BTHVN 2020: The New Complete Edition (lieder & partsongs, folksong settings, vocal works with orchestra)

~ Release by Ludwig van Beethoven (see all versions of this release, 8 available)

Tracklist

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1▼CD: Lieder (I)
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1An die Hoffnung, op. 32: “Die du so gern in heil'gen Nächten feierst”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
An die Hoffnung, op. 32 (in 1966-04)
lyricist:
Christoph August Tiedge
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 32)
5:21
2Adelaide, op. 46: “Einsam wandelt dein Freund im Frühlingsgarten”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Adelaide, op. 46 (in 1966-04)
lyricist:
Friedrich von Matthisson
composer:
Ludwig van Beethoven (German composer) (from 1794 until 1796)
dedicated to:
Friedrich von Matthisson
part of:
Works of Ludwig van Beethoven by opus number (number: op. 46)
6:29
36 Lieder, op. 48: 1. Bitten: “Gott, deine Güte reicht so weit”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 48 no. 1 in E major: Feierlich und mit Andacht "Bitten: Gott deine Gute reicht so" (in 1966-04)
lyricist:
Christian Fürchtegott Gellert
composer:
Ludwig van Beethoven (German composer) (in 1802-03)
part of:
6 Lieder, op. 48
2:02
46 Lieder, op. 48: 2. Die Liebe des Nächsten: “So jemand spricht: Ich liebe Gott!”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 48 no. 2 in E-flat major: Lebhaft, doch nicht zu sehr "Die Liebe des Nächsten: So jemand spricht: Ich liebe Gott!" (in 1966-04)
lyricist:
Christian Fürchtegott Gellert
composer:
Ludwig van Beethoven (German composer) (in 1802-03)
part of:
6 Lieder, op. 48
0:53
56 Lieder, op. 48: 3. Vom Tode: “Meine Lebenzeit verstreicht”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 48 no. 3 in F-sharp minor: Müssig und eher langsam als geschwind "Vom Tode: Meine Lebenszeit verstreicht" (in 1966-04)
lyricist:
Christian Fürchtegott Gellert
composer:
Ludwig van Beethoven (German composer) (in 1802-03)
part of:
6 Lieder, op. 48
2:10
66 Lieder, op. 48: 4. Die Ehre Gottes aus der Natur: “Die Himmel rühmen des Ewigen Ehre”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 48 no. 4 in C major: Majestätisch und erhaben "Die Ehre Gottes in der Natur: Die Himmel rühmen des Ewigen Ehre" (in 1966-04)
lyricist:
Christian Fürchtegott Gellert
composer:
Ludwig van Beethoven (German composer) (in 1802-03)
part of:
6 Lieder, op. 48
2:27
76 Lieder, op. 48: 5. Gottes Macht und Vorsehung: “Gott ist mein Lied!”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 48 no. 5 in C major: Mit Kraft and Feuer "Gottes Macht und Vorsehung: Gott ist mein Lied!" (in 1966-04)
lyricist:
Christian Fürchtegott Gellert
composer:
Ludwig van Beethoven (German composer) (in 1802-03)
part of:
6 Lieder, op. 48
0:40
86 Lieder, op. 48: 6. Bußlied: “An dir allein, an dir hab'ich gesündigt”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 48 no. 6 in A minor: Poco adagio "Bußlied: An dir allein, an dir hab' ich gesündigt" (in 1966-04)
lyricist:
Christian Fürchtegott Gellert
composer:
Ludwig van Beethoven (German composer) (in 1802-03)
part of:
6 Lieder, op. 48
4:59
93 Gesänge, op. 83: 1. Wonne der Wehmut: “Trocknet nicht, trocknet nicht, Tränen der ewigen Liebe!”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Wonne der Wehmut, op. 83 no. 1 (in 1966-04)
lyricist:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (in 1810)
part of:
3 Gesänge von Goethe, op. 83
2:51
103 Gesänge, op. 83: 2. Sehnsucht: “Was zieht mir das Herz so?”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Sehnsucht, op. 83 no. 2 (in 1966-04)
lyricist:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (in 1810)
part of:
3 Gesänge von Goethe, op. 83
2:03
113 Gesänge, op. 83: 3. Mit einem gemalten Band: “Kleine Blumen, kleine Blätter”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Mit einem gemalten Band, op. 83 no. 3 (in 1966-04)
lyricist:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (in 1810)
part of:
3 Gesänge von Goethe, op. 83
1:49
12Vita felice, op. 88: “Beato quei che fìdo amor”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano and A major, op. 88: Andante quasi allegretto "Das Glück der Freundschaft: Der lebt ein Leben wonniglich" (in 1966-04)
composer:
Ludwig van Beethoven (German composer) (in 1803)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 88)
2:20
13An die Hoffnung, op. 94: “Ob ein Gott sei?”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 94: "An die Hoffnung" (in 1966-04)
composer:
Ludwig van Beethoven (German composer) (in 1815)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 94)
7:46
14An die ferne Geliebte, op. 98: 1. Auf dem Hügel sitz' ich, spähend
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
An die ferne Geliebte, op. 98: No. 1. Auf dem Hügel sitz' ich, spähend (in 1966-04)
lyricist:
Alois Jeitteles
composer:
Ludwig van Beethoven (German composer) (in 1816)
part of:
An die ferne Geliebte, op. 98
2:40
15An die ferne Geliebte, op. 98: 2. Wo die Berge so blau
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
An die ferne Geliebte, op. 98: No. 2. Wo die Berge so blau (in 1966-04)
lyricist:
Alois Jeitteles
composer:
Ludwig van Beethoven (German composer) (in 1816)
part of:
An die ferne Geliebte, op. 98
1:43
16An die ferne Geliebte, op. 98: 3. Leichte Segler in den Höhen
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
An die ferne Geliebte, op. 98: No. 3. Leichte Segler in den Höhen (in 1966-04)
lyricist:
Alois Jeitteles
composer:
Ludwig van Beethoven (German composer) (in 1816)
part of:
An die ferne Geliebte, op. 98
1:38
17An die ferne Geliebte, op. 98: 4. Diese Wolken in den Höhen
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
An die ferne Geliebte, op. 98: No. 4. Diese Wolken in den Höhen (in 1966-04)
lyricist:
Alois Jeitteles
composer:
Ludwig van Beethoven (German composer) (in 1816)
medley of:
An die ferne Geliebte, S. 469: No. 4. Diese Wolken in den Höhen (for solo piano, Liszt)
part of:
An die ferne Geliebte, op. 98
1:11
18An die ferne Geliebte, op. 98: 5. Es kehret der Maien, es blühet die Au
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
An die ferne Geliebte, op. 98: No. 5. Es kehret der Maien, es blühet die Au (in 1966-04)
lyricist:
Alois Jeitteles
composer:
Ludwig van Beethoven (German composer) (in 1816)
part of:
An die ferne Geliebte, op. 98
2:12
19An die ferne Geliebte, op. 98: 6. Nimm sie hin denn, diese Lieder
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
An die ferne Geliebte, op. 98: No. 6. Nimm sie hin denn, Diese Lieder (in 1966-04)
lyricist:
Alois Jeitteles
composer:
Ludwig van Beethoven (German composer) (in 1816)
part of:
An die ferne Geliebte, op. 98
4:14
20Der Kuss, op. 128: “Ich war bei Cloen ganz allein”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Der Kuß, op. 128 (in 1966-04)
lyricist:
Christian Felix Weiße
composer:
Ludwig van Beethoven (German composer) (from 1798 until 1822)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 128)
1:52
21Schilderung eines Mädchens, WoO 107: “Schildern, willst du, Freund!”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 107: "Schilderung eines Mädchens" (in 1966-04)
composer:
Ludwig van Beethoven (German composer) (in 1783)
part of:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 7) and Kinsky catalogue (Beethoven WoO works) (number: WoO 107)
0:35
22Seufzer eines Ungeliebten - Gegenliebe, WoO 118: “Hast due nicht Liebe zugemessen” / “Wüsst' ich, wüsst' ich, dass du mich”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Seufzer eines Ungeliebten und Gegenliebe, WoO 118 (in 1966-04)
lyricist:
Gottfried August Bürger
composer:
Ludwig van Beethoven (German composer)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 118)
5:47
23Zärtliche Liebe, WoO 123: “Ich liebe dich, so wie du mich”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Zärtliche Liebe, WoO 123 "Ich liebe dich so wie du mich" (in 1966-04)
lyricist:
Karl Friedrich Wilhelm Herrosee
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 287) and Kinsky catalogue (Beethoven WoO works) (number: WoO 123)
2:17
24La partenza, WoO 124: “Ecco quel fìero istante”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 124: "La partenza (Der Abschied)" (in 1966-04)
composer:
Ludwig van Beethoven (German composer) (in 1795)
revised by:
Ludwig van Beethoven (German composer) (in 1803)
part of:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 164) and Kinsky catalogue (Beethoven WoO works) (number: WoO 124)
1:02
25Opferlied, WoO 126: “Die Flamme lodert, milder Schein”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 126: "Opferlied" (in 1966-04)
lyricist:
Friedrich von Matthisson
composer:
Ludwig van Beethoven (German composer)
part of:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 173) and Kinsky catalogue (Beethoven WoO works) (number: WoO 126)
3:01
26Der Wachtelschlag, WoO 129: “Horch, wie schallt's dorten so lieblich hervor!”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Der Wachtelschlag, WoO 129 "Ach, mir schallt's dorten" (in 1966-04)
lyricist:
Samuel Friedrich Sauter
composer:
Ludwig van Beethoven (German composer) (in 1803-04)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 129)
3:51
27Als die Geliebte sich trennen wollte, WoO 132: “Der Hoffnung letzter Schimmer sinkt dahin!”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 132: "Als die Geliebte sich trennen wollte" (in 1966-04)
composer:
Ludwig van Beethoven (German composer) (from 1806-05 until 1809-11)
part of:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 428) and Kinsky catalogue (Beethoven WoO works) (number: WoO 132)
1:52
2▼CD: Lieder (II)
#TitleRatingLength
18 Lieder, op. 52: 1. Urians Reise um die Welt: “Wenn jemand eine Reise tut”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 52 no. 1 in A minor: In einer massigen geschwinden Bewegung "Urians Reise um die Welt: Wenn jemand eine Reise tut" (in 1966-04)
composer:
Ludwig van Beethoven (German composer)
part of:
8 Lieder, op. 52
5:11
28 Lieder, op. 52: 2. Feuerfarb': “Ich weiß eine Farbe, der bin ich so hold”
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, op. 52 no. 2 in G major: Andante con moto "Feuerfarb': Ich weiss eine Farbe" (from 1970-10 until 1970-11)
composer:
Ludwig van Beethoven (German composer) (in 1792)
version of:
Feuerfarb, Hess 144
part of:
8 Lieder, op. 52
3:28
38 Lieder, op. 52: 3. Das Liedchen von der Ruhe: “Im arm der Liebe ruht sich's wohl”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 52 no. 3 in F major: Adagio "Das Liedchen von der Ruhe: Im Arm der Liebe ruht sich's wohl" (in 1966-04)
composer:
Ludwig van Beethoven (German composer) (in 1793)
part of:
8 Lieder, op. 52
2:44
48 Lieder, op. 52: 4. Maigesang: “Wie herrlich leuchtet mir die Natur!”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 52 no. 4 in A-flat major: Allegro "Mailied: Wie herrlich leuchtet mir die Natur" (in 1966-04)
lyricist:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (in 1792, from 1804 until 1805)
is based on:
Mailied
part of:
8 Lieder, op. 52
2:01
58 Lieder, op. 52: 5. Mollys Abschied: “Lebe wohl, du Mann der Lust und Schmerzen!”
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
soprano vocals:
Adele Stolte (soprano) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, op. 52 no. 5 in G major: Adagio con espessione "Molly's Abschied: Lebe wohl, du Mann der Lust"
composer:
Ludwig van Beethoven (German composer)
part of:
8 Lieder, op. 52
1:28
68 Lieder, op. 52: 6. Die Liebe: “Ohne Liebe lebe, wer da kann”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 52 no. 6 in F major: Allegretto "Die Liebe: Ohne Liebe lebe wer da kann" (in 1966-04)
composer:
Ludwig van Beethoven (German composer)
part of:
8 Lieder, op. 52
1:16
78 Lieder, op. 52: 7. Marmotte: “Ich komme schon durch manches Land”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 52 no. 7 in A minor: Allegretto "Marmotte: Ich komme schon durch manches Land" (in 1966-04)
lyricist:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (in 1792, from 1804 until 1805)
part of:
8 Lieder, op. 52
0:33
88 Lieder, op. 52: 8. Dan Blümchen Wunderhold: “Es blüht ein Blümchen irgendwo”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 52 no. 8 in G major: Andante "Das Blümchen Wunderhold: Es steht ein Blümchen irgend wo in einem stillen Tal" (in 1966-04)
lyricist:
Gottfried August Bürger
composer:
Ludwig van Beethoven (German composer) (in 1792)
part of:
8 Lieder, op. 52
2:02
96 Gesänge, op. 75 (1809): 1. Kennst du das Land
producer and balance engineer:
René Möller
piano:
Alexander Schmalcz (pianist) (in 2019-05)
soprano vocals:
Rachel Willis-Sørensen (soprano) (in 2019-05)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2019-05)
recording of:
Mignon, op. 75 no. 1
lyricist:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
6 Gesänge, op. 75
3:57
106 Gesänge, op. 75 (1809): 2. Neue Liebe, neues Leben: “Herz, main Herz, was soll das geben” (2nd version)
producer and balance engineer:
René Möller
piano:
Alexander Schmalcz (pianist) (in 2019-05)
baritone vocals:
Matthias Goerne (baritone) (in 2019-05)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2019-05)
recording of:
Neue Liebe, neues Leben, op. 75 no. 2
lyricist:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (in 1809)
version of:
Song for Voice and Piano, WoO 127: "Neue Liebe, neues Leben" (J.W. von Goethe)
part of:
6 Gesänge, op. 75
2:49
116 Gesänge, op. 75 (1809): 3. Aus Goethes Faust (Mephistos Flohlied): “Es war einmail ein König, der hatt' einen großen Floh”
producer and balance engineer:
René Möller
piano:
Alexander Schmalcz (pianist) (in 2019-05)
baritone vocals:
Matthias Goerne (baritone) (in 2019-05)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2019-05)
recording of:
Aus Goethes Faust, op. 75 no. 3
lyricist:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (in 1799)
part of:
6 Gesänge, op. 75
2:14
126 Gesänge, op. 75 (1809): 4. Gretels Warnung: “Mit Liebesblick und Spiel und Sang”
producer and balance engineer:
René Möller
piano:
Alexander Schmalcz (pianist) (in 2019-05)
soprano vocals:
Rachel Willis-Sørensen (soprano) (in 2019-05)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2019-05)
recording of:
Gretels Warnung, op. 75 no. 4
lyricist:
Gerhard Anton von Halem
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
6 Gesänge, op. 75
2:41
136 Gesänge, op. 75 (1809): 5. An den fernen Geliebten: “Einst wohnten süße Ruh' und goldner Frieden” (2nd version)
producer and balance engineer:
René Möller
piano:
Alexander Schmalcz (pianist) (in 2019-05)
soprano vocals:
Rachel Willis-Sørensen (soprano) (in 2019-05)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2019-05)
recording of:
An den fernen Geliebten, op. 75 no. 5
lyricist:
Christian Ludwig Reissig
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
6 Gesänge, op. 75
3:59
146 Gesänge, op. 75 (1809): 6. Der Zufriedene: “Zwar schuf das Glück hienieden”
producer and balance engineer:
René Möller
piano:
Alexander Schmalcz (pianist) (in 2019-05)
baritone vocals:
Matthias Goerne (baritone) (in 2019-05)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2019-05)
recording of:
Der Zufriedene, op. 75 no. 6
lyricist:
Christian Ludwig Reissig
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
6 Gesänge, op. 75
1:21
156 Gesänge, op. 75 (1809): 5. An den fernen Geliebten: “Einst wohnten süße Ruh' und goldner Frieden” (1st version)
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
soprano vocals:
Adele Stolte (soprano) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
An den fernen Geliebten, op. 75 no. 5
lyricist:
Christian Ludwig Reissig
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
6 Gesänge, op. 75
1:54
164 Arietten und ein Duett, op. 82: 1. Dimmi, ben mio che m'ami
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
5 Lieder, op. 82: I. Hoffnung (in 1966-04)
lyricist:
Pietro Metastasio
composer:
Ludwig van Beethoven (German composer)
part of:
5 Lieder, op. 82
2:03
174 Arietten und ein Duett, op. 82: 2. T'intendo sì, mio cor
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
5 Lieder, op. 82: II. Liebes-Klage (in 1966-04)
lyricist:
Pietro Metastasio
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
5 Lieder, op. 82
2:41
184 Arietten und ein Duett, op. 82: 3. L'amante impaziente: “Che fa il mio bene?”. Arietta buffa
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
5 Lieder, op. 82: III. Arietta buffa (in 1966-04)
lyricist:
Pietro Metastasio
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
5 Lieder, op. 82
1:42
194 Arietten und ein Duett, op. 82: 4. L'amante impaziente: “Che fa il mio bene?”. Aretta assai seriosa
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
5 Lieder, op. 82: IV. Arietta assai seriosa (in 1966-04)
lyricist:
Pietro Metastasio
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
5 Lieder, op. 82
2:16
204 Arietten und ein Duett, op. 82: 5. Duet: Odi l'aura che dolce sospira
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
soprano vocals:
Adele Stolte (soprano) (from 1970-10 until 1970-11)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
5 Lieder, op. 82: V. Lebensgenuß (Duett) (from 1970-10 until 1970-11)
composer:
Ludwig van Beethoven (German composer)
part of:
5 Lieder, op. 82
2:40
21Der Mann von Wort, op. 99: “Du sagtest, Freund, an diesen Ort komm' ich zurück”
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
bass-baritone vocals:
Günther Leib (baritone) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano in G major, op. 99 "Der Mann von Wort: sagtest, Freund, an diesen Ort komm ich zurück"
composer:
Ludwig van Beethoven (German composer)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 99)
0:48
22Merkenstein, op. 100 (Lied for 2 voices and piano) (2nd setting)
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
soprano vocals:
Adele Stolte (soprano) (from 1970-10 until 1970-11)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano in F major, op. 100 "Merkenstein: Merkenstein! Wo ich wandle denk ich dein": Massig, jedoch nicht schleppend
composer:
Ludwig van Beethoven (German composer)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 100)
1:38
23In questa tomba oscura, WoO 133 (Ariette)
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
"In questa tomba oscura", WoO 133 (in 1966-04)
lyricist:
Giuseppe Carpani
composer:
Ludwig van Beethoven (German composer) (from 1806 until 1807)
dedicated to:
Joseph Franz von Lobkowitz
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 133)
3:35
24Die laute Klage, WoO 135: “Turteltaube, du klagest so laut”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 135: "Die laute Klage" (in 1966-04)
lyricist:
Johann Gottfried von Herder
composer:
Ludwig van Beethoven (German composer)
publisher:
Diabelli & Co (in 1837)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 135)
2:35
25Andenken, WoO 136: “Ich denke dein”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Andenken, WoO 136 "Ich denke dein" (in 1966-04)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 136)
2:56
26Gesang aus der Ferne, WoO 137: “Als mir die Träne der Sehnsucht nicht floss”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 137: "Lied aus der Ferne" (in 1966-04)
lyricist:
Christian Ludwig Reissig
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 137)
3:52
27Der Jüngling in der Fremde, WoO 138: “Der Frühling entblühet dem Schoß der Natur”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 138: "Der Jüngling in der Fremde" (in 1966-04)
lyricist:
Christian Ludwig Reissig
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 138)
1:22
28Der Liebende, WoO 139: “Welch ein wunderbares Leben”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Der Liebende, WoO 139 (in 1966-04)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 139)
2:25
29Der Bardengeist, WoO 142: “Dort auf dem hohen Felsen”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 142: "Der Bardengeist" (F.R. Hermann) (in 1966-04)
composer:
Ludwig van Beethoven (German composer)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 142)
1:46
30Das Geheimnis, WoO 145: “Wo blüht das Blümchen, das nie verblüht?”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 145: "Das Geheimnis" (in 1966-04)
lyricist:
Ignaz Heinrich von Wessenberg
composer:
Ludwig van Beethoven (German composer) (in 1816)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 145)
1:27
31Sehnsucht, WoO 146: “Die stille Nacht umdunkelt erquickend Tal und Höh'”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Sehnsucht, WoO 146 (in 1966-04)
lyricist:
Christian Ludwig Reissig
composer:
Ludwig van Beethoven (German composer) (from 1815 until 1816)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 146)
2:22
32Ruf vom Berge, WoO 147: “Wenn ich ein Vöglen wär”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 147: "Ruf vom Berge" (in 1966-04)
lyricist:
Georg Friedrich Treitschke
composer:
Ludwig van Beethoven (German composer) (in 1816)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 147)
1:32
33Resignation, WoO 149: “Kisch aus, mein Licht!”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 149 "Resignation" (in 1966-04)
lyricist:
Paul von Haugwitz
composer:
Ludwig van Beethoven (German composer)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 149)
2:51
34Abendlied unterm gestirnten Himmel, WoO 150: “Wenn die Sonne nieder sinket”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 150: "Abendlied unterm gestirnten Himmel" (in 1966-04)
lyricist:
Heinrich Goeble
composer:
Ludwig van Beethoven (German composer) (in 1820-03)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 150)
5:04
3▼CD: Lieder (III)
#TitleRatingLength
1An einen Säugling, WoO 108: “Noch weißt du nicht, wes Kind du bist”
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
soprano vocals:
Adele Stolte (soprano) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for voice and piano, WoO 108 "An einen Säugling"
composer:
Ludwig van Beethoven (German composer) (in 1794)
part of:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 9) and Kinsky catalogue (Beethoven WoO works) (number: WoO 108)
1:54
2Trinklied (beim Abschied zu singen), WoO 109: “Erhebt das Glas mit froher Hand”
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 109: "Trinklied" (from 1970-10 until 1970-11)
composer:
Ludwig van Beethoven (German composer)
part of:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 13) and Kinsky catalogue (Beethoven WoO works) (number: WoO 109)
1:32
3Elegie auf den Tod eines Pudels, WoO 110: “Stirb immerhin, es welken ja so viele”
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 110: "Elegie auf den Tod eines Pudels" (from 1970-10 until 1970-11)
composer:
Ludwig van Beethoven (German composer) (in 1790)
part of:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 14) and Kinsky catalogue (Beethoven WoO works) (number: WoO 110)
2:24
4Punschliend, WoO 111: “Wer nicht, wenn warm von Hand zu Hand”
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 111: "Punschlied, Scherzlieder" (from 1970-10 until 1970-11)
composer:
Ludwig van Beethoven (German composer)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 111)
0:47
5An Laura, WoO 112: “Freud' umblühe dich auf allen Wegen”
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 112: "An Laura" (from 1970-10 until 1970-11)
lyricist:
Friedrich von Matthisson
composer:
Ludwig van Beethoven (German composer) (in 1792)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 112)
2:55
6Klage, WoO 113: “Dein Silber schien durch Eichengrün”
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 113: "Klage" (from 1970-10 until 1970-11)
lyricist:
Ludwig Heinrich Christoph Hölty
composer:
Ludwig van Beethoven (German composer) (in 1790)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 113)
2:57
7Ein Selbstgespräch, WoO 114: “Ich, der mit flatterndem Sinn”
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 114: Selbstgespräch (from 1970-10 until 1970-11)
lyricist:
Johann Wilhelm Ludwig Gleim
composer:
Ludwig van Beethoven (German composer) (from 1792 until 1793)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 114)
3:52
8An Minna, WoO 115: “Nur bei dir, an deinem Herzen”
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 115: "An Minna" (from 1970-10 until 1970-11)
composer:
Ludwig van Beethoven (German composer)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 115)
0:44
9Que le temps me dure, WoO 116 (1st version, [Hess 129])
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 116: "Que le temps me dure" (from 1970-10 until 1970-11)
lyricist:
Jean‐Jacques Rousseau
composer:
Ludwig van Beethoven (German composer) (in 1793)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 129) and Kinsky catalogue (Beethoven WoO works) (number: WoO 116)
1:59
10Que le temps me dure, WoO 116 (2nd version, [Hess 130])
producer:
Lennart Dehn
piano:
Hans Hilsdorf (pianist) (in 1997-03)
contralto vocals:
Ulrike Helzel (in 1997-03)
balance engineer:
Klaus Behrens (engineer)
recorded at:
Sender Freies Berlin: Kleiner Sendesaal in Berlin, Germany (in 1997-03)
recording of:
Song for Voice and Piano, WoO 116: "Que le temps me dure"
lyricist:
Jean‐Jacques Rousseau
composer:
Ludwig van Beethoven (German composer) (in 1793)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 129) and Kinsky catalogue (Beethoven WoO works) (number: WoO 116)
2:53
11Der freie Mann, WoO 117: “Wer ist ein freier Mann?”
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice, monodical Chorus and Piano, WoO 117: "Der freie Mann" (from 1970-10 until 1970-11)
lyricist:
Gottlieb Konrad Pfeffel
composer:
Ludwig van Beethoven (German composer) (from 1792 until 1794)
part of:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 77) and Kinsky catalogue (Beethoven WoO works) (number: WoO 117)
1:45
12Oh care selve. WoO 119 (Canzonetta)
producer:
Reimar Bluth
piano:
Gisela Franke (pianist) (from 1970-10 until 1970-11) and Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Canzonetta for Voice, monodical Chorus and Pianos, WoO 119: "O care selve" (from 1970-10 until 1970-11)
lyricist:
Pietro Metastasio
composer:
Ludwig van Beethoven (German composer) (from 1794 until 1795)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 119)
0:57
13Man strebt, die Flamme zu verhehlen, WoO 120
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
soprano vocals:
Adele Stolte (soprano) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 120: "Man strebt die Flamme zu verhehlen"
composer:
Ludwig van Beethoven (German composer)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 120)
3:17
14Abschiedsgesang an Wiens Bürger, WoO 121: “Keine Klage soll erschallen”
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
bass-baritone vocals:
Günther Leib (baritone) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 121 "Abschiedsgesang an Wiens Bürger"
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 121)
2:38
15Kriegslied der Österrecher, WoO 122: “Wir streiten nicht für Ruhm und Sold”
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
bass-baritone vocals:
Günther Leib (baritone) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 122 "Kriegslied der Österreicher"
composer:
Ludwig van Beethoven (German composer) (in 1797)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 122)
1:50
16La tiranna, WoO 125: “Ah grief to think! ah woe to name”
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 125: "La Tiranna'', Canzonetta (from 1970-10 until 1970-11)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 125)
3:25
17Neue Liebe, neues Leben, WoO 127 (1st version): “Herz, mein Herz, was soll das geben?”
producer:
Lennart Dehn
piano:
Hans Hilsdorf (pianist) (in 1997-03)
tenor vocals:
Peter Maus (German operatic tenor) (in 1997-03)
balance engineer:
Klaus Behrens (engineer)
recorded at:
Sender Freies Berlin: Kleiner Sendesaal in Berlin, Germany (in 1997-03)
recording of:
Song for Voice and Piano, WoO 127: "Neue Liebe, neues Leben" (J.W. von Goethe)
composer:
Ludwig van Beethoven (German composer)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 136) and Kinsky catalogue (Beethoven WoO works) (number: WoO 127)
2:55
18Plaisir d'aimer, Woo 128
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 128: "Plaisir d'aimer" (from 1970-10 until 1970-11)
composer:
Ludwig van Beethoven (German composer) (from 1798 until 1799)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 128)
1:04
19Gedenke mein!, WoO 130
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
soprano vocals:
Adele Stolte (soprano) (from 1970-10 until 1970-11)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 130: "Gedenke mein!" (from 1970-10 until 1970-11)
composer:
Ludwig van Beethoven (German composer) (in 1820-03)
part of:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 416) and Kinsky catalogue (Beethoven WoO works) (number: WoO 130)
1:32
20Sehnsucht, WoO 134: “Nur wer die Sehnsucht kennt, weiß, was ich leide!”. 1st setting
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
soprano vocals:
Adele Stolte (soprano) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 134: "Sehnsucht": 1st setting
composer:
Ludwig van Beethoven (German composer) (from 1807 until 1808)
part of:
Song for Voice and Piano, WoO 134: "Sehnsucht"
1:25
21Sehnsucht, WoO 134: “Nur wer die Sehnsucht kennt, weiß, was ich leide!”. 2nd setting
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
soprano vocals:
Adele Stolte (soprano) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 134: "Sehnsucht": 2nd setting
composer:
Ludwig van Beethoven (German composer) (from 1807 until 1808)
part of:
Song for Voice and Piano, WoO 134: "Sehnsucht"
1:06
22Sehnsucht, WoO 134: “Nur wer die Sehnsucht kennt, weiß, was ich leide!”. 3rd setting
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
soprano vocals:
Adele Stolte (soprano) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 134: "Sehnsucht": 3rd setting
composer:
Ludwig van Beethoven (German composer) (from 1807 until 1808)
part of:
Song for Voice and Piano, WoO 134: "Sehnsucht"
1:23
23Sehnsucht, WoO 134: “Nur wer die Sehnsucht kennt, weiß, was ich leide!”. 4th setting
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
soprano vocals:
Adele Stolte (soprano) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 134: "Sehnsucht": 4th setting
composer:
Ludwig van Beethoven (German composer) (from 1807 until 1808)
part of:
Song for Voice and Piano, WoO 134: "Sehnsucht"
1:44
24An die Geliebte, WoO 140 (2nd version): “Oh, dass ich dir vom stillen Auge”
producer:
Wolfgang Lohse
piano:
Walter Olbertz (German pianist) (in 1966-04)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 140: "An die Geliebte" (2nd version) (in 1966-04)
lyricist:
Josef Ludwig Stoll
composer:
Ludwig van Beethoven (German composer) (in 1811)
part of:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 540/2) and Kinsky catalogue (Beethoven WoO works) (number: WoO 140/2)
1:11
25An die Geliebte, WoO 140 (3rd version)
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Reimar Bluth
piano:
Jörg Demus (pianist) (from 1970-10 until 1970-11)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 140: "An die Geliebte" (2nd version) (from 1970-10 until 1970-11)
lyricist:
Josef Ludwig Stoll
composer:
Ludwig van Beethoven (German composer) (in 1811)
part of:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 540/2) and Kinsky catalogue (Beethoven WoO works) (number: WoO 140/2)
1:19
26Der Gesang der Nachtigall, WoO 141: “Höre, die Nachtigall singt”
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
soprano vocals:
Adele Stolte (soprano) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 141: "Der Gesang der Nachtigall" (J.G. Herder)
composer:
Ludwig van Beethoven (German composer)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 141)
1:25
27Des Kriegers Abschied, WoO 143: “Ich zieh' ins Feld, von Lieb' entbrannt”
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 143: "Des Kriegers Abschied" (from 1970-10 until 1970-11)
lyricist:
Christian Ludwig Reissig
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 143)
1:32
28Merkenstein, WoO 144 (1st setting)
producer and balance engineer:
René Möller
piano:
Alexander Schmalcz (pianist) (in 2019-05)
baritone vocals:
Matthias Goerne (baritone) (in 2019-05)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2019-05)
recording of:
Song for Voice and Piano, WoO 144: "Merkenstein"
lyricist:
Johann Baptist Rupprecht
composer:
Ludwig van Beethoven (German composer)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 144)
3:39
29So oder so, WoO 148: “Nord oder Süd! Wenn nur im warmen Busen”
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 148: "So oder so" (from 1970-10 until 1970-11)
lyricist:
Karl Lappe
composer:
Ludwig van Beethoven (German composer)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 148)
1:55
30Der edle Mensch, WoO 151: “Der edle Mensch sei hülfreich und gut!”
producer:
Lennart Dehn
piano:
Hans Hilsdorf (pianist) (in 1997-03)
soprano vocals:
Heidi Person (soprano) (in 1997-03)
balance engineer:
Klaus Behrens (engineer)
recorded at:
Sender Freies Berlin: Kleiner Sendesaal in Berlin, Germany (in 1997-03)
recording of:
Song for Voice and Piano, WoO 151: "Der edle Mensche sei hülfreich und gut"
lyricist:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (in 1823-01)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 132), Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 768) and Kinsky catalogue (Beethoven WoO works) (number: WoO 151)
0:51
31Lied aus der Ferne, WoO 137 (1st version): “Als mir noch die Träne der Sehnsucht nicht floss”
producer:
Lennart Dehn
piano:
Hans Hilsdorf (pianist) (in 1997-03)
tenor vocals:
Peter Maus (German operatic tenor) (in 1997-03)
balance engineer:
Klaus Behrens (engineer)
recorded at:
Sender Freies Berlin: Kleiner Sendesaal in Berlin, Germany (in 1997-03)
recording of:
Song for Voice and Piano, WoO 137: "Lied aus der Ferne"
lyricist:
Christian Ludwig Reissig
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 137)
2:30
32Das liebe Kätzchen, Hess 133: “Unsa Kaz had Kazln g'habt”
producer:
Lennart Dehn
harpsichord:
Hans Hilsdorf (pianist) (in 1997-03)
tenor vocals:
Volker Horn (tenor) (in 1997-03)
balance engineer:
Klaus Behrens (engineer)
recorded at:
Sender Freies Berlin: Kleiner Sendesaal in Berlin, Germany (in 1997-03)
recording of:
Folksong for voice and piano trio, Hess 133 "Das liebe Kätzchen"
composer:
Ludwig van Beethoven (German composer) (in 1820)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 133)
0:35
33Der Knabe auf dem Berge, Hess 134: “Duart ob'n af'm Beargerk gu gu!”
producer:
Lennart Dehn
harpsichord:
Hans Hilsdorf (pianist) (in 1997-03)
contralto vocals:
Ulrike Helzel (in 1997-03)
balance engineer:
Klaus Behrens (engineer)
recorded at:
Sender Freies Berlin: Kleiner Sendesaal in Berlin, Germany (in 1997-03)
recording of:
Folksong for voice and piano, Hess 134 "Der Knabe auf dem Berge"
composer:
Ludwig van Beethoven (German composer) (in 1820)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 134)
1:12
4▶CD: Partsongs: WoO 95, 88 & 102-106 / Canons & Musical Jokes
5▶CD: Folksong Settings op. 108
6▶CD: Folksong Settings WoO 152
7▶CD: Folksong Settings WoO 152 nos. 20, 23, & 24 / WoO 153
8▶CD: Folksong Settings WoO 154 & 157
9▶CD: Folksong Settings WoO 155
10▶CD: Folksong Settings WoO 156 & 158bc
11▶CD: Folksong Settings WoO 158a
12▶CD: Works for Solo Voices with Orchestra opp. 65, 116, 118, 121b, 122 / WoO 89, 90, 92, 92a, 93
13▶CD: Emperor Cantatas WoO 87 & 88
14▶CD: Der glorreiche Augenblick / Meeresstille und Glückliche Fahrt / Mass in C
15▶CD: Missa solemnis (Period Instruments)
16▶CD: Missa solemnis (Modern Instruments)
17▶CD: Christus am Ölberge

Credits

Release group

includes:The Late String Quartets, opp. 95, 127, 130–133 & 135 by Beethoven (Ludwig van Beethoven, German composer); Takács Quartet