The Music of Star Wars: 30th Anniversary Collector’s Edition

~ Release by John Williams (see all versions of this release, 1 available)

Tracklist

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1▼CD: Star Wars: Episode IV – A New Hope
#TitleArtistRatingLength
120th Century Fox Fanfare
recording of:
20th Century Fox Fanfare (in 1954)
composer:
Alfred Newman (in 1933)
Alfred Newman30:23
2Main Title / Rebel Blockade Runner
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer) (from 1977-03-05 until 1977-03-16)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16)
recording of:
Main Title (Star Wars) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer) (ended)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
John Williams3.42:14
3Imperial Attack
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer) (from 1977-03-05 until 1977-03-16)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16)
recording of:
Imperial Attack (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams2.856:43
4The Dune Sea of Tatooine / Jawa Sandcrawler
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer) (from 1977-03-05 until 1977-03-16)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16)
recording of:
The Dune Sea of Tatooine / Jawa Sandcrawler (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams35:02
5The Moisture Farm
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer) (from 1977-03-05 until 1977-03-16)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16)
recording of:
The Moisture Farm (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams32:25
6The Hologram / Binary Sunset
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer) (from 1977-03-05 until 1977-03-16)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16)
recording of:
Binary Sunset (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
The Hologram (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams3.254:08
7Landspeeder Search / Attack of the Sand People
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer) (from 1977-03-05 until 1977-03-16)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16)
recording of:
Landspeeder Search / Attack of the Sand People (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams23:21
8Tales of a Jedi Knight / Learn About the Force
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer) (from 1977-03-05 until 1977-03-16)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16)
recording of:
Tales of a Jedi Knight / Learn About the Force (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams1.54:28
9Burning Homestead
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer) (from 1977-03-05 until 1977-03-16)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16)
recording of:
Burning Homestead (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer)
quotes music from:
Dies Irae (plainchant)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams2.52:50
10Mos Eisley Spaceport
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer) (from 1977-03-05 until 1977-03-16)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16)
recording of:
Mos Eisley Spaceport (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams22:16
11Cantina Band
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer) (from 1977-03-05 until 1977-03-16)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16)
recording of:
Cantina Band (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer)
publisher:
Fox Fanfare Music Inc.
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams3.92:47
12Cantina Band #2
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer) (from 1977-03-05 until 1977-03-16)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16)
recording of:
Cantina Band #2 (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams2.53:55
13Binary Sunset (alternate)
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer) (from 1977-03-05 until 1977-03-16)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16)
compilation of:
Binary Sunset (alternate) by John Williams (American score composer)
recording of:
Binary Sunset (alternate) (Star Wars archival bonus track) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer)
John Williams517:00
2▼CD: Star Wars: Episode IV – A New Hope
#TitleRatingLength
1Princess Leia’s Theme
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas and Tom Null
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer) (from 1977-03-05 until 1977-03-16)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16) and Abravanel Hall in Salt Lake City, Utah, United States (from 1983-06-21 until 1983-06-22)
recording of:
Princess Leia's Theme (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
2.754:27
2The Millennium Falcon / Imperial Cruiser Pursuit
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer) (from 1977-03-05 until 1977-03-16)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16)
recording of:
The Millennium Falcon / Imperial Cruiser Pursuit (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
23:51
3Destruction of Alderaan
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer) (from 1977-03-05 until 1977-03-16)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16)
recording of:
Destruction of Alderaan (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
21:33
4The Death Star / The Stormtroopers
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer) (from 1977-03-05 until 1977-03-16)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16)
recording of:
The Death Star (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
The Stormtroopers (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
23:34
5Wookiee Prisoner / Detention Block Ambush
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer) (from 1977-03-05 until 1977-03-16)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16)
recording of:
Wookiee Prisoner / Detention Block Ambush (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
24:01
6Shootout in the Cell Bay / Dianoga
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer) (from 1977-03-05 until 1977-03-16)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16)
recording of:
Shootout in the Cell Bay / Dianoga (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
23:48
7The Trash Compactor
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer) (from 1977-03-05 until 1977-03-16)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16)
recording of:
The Trash Compactor (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
23:06
8The Tractor Beam / Chasm Crossfire
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer) (from 1977-03-05 until 1977-03-16)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16)
recording of:
The Tractor Beam / Chasm Crossfire (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
1.55:18
9Ben Kenobi’s Death / TIE Fighter Attack
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer) (from 1977-03-05 until 1977-03-16)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16)
recording of:
Ben Kenobi’s Death (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
TIE Fighter Attack (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
23:51
10The Battle of Yavin (Launch from the Fourth Moon / X-Wings Draw Fire / Use the Force)
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer) (from 1977-03-05 until 1977-03-16)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16)
recording of:
The Battle of Yavin (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
2.759:07
11The Throne Room / End Title
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer) (from 1977-03-05 until 1977-03-16)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16)
recording of:
End Titles (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
The Throne Room (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
35:37
3▼CD: Star Wars: Episode V – The Empire Strikes Back
#TitleArtistRatingLength
120th Century Fox Fanfare
recording of:
20th Century Fox Fanfare (in 1980)
composer:
Alfred Newman (in 1933)
Alfred Newman0:22
2Main Title / The Ice Planet Hoth
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer) (from 1979-12-27 until 1980-01-18)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
Main Title (Star Wars) (from 1979-12-27 until 1980-01-18)
composer:
John Williams (American score composer) (ended)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
recording of:
The Ice Planet Hoth (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams3.258:09
3The Wampa’s Lair / Vision of Obi-Wan / Snowspeeders Take Flight
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer) (from 1979-12-27 until 1980-01-18)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
Snowspeeders Take Flight (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
recording of:
The Wampa’s Lair (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
recording of:
Vision of Obi-Wan (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams2.758:48
4The Imperial Probe / Aboard the Executor
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer) (from 1979-12-27 until 1980-01-18)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
Aboard the Executor (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
recording of:
The Imperial Probe (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams3.254:24
5The Battle of Hoth (Ion Cannon / Imperial Walkers / Beneath the AT-AT / Escape in the Millennium Falcon)
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer) (from 1979-12-27 until 1980-01-18)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
The Battle of Hoth: Ion Cannon / Imperial Walkers / Beneath the AT-AT / Escape in the Millennium Falcon (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams3.1514:48
6The Asteroid Field
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer) (from 1979-12-27 until 1980-01-18)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
The Asteroid Field (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams3.254:16
7Arrival on Dagobah
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer) (from 1979-12-27 until 1980-01-18)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
Arrival on Dagobah (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams34:53
8Luke’s Nocturnal Visitor
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer) (from 1979-12-27 until 1980-01-18)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
Luke’s Nocturnal Visitor (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams2.52:35
9Han Solo and the Princess
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer) (from 1979-12-27 until 1980-01-18)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
Han Solo and the Princess (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams2.753:26
10Jedi Master Revealed / Mynock Cave
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer) (from 1979-12-27 until 1980-01-18)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
Jedi Master Revealed / Mynock Cave (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams3.155:44
11The Training of a Jedi Knight / The Magic Tree
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer) (from 1979-12-27 until 1980-01-18)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
The Magic Tree (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
recording of:
The Training of a Jedi Knight (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams2.55:17
4▼CD: Star Wars: Episode V – The Empire Strikes Back
#TitleRatingLength
1The Imperial March
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer) (from 1979-12-27 until 1980-01-18)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
The Imperial March (Star Wars, Episode V: The Empire Strikes Back, Darth Vader’s Theme) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
publisher:
Fox Fanfare Music Inc.
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
4.153:03
2Yoda’s Theme
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer) (from 1979-12-27 until 1980-01-18)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
Yoda's Theme (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
3.153:30
3Attacking a Star Destroyer
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer) (from 1979-12-27 until 1980-01-18)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
Attacking a Star Destroyer (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
3.253:04
4Yoda and the Force
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer) (from 1979-12-27 until 1980-01-18)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
Yoda and the Force (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
3.24:02
5Imperial Starfleet Deployed / City in the Clouds
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer) (from 1979-12-27 until 1980-01-18)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
City in the Clouds (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
recording of:
Imperial Starfleet Deployed (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
2.56:03
6Lando’s Palace
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer) (from 1979-12-27 until 1980-01-18)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
Lando’s Palace (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
2.53:53
7Betrayal at Bespin
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer) (from 1979-12-27 until 1980-01-18)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
Betrayal at Bespin (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
3.253:46
8Deal with Dark Lord
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer) (from 1979-12-27 until 1980-01-18)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
Deal With the Dark Lord (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
3.52:37
9Carbon Freeze / Darth Vader’s Trap / Departure of Boba Fett
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer) (from 1979-12-27 until 1980-01-18)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
Carbon Freeze / Darth Vader's Trap / Departure of Boba Fett (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
3.1511:50
10The Clash of Lightsabers
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer) (from 1979-12-27 until 1980-01-18)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
The Clash of Lightsabers (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
2.754:18
11Rescue From Cloud City / Hyperspace
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer) (from 1979-12-27 until 1980-01-18)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
Rescue From Cloud City / Hyperspace (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
3.49:08
12The Rebel Fleet / End Title
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer) (from 1979-12-27 until 1980-01-18)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
End Titles (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
composer:
John Williams (American score composer)
quotes music from:
End Titles (Star Wars, Episode IV: A New Hope)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
recording of:
The Rebel Fleet (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
3.256:28
5▼CD: Star Wars: Episode VI – The Return of the Jedi
#TitleArtistRatingLength
120th Century Fox Fanfare
recording of:
20th Century Fox Fanfare (in 1954)
composer:
Alfred Newman (in 1933)
Alfred Newman30:22
2Main Title / Approaching the Death Star / Tatooine Rendevous
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1983-01-17 until 1983-02-10)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer) (from 1983-01-17 until 1983-02-10)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
Approaching the Death Star (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
recording of:
Main Title (Star Wars) (from 1983-01-17 until 1983-02-10)
composer:
John Williams (American score composer) (ended)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
recording of:
Tatooine Rendezvous (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams2.59:17
3The Droids Are Captured
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1983-01-17 until 1983-02-10)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer) (from 1983-01-17 until 1983-02-10)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
The Droids Are Captured (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams21:17
4Bounty for a Wookiee
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1983-01-17 until 1983-02-10)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer) (from 1983-01-17 until 1983-02-10)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
Bounty for a Wookiee (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams1.52:50
5Han Solo Returns
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1983-01-17 until 1983-02-10)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer) (from 1983-01-17 until 1983-02-10)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
Han Solo Returns (Star Wars, Episode VI: The Return of the Jedi) (from 1983-01-17 until 1983-02-10)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams24:01
6Luke Confronts Jabba / Den of the Rancor / Sarlacc Sentence
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1983-01-17 until 1983-02-10)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer) (from 1983-01-17 until 1983-02-10)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
Den of the Rancor (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
recording of:
Luke Confronts Jabba (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
recording of:
Sarlacc Sentence (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams1.58:49
7The Pit of Carkoon / Sail Barge Assault
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1983-01-17 until 1983-02-10)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer) (from 1983-01-17 until 1983-02-10)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
Sail Barge Assault (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
recording of:
The Pit of Carkoon (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
John Williams2.256:02
8The Emperor Arrives / The Death of Yoda / Obi-Wan’s Revelation
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1983-01-17 until 1983-02-10)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer) (from 1983-01-17 until 1983-02-10)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
The Emperor Arrives / The Death of Yoda / Obi-Wan's Revelation (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams210:57
9Alliance Assembly
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1983-01-17 until 1983-02-10)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer) (from 1983-01-17 until 1983-02-10)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
Alliance Assembly (from 1983-01-17 until 1983-02-10)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams22:11
10Shuttle Tydirium Approaches Endor
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1983-01-17 until 1983-02-10)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer) (from 1983-01-17 until 1983-02-10)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
Shuttle Tydirium Approaches Endor (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams2.254:07
11Speeder Bike Chase / Land of the Ewoks
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1983-01-17 until 1983-02-10)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer) (from 1983-01-17 until 1983-02-10)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
Speeder Bike Chase / Land of the Ewoks (from 1983-01-17 until 1983-02-10)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams2.59:38
12The Levitation / Threepio’s Bedtime Story
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1983-01-17 until 1983-02-10)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer) (from 1983-01-17 until 1983-02-10)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
The Levitation (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
recording of:
Threepio’s Bedtime Story (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
John Williams22:45
13Jabba’s Baroque Recital
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1983-01-17 until 1983-02-10)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer) (from 1983-01-17 until 1983-02-10)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
Jabba's Baroque Recital (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams2.253:04
14Jedi Rocks
arranger:
Jerry Hey
recording of:
Jedi Rocks
composer:
Jerry Hey
John Williams2.52:50
15Sail Barge Assault (alternate)
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1983-01-17 until 1983-02-10)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer) (from 1983-01-17 until 1983-02-10)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
Sail Barge Assault (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams5:06
6▼CD: Star Wars: Episode VI – The Return of the Jedi
#TitleRatingLength
1Parade of the Ewoks
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1983-01-17 until 1983-02-10)
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer) (from 1983-01-17 until 1983-02-10)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
Parade of the Ewoks (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
23:28
2Luke and Leia
recording engineer:
Lionel Newman and Eric A. Tomlinson (British recording engineer) (from 1983-01-17 until 1983-02-10)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer) (from 1983-01-17 until 1983-02-10)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
Luke and Leia (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
composer:
John Williams (American score composer)
publisher:
Fox Fanfare Music Inc.
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
24:46
3Brother and Sister / Father and Son / The Fleet Enters Hyperspace / Heroic Ewok
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1983-01-17 until 1983-02-10)
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer) (from 1983-01-17 until 1983-02-10)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
Brother and Sister (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
recording of:
Father and Son (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
recording of:
Heroic Ewok (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
composer:
John Williams (American score composer)
recording of:
The Fleet Goes Into Hyperspace (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
1.510:40
4Emperor’s Throne Room
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1983-01-17 until 1983-02-10)
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer) (from 1983-01-17 until 1983-02-10)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
Emperor’s Throne Room (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
23:26
5The Battle of Endor I (Into the Trap / Forest Ambush / Scout Walker Scramble / Prime Weapon Fires)
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1983-01-17 until 1983-02-10)
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer) (from 1983-01-17 until 1983-02-10)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
partial recording of:
The Battle of Endor (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
2.511:50
6The Lightsaber / The Ewok Battle
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1983-01-17 until 1983-02-10)
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer) (from 1983-01-17 until 1983-02-10)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
The Ewok Battle (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
recording of:
The Lightsaber (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
24:31
7The Battle of Endor II (Leia Is Wounded – The Duel Begins / Overtaking the Bunker / The Dark Side Beckons / The Emperor’s Death)
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1983-01-17 until 1983-02-10)
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer) (from 1983-01-17 until 1983-02-10)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
partial recording of:
The Battle of Endor (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
2.2510:02
8The Battle of Endor III (Superstructure Chase / Darth Vader’s Death / The Main Reactor)
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1983-01-17 until 1983-02-10)
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer) (from 1983-01-17 until 1983-02-10)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
partial recording of:
The Battle of Endor (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
2.256:03
9Leia’s News / Light of the Force
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1983-01-17 until 1983-02-10)
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer) (from 1983-01-17 until 1983-02-10)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
Leia's News (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
recording of:
Light of the Force (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
2.53:21
10Victory Celebration / End Title
recording engineer:
Jonathan Allen (engineer) and Eric A. Tomlinson (British recording engineer) (from 1983-01-17 until 1983-02-10)
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer) (from 1983-01-17 until 1983-02-10)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10, from 1996-11-26 until 1996-11-27)
recording of:
Victory Celebration (Star Wars, Episode VI: Return of the Jedi, 1997 Special Edition)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
2.258:33
11Ewok Feast / Part of the Tribe
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1983-01-17 until 1983-02-10)
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer) (from 1983-01-17 until 1983-02-10)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
Ewok Celebration
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
1.54:00
12The Forest Battle (concert suite)
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1983-01-17 until 1983-02-10)
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer) (from 1983-01-17 until 1983-02-10)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
The Forest Battle (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
2.254:06
7▼CD: Star Wars: The Corellian Edition
#TitleRatingLength
1Star Wars Main Title and The Arrival at Naboo
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
Main Title (Star Wars) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer) (ended)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
recording of:
The Arrival at Naboo (Star Wars, Episode I: The Phantom Menace) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
3.42:57
2The Flag Parade
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
recording of:
The Flag Parade (Star Wars, Episode 1: The Phantom Menace)
composer:
John Williams (American score composer)
publisher:
Bantha Music
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars: The Phantom Menace - Suite for Orchestra
32:12
3Qui-Gon’s Noble End
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
Qui-Gon’s Noble End (Star Wars, Episode I: The Phantom Menace)
composer:
John Williams (American score composer)
publisher:
Bantha Music
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
33:49
4Jango’s Escape
orchestra:
London Symphony Orchestra (from 2002-01-18 until 2002-01-26)
conductor:
John Williams (American score composer) (from 2002-01-18 until 2002-01-26)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-01-18 until 2002-01-26)
recording of:
Jango’s Escape (Star Wars, Episode II: Attack of the Clones) (from 2002-01-18 until 2002-01-26)
composer:
John Williams (American score composer)
publisher:
Bantha Music
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
2.953:49
5Yoda and the Younglings
orchestra:
London Symphony Orchestra (from 2002-01-18 until 2002-01-26)
conductor:
John Williams (American score composer) (from 2002-01-18 until 2002-01-26)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-01-18 until 2002-01-26)
recording of:
Yoda and the Younglings (Star Wars, Episode II: Attack of the Clones) (from 2002-01-18 until 2002-01-26)
composer:
John Williams (American score composer)
publisher:
Bantha Music
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
33:57
6General Grievous
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
General Grievous (Star Wars, Episode III: Revenge of the Sith)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
2.94:08
7Anakin’s Dark Deeds
choir vocals:
London Voices
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Anakin’s Dark Deeds (Star Wars, Episode III: Revenge of the Sith)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
34:05
8Imperial Attack
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer) (from 1977-03-05 until 1977-03-16)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16)
recording of:
Imperial Attack (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
2.856:46
9Ben Kenobi’s Death / Tie Fighter Attack (medley)
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer) (from 1977-03-05 until 1977-03-16)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16)
recording of:
Ben Kenobi’s Death (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
TIE Fighter Attack (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
23:55
10Yoda and the Force
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer) (from 1979-12-27 until 1980-01-18)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
Yoda and the Force (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
3.24:06
11The Clash of Lightsabers
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer) (from 1979-12-27 until 1980-01-18)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
The Clash of Lightsabers (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
2.754:11
12Sail Barge Assault
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
recording of:
Sail Barge Assault (Star Wars, Episode VI: Return of the Jedi)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
25:06
13End Title (From Star Wars Episode VI)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
recording of:
End Title (Star Wars, Episode VI: Return of the Jedi)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
recording of:
Finale (Star Wars, Episode VI: Return of the Jedi)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
26:05

Credits

Release

producer:John Williams (American score composer)
orchestrator:Herbert W. Spencer (composer and orchestrator)
composer:John Williams (American score composer)
Discogs:https://www.discogs.com/release/1758414 [info]
ASIN:US: B000VEA38E [info]