Pieces of Eighty-Eight

~ Release by Evans Bradshaw (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleRatingLength
1The Trolley Song
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Alvin Jackson (Detroit jazz bassist, born 1921) (on 1959-01-27)
membranophone:
Richard "Pistol" Allen (on 1959-01-27)
piano:
Evans Bradshaw (on 1959-01-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-01-27)
instrumental cover recording of:
The Trolley Song (“‘Clang, Clang, Clang,’ Went the Trolley…”) (on 1959-01-27)
lyricist:
Ralph Blane
composer:
Hugh Martin
publisher:
EMI Feist Catalog Inc., EMI United Partnership Ltd. and United Partnership Ltd.
part of:
The 17th Academy Award for Best Original Song (number: 2)
part of:
Meet Me in St. Louis (1944 film)
5:34
2Mangos
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Alvin Jackson (Detroit jazz bassist, born 1921) (on 1959-01-27)
membranophone:
Richard "Pistol" Allen (on 1959-01-27)
piano:
Evans Bradshaw (on 1959-01-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-01-27)
instrumental cover recording of:
Mangos (on 1959-01-27)
lyricist:
Sid Wayne
composer:
Dee Libbey
publisher:
Holly-Hill Music Publishing Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック (Fujipacific Music, Inc.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4:53
3Pushing the Blues
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Alvin Jackson (Detroit jazz bassist, born 1921) (on 1959-01-27)
membranophone:
Richard "Pistol" Allen (on 1959-01-27)
piano:
Evans Bradshaw (on 1959-01-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-01-27)
recording of:
Pushing the Blues (on 1959-01-27)
composer:
Evans Bradshaw
2:53
4It Ain't Necessarily So
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Alvin Jackson (Detroit jazz bassist, born 1921) (on 1959-01-27)
membranophone:
Richard "Pistol" Allen (on 1959-01-27)
piano:
Evans Bradshaw (on 1959-01-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-01-27)
instrumental cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (on 1959-01-27)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
5:01
5Take the "A" Train
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Alvin Jackson (Detroit jazz bassist, born 1921) (on 1959-01-27)
membranophone:
Richard "Pistol" Allen (on 1959-01-27)
piano:
Evans Bradshaw (on 1959-01-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-01-27)
cover recording of:
Take the “A” Train (original instrumental version) (on 1959-01-27)
composer:
Billy Strayhorn
part of:
The Real Book (compilation of jazz standards, Volume I)
3:30
6A Foggy Day
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Alvin Jackson (Detroit jazz bassist, born 1921) (on 1959-01-27)
membranophone:
Richard "Pistol" Allen (on 1959-01-27)
piano:
Evans Bradshaw (on 1959-01-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-01-27)
instrumental cover recording of:
A Foggy Day (in London Town) (on 1959-01-27)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
6:22
7It's All Right With Me
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Alvin Jackson (Detroit jazz bassist, born 1921) (on 1959-01-27)
membranophone:
Richard "Pistol" Allen (on 1959-01-27)
piano:
Evans Bradshaw (on 1959-01-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-01-27)
instrumental cover recording of:
It’s All Right with Me (Can‐Can musical) (on 1959-01-27)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
5:14
8Blues for Jim
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Alvin Jackson (Detroit jazz bassist, born 1921) (on 1959-01-27)
membranophone:
Richard "Pistol" Allen (on 1959-01-27)
piano:
Evans Bradshaw (on 1959-01-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-01-27)
recording of:
Blues for Jim (on 1959-01-27)
composer:
Evans Bradshaw
6:41
9A Night in Tunisia
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Alvin Jackson (Detroit jazz bassist, born 1921) (on 1959-01-27)
membranophone:
Richard "Pistol" Allen (on 1959-01-27)
piano:
Evans Bradshaw (on 1959-01-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-01-27)
cover recording of:
Night in Tunisia (instrumental) (on 1959-01-27)
composer:
Dizzy Gillespie and Frank Paparelli
publisher:
Universal‐MCA Music Publishing (US)
2:33

Credits

Release

ASIN:JP: B003DXPME0 [info]