Classical Masters 10: Verdi

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Tracklist

1CD
#TitleRatingLength
1La forza del destino: Overture
choir vocals:
Bulgarian National Choir "Svetoslav Obretenov" (National Philharmonic Choir “Svetoslav Obretenov”)
conductor:
Sofia Philharmonic Orchestra (Sofia Philharmonic) and Васил Стефанов (Vassil Stefanov, Bulgarian conductor)
recording of:
La forza del destino: Sinfonia
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino
8:07
2Nabucco: “Va, pensiero” (Chorus of the Hebrew Slaves)
choir vocals:
Bulgarian National Choir (National Philharmonic Choir “Svetoslav Obretenov”) and Chorus of the Munich State Opera (Alfred Scholz related)
orchestra:
Nürnberger Symphoniker (Alfred Scholz pseudonym) and Sofia Philharmonic Orchestra (Sofia Philharmonic)
conductor:
Emil Tabakov (conductor), Georgi Robev (conductor) and Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
5:17
3La traviata: Brindisi “Libiamo ne' lieti calici”
choir vocals:
Bulgarian National Choir "Svetoslav Obretenov" (National Philharmonic Choir “Svetoslav Obretenov”)
orchestra:
Bulgarian Philharmonic Orchestra (Sofia Philharmonic)
conductor:
Georgi Robev (conductor)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
3:05
4Don Carlo: Atto II. Duetto “Ascolta” (Carlos, Posa)5:00
5Macbeth: Chorus "Patria oppressa!"
choir vocals:
Bulgarischer Nationalchor „Svetoslav Obretenov“ (National Philharmonic Choir “Svetoslav Obretenov”)
orchestra:
Sofia Philharmonic Orchestra (Sofia Philharmonic)
conductor:
Georgi Robev (conductor)
recording of:
Macbeth: Atto IV. N°12 Coro “Patria oppressa! il dolce nome” (Profughi scozzesi) (Chorus of Scottish Exiles)
composer:
Giuseppe Verdi (Italian opera composer) (in 1847)
librettist:
Andrea Maffei (19th century poet, translator and librettist) and Francesco Maria Piave
part of:
Macbeth: Atto IV
6:29
6Rigoletto: Canzone “La donna è mobile”
tenor vocals [Duca]:
José Perez (Peruvian tenor)
orchestra:
Nuremberg Symphony Orchestra (Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym) and Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
2:13
7Aida: Atto II. Triumphal March and Chorus “Gloria all' Egitto”
choir vocals:
Bulgarian National Choir (National Philharmonic Choir “Svetoslav Obretenov”) and Chor Ljubljana (RTV Slovenia Chamber Choir)
orchestra:
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Sofia Philharmonic Orchestra (Sofia Philharmonic)
conductor:
Georgi Robev (conductor) and Marko Munih (conductor)
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
recording of:
Aida: Gloria all’Egitto (Chor) (for undetermined recordings, could be either of two with this title in Act II)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
part of:
Aida: Atto II
12:51
8Simon Boccanegra: Aria “A te l'estremo addio (Fiesco)5:51
9Luisa Miller: Scena e romanza “Quando le sere (Rodolfo)4:54
10I Lombardi: Processional Chorus “Gerusalem! Gerusalem!”5:12
11Otello: Aria “Credo in un dio crudel” (Iago)
recording of:
Otello: Atto II. “Credo in un Dio crudel” (Iago)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
4:53
12Il trovatore: Atto II. Chorus “Vedi! Le fosche notturne (Gypsies' Chorus)
choir vocals:
Bulgarischer Nationalchor „Svetoslav Obretenov“ (National Philharmonic Choir “Svetoslav Obretenov”), Nationalchor Sofia and Sofia National Opera Chorus
choir vocals [Gypsies]:
Bulgarian National Choir ‘Svetoslav Obretenov’ (National Philharmonic Choir “Svetoslav Obretenov”)
vocals:
Bulgarian National Choir "Svetoslav Obretonov” (National Philharmonic Choir “Svetoslav Obretenov”)
orchestra:
Bulgarian National Orchestra (Bulgarian National Radio Symphony Orchestra, Bulgarian National Radio Symphony Orchestra), Sofia National Opera Orchestra and Sofia Philharmonic Orchestra (Sofia Philharmonic)
conductor:
Georgi Robev (conductor) and Boris Hinchev (conductor)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
3:12
13Four Sacred Pieces: Ave Maria
recording of:
Ave Maria (Quattro pezzi sacri (for choir))
composer:
Giuseppe Verdi (Italian opera composer) (in 1889)
part of:
Quattro pezzi sacri (Four Sacred Pieces)
5:48
14Messa da requiem: Lacrymosa6:14

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ASIN:US: B0000DELEL [info]