The Heifetz Collection, Volume 19: 51 Miniatures 1944-1946

~ Release by Heifetz (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Mélodie in E-flat (no. 3, Souvenir d'un lieu cher, op. 42)
piano:
Emanuel Bay (on 1945-11-30)
violin:
Jascha Heifetz (violinist) (on 1945-11-30)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-30)
recording of:
Souvenir d’un lieu cher for Violin and Piano, op. 42: III. Mélodie (on 1945-11-30)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1878-03 until 1878-05)
part of:
Souvenir d’un lieu cher for Violin and Piano, op. 42
Piotr Ilich Tchaikovsky3:44
2Nocturne in E-flat, op. 55 no. 2
piano:
Emanuel Bay (on 1945-11-30)
violin:
Jascha Heifetz (violinist) (on 1945-11-30)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-30)
recording of:
Nocturne in E‐flat, op. 55 no. 2 (for violin and piano, arr. Heifetz) (on 1945-11-30)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1843)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Nocturne no. 16 in E‐flat major, op. 55 no. 2: Lento
Frédéric Chopin3:53
3Vogel als Prophet (no. 7, Waldszenen, op. 82)
piano:
Emanuel Bay (on 1945-11-30)
violin:
Jascha Heifetz (violinist) (on 1945-11-30)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-30)
recording of:
Vogel als Prophet (for violin and piano, arr. Heifetz) (on 1945-11-30)
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Waldszenen, op. 82: VII. Vogel als Prophet. Langsam, sehr zart
Robert Schumann2:30
4Dance no. 4
piano:
Emanuel Bay (on 1945-12-01)
violin:
Jascha Heifetz (violinist) (on 1945-12-01)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-12-01)
recording of:
Dance no. 4 (for violin and piano, arr. Heifetz) (on 1945-12-01)
composer:
Alexander Krein (Russian composer)
piano and violin arranger:
Jascha Heifetz (violinist)
part of:
Works of Alexander Krein by opus number (number: 4)
arrangement of:
Dances, op. 50: No. 4. Allegretto in A minor
Alexander Krein1:31
5March (from The Love for Three Oranges)
piano:
Emanuel Bay (on 1945-11-30)
violin:
Jascha Heifetz (violinist) (on 1945-11-30)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-30)
recording of:
March from The Love for Three Oranges (for violin and piano, arr. Heifetz) (on 1945-11-30)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Suite from “Love for Three Oranges”, op. 33A: III. Marche (original for orchestra)
Sergei Prokofiev1:26
6Clair de lune (no. 3, Suite bergamasque)
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (violinist) (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune, pour violon et piano (for violin and piano, Roelens) (on 1945-11-29)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
arranger:
Alexandre Roelens
arrangement of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Claude Debussy3:37
7Golliwog's Cakewalk (no. 6, Children's Corner)
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (violinist) (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
Golliwog’s Cakewalk (for violin and piano, arr. Heifetz) (on 1945-11-29)
composer:
Claude Debussy (French composer) (from 1906-06 until 1908-07)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Children’s Corner, L. 113: VI. Golliwogg’s Cake‐Walk (original piano version)
Claude Debussy2:29
8Ao pé da fogueira (Preludio XV)
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (violinist) (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
Ao pé da fogueira (for violin and piano, arr. Heifetz) (on 1945-11-29)
composer:
Flausino Vale (Brazilian violinist and composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Ao pé da fogueira
Flausino Rodriques do Vale1:11
9Waves at Play
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (violinist) (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
Waves at Play (on 1945-11-29)
composer:
Edwin Grasse (American composer) (in 1914)
Edwin Grasse1:37
10The Swan (from Carnival of the Animals)
piano:
Emanuel Bay (on 1945-12-01)
violin:
Jascha Heifetz (violinist) (on 1945-12-01)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-12-01)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (for violin and piano, arr. Heifetz) (on 1945-12-01)
composer:
Camille Saint‐Saëns (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, part of orig. Carnival of the Animals, for cello and dual piano)
Camille Saint‐Saëns2:32
11Huella, op. 49 (Canción argentina)
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (violinist) (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
Huella, op. 49 (for violin and piano, arr. Heifetz) (on 1945-11-29)
composer:
Julián Aguirre (Argentinean composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Huella, op. 49 (for piano)
Julián Aguirre2:23
12Beau soir
piano:
Milton Kaye (on 1944-10-16)
violin:
Jascha Heifetz (violinist) (on 1944-10-16)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1944-10-16)
recording of:
Beau soir, L. 6, CD 84 (for violin and piano, Heifetz) (on 1944-10-16)
composer:
Claude Debussy (French composer) (from 1890 until 1891)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Beau soir, L. 6, CD 84 “Lorsque au soleil couchant les rivières sont roses” (for voice and piano)
Claude Debussy2:06
13Hills (no. 4, Pictures, op. 30)
piano:
Emanuel Bay (on 1946-02-16)
violin:
Jascha Heifetz (violinist) (on 1946-02-16)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1946-02-16)
recording of:
6 Pictures, op. 30: No. 4. Hills (for violin and piano) (on 1946-02-16)
composer:
Cecil Burleigh
dedicated to:
Gaylord Yost (American violinist and composer)
part of:
6 Pictures, op. 30 (for violin and piano)
Cecil Burleigh1:34
14Hungarian Dance no. 7
piano:
Emanuel Bay (on 1945-12-01)
violin:
Jascha Heifetz (violinist) (on 1945-12-01)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-12-01)
recording of:
Hungarian Dances: No. 7 in A major (for violin and piano, Joachim) (on 1945-12-01)
composer:
Johannes Brahms (German composer)
arranger:
Joseph Joachim (Hungarian violinist and composer)
arrangement of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 2, No. 7 in A major: Allegretto – Vivo
part of:
Hungarian Dances (for violin and piano, Joachim)
Johannes Brahms2:01
15Moto perpetuo
piano:
Emanuel Bay (on 1946-02-16)
violin:
Jascha Heifetz (violinist) (on 1946-02-16)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1946-02-16)
recording of:
4 Small Concert Pieces, op. 21: No. 4. Moto perpetuo (for violin and piano) (on 1946-02-16)
composer:
Cecil Burleigh
dedicated to:
Albert Spalding (violinist)
part of:
4 Small Concert Pieces, op. 21 (for violin and piano)
Cecil Burleigh1:10
16Viennese (Impression no. 12)
piano:
Milton Kaye (on 1944-10-18)
violin:
Jascha Heifetz (violinist) (on 1944-10-18)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1944-10-18)
recording of:
Viennese (Impression no. 12) (for violin and piano, arr. Heifetz) (on 1944-10-18)
composer:
Leopold Godowsky (pianist and composer)
piano and violin arranger:
Jascha Heifetz (violinist)
Leopold Godowsky3:45
17Humoreske in G-flat, op. 101 no. 7 (arr. in G)
piano:
Milton Kaye (on 1944-10-18)
violin:
Jascha Heifetz (violinist) (on 1944-10-18)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1944-10-18)
recording of:
Humoresque in G-flat major, op. 101 no. 7 (for violin and piano, arr. Heifetz) (on 1944-10-18)
composer:
Antonín Dvořák (composer) (in 1894)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Humoresque no. 7 for Piano in G-flat major, B. 187/7, op. 101 no. 7: Poco lento e grazioso (for piano)
Antonín Dvořák3:33
18Pièce en forme d'un habanera
piano:
Milton Kaye (on 1944-10-17)
violin:
Jascha Heifetz (violinist) (on 1944-10-17)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1944-10-17)
recording of:
Pièce en forme de habanera (for violin and piano, Catherine) (on 1944-10-17)
composer:
Maurice Ravel (French composer)
piano and violin arranger:
Georges Catherine
arrangement of:
Pièce en forme de habañera (original version for bass vocals and piano)
Maurice Ravel2:36
19Masque (no. 5, Romeo & Juliet piano suite, o. 75)
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (violinist) (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
Masque (for violin and piano, arr. Heifetz) (on 1945-11-29)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
10 Pieces from Romeo and Juliet, op. 75: No. 5. Masks
Sergei Prokofiev1:59
20Prelude in C-sharp minor, op. 34 no. 10
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (violinist) (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
24 Preludes, op. 34: No. 10. Moderato non troppo in C-sharp minor (for violin and piano, arr. Tsyganov) (on 1945-11-29)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer)
piano and violin arranger:
Дмитрий Цыганов (Dmitri Tsyganov)
arrangement of:
24 Preludes, op. 34, no. 10: Moderato non troppo in C-sharp minor
part of:
24 Preludes, op. 34 (for violin and piano, arr. Tsyganov)
Dmitri Shostakovich1:59
21Prelude in D-flat, op. 34 no. 15
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (violinist) (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
24 Preludes, op. 34: No. 15. Allegretto in D major (for violin and piano, arr. Tsyganov) (on 1945-11-29)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer)
piano and violin arranger:
Дмитрий Цыганов (Dmitri Tsyganov)
arrangement of:
24 Preludes, op. 34, no. 15: Allegretto in D-flat major
part of:
24 Preludes, op. 34 (for violin and piano, arr. Tsyganov)
Dmitri Shostakovich0:57
22Mélodie (from Orphée et Euridice)
piano:
Emanuel Bay (on 1945-11-30)
violin:
Jascha Heifetz (violinist) (on 1945-11-30)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-30)
recording of:
Mélodie (Dance of the Blessed Spirits) (for violin and piano, arr. Kreisler) (on 1945-11-30)
composer:
Christoph Willibald Gluck (composer) (in 1774)
piano and violin arranger:
Fritz Kreisler (Austrian‐American violinist and composer) (in 1913)
arrangement of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
Christoph Willibald Gluck2:52
23Hymn to the Sun (from Le coq d'or)
piano:
Emanuel Bay (on 1945-11-30)
violin:
Jascha Heifetz (violinist) (on 1945-11-30)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-30)
recording of:
Hymn to the Sun from The Golden Cockerel (for violin and piano, Kreisler) (on 1945-11-30)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
arranger:
Fritz Kreisler (Austrian‐American violinist and composer) (in 1919)
arrangement of:
The Golden Cockerel: Act II. Entrance and Aria of Queen Shemakha (Hymn in the Sunshine) (Shemakha)
Nicholas Rimsky-Korsakov3:03
24Figaro (Paraphrase on Largo al factotum from Il barbiere di Siviglia)
piano:
Milton Kaye (on 1944-10-17)
violin:
Jascha Heifetz (violinist) (on 1944-10-17)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1944-10-17)
recording of:
Figaro (for violin and piano) (on 1944-10-17)
composer:
Mario Castelnuovo‐Tedesco (Italian composer)
is based on:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro)
Gioachino Rossini5:16
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1Preludes: I. Allegro ben ritmato e deciso
piano:
Emanuel Bay (on 1945-11-28)
violin:
Jascha Heifetz (violinist) (on 1945-11-28)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-28)
recording of:
Three Preludes: No. 1. Allegro ben ritmato e deciso (for violin and piano, Heifetz) (on 1945-11-28)
composer:
George Gershwin (composer)
arranger:
Jascha Heifetz (violinist)
arrangement of:
Three Preludes: No. 1. Allegro ben ritmato e deciso (original version for piano)
part of:
Three Preludes (for violin and piano, Heifetz)
George Gershwin1:28
2Preludes: II. Andante con moto e poco rubato
piano:
Emanuel Bay (on 1945-11-28)
violin:
Jascha Heifetz (violinist) (on 1945-11-28)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-28)
recording of:
Three Preludes: No. 2. Andante con moto e poco rubato (for violin and piano, Heifetz) (on 1945-11-28)
composer:
George Gershwin (composer)
arranger:
Jascha Heifetz (violinist)
arrangement of:
Three Preludes: No. 2. Andante con moto e poco rubato (original version for piano)
part of:
Three Preludes (for violin and piano, Heifetz)
George Gershwin2:51
3Preludes: III. Allegro ben ritmato e deciso
piano:
Emanuel Bay (on 1945-11-28)
violin:
Jascha Heifetz (violinist) (on 1945-11-28)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-28)
recording of:
Three Preludes: No. 3. Allegro ben ritmato e deciso (for violin and piano, Heifetz) (on 1945-11-28)
composer:
George Gershwin (composer)
arranger:
Jascha Heifetz (violinist)
arrangement of:
Three Preludes: No. 3. Allegro ben ritmato e deciso (original version for piano)
part of:
Three Preludes (for violin and piano, Heifetz)
George Gershwin1:12
4Old Folks at Home
piano:
Milton Kaye (on 1944-10-18)
violin:
Jascha Heifetz (violinist) (on 1944-10-18)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1944-10-18)
recording of:
Old Folks at Home (for violin and piano, arr. Heifetz) (on 1944-10-18)
composer:
Stephen Foster (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Old Folks at Home (Swanee River)
Stephen Foster3:15
5From the Canebrake, op. 5 no. 1
piano:
Milton Kaye (on 1944-10-16)
violin:
Jascha Heifetz (violinist) (on 1944-10-16)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1944-10-16)
recording of:
From the Canebrake, op. 5 no. 1 (for violin and piano) (on 1944-10-16)
composer:
Samuel Gardner (in 1918)
Samuel Barber1:32
6Hexapoda (5 Studies in Jitteroptera): Gut-Bucket Gus
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (violinist) (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
Hexapoda: I. Gut-Bucket Gus (on 1945-11-29)
composer:
Robert Russell Bennett (American composer and arranger) (in 1940)
part of:
Hexapoda (5 Studies in Jitteroptera) (for violin and piano)
Robert Russell Bennett1:58
7Hexapoda (5 Studies in Jitteroptera): Jane Shakes Her Hair
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (violinist) (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
Hexapoda: II. Jane Shakes Her Hair (on 1945-11-29)
composer:
Robert Russell Bennett (American composer and arranger) (in 1940)
part of:
Hexapoda (5 Studies in Jitteroptera) (for violin and piano)
Robert Russell Bennett1:03
8Hexapoda (5 Studies in Jitteroptera): Betty and Harold Close Their Eyes
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (violinist) (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
Hexapoda: III. Betty and Harold Close Their Eyes (on 1945-11-29)
composer:
Robert Russell Bennett (American composer and arranger) (in 1940)
part of:
Hexapoda (5 Studies in Jitteroptera) (for violin and piano)
Robert Russell Bennett1:40
9Hexapoda (5 Studies in Jitteroptera): Jim Jives
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (violinist) (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
Hexapoda: IV. Jim Jives (on 1945-11-29)
composer:
Robert Russell Bennett (American composer and arranger) (in 1940)
part of:
Hexapoda (5 Studies in Jitteroptera) (for violin and piano)
Robert Russell Bennett0:59
10Hexapoda (5 Studies in Jitteroptera): ... Til Dawn Sunday
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (violinist) (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
Hexapoda: V. Til Dawn Sunday (on 1945-11-29)
composer:
Robert Russell Bennett (American composer and arranger) (in 1940)
part of:
Hexapoda (5 Studies in Jitteroptera) (for violin and piano)
Robert Russell Bennett1:46
11I Dream of Jeanie with the Light Brown Hair
piano:
Milton Kaye (in 1944-10)
violin:
Jascha Heifetz (violinist) (in 1944-10)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1944-10)
recording of:
Jeanie With the Light Brown Hair (for violin and piano, arr. Heifetz) (in 1944-10)
composer:
Stephen Foster (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Jeanie With the Light Brown Hair
Stephen Foster2:54
12Porgy and Bess: Summertime
piano:
Emanuel Bay (on 1945-11-28)
violin:
Jascha Heifetz (violinist) (on 1945-11-28)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-28)
recording of:
Porgy and Bess: Summertime (for violin and piano, arr. Heifetz) (on 1945-11-28)
composer:
George Gershwin (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
George Gershwin1:44
13Porgy and Bess: A Woman Is a Sometime Thing
piano:
Emanuel Bay (on 1945-11-28)
violin:
Jascha Heifetz (violinist) (on 1945-11-28)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-28)
recording of:
Porgy and Bess: A Woman Is a Sometime Thing (for violin and piano, arr. Heifetz) (on 1945-11-28)
composer:
George Gershwin (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Porgy and Bess: Act Ⅰ, Scene Ⅰ. “Lissen to yo’ daddy warn you … A woman is a sometime thing”
George Gershwin1:48
14Porgy and Bess: My Man's Gone Now
piano:
Emanuel Bay (on 1945-11-28)
violin:
Jascha Heifetz (violinist) (on 1945-11-28)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-28)
recording of:
Porgy and Bess: My Man's Gone Now (for violin and piano, arr. Heifetz) (on 1945-11-28)
composer:
George Gershwin (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
George Gershwin3:51
15Porgy and Bess: It Ain't Necessarily So
instruments:
Jascha Heifetz (violinist) (on 1945-11-28)
piano:
Emanuel Bay (on 1945-11-28)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-28)
recording of:
Porgy and Bess: It Ain’t Necessarily So (for piano and violin, arr. Heifetz) (on 1945-11-28)
composer:
George Gershwin (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
George Gershwin2:28
16Porgy and Bess: Bess, You Is My Woman
piano:
Emanuel Bay (on 1945-11-28)
violin:
Jascha Heifetz (violinist) (on 1945-11-28)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-28)
recording of:
Porgy and Bess: Bess, You Is My Woman Now (for violin and piano, arr. Heifetz) (on 1945-11-28)
composer:
George Gershwin (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
George Gershwin3:03
17Porgy and Bess: Tempo di Blues (There's a Bog Dat's Leavin' Soon for New York)
piano:
Emanuel Bay (on 1945-11-28)
violin:
Jascha Heifetz (violinist) (on 1945-11-28)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-28)
recording of:
Porgy and Bess: Tempo di Blues (for violin and piano, arr. Heifetz) (on 1945-11-28)
composer:
George Gershwin (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Porgy and Bess: Act III, Scene II. “There’s a Boat Dat’s Leavin’ Soon for New York”
George Gershwin2:51
18A la valse
piano:
Emanuel Bay (on 1944-10-17)
violin:
Jascha Heifetz (violinist) (on 1944-10-17)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1944-10-17)
recording of:
3 Pieces, No. 3: A la valse (on 1944-10-17)
composer:
Victor Herbert (American composer)
Victor Herbert1:35
19Jamaican Rumba
piano:
Milton Kaye (on 1944-10-16)
violin:
Jascha Heifetz (violinist) (on 1944-10-16)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1944-10-16)
recording of:
Jamaican Rumba (for violin or viola and piano, arr. Primrose) (on 1944-10-16)
composer:
Arthur Benjamin (Australian composer / pianist / conductor)
arranger:
William Primrose (violist)
arrangement of:
Jamaican Rumba (for orchestra)
Arthur Benjamin1:35
20Florida Night Song (no. 2, An Outlandish Suite)
piano:
Emanuel Bay (on 1945-11-28)
violin:
Jascha Heifetz (violinist) (on 1945-11-28)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-28)
recording of:
An Outlandish Suite: No. 2. Florida Night Song (on 1945-11-28)
composer:
Susan H. Dyer
Susan Dyer2:52
21Deep River
piano:
Milton Kaye (on 1944-10-18)
violin:
Jascha Heifetz (violinist) (on 1944-10-18)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1944-10-18)
recording of:
Deep River (arr. Heifetz, for violin and piano) (on 1944-10-18)
composer:
[traditional] (special purpose artist)
arranger:
Jascha Heifetz (violinist)
arrangement of:
Deep River
[traditional]2:18
22Levee Dance, op. 27 no. 2 (based on Go Down, Moses)
piano:
Milton Kaye (on 1944-10-16)
violin:
Jascha Heifetz (violinist) (on 1944-10-16)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1944-10-16)
recording of:
Levee Dance op. 27 no. 2 (for violin and piano) (on 1944-10-16)
composer:
Clarence Cameron White (US composer and violinist)
is based on:
Go Down Moses (spiritual)
Clarence Cameron White3:02
23Gweedore Brae
piano:
Milton Kaye (on 1944-10-18)
violin:
Jascha Heifetz (violinist) (on 1944-10-18)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1944-10-18)
recording of:
Gweedore Brae (for violin and piano, arr. Crowther) (on 1944-10-18)
composer:
[traditional] (special purpose artist)
piano and violin arranger:
John Crowther
[traditional]3:08
24Moderato assai (Mack the Knife) (from Die Dreigroschenoper)
piano:
Emanuel Bay (on 1945-11-30)
violin:
Jascha Heifetz (violinist) (on 1945-11-30)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-30)
recording of:
Seven Pieces from "The Threepenny Opera": No. 1. Song of Human Insufficiency / Mack the Knife (for violin and piano, arr. Frenkel) (on 1945-11-30)
composer:
Kurt Weill (composer)
piano and violin arranger:
Stefan Frenkel
part of:
Seven Pieces from "The Threepenny Opera" (for violin and piano, arr. Frenkel)
Kurt Weill2:16
25White Christmas
violin:
Jascha Heifetz (violinist) (on 1944-10-17)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1944-10-17)
conductor:
Salvador Camarata (on 1944-10-17)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1944-10-17)
instrumental recording of:
White Christmas (on 1944-10-17)
lyricist and composer:
Irving Berlin (from 1938 until 1940)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Allans Music Australia Pty Ltd, Irving Berlin Music Corp., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Williamson Music Company and Irving Berlin Music Company (from 1940 to present)
sub-publisher:
Irving Berlin Music Ltd., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 15th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1942 winner)
Irving Berlin3:18
26Lullaby (from Jocelyn)
piano:
Emanuel Bay
violin:
Jascha Heifetz (violinist) (on 1946-07-13)
vocals:
Bing Crosby (on 1946-07-13)
conductor:
Victor Young (American composer, arranger, violinist & conductor) (on 1946-07-13)
recorded at:
Decca Studios (Hollywood; fka Recordings, Inc. 1934–40, before Decca took it over) in Hollywood, Los Angeles, California, United States (on 1946-07-13)
recording of:
Jocelyn, op. 100: Acte II. Berceuse (catch-all for arrangements) (on 1946-07-13)
composer:
Benjamin Godard (French violinist and composer, 1849-1895)
arrangement of:
Jocelyn, op. 100: Acte II. Berceuse “Cachés dans cet asile” (Jocelyn, Op. 100: Act II. Lullaby “Angels Guard Thee”)
Benjamin Godard3:12
27Where My Caravan Has Rested
piano:
Emanuel Bay
violin:
Jascha Heifetz (violinist) (on 1946-07-13)
vocals:
Bing Crosby (on 1946-07-13)
conductor:
Victor Young (American composer, arranger, violinist & conductor) (on 1946-07-13)
recorded at:
Decca Studios (Hollywood; fka Recordings, Inc. 1934–40, before Decca took it over) in Hollywood, Los Angeles, California, United States (on 1946-07-13)
recording of:
Where My Caravan Has Rested (on 1946-07-13)
lyricist:
Edward Teschemacher
composer:
Hermann Löhr
part of:
Romany Songs
Hermann Löhr2:53

Credits

Release

part of:The Heifetz Collection (RCA Victor Gold Seal) (number: 19) (order: 16)
ASIN:US: B00004SNIQ [info]