American Popular Song

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

2.11 with vocal Helen Forrest (still need to track down original release).

Annotation last modified on 2012-02-13 18:04 UTC.

Tracklist

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1▼Medium
#TitleArtistRatingLength
1Some of These Days
Sophie Tucker4:15
2Alexander’s Ragtime Band
Bessie Smith3:03
3Love a Piano
Billy Murray2:43
4They Didn’t Believe Me
Grace Kerns feat. Reed Miller3:37
5April Showers
recording of:
April Showers
lyricist:
Buddy DeSylva
composer:
Louis Silvers
Al Jolson3:03
6After You’ve Gone
recording of:
After You’ve Gone
lyricist:
Henry Creamer (Lyricist) (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
Marion Harris3:19
7I Ain’t Got Nobody
Marion Harris3:22
8The Man I Love
Marion Harris3:26
9Fascinating Rhythm
recorded in:
London (Greater London), England, United Kingdom (on 1926-04-19)
piano:
George Gershwin (composer) (on 1926-04-19)
vocals:
Adele Astaire (on 1926-04-19) and Fred Astaire (on 1926-04-19)
recording of:
Fascinatin’ Rhythm (on 1926-04-19)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer) (in 1924)
publisher:
WB Music Corp. (renewed) (1929–2019) and Harms, Inc. (in 1924)
part of:
Girl Crazy (1930 Musical)
part of:
Lady, Be Good (full musical)
Fred Astaire feat. Adele Astaire2:25
10Sweet Georgia Brown
Ethel Waters3:11
11I Can’t Give You Anything but Love
Ethel Waters3:10
12My Melancholy Baby
Gene Austin3:30
13Why Was I Born?
Helen Morgan3:26
14Puttin’ On the Ritz
recorded in:
London (Greater London), England, United Kingdom (on 1930-03-26)
vocals and performer:
Fred Astaire (on 1930-03-26)
orchestra:
Columbia Studio Orchestra (on 1930-03-26) and Van Phillips and His Orchestra (on 1930-03-26)
recording of:
Puttin’ On the Ritz (on 1930-03-26)
lyricist and composer:
Irving Berlin (in 1929)
publisher:
Berlin Irving Music Corp and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
Idiot’s Delight (film)
Fred Astaire2:36
15If I Had You
producer:
Sam Lanin
vocals:
Bing Crosby (on 1929-01-25)
orchestra:
Sam Lanin's Dance Orchestra (on 1929-01-25)
recording of:
If I Had You (jazz standard) (on 1929-01-25)
writer:
James Campbell (British songwriter and music publisher), Reginald Connelly and Ted Shapiro
publisher:
Campbell Connelly & Co. Ltd., Campbell Connelly Inc. (ASCAP affiliated), EMI Robbins Catalog Inc. (ASCAP) and Robbins Music Corp.
Bing Crosby3:13
16Out of Nowhere
recorded in:
Los Angeles, California, United States (on 1931-03-30)
lead vocals:
Bing Crosby (on 1931-03-30)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
recording of:
Out of Nowhere (on 1931-03-30)
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Bing Crosby3:12
17I’m Through With Love
Bing Crosby3:12
18Brother, Can You Spare a Dime
recording of:
Brother Can You Spare a Dime (on 1932-10-25)
lyricist:
Yip Harburg
composer:
Jay Gorney
Bing Crosby33:12
19Street of Dreams
Russ Colombo2:58
20Georgia on My Mind
recording of:
Georgia on My Mind
anthem of:
Georgia, United States (from 1979 to present)
lyricist:
Stuart Gorrell (in 1930)
composer:
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (from 1930 to present) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (from 1930 to present)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangement of:
Georgia on My Mind (Solo piano arrangement)
Mildred Bailey3:30
21Willow Weep for Me
Irene Taylor3:31
22I Gotta Right to Sing the Blues
Jack Teagarden3:08
2▼Medium
#TitleArtistRatingLength
1Night and Day
reeds:
Jess Smith (reeds in Leo Reisman & His Orchestra) (on 1932-11-22) and Burt Williams (on 1932-11-22)
trombone:
Ernie Gibbs (on 1932-11-22)
trumpet:
Lew Sherwood (on 1932-11-22)
violin:
Lew Conrad (on 1932-11-22) and Sammy Schklar (on 1932-11-22)
vocals:
Fred Astaire (on 1932-11-22)
orchestra:
Leo Reisman and His Orchestra (on 1932-11-22)
conductor:
Leo Reisman (violinist, bandleader, arranger) (on 1932-11-22)
recorded at:
Victor Studio #1 (Cherokee A) in New York, New York, United States (on 1932-11-22)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1932-11-22)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Fred Astaire53:28
2Isn’t This a Lovely Day?
recorded in:
New York, New York, United States (on 1935-06-27)
vocals:
Fred Astaire (on 1935-06-27)
orchestra:
Johnny Green and His Orchestra (on 1935-06-27)
recording of:
Isn’t This a Lovely Day? (from “Top Hat”) (on 1935-06-27)
lyricist and composer:
Irving Berlin (in 1935)
part of:
Top Hat (1935 film)
Fred Astaire3:15
3Cheek to Cheek
recorded in:
New York, New York, United States (on 1935-06-26)
vocals:
Fred Astaire (on 1935-06-26)
orchestra:
Leo Reisman and His Orchestra (on 1935-06-26)
recording of:
Cheek to Cheek (from “Top Hat”) (on 1935-06-26)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
Fred Astaire3:19
4A Fine Romance
recorded in:
Los Angeles, California, United States (on 1936-07-28)
vocals:
Fred Astaire (on 1936-07-28)
orchestra:
Johnny Green and His Orchestra (on 1936-07-28)
recording of:
A Fine Romance (from “Swing Time”) (on 1936-07-28)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
Fred Astaire2:53
5They Can’t Take That Away from Me
recorded in:
Los Angeles, California, United States (on 1937-03-14)
vocals:
Fred Astaire (on 1937-03-14)
orchestra:
Johnny Green and His Orchestra (on 1937-03-14)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1937-03-14)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
Fred Astaire3:04
6I Feel a Song Comin’ On
recording of:
I Feel a Song Comin’ On
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter) and George Oppenheimer
Frances Langford3:06
7Jeepers Creepers
recorded in:
New York, New York, United States (on 1939-01-18)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1939-01-18) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1939-01-18)
double bass:
George "Pops" Foster (on 1939-01-18)
drums (drum set):
Sid Catlett (on 1939-01-18)
guitar:
Lee Blair (on 1939-01-18)
piano:
Luis Russell (on 1939-01-18)
tenor saxophone:
Bingie Madison (on 1939-01-18) and Albert Nicholas (on 1939-01-18)
trombone:
Wilbur de Paris (on 1939-01-18), J.C. Higginbotham (on 1939-01-18) and Bull City Red (aka George Washington) (on 1939-01-18)
trumpet:
Henry “Red” Allen (jazz musician) (on 1939-01-18), Louis Armstrong (on 1939-01-18), Shelton "Scad" Hemphill (on 1939-01-18) and Otis Johnson (trumpet) (on 1939-01-18)
vocals:
Louis Armstrong (on 1939-01-18)
orchestra:
Louis Armstrong & His Orchestra (on 1939-01-18)
performer:
Louis Armstrong & His Orchestra
later releases:
Jeepers Creepers by Louis Armstrong
recording of:
Jeepers Creepers (on 1939-01-18)
lyricist:
Johnny Mercer (in 1938)
writer:
Richard A. Whiting
composer:
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
The 11th Academy Award for Best Original Song (number: 2)
Louis Armstrong42:41
8You Go to My Head
recording of:
You Go to My Head
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
Billie Holiday2:55
9More Than You Know
recording of:
More Than You Know
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., Intersong Music, LSQ Music Co., Miller Music Corp., The Songwriters Guild, WB Music Corp. (1929–2019) (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Great Day!
part of:
Hit the Deck (1955 movie)
Billie Holiday3:08
10Day In, Day Out
vocals:
Helen Forrest (on 1939-08-27)
cover recording of:
Day In, Day Out (on 1939-08-27)
lyricist:
Johnny Mercer (in 1939)
composer:
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Bregman, Vocco & Conn, Inc.
Helen Forrest3:38
11Taking A Chance on Love
recording of:
Taking a Chance on Love
lyricist:
Ted Fetter and John Latouche
composer:
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. and Taking a Chance on Love Music Company
part of:
Cabin in the Sky
Benny Goodman and His Orchestra3:07
12Skylark
cover recording of:
Skylark
lyricist:
Johnny Mercer
composer:
Hoagy Carmichael (in 1941)
publisher:
Frank Music Corp., George Simon Music Co., George Simon, Inc., Hoagy Publishing Co., Songs of Peer, Ltd. (ASCAP), The Johnny Mercer Foundation, Warner Bros. Music (publisher; do NOT use as release label), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Helen Forrest3:24
13Body and Soul
Martha Raye3:03
14Zing! Went the Strings of My Heart
lead vocals:
Judy Garland
vocals:
Judy Garland (on 1939-07-29)
orchestra:
Orchestra Under Direction of Victor Young
recording of:
Zing! Went the Strings of My Heart (on 1939-07-29)
lyricist and composer:
James F. Hanley
publisher:
Redwood Music Ltd. (Carlin), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Judy Garland52:59
15The Nearness of You
Connee Boswell3:14
16It Never Entered My Mind
Shirley Ross3:16
17I Got It Bad
Ivie Anderson2:42
18Stormy Weather
recorded in:
Hollywood, Los Angeles, California, United States (on 1941-12-15)
orchestra:
Lou Bring’s Orchestra
conductor:
Lou Bring (conductor and pianist)
cover recording of:
Stormy Weather (on 1941-12-15)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
Lena Horne3:23
19As Long as I Live
recording of:
As Long as I Live
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
publisher:
Arko Music Corp.
Lena Horne2:49
20Sweet Lorraine
recording of:
Sweet Lorraine
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music, Inc.
Nat King Cole3:12
21Embraceable You
recording of:
Embraceable You
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Nat King Cole3:26
22But Not for Me
recorded in:
Hollywood, Los Angeles, California, United States (on 1943-11-02)
vocals:
Judy Garland (on 1943-11-02)
orchestra:
George Stoll’s Orchestra (on 1943-11-02)
recording of:
But Not for Me (on 1943-11-02)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Judy Garland43:07
3▼Medium
#TitleArtistRatingLength
1The Boy Next Door
vocals:
Judy Garland (on 1944-04-20)
orchestra:
Georgie Stoll and His Orchestra (on 1944-04-20)
recording of:
The Boy Next Door (from “Meet Me in St. Louis”) (on 1944-04-20)
writer:
Ralph Blane and Hugh Martin
publisher:
Bill-Bob Publ. Company, EMI Feist Catalog Inc., Harms, Inc., Leo Feist, Inc. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Meet Me in St. Louis (1944 film)
Judy Garland43:07
2Something to Remember You By
recording of:
Something to Remember You By
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
part of:
The Band Wagon (1953 film)
Dinah Shore3:14
3Alone Together
recording of:
Alone Together
lyricist:
Howard Dietz (librettist)
writer:
Schwartz & Dietz (Howard Dietz and Arthur Schwartz (lyricist and composer respectively))
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Jo Stafford3:17
4Ev’ry Time We Say Goodbye
Peggy Mann3:22
5I Only Have Eyes for You
recording of:
I Only Have Eyes for You
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
part of:
Dames (film)
part of:
Twins (1988)
Frank Sinatra3:15
6A Cottage for Sale
recorded in:
New York, New York, United States (on 1945-05-02)
alto saxophone:
Albert "Budd" Johnson (on 1945-05-02) and Sonny Stitt (on 1945-05-02)
baritone saxophone:
Leo Parker (on 1945-05-02)
double bass:
Tommy Potter (on 1945-05-02)
drums (drum set):
Art Blakey (on 1945-05-02)
guitar:
Connie Wainwright (on 1945-05-02)
piano:
John Malachi (on 1945-05-02)
tenor saxophone:
Gene Ammons (on 1945-05-02), Taswell Baird (on 1945-05-02) and Dexter Gordon (on 1945-05-02)
trombone:
Alfred “Chippy” Outcalt (on 1945-05-02), Taswell Baird (on 1945-05-02), Howard Scott (trombonist active in the 1940s/50s) (on 1945-05-02) and Gerald Valentine (trombone, aka Jerry Valentine) (on 1945-05-02)
trumpet:
“Shorty” Connel (on 1945-05-02), Boonie Hazel (on 1945-05-02), Gail Brockman (Jazz trumpet player) (on 1945-05-02) and Fats Navarro (on 1945-05-02)
valve trombone:
Billy Eckstine (on 1945-05-02)
vocals and conductor:
Billy Eckstine (on 1945-05-02)
orchestra:
Billy Eckstine and His Orchestra (on 1945-05-02)
cover recording of:
A Cottage for Sale (on 1945-05-02)
lyricist:
Larry Conley (jazz bandleader/songwriter/trombonist)
composer:
Willard Robison
publisher:
Chappell & Co.
Billy Eckstine2:50
7You Are Too Beautiful
recording of:
You Are Too Beautiful
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Dick Haymes2:54
8They Say It’s Wonderful
orchestra:
Russ Case and His Orchestra
cover recording of:
They Say It’s Wonderful (from “Annie Get Your Gun”)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Music Co. and Irving Berlin Music Corp.
part of:
Annie Get Your Gun
Perry Como2:35
9I’ll Get By
Buddy Clark3:23
10Little Girl Blue
recording of:
Little Girl Blue
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jumbo
Margaret Whiting3:14
11Our Love Is Here to Stay
Gene Kelly2:50
12By Myself
Fred Astaire2:22
13Get Happy
recorded in:
Culver City, California, United States (on 1950-03-15)
choir vocals:
MGM Studio Chorus (on 1950-03-15)
vocals:
Judy Garland (on 1950-03-15)
orchestra:
MGM Studio Orchestra (on 1950-03-15)
conductor:
Johnny Green (composer and conductor, often credited as John Green) (on 1950-03-15)
arranger:
Saul Chaplin and Skip Martin
orchestrator:
Skip Martin
recording of:
Get Happy (on 1950-03-15)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
Judy Garland2:50
14The Man That Got Away
recorded in:
Hollywood, Los Angeles, California, United States (on 1953-09-04)
drums (drum set):
Nick Fatool (on 1953-09-04)
piano:
Buddy Cole (on 1953-09-04)
tenor saxophone:
Irving “Babe” Russin (on 1953-09-04)
trombone:
Hoyt Bohannon (on 1953-09-04)
vocals:
Judy Garland (on 1953-09-04)
orchestra:
The Warner Bros. Studio Orchestra (on 1953-09-04)
conductor:
Ray Heindorf (on 1953-09-04)
arranger:
Ray Heindorf and Skip Martin
recording of:
The Man That Got Away (A Star Is Born) (on 1953-09-04)
lyricist:
Ira Gershwin (in 1953)
composer:
Harold Arlen (in 1953)
publisher:
Chappell/Morris Ltd., Harwin Music Corporation, MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and WB Music Corp. (1929–2019)
part of:
The 27th Academy Award for Best Original Song (number: 2)
Judy Garland3:39
15Hello Young Lovers
Mabel Mercer3:12
16Dancing on the Ceiling
recording of:
Dancing on the Ceiling (1930 Rodgers & Hart song)
lyricist:
Lorenz Hart (in 1930)
composer:
Richard Rodgers (composer) (in 1930)
Jeri Southern3:09
17Easy Living
double bass:
Max Wayne (on 1953-05-01)
drums (drum set):
Ed Shaughnessy (on 1953-05-01)
piano:
Jimmy Rowles (on 1953-05-01)
trumpet:
Pete Candoli (on 1953-05-01)
vocals:
Peggy Lee (jazz vocalist) (on 1953-05-01)
cover recording of:
Easy Living (on 1953-05-01)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
writer:
Ralph Rainger (in 1937) and Leo Robin (US composer, lyricist & songwriter) (in 1937)
composer:
Ralph Rainger and Leo Robin (US composer, lyricist & songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1937, in 1964)
Peggy Lee2:46
18Sophisticated Lady
recorded in:
New York, New York, United States (on 1956-01-23)
alto saxophone:
Johnny Hodges (on 1956-01-23)
alto saxophone and clarinet:
Russell Procope (on 1956-01-23)
baritone saxophone:
Harry Carney (on 1956-01-23)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1956-01-23)
double bass:
Jimmy Woode (on 1956-01-23)
drums (drum set):
Sam Woodyard (on 1956-01-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1956-01-23)
tenor saxophone:
Paul Gonsalves (on 1956-01-23)
trombone:
Quentin Jackson (on 1956-01-23) and Britt Woodman (on 1956-01-23)
trumpet:
William “Cat” Anderson (on 1956-01-23), Willie Cook (US jazz trumpeter) (on 1956-01-23), Ray Nance (on 1956-01-23) and Cootie Williams (on 1956-01-23)
valve trombone:
John Sanders (US jazz trombonist) (on 1956-01-23)
lead vocals:
Rosemary Clooney (on 1956-01-23)
orchestra:
Duke Ellington and His Orchestra (on 1956-01-23)
recording of:
Sophisticated Lady (on 1956-01-23)
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
Rosemary Clooney2:59
19There Will Never Be Another You
recording of:
There Will Never Be Another You
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, Volume I)
Nat King Cole3:42
20Star Dust
producer:
Lee Gillette
piano:
Charles LaVere (on 1956-12-19)
lead vocals:
Nat King Cole (on 1956-12-19)
conductor:
Gordon Jenkins (on 1956-12-19)
arranger:
Gordon Jenkins
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-12-19)
recording of:
Stardust (the jazz standard) (on 1956-12-19)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
Nat King Cole2.653:17
21’S Wonderful
piano:
Jimmy Jones (jazz pianist, active years 1936-1975)
vocals:
Sarah Vaughan
orchestra:
Hugo Peretti and His Orchestra
recording of:
’S Wonderful
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
part of:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
Sarah Vaughan2:32
22Autumn in New York
cover recording of:
Autumn in New York (1934)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc. (not for release label use!)
Sarah Vaughan3:18
23What Is This Thing Called Love
cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
Ella Fitzgerald2:02
4▼Medium
#TitleArtistRatingLength
1This Can’t Be Love
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Bud Shank (on 1956-08-21) and Maurice Stein (American jazz saxophonist) (on 1956-08-21)
baritone saxophone:
Chuck Gentry (on 1956-08-21)
bass:
Joe Mondragon (on 1956-08-21)
bass trombone:
George Roberts (american bass trombone) (on 1956-08-21)
drums (drum set):
Alvin Stoller (on 1956-08-21)
guitar:
Barney Kessel (on 1956-08-21)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-21)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-21) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-21)
trombone:
Milt Bernhart (on 1956-08-21), Joe Howard (american trombone player) (on 1956-08-21) and Lloyd Ulyate (on 1956-08-21)
trumpet:
Pete Candoli (on 1956-08-21), Maynard Ferguson (on 1956-08-21), Conrad Gozzo (on 1956-08-21) and Ray Linn (on 1956-08-21)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-21)
conductor:
Buddy Bregman (on 1956-08-21)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1956-08-21)
cover recording of:
This Can’t Be Love (on 1956-08-21)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.)
Ella Fitzgerald2:55
2How Long Has This Been Going On
cover recording of:
How Long Has This Been Going On? (Funny Face, 1957 film)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
Ella Fitzgerald3:48
3Blues in the Night
cover recording of:
Blues in the Night (My Mama Done Tol’ Me)
lyricist:
Johnny Mercer (in 1941)
composer:
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. (not for release label use!) and WB Music Corp. (1929–2019)
part of:
The 14th Academy Award for Best Original Song (number: 2)
Ella Fitzgerald7:15
4Speak Low
Carmen McRae3:10
5Isn’t It Romantic
Carmen McRae3:02
6Baltimore Oriole
Carmen McRae3:50
7I’ve Got You Under My Skin
recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
Frank Sinatra3:45
8I Guess I’ll Have to Change My Plan
recording of:
I Guess I’ll Have to Change My Plan
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
part of:
The Band Wagon (1953 film)
Frank Sinatra2:25
9What’ll I Do
cover recording of:
What’ll I Do?
lyricist and composer:
Irving Berlin (in 1923)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Wilhelm Hansen and Williamson Music Company
recording of:
What’ll I Do?
lyricist and composer:
Irving Berlin (in 1923)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Wilhelm Hansen and Williamson Music Company
Johnny Mathis2:58
10I’m Beginning to See the Light
Joe Williams3:10
11Come Rain or Come Shine
Joe Williams4:03
12Something’s Gotta Give
vocals:
Fred Astaire (in 1955-04)
conductor:
Pete King (composer/arranger)
recording of:
Something’s Gotta Give (from “Daddy Long Legs”) (in 1955-04)
lyricist and composer:
Johnny Mercer (in 1954)
publisher:
WB Music Corp. (1929–2019)
part of:
The 28th Academy Award for Best Original Song (number: 2)
Fred Astaire3:00
13Nice Work If You Can Get It
Mel Tormé3:12
14When The Sun Comes Out
Mel Tormé3:22
15One Morning in May
Mel Tormé2:44
16You’re Driving Me Crazy
Kay Starr2:09
17Just One of Those Things
cover recording of:
Just One of Those Things
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Lena Horne2:04
18You Don’t Know What Love Is
Teddi King3:31
19My Future Just Passed
recording of:
My Future Just Passed
lyricist:
George Marion, Jr.
composer:
Richard A. Whiting
Teddi King2:50
20Easy Street
Elaine Stritch4:21
21My Shining Hour
Mabel Mercer3:45
5▶Medium