Let It Go (remastered)

~ Release by Stanley Turrentine feat. Shirley Scott (see all versions of this release, 6 available)

Annotation

Recorded at Van Gelder Studios on Sept. 21, 1964 (#8-11) and April 6 & 15, 1966 (#1-7).
" Let it go " originally released in 1966.
Track 8 originally released on " The Definitive Jazz Scene Volume 3 " - Various ( 1965 ).
Tracks 9 to 11 originally released on " Everybody loves a lover " - Shirley Scott ( 1964 ).
Post production at The Review Room / NYC.

℗ 1991 MCA Records, Inc. & © 1991 GRP Records, Inc. © 1966 MCA Records, Inc.

Other Identifiers
Matrix / Runout (Mirrored): GRD 104 DIGITAL HOUSE LTD.
Rights Society: ASCAP
Rights Society: BMI

Annotation last modified on 2024-05-20 21:49 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Let It Go
bass:
Ron Carter (US jazz double-bassist) (on 1966-04-06)
membranophone:
Mack Simpkins (on 1966-04-06)
organ:
Shirley Scott (jazz artist) (on 1966-04-06)
tenor saxophone:
Stanley Turrentine (on 1966-04-06)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-04-06)
recording of:
Let It Go
composer:
S. Turrentine
5:55
2On a Clear Day You Can See Forever
bass:
Ron Carter (US jazz double-bassist) (on 1966-04-06)
membranophone:
Mack Simpkins (on 1966-04-06)
organ:
Shirley Scott (jazz artist) (on 1966-04-06)
tenor saxophone:
Stanley Turrentine (on 1966-04-06)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-04-06)
recording of:
On a Clear Day (You Can See Forever) (On a Clear Day You Can See Forever)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Estate of Alan Jay Lerner Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America
premiered at:
Mark Hellinger Theatre in Manhattan, New York, New York, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
6:58
3Ciao, Ciao
bass:
Ron Carter (US jazz double-bassist) (on 1966-04-15)
membranophone:
Mack Simpkins (on 1966-04-15)
organ:
Shirley Scott (jazz artist) (on 1966-04-15)
tenor saxophone:
Stanley Turrentine (on 1966-04-15)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-04-15)
recording of:
Ciao, Ciao
composer:
S. Turrentine
5:54
4'Tain't What You Do (It's the Way That Cha Do It)
bass:
Ron Carter (US jazz double-bassist) (on 1966-04-15)
membranophone:
Mack Simpkins (on 1966-04-15)
organ:
Shirley Scott (jazz artist) (on 1966-04-15)
tenor saxophone:
Stanley Turrentine (on 1966-04-15)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-04-15)
recording of:
It Ain’t What You Do (It’s the Way That You Do It)
writer:
Sy Oliver and Trummy Young
5:32
5Good Lookin' Out
bass:
Ron Carter (US jazz double-bassist) (on 1966-04-06)
membranophone:
Mack Simpkins (on 1966-04-06)
organ:
Shirley Scott (jazz artist) (on 1966-04-06)
tenor saxophone:
Stanley Turrentine (on 1966-04-06)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-04-06)
recording of:
Good Lookin' Out
composer:
S. Turrentine
5:24
6Sure as You're Born
bass:
Ron Carter (US jazz double-bassist) (on 1966-04-15)
membranophone:
Mack Simpkins (on 1966-04-15)
organ:
Shirley Scott (jazz artist) (on 1966-04-15)
tenor saxophone:
Stanley Turrentine (on 1966-04-15)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-04-15)
instrumental recording of:
Sure as You're Born
writer:
Alan Bergman (American lyricist), Marilyn Bergman and Johnny Mandel (American composer and arranger)
4:45
7Deep Purple
bass:
Ron Carter (US jazz double-bassist) (on 1966-04-06)
membranophone:
Mack Simpkins (on 1966-04-06)
organ:
Shirley Scott (jazz artist) (on 1966-04-06)
tenor saxophone:
Stanley Turrentine (on 1966-04-06)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-04-06)
recording of:
Deep Purple
lyricist:
Mitchell Parish (in 1938)
composer:
Peter de Rose
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
4:50
8Time After Time
bass:
Bob Cranshaw
organ:
Shirley Scott (jazz artist)
tenor saxophone:
Stanley Turrentine
recording of:
Time After Time
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell/Morris Ltd. and Sands Music Corp.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
9:20
9Sent for You Yesterday (And Here You Come Today)
bass:
Bob Cranshaw
organ:
Shirley Scott (jazz artist)
tenor saxophone:
Stanley Turrentine
recording of:
Sent for You Yesterday
lyricist:
Jimmy Rushing
composer:
Count Basie (pianist) and Eddie Durham (American guitarist, trombonist, composer and arranger.)
5:42
10The Lamp Is Low
bass:
Bob Cranshaw
organ:
Shirley Scott (jazz artist)
tenor saxophone:
Stanley Turrentine
recording of:
The Lamp Is Low (1939 song)
lyricist:
Mitchell Parish
additional composer:
Peter de Rose and Bert Shefter
composer:
Maurice Ravel (French composer)
is based on:
Pavane pour une infante défunte (original version for solo piano)
8:07
11The Feeling of Jazz
bass:
Bob Cranshaw
organ:
Shirley Scott (jazz artist)
tenor saxophone:
Stanley Turrentine
recording of:
The Feeling of Jazz
composer:
Duke Ellington (US composer, pianist & jazz bandleader), George T. Simon (US jazz writer, critic & drummer) and Bobby Troup
3:55

Credits

Release

photography:Charles Stewart (photographer, best known for his portraits of jazz singers and musicians) (task: cover; task: black & white photos)
liner notes:Michael Cuscuna
Stanley Dance
miscellaneous support:Susan Feitelberg (task: coordinator [GRP production coordinator assistant])
assistant engineer:Michelle Mosler
engineer:Joseph Doughney (task: post production)
producer:Michael Cuscuna (task: reissue producer)
Bob Thiele (producer & songwriter)
recording engineer:Rudy van Gelder
mastering and transferrer:Robert Stoughton (engineer)
artwork:David Gibb (US graphic designer) (task: graphics)
Scott Johnson (art director) (task: graphics)
Andy Ruggirello (designer) (task: graphics)
Dan Serrano (task: graphics)
manufactured by:GRP Records, Inc. (do not use as a release label!)
distributed by:Uni Distribution Corp.
publisher:Ampar Music (publisher)
Leeds Music Co. (publisher credit - ASCAP)
Remick Music Corp.
copyrighted (©) by:GRP Records, Inc. (do not use as a release label!)
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
phonographic copyright (℗) by:MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
pressed by:Digital House Ltd.
mixed at:The Review Room in New York, New York, United States
mastered at:MCA Recording Studios in North Hollywood, Los Angeles, California, United States
part of:GRP Presents the Legendary Masters of Jazz (order: 1)
Discogs:https://www.discogs.com/release/6516351 [info]

Release group

creative direction:Andy Baltimore
Discogs:https://www.discogs.com/master/290180 [info]
Wikidata:Q6532758 [info]