fast (German actress and longtime companion of Conny Plank), Christine Gomez and Inge Zeininger
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1978)
recording of:
2/1
composer:
Brian Eno
part of:
Music for Airports
Brian Eno3.58:54