Decca Sound: Mono Years: 1944-1956

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Petrouchka (1911 version): Scene 1. The Shrovetide Fair - The Crowds - The Conjuring-trick
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1949-11)
conductor:
Ernest Ansermet (conductor) (in 1949-11)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1949-11)
recording of:
Pétrouchka : Tableau I. Fête populaire de la semaine grasse (1911 version) (in 1949-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1911)
part of:
Pétrouchka (1911 original version)
Igor Stravinsky10:04
2Petrouchka (1911 version): Scene 2. Petrouchka's Room
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1949-11, from 1949-11-29 until 1949-11-30)
conductor:
Ernest Ansermet (conductor) (in 1949-11, from 1949-11-29 until 1949-11-30)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1949-11, from 1949-11-29 until 1949-11-30)
recording of:
Pétrouchka : Tableau II. Chez Pétrouchka (1911 version) (from 1949-11-29 until 1949-11-30)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1911)
publisher:
Boosey & Hawkes Ltd.
part of:
Pétrouchka (1911 original version)
recording of:
Pétrouchka : Tableau II. Chez Pétrouchka (1911 version) (in 1949-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1911)
publisher:
Boosey & Hawkes Ltd.
part of:
Pétrouchka (1911 original version)
Igor Stravinsky4:10
3Petrouchka (1911 version): Scene 3. The Moor's Room - Dance of the Ballerina
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1949-11, from 1949-11-29 until 1949-11-30)
conductor:
Ernest Ansermet (conductor) (in 1949-11, from 1949-11-29 until 1949-11-30)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1949-11, from 1949-11-29 until 1949-11-30)
recording of:
Pétrouchka : Tableau III. Chez le Maure (1911 version) (from 1949-11-29 until 1949-11-30)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1911)
part of:
Pétrouchka (1911 original version)
recording of:
Pétrouchka : Tableau III. Chez le Maure (1911 version) (in 1949-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1911)
part of:
Pétrouchka (1911 original version)
Igor Stravinsky7:39
4Petrouchka (1911 version): Scene 4. The Shrovetide Fair (Evening)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1949-11, from 1949-11-29 until 1949-11-30)
conductor:
Ernest Ansermet (conductor) (in 1949-11, from 1949-11-29 until 1949-11-30)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1949-11, from 1949-11-29 until 1949-11-30)
recording of:
Pétrouchka : Tableau IV. Fête populaire de la semaine grasse (vers le soir) (1911 version) (from 1949-11-29 until 1949-11-30)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1911)
publisher:
Boosey & Hawkes Ltd.
part of:
Pétrouchka (1911 original version)
recording of:
Pétrouchka : Tableau IV. Fête populaire de la semaine grasse (vers le soir) (1911 version) (in 1949-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1911)
publisher:
Boosey & Hawkes Ltd.
part of:
Pétrouchka (1911 original version)
Igor Stravinsky13:41
5Le Sacre du printemps: L'Adoration de la Terre. 1. Introduction
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1950-10)
conductor:
Ernest Ansermet (conductor) (in 1950-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1950-10)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: I. Introduction (in 1950-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:31
6Le Sacre du printemps: L'Adoration de la Terre. 2. Les augures printaniers - Danses des adolescentes
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1950-10)
conductor:
Ernest Ansermet (conductor) (in 1950-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1950-10)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes (in 1950-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:51
7Le Sacre du printemps: L'Adoration de la Terre. 3. Jeu du rapt
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1950-10)
conductor:
Ernest Ansermet (conductor) (in 1950-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1950-10)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: III. Jeu du rapt (in 1950-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:17
8Le Sacre du printemps: L'Adoration de la Terre. 4. Rondes printanières
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1950-10)
conductor:
Ernest Ansermet (conductor) (in 1950-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1950-10)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: IV. Rondes printanières (in 1950-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:17
9Le Sacre du printemps: L'Adoration de la Terre. 5. Jeux des cités
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1950-10)
conductor:
Ernest Ansermet (conductor) (in 1950-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1950-10)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: V. Jeux des cités rivales (in 1950-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:54
10Le Sacre du printemps: L'Adoration de la Terre. 6. Cortège du sage - Le sage
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1950-10)
conductor:
Ernest Ansermet (conductor) (in 1950-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1950-10)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VI. Cortège du Sage (in 1950-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky0:42
11Le Sacre du printemps: L'Adoration de la Terre. 6b. Le sage
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1950-10)
conductor:
Ernest Ansermet (conductor) (in 1950-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1950-10)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VII. Le Sage (in 1950-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky0:24
12Le Sacre du printemps: L'Adoration de la Terre. 7. Danse de la terre
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1950-10)
conductor:
Ernest Ansermet (conductor) (in 1950-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1950-10)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VIII. Danse de la terre (in 1950-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:18
13Le Sacre du printemps: Le Sacrifice. 1. Introduction
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1950-10)
conductor:
Ernest Ansermet (conductor) (in 1950-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1950-10)
recording of:
Le Sacre du printemps: II. Le Sacrifice: I. Introduction (in 1950-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky3:59
14Le Sacre du printemps: Le Sacrifice. 2. Cercles mysteriéux des adolescentes
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1950-10)
conductor:
Ernest Ansermet (conductor) (in 1950-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1950-10)
recording of:
Le Sacre du printemps: II. Le Sacrifice: II. Cercles mystérieux des adolescentes (in 1950-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky3:12
15Le Sacre du printemps: Le Sacrifice. 3. Glorification d'élue
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1950-10)
conductor:
Ernest Ansermet (conductor) (in 1950-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1950-10)
recording of:
Le Sacre du printemps: II. Le Sacrifice: III. Glorification de l’élue (in 1950-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky1:41
16Le Sacre du printemps: Le Sacrifice. 4. Évocation des ancêtres
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1950-10)
conductor:
Ernest Ansermet (conductor) (in 1950-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1950-10)
recording of:
Le Sacre du printemps: II. Le Sacrifice: IV. Evocation des ancêtres (in 1950-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky0:45
17Le Sacre du printemps: Le Sacrifice. 5. Action rituelle des ancêtres
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1950-10)
conductor:
Ernest Ansermet (conductor) (in 1950-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1950-10)
recording of:
Le Sacre du printemps: II. Le Sacrifice: V. Action rituelle des ancêtres (in 1950-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky3:28
18Le Sacre du printemps: Le Sacrifice. 6. Danse sacrale: l'élue
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1950-10)
conductor:
Ernest Ansermet (conductor) (in 1950-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1950-10)
recording of:
Le Sacre du printemps: II. Le Sacrifice: VI. Danse sacrale (L’Élue) (in 1950-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky4:40
2▼CD
#TitleArtistRatingLength
1Le festin de l'araigneé, op. 17: Lent...
producer:
Peter Andry (producer) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1954-11)
conductor:
Ernest Ansermet (conductor) (in 1954-11)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1954-11)
partial recording of:
Le Festin de l’araignée, op. 17 (The Spider's Feast, op. 17) (in 1954-11)
composer:
Albert Roussel (French composer) (from 1912 until 1913)
premiered at:
Théâtre Hébertot in Paris, Île-de-France, France (on 1913-04-03)
part of:
Works of Albert Roussel by opus number (number: op. 17)
Albert Roussel10:48
2Le festin de l'araigneé, op. 17: Lent...
producer:
Peter Andry (producer) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1954-11)
conductor:
Ernest Ansermet (conductor) (in 1954-11)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1954-11)
partial recording of:
Le Festin de l’araignée, op. 17 (The Spider's Feast, op. 17) (in 1954-11)
composer:
Albert Roussel (French composer) (from 1912 until 1913)
premiered at:
Théâtre Hébertot in Paris, Île-de-France, France (on 1913-04-03)
part of:
Works of Albert Roussel by opus number (number: op. 17)
Albert Roussel10:01
3Le festin de l'araigneé, op. 17: Très modéré...
producer:
Peter Andry (producer) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1954-11)
conductor:
Ernest Ansermet (conductor) (in 1954-11)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1954-11)
partial recording of:
Le Festin de l’araignée, op. 17 (The Spider's Feast, op. 17) (in 1954-11)
composer:
Albert Roussel (French composer) (from 1912 until 1913)
premiered at:
Théâtre Hébertot in Paris, Île-de-France, France (on 1913-04-03)
part of:
Works of Albert Roussel by opus number (number: op. 17)
Albert Roussel3:41
4Le festin de l'araigneé, op. 17: Très lent...
producer:
Peter Andry (producer) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1954-11)
conductor:
Ernest Ansermet (conductor) (in 1954-11)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1954-11)
partial recording of:
Le Festin de l’araignée, op. 17 (The Spider's Feast, op. 17) (in 1954-11)
composer:
Albert Roussel (French composer) (from 1912 until 1913)
premiered at:
Théâtre Hébertot in Paris, Île-de-France, France (on 1913-04-03)
part of:
Works of Albert Roussel by opus number (number: op. 17)
Albert Roussel4:39
5Petite Suite pour Orchestre, op. 39: I. Aubade
engineer:
Roy Wallace (recording engineer) (task: stereo) and Gil Went (task: mono)
producer:
Peter Andry (producer) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1954-10-14 until 1954-11-11)
conductor:
Ernest Ansermet (conductor) (from 1954-10-14 until 1954-11-11)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1954-10-14 until 1954-11-11)
recording of:
Petite Suite, op. 39: I. Aubade (from 1954-10-14 until 1954-11-11)
composer:
Albert Roussel (French composer) (in 1929)
part of:
Petite Suite, op. 39
Albert Roussel3:02
6Petite Suite pour Orchestre, op. 39: II. Pastorale
engineer:
Roy Wallace (recording engineer) (task: stereo) and Gil Went (task: mono)
producer:
Peter Andry (producer) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1954-10-14 until 1954-11-11)
conductor:
Ernest Ansermet (conductor) (from 1954-10-14 until 1954-11-11)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1954-10-14 until 1954-11-11)
recording of:
Petite Suite, op. 39: II. Pastorale (from 1954-10-14 until 1954-11-11)
composer:
Albert Roussel (French composer) (in 1929)
part of:
Petite Suite, op. 39
Albert Roussel6:49
7Petite Suite pour Orchestre, op. 39: III. Masquerade
engineer:
Roy Wallace (recording engineer) (task: stereo) and Gil Went (task: mono)
producer:
Peter Andry (producer) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1954-10-14 until 1954-11-11)
conductor:
Ernest Ansermet (conductor) (from 1954-10-14 until 1954-11-11)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1954-10-14 until 1954-11-11)
recording of:
Petite Suite, op. 39: III. Mascarade (from 1954-10-14 until 1954-11-11)
composer:
Albert Roussel (French composer) (in 1929)
part of:
Petite Suite, op. 39
Albert Roussel2:50
8Le tombeau de Couperin, M. 68a: I. Prélude
engineer:
Gil Went
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1953-05 until 1953-06)
conductor:
Ernest Ansermet (conductor) (from 1953-05 until 1953-06)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1953-05 until 1953-06)
recording of:
Le Tombeau de Couperin: I. Prélude (for orchestra) (from 1953-05 until 1953-06)
orchestrator:
Maurice Ravel (French composer) (in 1919)
composer:
Maurice Ravel (French composer) (from 1914 until 1917)
orchestration of:
Le tombeau de Couperin: I. Prélude (for solo piano)
part of:
Le Tombeau de Couperin (for orchestra)
Maurice Ravel3:23
9Le tombeau de Couperin, M. 68a: II. Forlane
engineer:
Gil Went
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1953-05 until 1953-06)
conductor:
Ernest Ansermet (conductor) (from 1953-05 until 1953-06)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1953-05 until 1953-06)
recording of:
Le Tombeau de Couperin: II. Forlane (for orchestra) (from 1953-05 until 1953-06)
orchestrator:
Maurice Ravel (French composer) (in 1919)
composer:
Maurice Ravel (French composer) (from 1914 until 1917)
orchestration of:
Le tombeau de Couperin: III. Forlane (for solo piano)
part of:
Le Tombeau de Couperin (for orchestra)
Maurice Ravel4:49
10Le tombeau de Couperin, M. 68a: III. Menuet
engineer:
Gil Went
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1953-05 until 1953-06)
conductor:
Ernest Ansermet (conductor) (from 1953-05 until 1953-06)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1953-05 until 1953-06)
recording of:
Le Tombeau de Couperin: III. Menuet (for orchestra) (from 1953-05 until 1953-06)
orchestrator:
Maurice Ravel (French composer) (in 1919)
composer:
Maurice Ravel (French composer) (from 1914 until 1917)
orchestration of:
Le tombeau de Couperin: V. Menuet (for solo piano)
part of:
Le Tombeau de Couperin (for orchestra)
Maurice Ravel4:43
11Le tombeau de Couperin, M. 68a: IV. Rigaudon
engineer:
Gil Went
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1953-05 until 1953-06)
conductor:
Ernest Ansermet (conductor) (from 1953-05 until 1953-06)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1953-05 until 1953-06)
recording of:
Le Tombeau de Couperin: IV. Rigaudon. Assez vif (for orchestra) (from 1953-05 until 1953-06)
orchestrator:
Maurice Ravel (French composer) (in 1919)
composer:
Maurice Ravel (French composer) (from 1914 until 1917)
orchestration of:
Le tombeau de Couperin: IV. Rigaudon (for solo piano)
part of:
Le Tombeau de Couperin (for orchestra)
Maurice Ravel3:04
12Valses nobles et sentimentales: I. Modéré / II. Assez lent
engineer:
Gil Went
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1953-05 until 1953-06)
conductor:
Ernest Ansermet (conductor) (from 1953-05 until 1953-06)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1953-05 until 1953-06)
recording of:
Valses nobles et sentimentales: I. Modéré (for orchestra) (from 1953-05 until 1953-06)
orchestrator:
Maurice Ravel (French composer) (in 1912)
composer:
Maurice Ravel (French composer) (from 1906 until 1911)
orchestration of:
Valses nobles et sentimentales: I. Modéré - Très franc (for piano)
part of:
Valses nobles et sentimentales (for orchestra)
recording of:
Valses nobles et sentimentales: II. Assez lent (for orchestra) (from 1953-05 until 1953-06)
orchestrator:
Maurice Ravel (French composer) (in 1912)
composer:
Maurice Ravel (French composer) (from 1906 until 1911)
orchestration of:
Valses nobles et sentimentales: II. Assez lent (for piano)
part of:
Valses nobles et sentimentales (for orchestra)
Maurice Ravel3:40
13Valses nobles et sentimentales: III. Modéré / IV. Assez animé
engineer:
Gil Went
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1953-05 until 1953-06)
conductor:
Ernest Ansermet (conductor) (from 1953-05 until 1953-06)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1953-05 until 1953-06)
recording of:
Valses nobles et sentimentales: III. Modéré (for orchestra) (from 1953-05 until 1953-06)
orchestrator:
Maurice Ravel (French composer) (in 1912)
composer:
Maurice Ravel (French composer) (from 1906 until 1911)
orchestration of:
Valses nobles et sentimentales: III. Modéré (for piano)
part of:
Valses nobles et sentimentales (for orchestra)
recording of:
Valses nobles et sentimentales: IV. Animé (for orchestra) (from 1953-05 until 1953-06)
orchestrator:
Maurice Ravel (French composer) (in 1912)
composer:
Maurice Ravel (French composer) (from 1906 until 1911)
orchestration of:
Valses nobles et sentimentales: IV. Assez animé (for piano)
part of:
Valses nobles et sentimentales (for orchestra)
Maurice Ravel3:01
14Valses nobles et sentimentales: V. Presque lent / VI. Assez vif
engineer:
Gil Went
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1953-05 until 1953-06)
conductor:
Ernest Ansermet (conductor) (from 1953-05 until 1953-06)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1953-05 until 1953-06)
recording of:
Valses nobles et sentimentales: V. Presque lent (for orchestra) (from 1953-05 until 1953-06)
orchestrator:
Maurice Ravel (French composer) (in 1912)
composer:
Maurice Ravel (French composer) (from 1906 until 1911)
orchestration of:
Valses nobles et sentimentales: V. Presque lent (for piano)
part of:
Valses nobles et sentimentales (for orchestra)
recording of:
Valses nobles et sentimentales: VI. Assez vif (for orchestra) (from 1953-05 until 1953-06)
orchestrator:
Maurice Ravel (French composer) (in 1912)
composer:
Maurice Ravel (French composer) (from 1906 until 1911)
orchestration of:
Valses nobles et sentimentales: VI. Vif (for piano)
part of:
Valses nobles et sentimentales (for orchestra)
Maurice Ravel2:05
15Valses nobles et sentimentales: VII. Moins vif / VIII. Epilogue
engineer:
Gil Went
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1953-05 until 1953-06)
conductor:
Ernest Ansermet (conductor) (from 1953-05 until 1953-06)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1953-05 until 1953-06)
recording of:
Valses nobles et sentimentales: VII. Moins vif (for orchestra) (from 1953-05 until 1953-06)
orchestrator:
Maurice Ravel (French composer) (in 1912)
composer:
Maurice Ravel (French composer) (from 1906 until 1911)
orchestration of:
Valses nobles et sentimentales: VII. Moins vif (for piano)
part of:
Valses nobles et sentimentales (for orchestra)
recording of:
Valses nobles et sentimentales: VIII. Epilogue. Lent (for orchestra) (from 1953-05 until 1953-06)
orchestrator:
Maurice Ravel (French composer) (in 1912)
composer:
Maurice Ravel (French composer) (from 1906 until 1911)
orchestration of:
Valses nobles et sentimentales: VIII. Epilogue. Lent (for piano)
part of:
Valses nobles et sentimentales (for orchestra)
Maurice Ravel6:35
3▼CD
#TitleArtistRatingLength
1The Isle of the Dead, op. 29
engineer:
James Brown (Decca engineer, 1960s) (task: stereo) and Kenneth Wilkinson (engineer) (task: mono)
producer:
Victor Olof
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1954-09-23 until 1954-09-26)
conductor:
Ernest Ansermet (conductor) (from 1954-09-23 until 1954-09-26)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (from 1954-09-23 until 1954-09-26)
recording of:
The Isle of the Dead, op. 29 (from 1954-09-23 until 1954-09-26)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1909)
publisher:
A. Gutheil (in 1909)
part of:
Works of Sergei Rachmaninoff by opus number (number: op. 29)
Sergey Rachmaninov19:26
2La Peri: Poeme Danse
producer:
Victor Olof
orchestra:
Paris Conservatoire Orchestra (in 1954-09)
conductor:
Ernest Ansermet (conductor) (in 1954-09)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1954-09)
recording of:
La Péri (in 1954-09)
composer:
Paul Dukas (French composer) (in 1911)
Paul Dukas17:27
36 Épigraphes antiques, L. 131 (arr. Ansermet): Pour invoquer Pan, dieu du vent d'été
engineer:
Gil Went
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1953-10)
conductor:
Ernest Ansermet (conductor) (in 1953-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1953-10)
recording of:
Six épigraphes antiques, L. 131: I. Pour invoquer Pan, dieu du vent d'été (orch. Ansermet) (in 1953-10)
orchestrator:
Ernest Ansermet (conductor)
composer:
Claude Debussy (French composer) (from 1914-07 until 1915)
orchestration of:
Six épigraphes antiques, L. 131: I. Pour invoquer Pan, dieu du vent d'été (for piano 4-hands)
part of:
Six épigraphes antiques, L. 131 (orch. Ansermet)
Claude Debussy2:26
46 Épigraphes antiques, L. 131 (arr. Ansermet): Pour un tombeau sans nom
engineer:
Gil Went
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1953-10)
conductor:
Ernest Ansermet (conductor) (in 1953-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1953-10)
recording of:
Six épigraphes antiques, L. 131: II. Pour un tombeau sans nom (orch. Ansermet) (in 1953-10)
orchestrator:
Ernest Ansermet (conductor)
composer:
Claude Debussy (French composer) (from 1914-07 until 1915)
orchestration of:
Six épigraphes antiques, L. 131: II. Pour un tombeau sans nom (for piano 4-hands)
part of:
Six épigraphes antiques, L. 131 (orch. Ansermet)
Claude Debussy3:13
56 Épigraphes antiques, L. 131 (arr. Ansermet): Pour que la nuit soit propice
engineer:
Gil Went
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1953-10)
conductor:
Ernest Ansermet (conductor) (in 1953-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1953-10)
recording of:
Six épigraphes antiques, L. 131: III. Pour que la nuit soit propice (orch. Ansermet) (in 1953-10)
orchestrator:
Ernest Ansermet (conductor)
composer:
Claude Debussy (French composer) (from 1914-07 until 1915)
orchestration of:
Six épigraphes antiques, L. 131: III. Pour que la nuit soit propice (for piano 4-hands)
part of:
Six épigraphes antiques, L. 131 (orch. Ansermet)
Claude Debussy2:25
66 Épigraphes antiques, L. 131 (arr. Ansermet): Pour la danseuse aux crotales
engineer:
Gil Went
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1953-10)
conductor:
Ernest Ansermet (conductor) (in 1953-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1953-10)
recording of:
Six épigraphes antiques, L. 131: IV. Pour la danseuse aux crotales (orch. Ansermet) (in 1953-10)
orchestrator:
Ernest Ansermet (conductor)
composer:
Claude Debussy (French composer) (from 1914-07 until 1915)
orchestration of:
Six épigraphes antiques, L. 131: IV. Pour la danseuse aux crotales (for piano 4-hands)
part of:
Six épigraphes antiques, L. 131 (orch. Ansermet)
Claude Debussy2:02
76 Épigraphes antiques, L. 131 (arr. Ansermet): Pour l'égyptienne
engineer:
Gil Went
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1953-10)
conductor:
Ernest Ansermet (conductor) (in 1953-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1953-10)
recording of:
Six épigraphes antiques, L. 131: V. Pour l'Égyptienne (orch. Ansermet) (in 1953-10)
orchestrator:
Ernest Ansermet (conductor)
composer:
Claude Debussy (French composer) (from 1914-07 until 1915)
orchestration of:
Six épigraphes antiques, L. 131: V. Pour l'Égyptienne (for piano 4-hands)
part of:
Six épigraphes antiques, L. 131 (orch. Ansermet)
Claude Debussy2:48
86 Épigraphes antiques, L. 131 (arr. Ansermet): Pour remercier la pluie au matin
engineer:
Gil Went
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1953-10)
conductor:
Ernest Ansermet (conductor) (in 1953-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1953-10)
recording of:
Six épigraphes antiques, L. 131: VI. Pour remercier la pluie au matin (orch. Ansermet) (in 1953-10)
orchestrator:
Ernest Ansermet (conductor)
composer:
Claude Debussy (French composer) (from 1914-07 until 1915)
orchestration of:
Six épigraphes antiques, L. 131: VI. Pour remercier la pluie au matin (for piano 4-hands)
part of:
Six épigraphes antiques, L. 131 (orch. Ansermet)
Claude Debussy2:19
9Jeux (Poème dansé), L. 126
engineer:
Gil Went
producer:
Victor Olof
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1953-10)
conductor:
Ernest Ansermet (conductor) (in 1953-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1953-10)
recording of:
Jeux, L. 126, CD 133 (for orchestra) (in 1953-10)
composer:
Claude Debussy (French composer) (from 1912-08 until 1913-04)
dedicated to:
Madame Jacques Durand
premiered at:
[concert] (1913-05-15)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 126) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 133)
Claude Debussy17:22
4▼CD
#TitleArtistRatingLength
1Iberia: Book 1. 1. Evocación
producer:
John Culshaw
orchestra:
Paris Conservatoire Orchestra (in 1953-10)
conductor:
Ataúlfo Argenta (pianist and conductor) (in 1953-10)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1953-10)
recording of:
Iberia, B. 47: Book I: I. Evocación (orchestrated by Arbós) (in 1953-10)
orchestrator:
Enrique Fernández Arbós (Spanish violinist, composer and conductor)
composer:
Isaac Albéniz (Spanish composer)
orchestration of:
Iberia, B. 47: Book I: I. Evocación
Isaac Albéniz5:31
2Iberia: Book 1. 3. El Corpus en Sevilla
producer:
John Culshaw
orchestra:
Paris Conservatoire Orchestra (in 1953-10)
conductor:
Ataúlfo Argenta (pianist and conductor) (in 1953-10)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1953-10)
recording of:
Iberia, B. 47: Book I: III. El Corpus en Sevilla (orchestrated by Arbós) (in 1953-10)
orchestrator:
Enrique Fernández Arbós (Spanish violinist, composer and conductor)
composer:
Isaac Albéniz (Spanish composer)
orchestration of:
Iberia, B. 47: Book I: III. El Corpus en Sevilla
Isaac Albéniz8:17
3Iberia: Book 2. 6. Triana
producer:
John Culshaw
orchestra:
Paris Conservatoire Orchestra (in 1953-10)
conductor:
Ataúlfo Argenta (pianist and conductor) (in 1953-10)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1953-10)
recording of:
Iberia, B. 47: Book II: III. Triana (orchestrated by Arbós) (in 1953-10)
orchestrator:
Enrique Fernández Arbós (Spanish violinist, composer and conductor)
composer:
Isaac Albéniz (Spanish composer)
orchestration of:
Iberia, B. 47: Book II: III. Triana
Isaac Albéniz4:43
4Iberia: Book 1. 2. El Puerto
producer:
John Culshaw
orchestra:
Paris Conservatoire Orchestra (in 1953-10)
conductor:
Ataúlfo Argenta (pianist and conductor) (in 1953-10)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1953-10)
recording of:
Iberia, B. 47: Book I: II. El puerto (orchestrated by Arbós) (in 1953-10)
orchestrator:
Enrique Fernández Arbós (Spanish violinist, composer and conductor)
composer:
Isaac Albéniz (Spanish composer)
orchestration of:
Iberia, B. 47: Book I: II. El puerto
Isaac Albéniz4:38
5Iberia: Book 3. 7. El Albaicín
producer:
John Culshaw
orchestra:
Paris Conservatoire Orchestra (in 1953-10)
conductor:
Ataúlfo Argenta (pianist and conductor) (in 1953-10)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1953-10)
recording of:
Iberia, B. 47: Book III: I. El Albaicín (orchestrated by Arbós) (in 1953-10)
orchestrator:
Enrique Fernández Arbós (Spanish violinist, composer and conductor)
composer:
Isaac Albéniz (Spanish composer)
orchestration of:
Iberia, B. 47: Book III: I. El Albaicín
Isaac Albéniz7:20
6Danzas Fantásticas: I. Exaltación
producer:
John Culshaw
orchestra:
Paris Conservatoire Orchestra (in 1953-10)
conductor:
Ataúlfo Argenta (pianist and conductor) (in 1953-10)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1953-10)
recording of:
Danzas fantásticas, op. 22, nº 1: Exaltación (for orchestra) (in 1953-10)
orchestrator:
Joaquín Turina (Spanish composer) (from 1919-09-15 until 1919-12-30)
composer:
Joaquín Turina (Spanish composer) (from 1919-08-11 until 1919-08-29)
arrangement of:
Danzas fantásticas, op. 22, nº 1: Exaltación (for piano)
part of:
Danzas fantásticas, op. 22 (for orchestra)
Joaquín Turina5:19
7Danzas Fantásticas: II. Ensueño
producer:
John Culshaw
orchestra:
Paris Conservatoire Orchestra (in 1953-10)
conductor:
Ataúlfo Argenta (pianist and conductor) (in 1953-10)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1953-10)
recording of:
Danzas fantásticas, op. 22, nº 2: Ensueño (for orchestra) (in 1953-10)
orchestrator:
Joaquín Turina (Spanish composer) (from 1919-09-15 until 1919-12-30)
composer:
Joaquín Turina (Spanish composer) (from 1919-08-11 until 1919-08-29)
arrangement of:
Danzas fantásticas, op. 22, nº 2: Ensueño (for piano)
part of:
Danzas fantásticas, op. 22 (for orchestra)
Joaquín Turina6:05
8Danzas Fantásticas: III. Orgía
producer:
John Culshaw
orchestra:
Paris Conservatoire Orchestra (in 1953-10)
conductor:
Ataúlfo Argenta (pianist and conductor) (in 1953-10)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1953-10)
recording of:
Danzas fantásticas, op. 22, nº 3: Orgía (for orchestra) (in 1953-10)
orchestrator:
Joaquín Turina (Spanish composer) (from 1919-09-15 until 1919-12-30)
composer:
Joaquín Turina (Spanish composer) (from 1919-08-11 until 1919-08-29)
arrangement of:
Danzas fantásticas, op. 22, nº 3: Orgía (for piano)
part of:
Danzas fantásticas, op. 22 (for orchestra)
Joaquín Turina4:34
9Les biches Suite, FP 36: I. Rondeau
producer:
John Culshaw
orchestra:
Paris Conservatoire Orchestra (in 1951-06)
conductor:
Roger Désormière (conductor) (in 1951-06)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1951-06)
recording of:
Les Biches Suite, FP 36: I. Rondeau (in 1951-06)
composer:
Francis Poulenc (French composer and pianist)
part of:
Les Biches Suite, FP 36
Francis Poulenc3:39
10Les biches Suite, FP 36: II. Chanson dansée
producer:
John Culshaw
orchestra:
Paris Conservatoire Orchestra (in 1951-06)
conductor:
Roger Désormière (conductor) (in 1951-06)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1951-06)
recording of:
Les Biches Suite, FP 36: II. Chanson dansée (in 1951-06)
composer:
Francis Poulenc (French composer and pianist)
part of:
Les Biches Suite, FP 36
Francis Poulenc3:47
11Les biches Suite, FP 36: III. Adagietto
producer:
John Culshaw
orchestra:
Paris Conservatoire Orchestra (in 1951-06)
conductor:
Roger Désormière (conductor) (in 1951-06)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1951-06)
recording of:
Les Biches Suite, FP 36: III. Adagietto (in 1951-06)
composer:
Francis Poulenc (French composer and pianist)
part of:
Les Biches Suite, FP 36
Francis Poulenc3:35
12Les biches Suite, FP 36: IV. Rag - Mazurka
producer:
John Culshaw
orchestra:
Paris Conservatoire Orchestra (in 1951-06)
conductor:
Roger Désormière (conductor) (in 1951-06)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1951-06)
recording of:
Les Biches Suite, FP 36: IV. Rag - Mazurka (in 1951-06)
composer:
Francis Poulenc (French composer and pianist)
part of:
Les Biches Suite, FP 36
Francis Poulenc5:25
13Les biches Suite, FP 36: V. Andantino
producer:
John Culshaw
orchestra:
Paris Conservatoire Orchestra (in 1951-06)
conductor:
Roger Désormière (conductor) (in 1951-06)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1951-06)
recording of:
Les Biches Suite, FP 36: V. Andantino (in 1951-06)
composer:
Francis Poulenc (French composer and pianist)
part of:
Les Biches Suite, FP 36
Francis Poulenc3:02
14Les biches Suite, FP 36: VI. Final
producer:
John Culshaw
orchestra:
Paris Conservatoire Orchestra (in 1951-06)
conductor:
Roger Désormière (conductor) (in 1951-06)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1951-06)
recording of:
Les Biches Suite, FP 36: VI. Final (in 1951-06)
composer:
Francis Poulenc (French composer and pianist)
part of:
Les Biches Suite, FP 36
Francis Poulenc3:24
5▼CD
#TitleArtistRatingLength
1Symphony no. 101 in D major, Hob. I:101 "The Clock": I. Adagio - Presto
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-11)
conductor:
Karl Münchinger (German conductor) (in 1954-11)
balance engineer:
Cyril Windebank (in 1954-11)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-11)
recording of:
Symphony no. 101 in D major, Hob. I:101 “Clock”: I. Adagio - Presto (in 1954-11)
composer:
Joseph Haydn (composer) (in 1794)
part of:
Symphony no. 101 in D major, Hob. I:101 “Clock”
Joseph Haydn6:57
2Symphony no. 101 in D major, Hob. I:101 "The Clock": II. Andante
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-11)
conductor:
Karl Münchinger (German conductor) (in 1954-11)
balance engineer:
Cyril Windebank (in 1954-11)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-11)
recording of:
Symphony no. 101 in D major, Hob. I:101 “Clock”: II. Andante (in 1954-11)
composer:
Joseph Haydn (composer) (in 1794)
part of:
Symphony no. 101 in D major, Hob. I:101 “Clock”
Joseph Haydn7:27
3Symphony no. 101 in D major, Hob. I:101 "The Clock": III. Menuet (Allegretto) - Trio
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-11)
conductor:
Karl Münchinger (German conductor) (in 1954-11)
balance engineer:
Cyril Windebank (in 1954-11)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-11)
recording of:
Symphony no. 101 in D major, Hob. I:101 “Clock”: III. Menuet. Allegretto - Trio - Menuet (in 1954-11)
composer:
Joseph Haydn (composer) (in 1794)
part of:
Symphony no. 101 in D major, Hob. I:101 “Clock”
Joseph Haydn6:09
4Symphony no. 101 in D major, Hob. I:101 "The Clock": IV. Finale (Vivace)
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-11)
conductor:
Karl Münchinger (German conductor) (in 1954-11)
balance engineer:
Cyril Windebank (in 1954-11)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-11)
recording of:
Symphony no. 101 in D major, Hob. I:101 “Clock”: IV. Finale. Vivace (in 1954-11)
composer:
Joseph Haydn (composer) (in 1794)
part of:
Symphony no. 101 in D major, Hob. I:101 “Clock”
Joseph Haydn4:42
5Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-11)
conductor:
Karl Münchinger (German conductor) (in 1954-11)
balance engineer:
Cyril Windebank (in 1954-11)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-11)
recording of:
Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro (in 1954-11)
composer:
Joseph Haydn (composer) (in 1787)
part of:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn5:13
6Symphony no. 88 in G major, Hob. I:88: II. Largo
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-11)
conductor:
Karl Münchinger (German conductor) (in 1954-11)
balance engineer:
Cyril Windebank (in 1954-11)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-11)
recording of:
Symphony no. 88 in G major, Hob. I:88: II. Largo (in 1954-11)
composer:
Joseph Haydn (composer) (in 1787)
part of:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn6:21
7Symphony no. 88 in G major, Hob. I:88: III. Menuetto (Allegretto)
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-11)
conductor:
Karl Münchinger (German conductor) (in 1954-11)
balance engineer:
Cyril Windebank (in 1954-11)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-11)
recording of:
Symphony no. 88 in G major, Hob. I:88: III. Menuetto e Trio (in 1954-11)
composer:
Joseph Haydn (composer) (in 1787)
part of:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn4:36
8Symphony no. 88 in G major, Hob. I:88: IV. Finale (Allegro con spirito)
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-11)
conductor:
Karl Münchinger (German conductor) (in 1954-11)
balance engineer:
Cyril Windebank (in 1954-11)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-11)
recording of:
Symphony no. 88 in G major, Hob. I:88: IV. Finale. Allegro con spirito (in 1954-11)
composer:
Joseph Haydn (composer) (in 1787)
part of:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn3:46
9Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro
producer:
Victor Olof
piano:
Wilhelm Backhaus (pianist) (in 1953-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1953-05)
conductor:
Clemens Krauss (conductor) (in 1953-05)
balance engineer:
Cyril Windebank (in 1953-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1953-05)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro (in 1953-05)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven19:33
10Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso
producer:
Victor Olof
piano:
Wilhelm Backhaus (pianist) (in 1953-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1953-05)
conductor:
Clemens Krauss (conductor) (in 1953-05)
balance engineer:
Cyril Windebank (in 1953-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1953-05)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso (in 1953-05)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven7:24
11Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo (Allegro)
producer:
Victor Olof
piano:
Wilhelm Backhaus (pianist) (in 1953-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1953-05)
conductor:
Clemens Krauss (conductor) (in 1953-05)
balance engineer:
Cyril Windebank (in 1953-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1953-05)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro (in 1953-05)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven10:14
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1The Gingerbread Heart Suite: I. At the Fair
producer:
Gerald Severn
orchestra:
Belgrade Philharmonic Orchestra (in 1955-03)
conductor:
Krešimir Baranović (Croatian composer and conductor) (in 1955-03)
recorded at:
Hrvatsko narodno kazalište u Zagrebu (Croatian National Theatre in Zagreb) in Zagreb, Croatia (in 1955-03)
recording of:
The Gingerbread Heart Suite: I. At the Fair (in 1955-03)
composer:
Krešimir Baranović (Croatian composer and conductor)
part of:
The Gingerbread Heart Suite
Krešimir Baranović9:00
2The Gingerbread Heart Suite: II. Boys & Girls Enter
producer:
Gerald Severn
orchestra:
Belgrade Philharmonic Orchestra (in 1955-03)
conductor:
Krešimir Baranović (Croatian composer and conductor) (in 1955-03)
recorded at:
Hrvatsko narodno kazalište u Zagrebu (Croatian National Theatre in Zagreb) in Zagreb, Croatia (in 1955-03)
recording of:
The Gingerbread Heart Suite: II. Boys & Girls Enter (in 1955-03)
composer:
Krešimir Baranović (Croatian composer and conductor)
part of:
The Gingerbread Heart Suite
Krešimir Baranović2:42
3The Gingerbread Heart Suite: III. The Gingerbread Figures Come to Life
producer:
Gerald Severn
orchestra:
Belgrade Philharmonic Orchestra (in 1955-03)
conductor:
Krešimir Baranović (Croatian composer and conductor) (in 1955-03)
recorded at:
Hrvatsko narodno kazalište u Zagrebu (Croatian National Theatre in Zagreb) in Zagreb, Croatia (in 1955-03)
recording of:
The Gingerbread Heart Suite: III. The Gingerbread Figures Come to Life (in 1955-03)
composer:
Krešimir Baranović (Croatian composer and conductor)
part of:
The Gingerbread Heart Suite
Krešimir Baranović1:25
4The Gingerbread Heart Suite: IV. Pas de Deux of the Two Gingerbread Hearts
producer:
Gerald Severn
orchestra:
Belgrade Philharmonic Orchestra (in 1955-03)
conductor:
Krešimir Baranović (Croatian composer and conductor) (in 1955-03)
recorded at:
Hrvatsko narodno kazalište u Zagrebu (Croatian National Theatre in Zagreb) in Zagreb, Croatia (in 1955-03)
recording of:
The Gingerbread Heart Suite: IV. Pas de Deux of the Two Gingerbread Hearts (in 1955-03)
composer:
Krešimir Baranović (Croatian composer and conductor)
part of:
The Gingerbread Heart Suite
Krešimir Baranović4:12
5The Gingerbread Heart Suite: V. Outside the Church
producer:
Gerald Severn
orchestra:
Belgrade Philharmonic Orchestra (in 1955-03)
conductor:
Krešimir Baranović (Croatian composer and conductor) (in 1955-03)
recorded at:
Hrvatsko narodno kazalište u Zagrebu (Croatian National Theatre in Zagreb) in Zagreb, Croatia (in 1955-03)
recording of:
The Gingerbread Heart Suite: V. Outside the Church (in 1955-03)
composer:
Krešimir Baranović (Croatian composer and conductor)
part of:
The Gingerbread Heart Suite
Krešimir Baranović1:51
6The Gingerbread Heart Suite: VI. Celebration
producer:
Gerald Severn
orchestra:
Belgrade Philharmonic Orchestra (in 1955-03)
conductor:
Krešimir Baranović (Croatian composer and conductor) (in 1955-03)
recorded at:
Hrvatsko narodno kazalište u Zagrebu (Croatian National Theatre in Zagreb) in Zagreb, Croatia (in 1955-03)
recording of:
The Gingerbread Heart Suite: VI. Celebration (in 1955-03)
composer:
Krešimir Baranović (Croatian composer and conductor)
part of:
The Gingerbread Heart Suite
Krešimir Baranović1:37
7The Devil in the Village Suite: I. The Devil Plots Against the Two Lovers, Mirko & Yela
producer:
Gerald Severn
orchestra:
Orchestra Of The National Opera House, Zagreb (in 1955-04)
conductor:
Fran Lhotka (in 1955-04)
recorded at:
Hrvatsko narodno kazalište u Zagrebu (Croatian National Theatre in Zagreb) in Zagreb, Croatia (in 1955-04)
recording of:
The Devil in the Village Suite: I. The Devil Plots Against the Two Lovers, Mirko & Yela (in 1955-04)
composer:
Fran Lhotka
part of:
The Devil in the Village Suite
Fran Lhotka4:48
8The Devil in the Village Suite: II. Dance
producer:
Gerald Severn
orchestra:
Orchestra Of The National Opera House, Zagreb (in 1955-04)
conductor:
Fran Lhotka (in 1955-04)
recorded at:
Hrvatsko narodno kazalište u Zagrebu (Croatian National Theatre in Zagreb) in Zagreb, Croatia (in 1955-04)
recording of:
The Devil in the Village Suite: II. Dance (in 1955-04)
composer:
Fran Lhotka
part of:
The Devil in the Village Suite
Fran Lhotka3:02
9The Devil in the Village Suite: III. In Hell
producer:
Gerald Severn
orchestra:
Orchestra Of The National Opera House, Zagreb (in 1955-04)
conductor:
Fran Lhotka (in 1955-04)
recorded at:
Hrvatsko narodno kazalište u Zagrebu (Croatian National Theatre in Zagreb) in Zagreb, Croatia (in 1955-04)
recording of:
The Devil in the Village Suite: III. In Hell (in 1955-04)
composer:
Fran Lhotka
part of:
The Devil in the Village Suite
Fran Lhotka1:34
10The Devil in the Village Suite: IV. Witches' Sabbath
producer:
Gerald Severn
orchestra:
Orchestra Of The National Opera House, Zagreb (in 1955-04)
conductor:
Fran Lhotka (in 1955-04)
recorded at:
Hrvatsko narodno kazalište u Zagrebu (Croatian National Theatre in Zagreb) in Zagreb, Croatia (in 1955-04)
recording of:
The Devil in the Village Suite: IV. Witches' Sabbath (in 1955-04)
composer:
Fran Lhotka
part of:
The Devil in the Village Suite
Fran Lhotka7:04
11The Devil in the Village Suite: V. Witches' Orgy
producer:
Gerald Severn
orchestra:
Orchestra Of The National Opera House, Zagreb (in 1955-04)
conductor:
Fran Lhotka (in 1955-04)
recorded at:
Hrvatsko narodno kazalište u Zagrebu (Croatian National Theatre in Zagreb) in Zagreb, Croatia (in 1955-04)
recording of:
The Devil in the Village Suite: V. Witches' Orgy (in 1955-04)
composer:
Fran Lhotka
part of:
The Devil in the Village Suite
Fran Lhotka3:25
12The Devil in the Village Suite: VI. The Return of Light
producer:
Gerald Severn
orchestra:
Orchestra Of The National Opera House, Zagreb (in 1955-04)
conductor:
Fran Lhotka (in 1955-04)
recorded at:
Hrvatsko narodno kazalište u Zagrebu (Croatian National Theatre in Zagreb) in Zagreb, Croatia (in 1955-04)
recording of:
The Devil in the Village Suite: VI. The Return of Light (in 1955-04)
composer:
Fran Lhotka
part of:
The Devil in the Village Suite
Fran Lhotka1:33
13The Devil in the Village Suite: VII. Mirko's Escape From Hell, General Rejoicing
producer:
Gerald Severn
orchestra:
Orchestra Of The National Opera House, Zagreb (in 1955-04)
conductor:
Fran Lhotka (in 1955-04)
recorded at:
Hrvatsko narodno kazalište u Zagrebu (Croatian National Theatre in Zagreb) in Zagreb, Croatia (in 1955-04)
recording of:
The Devil in the Village Suite: VII. Mirko's Escape From Hell, General Rejoicing (in 1955-04)
composer:
Fran Lhotka
part of:
The Devil in the Village Suite
Fran Lhotka3:31
7▼CD
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1Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivace
producer:
Victor Olof
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 1948-09)
conductor:
Eduard van Beinum (conductor) (in 1948-09)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1948-09)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: I. Introduzione. Andante non troppo – Allegro vivace (in 1948-09)
composer:
Béla Bartók (composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók9:44
2Concerto for Orchestra, Sz. 116: II. Giuoco della coppie. Allegretto scherzando
producer:
Victor Olof
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 1948-09)
conductor:
Eduard van Beinum (conductor) (in 1948-09)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1948-09)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: II. Giuoco delle coppie. Allegretto scherzando (in 1948-09)
composer:
Béla Bartók (composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók6:48
3Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo
producer:
Victor Olof
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 1948-09)
conductor:
Eduard van Beinum (conductor) (in 1948-09)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1948-09)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: III. Elegia. Andante non troppo (in 1948-09)
composer:
Béla Bartók (composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók6:46
4Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto
producer:
Victor Olof
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 1948-09)
conductor:
Eduard van Beinum (conductor) (in 1948-09)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1948-09)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: IV. Intermezzo interrotto. Allegretto (in 1948-09)
composer:
Béla Bartók (composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók4:30
5Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto
producer:
Victor Olof
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 1948-09)
conductor:
Eduard van Beinum (conductor) (in 1948-09)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1948-09)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: V. Finale. Pesante – Presto (in 1948-09)
composer:
Béla Bartók (composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók9:09
6Symphony no. 3, K. 71
producer:
John Culshaw
piano:
Sir Clifford Curzon (classical pianist, knighted in 1977) (in 1953-06)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 1953-06)
conductor:
Eduard van Beinum (conductor) (in 1953-06)
balance engineer:
Kenneth Wilkinson (engineer) (in 1953-06)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1953-06)
recording of:
Symphony no. 3, K. 71 (in 1953-06)
composer:
Willem Pijper
Willem Pijper13:49
7Marsyas Suite: I. Prelude
producer:
John Culshaw
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 1953-06)
conductor:
Eduard van Beinum (conductor) (in 1953-06)
balance engineer:
Kenneth Wilkinson (engineer) (in 1953-06)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1953-06)
recording of:
Marsyas: I. Prelude: Marsyas' Awakening in Spring (in 1953-06)
composer:
Alphons Diepenbrock (in 1910)
part of:
Marsyas
Alphons Diepenbrock6:05
8Marsyas Suite: II. Entr'acte: Vagabondes à travers les forêts
producer:
John Culshaw
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 1953-06)
conductor:
Eduard van Beinum (conductor) (in 1953-06)
balance engineer:
Kenneth Wilkinson (engineer) (in 1953-06)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1953-06)
recording of:
Marsyas: II. Entr'Acte. Wandering Through the Forest (in 1953-06)
composer:
Alphons Diepenbrock (in 1910)
part of:
Marsyas
Alphons Diepenbrock10:42
8▼CD
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1A Colour Symphony, F. 106: I. Purple (Andante maestoso)
orchestra:
London Symphony Orchestra (in 1955-11)
conductor:
Sir Arthur Bliss (composer) (in 1955-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1955-11)
recording of:
A Colour Symphony, op. 24: I. Purple. Andante maestoso (in 1955-11)
composer:
Sir Arthur Bliss (composer) (from 1921 until 1922)
part of:
A Colour Symphony, op. 24
Sir Arthur Bliss6:40
2A Colour Symphony, F. 106: II. Red (Allegro Vivace)
orchestra:
London Symphony Orchestra (in 1955-11)
conductor:
Sir Arthur Bliss (composer) (in 1955-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1955-11)
recording of:
A Colour Symphony, op. 24: II. Red. Allegro vivace (in 1955-11)
composer:
Sir Arthur Bliss (composer) (from 1921 until 1922)
part of:
A Colour Symphony, op. 24
Sir Arthur Bliss6:52
3A Colour Symphony, F. 106: III. Blue (Gentle Flowing)
orchestra:
London Symphony Orchestra (in 1955-11)
conductor:
Sir Arthur Bliss (composer) (in 1955-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1955-11)
recording of:
A Colour Symphony, op. 24: III. Blue. Gently flowing (in 1955-11)
composer:
Sir Arthur Bliss (composer) (from 1921 until 1922)
part of:
A Colour Symphony, op. 24
Sir Arthur Bliss9:54
4A Colour Symphony, F. 106: IV. Green (Moderato)
orchestra:
London Symphony Orchestra (in 1955-11)
conductor:
Sir Arthur Bliss (composer) (in 1955-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1955-11)
recording of:
A Colour Symphony, op. 24: IV. Green. Moderato (in 1955-11)
composer:
Sir Arthur Bliss (composer) (from 1921 until 1922)
part of:
A Colour Symphony, op. 24
Sir Arthur Bliss7:49
5Introduction and Allegro, F. 117
orchestra:
London Symphony Orchestra (in 1955-11)
conductor:
Sir Arthur Bliss (composer) (in 1955-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1955-11)
recording of:
Introduction and Allegro, F. 117 (in 1955-11)
composer:
Sir Arthur Bliss (composer) (in 1926)
revised by:
Sir Arthur Bliss (composer) (in 1937)
dedicated to:
Leopold Stokowski (conductor)
part of:
Bliss’s works catalogued by Lewis Foreman (Foreman [F.]) (number: F. 117)
Sir Arthur Bliss11:25
6Concerto for Violin & Orchestra, F. 111: I. Allegro ma non troppo
producer:
John Culshaw
violin:
Alfredo Campoli (violinist and conductor) (from 1955-11-09 until 1955-11-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1955-11-09 until 1955-11-11)
conductor:
Sir Arthur Bliss (composer) (from 1955-11-09 until 1955-11-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1955-11-09 until 1955-11-11)
recording of:
Concerto for Violin and Orchestra, op. 79, F. 111: I. Allegro ma non troppo (from 1955-11-09 until 1955-11-11)
composer:
Sir Arthur Bliss (composer) (in 1955)
part of:
Concerto for Violin and Orchestra, op. 79, F. 111
Sir Arthur Bliss14:24
7Concerto for Violin & Orchestra, F. 111: II. Scherzo (vivo)
producer:
John Culshaw
violin:
Alfredo Campoli (violinist and conductor) (from 1955-11-09 until 1955-11-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1955-11-09 until 1955-11-11)
conductor:
Sir Arthur Bliss (composer) (from 1955-11-09 until 1955-11-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1955-11-09 until 1955-11-11)
recording of:
Concerto for Violin and Orchestra, op. 79, F. 111: II. Scherzo (vivo) (from 1955-11-09 until 1955-11-11)
composer:
Sir Arthur Bliss (composer) (in 1955)
part of:
Concerto for Violin and Orchestra, op. 79, F. 111
Sir Arthur Bliss6:46
8Concerto for Violin & Orchestra, F. 111: III. Introduzione - allegro deciso in modo zingara
producer:
John Culshaw
violin:
Alfredo Campoli (violinist and conductor) (from 1955-11-09 until 1955-11-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1955-11-09 until 1955-11-11)
conductor:
Sir Arthur Bliss (composer) (from 1955-11-09 until 1955-11-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1955-11-09 until 1955-11-11)
recording of:
Concerto for Violin and Orchestra, op. 79, F. 111: III. Introduzione - allegro deciso in modo zingara (from 1955-11-09 until 1955-11-11)
composer:
Sir Arthur Bliss (composer) (in 1955)
part of:
Concerto for Violin and Orchestra, op. 79, F. 111
Sir Arthur Bliss16:20
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